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Joining one module, which essential is made up of four of the same modules mirrored at 3 axis

Fake McDonald's Fast Food Restaurant Billboard Times Square Broadway - Midtown Manhattan West fast foods Restaurants 2019 New York City restaurants NYC January 01/07/2019 building exterior facade architecture inns burger joint McDonalds hamburger hamburgers line queue eats gourmet like foodstuffs cheap Now Open but flat paper surface possible new location Future Automat

Another picture from my hike in Red Top Mountain State Park. This is fungi and algae growing on a downed tree.

Hand-made stencils, stamps - printing, stenciling and needle-nose bottle with thickened procion dye

“Life just seems so full of connections. Most of the time we don't even pay attention to the depth of life. We only see flat surfaces.”

- unknown

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Audi RS3 before & after an AMDetails Single Stage Detail at AMDetails. Elgin. Moray.

 

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A surfacing frog in the early spring sun.

Seifert surfaces are orientable surfaces whose boundary forms a knot or link. This is a Seifert surface of the trefoil knot. See my website if you want instructions on making these!

laminate flooring handscratched surface

piso laminado

Color 8077#

size:1215x195x8.3mm/810x130x12.3mm/1212x194x8.3mm/1215x195x7mm/1215x165x12.3mm etc

overlay: AC1-AC4

HDF: 880-1100g/m3

Core: white/green

surface: small embossed,big embossed,medium emboss,crystal,silk,feather silk,gossy,mirror,hand scrathed,imitating real wood,etc

balance paper: brown,red,green,grey,etc

Click: double click,single click,unilin,arc click

bevel: streight,u-groove,v-groove

packing: pack by three layers corrugated paper boxes and wooden laminated pallets

Quick-Look Hill-shaded Colour Relief Image of 2014 0.50m LIDAR Composite Digital Surface Model (DSM).

 

Data supplied by Environment Agency under the Open Government License agreement. For details please go to: www.nationalarchives.gov.uk/doc/open-government-licence/v...

 

For full raster dataset go to: environment.data.gov.uk/ds/survey

 

The Fort Knox energy team demonstrated during an Energy Security Project ribbon-cutting ceremony Wednesday the installation’s capability to operate independently of external power sources using natural gas from beneath the post’s surface – a first for a U.S. military installation.

The project was originally conceived to address mission readiness issues experienced in 2009 when an ice storm left Fort Knox and much of Kentucky without power for several consecutive days.

The harvesting of renewable methane gas on post in recent years and the installation’s six new energy substations that include gas generators now allow Fort Knox to continue 100 percent of its operations if power from the external utility provider is cut off. The post’s 3.7 megawatts of solar arrays and 6 million square feet of building space that is heated and cooled using geothermal energy has allowed the post to reduce its dependency on using other power sources, such as gas, as well.

“We’re giving back gold to the taxpayers,” said Garrison Commander Col. T.J. Edwards. “Our (Directorate of Public Works) estimates that we will save about $8 million per year from peak shaving.”

Peak shaving des-cribes another primary purpose of the Energy Security Project – switching to Fort Knox-produced power when energy demand strains the off-post energy utility, which is also when costs to purchase energy are at its highest. Com- bined with the savings achieved through geothermal heating and cooling, Fort Knox’s annual energy utility bill is projected to be $18 million less.

“Our energy team is special,” said Edwards. “We’ve won nine conse- cutive Secretary of the Army energy awards. But we don’t sit on our laurels. We’re constantly getting after it, asking how do we get better.”

Katherine Ham-mack, the assistant secretary of the Army for Installations, Energy and Environment, addressed the criticality for installations to maintain operating capability at all times.

“Energy security underwrites our unique ability to rapidly de- ploy, employ and sustain military forces around the globe, she

said. “And it’s for that

reason the Army is moving toward building resilience into our installations.”

Fort Knox’s ability to achieve this “resilience” was credited by the secretary and garrison commander as a result of Fort Knox Director-ate of Public Works, contracting command and legal officials working to establish partnerships with third parties whose expertise is in the energy field. As an example, Edwards singled out Brandon Marcum, an engineer and Harshaw Trane subcontractor for Nolin RECC, as a central figure in creating and developing the concept that became the Energy Security Project.

