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Shot this in the studio, be wanted the dark look to it so played with some layers in photoshop and dropped int a gradient. I'm not much of a photoshop expert but I don't think I did too bad for the look I wanted.
Strobist:
profoto d1 rear far left power 8
profoto d1 behind camera power 8
Both shot into hanging white baffle
Sync air remote system
Nikon d700
Well I tried to get there when sun was still shining orange from horizon and have light patterns on my face...did not make it, so this had to do.
Made with parts laying around. Opto-isolated safe sync. 400V 10 Amps peak.
The Safe sync can be unplugged and the "FS1100" adapter returns to a normal modern flash adapter.
You can find the schematic over at http://flickr.com/photos/oid-w/2973571741/
The Sync piano Eve Risser flauto Sylvaine Hélary violoncello Fred Lonberg-Holm percussioni Mike Reed
showing to utility of a high flash sync to overpower daylight. The exposure is done for the outside, 1/250s+f/16, upper left. With the same exposure, a SB-600 at full power on camera with give the lower left result.
With a lower sync speed, 1/125 and corresponding f/22 aperture to keep the same exterior exposure, you get the lower right photo. With a higher 1/1000s sync and f/8, you get the upper right photo.
Testing the high speed sync on the Fuji.
1/2000 with on camera flash, with my new TCL - X100 50mm conversion lens.
One negative of the large lens is that it does partially block the on-camera flash, as you can see in his right leg. Another reason to use an off camera one.
SOOC except for cropping, using the Velvia in-camera preset
© 2014 Ben Kennedy
I was trying to see if I could creatively use my 5D's flash sync speed. Tried it on our couple.
1/500, f/2.5, ISO 1600
SB800, lowest setting triggered by a pocketwizard, ledlenser flashlight
Here the mirror housing with the new half mirror is installed in the rangefinder housing. Since the tube at the back side is still removed, you can easily put the mirror housing at its correct position.
strobist: Nikon SB900, 1/2 CTO, Auto FP High speed sync, no diffuser or box, flash to the right of the camera
How to sync Microsoft OneDrive on Linux
If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com
Setup image for the 2nd curtain sync speed comparison experiment: www.flickr.com/photos/gerard_maas/6226030554/in/photostream
This is the back of the Box Brownie Flash II shutter assembly. It is easily removed from the camera, as described in a manual easily found on-line. Basically, you pull the front off the camera, remove any screws in the sides of the camera (in this case, two in the shutter control plate, one in the flash contact plate), and pull the whole assembly out by the top right corner gently easing it from where it is clipped into a couple of indentations in it's right edge as you do so. If you get it right, no great force is needed. Lift out the right hand side first and the shutter button and selector gubbins can be eased out of their holes.
The pin (see image) is directly attached to the shutter leaf. When the shutter opens, the pin moves away from the brass lever. A torsion spring causes the lever to pivot anti-clockwise, and the other end of the lever makes the connection with contact 1, completing the circuit when the flash is attached. Note that the spring is itself part of the circuit. Kodak hates using a component for a single job when it can do two.
The timing is designed so that the contact is made fractionally before the shutter is fully open, to allow a traditional flashbulb to reach full brightness. If you want to use an electronic flash, you have to retard it a bit or you only get partial illumination. I chose to bend contact 1 away from the end of the lever slightly, using a pair of needle nose pliers, so the lever has to travel just a little further before it contacts. As the shutter assembly is still functional while out of the camera, it is easy to visually test the sync before reassembly. Find somewhere darkish, look directly at the shutter and set it off to fire the flash. It is obvious if the shutter is fully or only partially open as you will briefly see the hole looking like a little moon. Full is good. Gibbous or crescent is bad.
It's a bit of a wiggle to get it back in place in the camera body but basically the reverse of removal. Don't force anything!
Want to learn about slow sync flash?More information about learning flash photography at www.ASISO.net
Studio Suite
Utilizing tools that the director has at hand, the Studio Suite is the system that can run a full production show. Utilizing some of the same software as the Filmer's Suite but adding the ability to synchronize video feeds from different camera sources, automatic color correction between cameras with video sync, works with virtually any camera, WIFI compatibility with audio and video sources and/or direct network, connection to other video sources over the Internet, can be used for presentation displays, record up to 3 HD sources at one time per server, clear slo-mo playback expansion packs depending on camera specs, adaptable to any type of usage, and works with Office 365 SharePoint or any SharePoint setup by using custom templates that can be installed and work with this suite.
Low Cost
Software for server should be low, no more than $99 per server and license, $299 for pro pack expansion (to be decided later).
Mobile phone software should be free, but cannot be used with the main software or access to the Office 365/SharePoint account. FREE
AnyCam Amateur Rack - connects any camera or video sources, transmitting via WIFI or network to the server. $99
GUEST Smartphone video can be synced with file-name entries and time code. FREE
- a separate mobile phone download can be used for this setup if a guest smartphone cam is used. FREE
Remote Tripod will connect to the AnyCam Amateur Rack or SereDev compatible cameras. $129 for amateur, $299 for pro.
SereDev cameras can cost anywhere between $399 and $10,000 depending on feature, manufacturer, and cost.
AnyCam Pro Rack can connect to the camera controls for remote camera use. $199
A mic can be instantly wireless via WIFI with WIFI Audio connectivity.
A/D inputs can be used with use of third party devices, we will help set this up if needed.
Lights
Compatible with DMX controllers.
Music
If there is a band who uses USB keyboards and devices, no need to mic the instruments. MIDI wireless and USB wireless can be used to control just about any sound pack available. The performer can use a tablet or smartphone to change sound, voice, pitch, and effect, or it can be programmed to follow a beat that can be preset to change automatically for concert venues.
Compatibility
Even though Windows Phone 8 and Windows 8 tablets will be the selling point for this, the software utilizing HTML5 can be used on iOS devices and Android.
Smartphones
Limited control to the entire studio depending on the permissions settings in Office 365/SharePoint site.
Tablets
Full controls utilizing the touch screens to control audio, lights, video switching, etc. Depending on budget, multiple tables can be used as switch boards.
Analog Control Feel
Also USB controlled mixing boards and light boards can also be used for those who are into knobs and levers.
Venues
Churches, concerts, live events, studios, etc.
WIFI
Settings up a chain of WIFI nodes may be needed for large venues making sure that the WIFI is covered. Traditional WIFI should be okay. Commercial WIFI will be provide more security. For smartphone broadcast and sharing from guest, a separate WIFI can be setup for open WIFI to capture guest video live.
Guest Smartphone - for live events, this will be a cool feature. If a user is directed to an app store, utilizing Microsoft Tag app link, it will direct the user to the downloads page to their OS app store. It will be a Guest Smartphone App. After installing the app, there will be a prompt asking the user to remind of uninstall in a set amount of hours. On a large sign at the live venue, all the user has to do is connect to the local WIFI. It will be recommended that the WIFI is connected to the Internet so to not cut off the users normal data. If the public WIFI is not available, then a QR Code can then be used to direct the users to a launch file that will launch the app. The video is then recorded into the phone's SD card where the default location for storing video is set and transmitted to the server. The server can record all video coming from the camera directly. If the director chooses, the director can place the video live in the feed.
In editing, because three HD feeds can be recorded at the same time, the director can always edit out the footage without pain because of the synced time code within the video file itself.