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AltS©

 

On my Mom's MacBook.

A view of the water surface from below

The hard part is finished. Now I need to cut the old rolling frame apart and weld it back together in a smaller size to fit this.

 

The three "feet" of the support are adjustable for leveling. They are located at the "Airy points".

 

This portion of the stand will be welded to a frame with a vertical member at each corner, a lighter (thinner material) angle-frame at the bottom, and four casters. Said frame already exists, and has already donated a portion of its body to this project: the gray-painted members on the left and right in this photo.

 

All that remains is to cut it in two places and reweld it so that it is smaller in plan view and thus fits the dimensions of THIS part.

 

It will want painting after that, of course.

I have no idea what the guy on the left is doing!

 

Taken at Toronto's Polar Bear Dip during the Toronto Photo Walks group's 2013 Hair of the Dog Walk!

Rolleiflex Planar 2.8F

Velvia 100

Experiment felting with mohair, blogged about at www.clasheen.wordpress.com/ .

 

Dyed wool locks, merino yarn, silk thread, felt trapped underneath silk chiffon, thick silk fabric (bottom left), metallic thread, wool neps, linen and nylon fibres in a base of 100% mohair fibre.

Next, conservators tested the paper's ability to withstand removal of residual surface dirt and dust left on the pages. By viewing the paper under a microscope, they observed the stability of the paper fibers as they brushed the surface with a soft, goat hair-brush. After being assured the action was safe for the object, conservators cleaned the surface of all of the folios with a soft brush. Throughout the entire conservation treatment, all extraneous material found between the pages was meticulously labeled and preserved as part of the artifact's historical record.

 

Learn more.

Perlin Noise to Surface_Constrain module (find it on vvvv.org)

Photo by Lynn Willis, flight courtesy of Southwings

 

For high-resolution images and permission to use these images in media or for educational purposes, please email comms@appvoices.org

Lunar surface in very poor seeing 152 maksutov scope and QHY5Lii planetary camera.

Video stacked in PIPP, AS2 and processed with Registax6 and PS.

just take a shot of the wall at the side of my room at or backyard

Foto Promocional da Banda Surface

Water still flowing underneath the ice...

Rain drops on Canvas.

Anchored off Portsmouth in Dominica. It rained last night.

The large pond next to the palace, with a surface of four hectares, was made during the reign of Henry IV, and was used for boating parties by members of the Court, and as a source of fish for the table and for amusement. Descriptions of the palace in the 17th century tell of guests feeding the carp, some of which reached enormous size, and were said to be a hundred years old. The small octagonal house on an island in the center of the lake, Pavillon de l'Ètang, was added during the reign of Louis XIV, then rebuilt under Napoleon I, and is decorated with his initial.

The English garden also dates back to the reign of Henry IV. In one part of the garden, known as the garden of pines, against the wing of Louis XV, is an older structure dating to Francis I; the first Renaissance-style grotto to be built in a French garden, a rustic stone structure decorated with four statues of Atlas. Under Napoleon, his architect, Maximilien-Joseph Hurtault, turned this part of the garden into an English park, with winding paths and exotic trees, including the catalpa, tulip trees, the sophora, and cypress trees from Louisiana, and with a picturesque stream and antique boulders. The garden features two 17th century bronze copies of ancient Roman originals, the Borghese gladiator and the Dying Gladiator. A path leads from the garden through a curtain of trees to the spring which gave its name to the palace, next to a statue of Apollo.

laminate flooring handscratched surface

piso laminado

Color 8252#

size:1215x195x8.3mm/810x130x12.3mm/1212x194x8.3mm/1215x195x7mm/1215x165x12.3mm etc

overlay: AC1-AC4

HDF: 880-1100g/m3

Core: white/green

surface: small embossed,big embossed,medium emboss,crystal,silk,feather silk,gossy,mirror,hand scrathed,imitating real wood,etc

balance paper: brown,red,green,grey,etc

Click: double click,single click,unilin,arc click

bevel: streight,u-groove,v-groove

packing: pack by three layers corrugated paper boxes and wooden laminated pallets

Maker: Etienne Carjat (1828-1906)

Born: France

Active: France

Medium: photogravure - Rousselon process

Size: 5" x 7"

Location:

 

Object No. 2017.1074

Shelf: E-44

 

Publication: David Hanson, Checklist of Photomechanical Processes and Printing 1825-1910, 2017, pg 121

 

Other Collections:

 