“We have authorities to work with third parties, leveraging core competency, capability and funding to enable us to meet our mission,” said Hammack. “The private sector partners have stepped up to help the Army in meeting our mission requirements.”

Nolin RECC staff gave the audience of about 150 area and military leaders, Fort Knox employees and area community members an inside look at its energy security bunker through a live video stream. Attendees were told how all of the systems function to achieve energy independence and peak shave. The built-in redundancies to prevent power failure – such as an off-site energy security bunker and the multiple, secured substations – were touted as well during the demonstration.

The formal celebration of the occasion involved a unique twist. Dignitaries and Army leaders didn’t cut a ribbon, they unplugged a ribbon. The ribbon was an LED cord, and when it was unplugged in the middle, the side connected to the Fort Knox power source stayed lit, symbolizing Fort Knox’s energy independence.

“Kentucky is very proud of the efforts here,” said Dave Thompson, Kentucky Commission on Mili-tary Affairs executive director. “We see Fort Knox as a growing in- stallation with undeniable potential for the future. Job well done.”

For more information about Fort Knox’s energy initiatives, read Capt. Jo Smoke’s story in the March 26 edition of The Gold Standard, titled “The Army’s only green island: 20 years of energy investments pay off,” which can be found at bit.ly/1FY4MT5. To learn more about the Energy Security Project visit youtu.be/CxNH7m0cdfw.

 

Photo By Renee Rhodes Fort Knox Photo

 

I actually didn't like the default soft touch keyboard. It does not have any tactile feeling. The regular Surface has an ARM processor and runs on Windows RT. It comes with Windows Office 2010. Since the processor is not compatible with x86, there are lot of legacy software you cannot run on the regular Surface. What I am waiting for is the Surface Pro which has the Intel i5 Ivy bridge processor, USB3, and maximum of 128GB SSD of storage. It runs on Windows 8, so that means legacy software is supposed to be compatible. The Surface Pro won't be available for another 90 days and would cost around $1K for the basic 64GB SSD version. Windows Office 2010 is not included; however, the trial version is pre-installed.

This application allows you to drag and drop photos around, a well as pinch and pull photos to resize.

160816-M-PC671-319

 

Army Brig. Gen. Sean Gainy greets a soldier with Bravo Battery, 1st Battalion, 1st Air Defense Artillery Aug. 16 on Marine Corps Air Station Futenma. The Battery 1-1 ADA preformed Patriot Battery Certification training in which they simulated missile defense for the island. The Patriot Air and Missile Defense System is a surface-to-air defense capability designed to detect, target and destroy incoming missiles or aircraft. Gainy is the commanding general of the 94th Army Air and Missile Defense Command in Hawaii.

 

Photo by Cpl. Jessica Collins.

Golden Gardens Park, Seattle.

laminate flooring handscratched surface

piso laminado

Color 26440#

size:1215x195x8.3mm/810x130x12.3mm/1212x194x8.3mm/1215x195x7mm/1215x165x12.3mm etc

overlay: AC1-AC4

HDF: 880-1100g/m3

Core: white/green

surface: small embossed,big embossed,medium emboss,crystal,silk,feather silk,gossy,mirror,hand scrathed,imitating real wood,etc

balance paper: brown,red,green,grey,etc

Click: double click,single click,unilin,arc click

bevel: streight,u-groove,v-groove

packing: pack by three layers corrugated paper boxes and wooden laminated pallets

Melbourne based street artist Rone (Tyrone Wright) used the decaying glory of the 1933 Harry Norris designed Streamline Moderne mansion, Burnham Beeches in the Dandenong Ranges' Sherbrooke, between March the 6th and April 22nd to create an immersive hybrid art space for his latest installation exhibition; "Empire".

 

"Empire" combined a mixture of many different elements including art, sound, light, scent, found objects, botanic designs, objects from nature and music especially composed for the project by Nick Batterham. The Burnham Beeches project re-imagines and re-interprets the spirit of one of Victoria’s landmark mansions, seldom seen by the public and not accessed since the mid 1980s. According to Rone - Empire website; "viewers are invited to consider what remains - the unseen cultural, social, artistic and spiritual heritage which produces intangible meaning."

