View allAll Photos Tagged stutter
NEW YORK, NEW YORK - SEPTEMBER 16: (L-R) Gregory Scott, Dr. Heather Grossman, Margaret Miller, and Mark O’Malia attend the American Institute for Stuttering 18th Annual Gala Hosted by Emily Blunt on September 16, 2024 in New York City. (Photo by Dimitrios Kambouris/Getty Images for American Institute for Stuttering)
Tony Robbins cures this man's stutter of 30 years in just 7 minutes. It is amazing what one can do when they change their way of thinking.
Stitched, Stuttered and Screened: Recent Works by Woodie Anderson; Theatre Art Galleries, High Point, NC; June 4 – August 21, 2015
Austin Center for Stuttering Intervention and Research at UT Austin Doctoral Program
Pictured here: current students Zoi Gkalitsiou and Megann McGill and alumnus Dr. Geoff Coalson with mentor Dr. Courtney Byrd
Photo by Oscar Guerra
Go to Page 227 in the Internet Archive
Title: Das Stottern : eine Monographie für Aerzte, Pädagogen und Behörden
Creator: Gutzmann, Hermann, 1865-1922
Publisher: Frankfurt a. M. : Rosenheim
Sponsor: Open Knowledge Commons and Harvard Medical School
Contributor: Francis A. Countway Library of Medicine
Date: 1898
Language: ger
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
Go to Page 225 in the Internet Archive
Title: Das Stottern : eine Monographie für Aerzte, Pädagogen und Behörden
Creator: Gutzmann, Hermann, 1865-1922
Publisher: Frankfurt a. M. : Rosenheim
Sponsor: Open Knowledge Commons and Harvard Medical School
Contributor: Francis A. Countway Library of Medicine
Date: 1898
Language: ger
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
Since I will be using various papers (dark brown at the moment), I made a solid layer stencil which will outline the detailed layer. This will help it pop out no matter what the background color.
Architecturally a bit odd. And while I was taking this the policeman over the road was taking a picture of his police car.
Artist | Thomas Demand (b.1964 in Germany)
Title | 避難所I (2021) Refuge I
C-Print/水晶裱 Diasec
180 x 200 cm
Exhibitor | 臺北市立美術館 Taipei Fine Arts Museum
Exhibition | 歷史的結舌 The Stutter of History
在系列作品《避難所》（2021）中，德曼再次關注那些世界著名人物平淡的家居空間。該系列的五幅作品中，德曼探索傳說中美國國安局吹哨人愛德華•史諾登在俄羅斯謝列梅捷沃機場所滯留的房間。
史諾登在擔任美國國家安全局網路外包人員期間，曾向一群調查記者泄露了一批有關美國情報單位持續執行全球電子通信和電話通話監聽計劃的機密文件。2013年6月14日，美國法庭在被告未出庭的情況下，以間諜罪和竊取國有財產罪起訴史諾登。
不久之後他逃離美國，首先到達香港，再輾轉到俄羅斯，在謝列梅捷沃機場過境區待了一個多月後，獲得永久居留權。德曼的作品重建史諾登的酒店房間，刻畫出一個陰暗、沒有窗戶、充滿商務旅館氣息的單調空間。這個一塵不染的空間其實是一個貨真價實拘留室，無國籍人士所駐足的三不管地帶：
床頭櫃上的電話，牆上空白螢幕的電視發出冰冷的光，一盞壁燈代替窗戶，旁邊是一張鋪好的床，冰冷密閉的商務酒店走廊，盡頭框住了一個鮮紅色的消防箱有種危機感，卻又是這個黯淡昏暗的環境中，唯一有生命的鮮活色彩。最後，德曼的鏡頭轉
90度往上看到吊頂天花板，上面有煙霧偵測器、冷氣出風口、消防濯水頭和崁燈，這些東西擾亂了仿現代主義的天花板幾何美感。人躺在床上就可以發現這些飯店基本設施，看起來卻也像是可疑的監聽裝置。這些影像傳遞出在當今由科技監控一切的世界裡，見怪不怪的緊急氛圍。
In his Refuge (2021) series, Demand looks once again at the banal domestic spaces in which world historical figures find themselves. In the five works that make up this series, Demand explores the room in which the fugitive American national security whistleblower Edward Snowden was presumed to have lived in Sheremetyevo, Russia. As an internet technology specialist working as a contractor for the National Security Agency, Snowden leaked tranches of classified documents to a group of investigative journalists that provided evidence of an ongoing program of global surveillance of electronic correspondence and telephone conversations by American espionage agencies. On June 14, 2013, the USA charged Snowden in with espionage and theft of state property. Soon afterwards he fled from the United States, first to Hong Kong and then to Russia, where he spent more than a month in the transit zone of Sheremetyevo airport before being granted permanent residency. Demand's photographs reconstruct Snowden's hotel room that is depicted as a bleak, windowless space with a generic corporate business ennui. This pristinely tidy de-facto detention cell is the ultimate no-man's land for a stateless person: a wired phone sits on the bedstand, a blank television screen emits its chilly glow from a nearby wall, a lone wall lamp stands in for a window next to a crisply made bed, and a soulless corporate hotel hallway frames a bright red fire hose which both evokes danger but is also the only colorful "life" in this perpetually twilight environment. Finally, Demand takes a radical point of view in Refuge / by depicting the hotel room's dropped ceiling in which a smoke detector, air vent, sprinkler head and overhead light populate and interrupt the quasi-modernist geometry of the gridded ceiling tiles. Taken from the perspective of a person lying on the bed, these basic elements of the architecture of a hotel room take on the ominous paranoid character of potential listening devices.
Together these images depict the banality of a state of emergency in a modern world of technological surveillance.