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Styling card
Outfit : M&M-MOLLY PANT AND JACKET MESH
Hair : >TRUTH< Isla - dark browns
Jewels : Lazuri Diona set complet
maps.secondlife.com/secondlife/Art/45/75/37
Link Blog : fredericascorpio.over-blog.com/m-m-style-moreno-forwzy.html
hahaha... look the style of my mother, =P i take this photo when i put in her my diving eyeglasses! funny!
Olha o "style" da minha mãe!!! Quando colequei o óculos de mergulho nela, hahaha tem cada um nesse mundo!
UWI In Style
Designers:
Indian Ocean Style - Segment 1
Meiling Esau
Neha Dawar
Charu Lochan Dass
Afro Chic Ocean Style - Segment 2
Donna Pemberton
Shaun Griffith Perez
SM Warner
Ted Arthur
Christian Boucaud
Caribbean Couture - Segment 3
Heather Jones
Ecliff Elie
Claaudia Pegus
(Photos are not to be modified, re-edited, watermark removed, re-posted without accreditation or to be reused for any level of commercial use...)
Featured on Blog.modcloth.com
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Historic 1927 Fire Station No. 13 in Seattle, Washington. The Mission Revival style fire station was designated as a City of Seattle Landmark in 2010.
A National Historic Landmark
New York County, NY
Listed in NR: 06/24/1986
Designated an NHL: 06/24/1986
Known throughout the world for its unparalleled art collections, the Metropolitan occupies a mammoth structure whose origins date back to 1874. Expanded over the years, the museum is identified most closely with its dramatic Fifth Avenue façade and Great Hall, designed by Richard Morris Hunt in the Beaux-Arts style and built in 1895-1902. With elegant spaces providing grand and opulent settings for its treasures, the Metropolitan is truly one of the world’s greatest museums.
While these arched-top, A-style mandolins look a lot like Gibson A-50s, their tops are press-arched rather than carved and the necks lack truss rods. The latter isn't much of an issue as the necks are built just like teens-era Gibsons and I haven't met a warped one, yet. The former means that the sound is a little less popping on the highs and a little less distinct on the lows compared to a carved-top instrument, but as you can hear in the video clip -- we're not losing that much. This little item sounds great!
I worked on this for a customer and it only needed mild work, which was a nice change of pace. His other gear needed a lot more effort to get done-up. While this is clearly a 1930s instrument, there's no factory order number inside so I can't place the year exactly.
Work included: a fret level/dress, compensation added to the bridge, cleaning, side dots, and a restring.
Setup: action is bang-on at 1/16" at the 12th fret, strung with 36w-10 gauges. I wouldn't go with heavier strings than that on these guys, though.
Scale length: 13 7/8"
Nut width: 1 3/16"
String spacing at nut: 1"
String spacing at bridge: 1 5/8"
Body length: 13 1/2"
Lower bout width: 10"
Side depth at deepest: 1 3/4" + top/back arch
Top wood: solid spruce
Back/sides wood: solid mahogany
Neck wood: mahogany
Fretboard: rosewood
Bridge: rosewood, adjustable, compensated
Neck feel: medium V-shape, flat board
Condition notes: original except for a new strap button at the tailpiece and also crack-free throughout. The finish shows the usual weather-check and finish crackle, but looks good. There are a few light scuffs and scratches here and there, though.