Notes: Invented by Henri Rousselon, head of Goupil's in-house photography studio in 1872, who described his process as follows: “The value of our process of photogravure consists in the possibility of obtaining, by means of light, an etched copper-plate exactly like the ordinary copper-plate, and giving all the gradations of tone and half-tone, as drawn by nature in the ordinary photograph. Our process is founded on the discovery of a chemical substance which crystallizes under the influence of light, the crystals becoming larger the longer they are exposed to it. After exposure it only remains to make a deposit of copper, by means of the electric battery, on the crystalline surface, and thus a plate is obtained yielding proofs in which every detail and gradation of tone is faithfully reproduced.” Walter Bentley Woodbury, the inventor of the woodburytype, asserted that the Goupil process was based on a suggestion made by him to Goupil around 1870. According to Donald Cameron Swan, the process was based on his father’s (Swan’s) photo-mezzotint process. Goupil and its successor, Boussod, Valadon & Cie, used the process extensively for art reproduction, less frequently for printing original photographs. The overall excellence of a Goupil gravure –the density of black, the separation of tones, and the clear, crisp quality of the image– was never surpassed by any other gravure method, according to many sources. (source: photoconservation.com)

 

Victor-Marie Hugo, vicomte Hugo (26 February 1802 – 22 May 1885) was a French Romantic writer and politician. During a literary career that spanned more than sixty years, he wrote in a variety of genres and forms. His most famous works are the novels The Hunchback of Notre-Dame (1831) and Les Misérables (1862). In France, Hugo is renowned for his poetry collections, such as Les Contemplations (The Contemplations) and La Légende des siècles (The Legend of the Ages). Hugo was at the forefront of the Romantic literary movement with his play Cromwell and drama Hernani. Many of his works have inspired music, both during his lifetime and after his death, including the opera Rigoletto and the musicals Les Misérables and Notre-Dame de Paris. He produced more than 4,000 drawings in his lifetime, and campaigned for social causes such as the abolition of capital punishment and slavery.

 

To view our archive organized by Collections, visit: OUR COLLECTIONS

 

For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE

Impulse Dual sit/stand consoles from Winsted provide your operators with the freedom of movement to increase energy and reduce fatigue.

 

Impulse Dual sit/stand consoles offer two independently adjustable, ergonomically curved work surfaces.

 

Operators can sit or stand freely and consoles are adjustable to meet the needs of each individual.

  

Consoles are fully compliant with ISO ergonomic standards and OSHA ergonomic guidelines.

 

www.winsted.com/impulse-dual-sit-stand-consoles/

AQUARIUM ZEN

SEATTLE, WA

 

Tropical Fish Store, Aquatic Plants & Nature Aquarium Supplies

 

Seattle's source for aquascaping inspiration.

So quiet in the Moylish Commons after 5PM.

I found this leaf on the ground on a walk with my wife and one of my daughters. I was on the look out for studio subjects and this became one of them. I mounted it on the window glass backlit by later afternoon sunshine. I used my macro lens and extension tubes tripod mounted for this shot. A bit of cleaning up in photoshop.

"..Let's not just talk about love; let's practice real love. This is the only way we'll know we're living truly, living in God's reality. It's also the way to shut down debilitating self-critism, even when there is something to it. For God is greater than our worried hearts and knows more about us than we do ouselves." ! John 4

2010 Spook Splash

Lander, Wyoming

 

www.brantnyberg.com

Experimental Surfaces

the workroom studio

Toronto, ON

June 2016

Osteoblast on polymer surface. Red: vinculin; green: actin; blue: nuclei.

Photo has been processed for contrast. As significant information might be

lost, it is only suitable for illustration of concepts.

This is my second pattern that I deconstructed. It is from the Print & Pattern Book 1 from Beth Gunell.

 

When I started to count the amount of colours, the different motifs and the small details, I discovered the intricity of the design and how it did work. In this design the amount of different colours is just amazing, though the pattern itself seems to be 'pink' at first sight.

 

I really loved doing this exercise. It opened my eyes and gave me good ideas of how I could expand the possibility of my own motifs.

 

This exercise might also be a good warmup if you get stuck somewhere in designing patterns. Not to copy these designs, but really seeing how another designer made a pattern work.

New path surface on Sandlings Open Space. The choice of gravel rather than limestone chippings seems a little unfortunate given that it made it really difficult for bicycles and buggies.

A Kayaker shows an amazing look on his face after having flipped over in the rushing waters of the Arkansas River. These images were taken on the weekend of the 61st annual FIBARK (First In Boats On The Arkansas) Festival held in Salida, Colorado.

so many textures in a water surface reflection!

//

non solo carte marmorizzate...

There's a scary amount of pollen around at the moment, surrounded by fields of rape-seed (canola) at the moment, including drifts of it in the cracks in concrete. Figured I'd go and get some nice macro shots of water droplets on the leaves outside and lo and behold, more pollen!

 

I had to up the ISO and shutter speed since the wind was blowing the pollen around in the droplets, which is also an effect I might try to capture at some point.

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