 

Rone was invited by the current owner of Burnham Beeches, restaurateur Shannon Bennett, to exhibit "Empire" during a six week interim period before renovations commence to convert the heritage listed mansion into a select six star hotel.

 

Rone initially imagined the mansion to be in a state of dereliction, but found instead that it was a stripped back blank canvas for him to create his own version of how he thought it should look. Therefore, almost all the decay is in fact of Rone's creation from grasses in the Games Room which 'grow' next to a rotting billiards table, to the damp patches, water staining and smoke damage on the ceilings. Nests of leaves fill some spaces, whilst tree branches and in one case an entire avenue of boughs sprout from walls and ceilings. Especially designed Art Deco wallpaper created in Rone's studio has been installed on the walls before being distressed and damaged. The rooms have been adorned with furnishings and objects that might once have graced the twelve original rooms of Burnham Beeches: bulbulous club sofas, half round Art Deco tables, tarnished silverware and their canteen, mirrored smoke stands of chrome and Bakelite, glass lamps, English dinner services, a glass drinks trolley, photos of people long forgotten in time, walnut veneer dressing tables reflecting the installation sometimes in triplicate, old wire beadsteads, luggage, shelves of books, an Underwood typewriter, a John Broadwood and Sons of London grand piano and even a Kriesler radiogramme. All these objects were then covered in a thick sheet or light sprinkling of 'dust' made of many different things including coffee grinds and talcum powder, creating a sensation for the senses. Burnham Beeches resonated with a ghostly sense of its former grandeur, with a whiff of bittersweet romance.

 

Throughout the twelve rooms, magnificent and beautifully haunting floor-to-ceiling and wall-to-wall portraits of Australian actress Lily Sullivan, star of the Foxtel re-make of Picnic at Hanging Rock, appear. Larger than life, each portrait is created in different colours, helping to create seasonal shifts as you move from room to room.

 

Although all the rooms are amazing for many different reasons, there are two major standouts. The Study features walls of books covered with a portrait of Lily Sullivan, and the entire room is partially submerged in a lake of black water with the occasional red oak leaf floating across its glassy surface. The Dining Room features two long tables covered in a Miss Havisham like feast of a trove of dinner table objects from silverware and glassware to empty oyster shells and vases of grasses and feathers.

 

The Dining Room installation I found especially confronting. In 1982, I visited Burnham Beeches when it was a smart and select hotel and had Devonshire tea in the dining room at a table alongside the full length windows overlooking the terraces below. I was shocked to see a room I remember appointed with thick carpets and tables covered in gleaming silver and white napery, strewn with dust and leaves, and adorned with Miss Havisham's feast of found dining objects.

 

I feel very honoured and privileged to be amongst the far too few people fortunate enough to have seen Rone's "Empire", as like the seasons, it is ephemeral, and it will already have been dismantled. Rone's idea is that, like his street art, things he creates don't last forever, and that made the project exciting. I hope that my photographs do justice to, and adequately share as much as is possible of this amazing installation with you.

 

Gili Meno,

Lombok - Indonesia

A demonstration of Microsoft Surface.

Garbage Pail Kids

Garbage Pail Kids is a series of trading cards produced by the Topps Company, originally ...

 

Lunar surface detail taken with Celestron 9.25 on Cgem and ZWO ASI120mm-s

A misty morning at Thorney Island near Portsmouth.

surface embroidery and agate chips. Monochrome piece for sumptuous surfaces class.

Not really, but that's what it reminded me of

Fuji X-Pro1

14mm

Pompeii, the ancient town destroyed by Vesuvius in AD 70

Tweetup mit Microsoft Schweiz. Einladung zum Surface Pro Launch / Bratwurst Test.

 

Wir bedienen das Gerät mit einer Bratwurst. Es funktioniert einwandfrei.

This turtle rose above the water, showing just a bit of his face.

It's the Grunge for Surfaces texture created in the Filter Forge plugin. It can be seamless tiled and rendered in any resolution without loosing details.

You can see the presets and download this texture for free on the Filter Forge site here — www.filterforge.com/filters/13040.html (created by raabix)

To use this texture download Filter Forge 30-day trial for free here — www.filterforge.com/download/

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