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"Submission" from Liver and Lung Productions was another show on my initial list that I didn't manage to fit in :-(
Our first 366 submission taken and edited by LT! Give him a round of applause, everyone!
Garlic, yum. Empty bottle of Malbec in the background, double yum.
10/366
This is my final submission for the concert poster project. I chose to go with more geometric shapes to match the aesthetic of the school, as well as modernism being very square in style. In addition to that I chose a color palette that highlights the time of when the concert takes place, as they represent Spring evolving into summer; which seems to take place during the month of May.
Last year, I tried to go further than my 2009/2010 pics of Submission, by getting the full hour glass effect.
Only for my hopes to be dashed when the other arm was working instead! But, at least for the preview weekend, I finally got the shot I wanted!
Submitted interior design element for an under construction, huge up-scale log-built lodge. This is for full coverage of the dining room‘s uninterrupted 14x32 foot wall. Large bank of plate glass windows to right facing the lake and the surrounding pine forest. Client wants something “over-the-top” dramatic and dynamic that will complement the warmth of the log and stone interior.
Of course, if I was to put this into my dining room at full size, I would have to trim 6 feet off the top or bottom. However, the length would be handy as it would be a continuous wrap for all four walls - eliminating the need to “balance” the other walls with some other decorative element. On the other hand, the dynamic element would be sacrificed to necessity by needing essential cuts to accommodate the singular window and door. In the end - in my mind’s eye and in my dining room - the effect might be so “over-the-top” that it would make me and my dining guests feel like we were chipmunks in a hollowed log and might be crushed any moment.
Returning to sanity, with uncommon effort, I will accept present circumstances by keeping to the current bare, neutral walls now adorning the walls and allow the “dramatic and dynamic” to be expressed on dinner plates and the gentile conversations of the dinner guests. Anyone for dessert?
My "Most Interesting" photos can be seen here:
www.flickriver.com/photos/charles_soper/popular-interesting/
Send a pic of you and your friends to the Moonshine Bandits and get the
opportunity to have your pic added to the Shiner Nation Photo Album.
Surfer Dudette! Puppy-in-training Amena posing on a surfboard at the beach. Submitted by David and Wendy Harris.
A field of yellow blooms brightens this country setting as
motorist drive through the area on Cr 39.
May 27, 2015
Photo by Julie Johanboeke
chlorr-no-face submitted: Hey! I recently went to The Cummer Museum in Jacksonville Florida and I saw some POC in some paintings and I thought of this blog, which I adore. I guess this is going to come in as a few different submissions because I can’t figure out how to do it otherwise but I’ll put captions with all the info and what detail shots belong to which larger paintings. Please excuse the crappy iPhone quality and the weird lighting, I did try to make sure you could actually see the POC. This first one: The Continence of Scipio, Jan Steen (1626-1629), Dutch, late 1600’s, oil on canvas.
Send a pic of you and your friends to the Moonshine Bandits and get the opportunity to have your pic added to the Shiner Nation Photo Album.
Design Statement - Abstract
The courtyard is the new focus of the Museum and a new place for the town to engage with its’ Museum and art gallery. The courtyard space provides an area suitable for public sculpture display that can contribute to the street scene.
The courtyard is veiled by a screen to the front elevation. The screen maintains the strong traditional building line of the street but invites visual penetration to the semi public space of the courtyard. The screen and the courtyard beyond reinforce the entrance by giving it a new relevance to the surrounding gallery spaces. The screen has been developed in collaboration with an artist and holds the possibility of being renewable as part of future artists’ projects. The suggested design has a vibrant arts and crafts motif formed by two layers of suspended pressed metal and reflects on the city’s Regency ironwork heritage.
The existing entrance is retained as an entry point from the street but inside the space is given new meaning by virtue of its’ aspect to the courtyard and the visible connection with the gallery floor. A new escalator is able to rapidly convey visitors up two levels to the start of their journey through the gallery spaces.
The new gallery arrangement is intended to connect into the existing Museum and reinforce the east–west axis. The exhibition spaces are treated as a series of varying sized rooms in a flexible arrangement where the display areas can be extended to include the spaces of the Hospitality Suite and meeting Room. The Temporary Exhibition space is located on the top level in order to maximise hanging heights, natural lighting and flexible wall arrangements.
The building will fully embrace current agendas for sustainability and energy efficiency, maximising the use recycled materials and products from renewable sources, ensuring high levels of insulation, built-in thermal mass, reducing solar gains, maximising use of natural lighting, natural ventilation with summer cooling. A “green wall” creates moist area in the courtyard for evaporative cooling and a cool oasis for drawing air into the building. Roof lights, wall boxes and screened light are used to introduce and control daylight. A large section of roof is sloped facing south and would be used for either photovoltaics or solar collectors.