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Intermediate study model for the MARTa Museum in Herford (Germany) seen at the Gehry retrospective in the Centre Pompidou, Paris, in 2014.
MARTa Herford (1998, construction from 2001-2005)
Goebenstraße 4 - 10
32052 Herford
Germany
kupferbar im MARTa (2005)
architect Gehry Partners, LLC
Frank Owen Gehry (Los Angeles-USA)
Pritzker Prize Winner in 1989
© picture by Mark Larmuseau
study model
2012年11月22日 中原大學建築系大四評圖 - 廖子澔老師組 & 張雯怡老師組
Architectural Studio Mid Review at Department of Architecture, Chung Yuan Christian University
another study model of the form and forces that were driving my design. If I remember correctly this was my first study model right after I had completed my concept model.
It was in this model I saw the opportunities for how I could allow "nature" to come within the confines of the house, through a courtyard outdoor space. As a further expression of this I created a "V" shape that would help define the courtyard and act as a separation from inside and out, and it would also continue through the house and penetrate out the front house mass to create the front entrance. By doing this I created a single element that acts both as a container and receiver.
Another element that takes shape in this model is the massing of the house. From my analysis of program and study of the needs of our hypothetical client, it made sense to have three masses compose the house rather than everything just being one big box. These were a need of fulfilling program but also a way of creating two private zones and a shared public zone where all the elements of the design meet.
study model
2012年11月22日 中原大學建築系大四評圖 - 廖子澔老師組 & 張雯怡老師組
Architectural Studio Mid Review at Department of Architecture, Chung Yuan Christian University
Ray and Maria Stata Center for Computer Information and Intelligence Studies (model)
Cambridge, MA, United States of America
1998 - 2004
Part of the Frank Gehry exhibition at Centre Georges Pompidou
Solar Concentrating and Storage Architectonics Dec. 2013 booklet by Joel H. Goodman
Background (first paragraph revised Jan 9-2016)
An observation from the old history of solar energy applications (1)(2)(3) is offered before looking at the contemporary developments associated with the presented active solar architectonic studies. An interpretation is: Leonardo da Vinci (in his late 40s-early 50s) around 1515 began building a giant parabolic mirror four miles across for process heat (a dyeing factory) in a bowl-shaped terrain-excavation (1)(4). Fixed mirrors supported on stabilized excavation and masonry structures seems unlikely because of fixed parabolic dish optics with a fixed point receiver, and extent of excavation and construction required for such a large concave imaging concentrator substrate. A more likely presumption, since Leonardo was an adept mechanical designer, is a field of two-axis tracking heliostats structured on a terraced terrain, four mile diameter dish-bowl shape, but electric motors were invented in the 1800s. A target focal point receiver, on a 13ft pole (3, pp54-58) could have been sized in accord with a frame holding flat mirror segments. Buffon’s c1740 heliostat had several 6 inch square flat mirror segment (57--Perlin, 2013). Francia’s later CSP constructions in the 1960s included small two-axis tracking heliostats; and perhaps Leonardo’s 4 mile diameter concentrator design was the forerunner for the heliostats central receiver (on a tower) Themis pilot plant installed at Targassonne, near Odeillo, France, c1976 (5). And more recently there are the Cyprus hillside heliostats system studies by MIT (58--Slocum, et al, 2011).
(1) Butti, K. and J. Perlin, A Golden Thread, 1980, Van Nostrand Reinhold
(3) Kryza, Frank, The power of light, 2003, McGraw Hill
(4) Pedretti, The literary works of Leonardo daVinci,1977
(57)Perlin, John, 2013, Let it shine, New World Library Pub.pp54-55.
(58) Slocum A., et al, Concentrated solar power on demand, Solar Energy 85, 2011, 1519-1529.
COPYRIGHT 2009 - Jennifer Myers.
fixed program (services, lifts, production spaces/wrkshops that are equipment-dependent) will exist in a bar that connects the existing bldg with the mountain topography (a bridge). inside the existing bldg is library/research - it will be segmented into small reading rooms divided only by open-slat walls (i think) and based on the existing plan, and the central corridors will serve as the 'stacks'.
the flexible program will exist on a raised floor that is enclosed by the circle/triangle membrane that all the study models are about. the 'bridge' cuts through it at a 4-degree slope providing a direct path from landscape to landscape. the membrane will be completely modifiable, leaving program placement fairly ambiguous - only in a few instances the floor will indicate any specific program usage (like an auditorium, etc) which will be seen as a visible figure from ground level underneath.
project:
rehabilitation medicine & wellness center for vancouver, usa.
thesis study model: cardboard, chipboard, paper, baby breath
Three of three newspaper ads for a small local restaurant chosen as a study model for a class.
(This was before the logo redesign, although the logo here was a refined version of the restaurant's current logo.)
SSA Semester 4 Project 2: Morgan Library Addition by Renzo Piano / Precedent Study Model (Artur Dabrowski + David Hong)
dancer study
model/dancer: Kacilyn - www.modelmayhem.com/1693551
Grand Theatre
Tracy, California
July 31, 2010
A case study model of the house Rudolph Schindler designed and built for for him self, his wife, and another couple. I completed this case study, including construction documents, with a partner, at UC-Berkeley, Summer 2007.
This project was one from my first year studying Model Design. We were tasked with creating a faberge egg that must open and contain something. Basing my egg on Sleeping beauty I made a sleeping woman to fit inside the egg and made the stand into her castle.
Study model next to Final model from Arch 057 Summer 2010 by Maria Vasapollo West Valley College Saratoga CA
Disney designers used this study model to determine the sizing, placement, sight lines and other physical attributes for the new attraction Games of the Boardwalk.
* Casey at the Bat - based on a segment of Make Mine Music, 1946
* Bullseye Stallion Stampede - based on Toy Story 1995
Even though Bullseye is from a contemporary film, his game is designed to match the classic style of the others.
SMALL IMAGE SANS WATERMARKS
Star Trek study model for proposed Enterprise design, 77. Based on Ken Adam sketches of a swept forward "Enterprise" design.
It was ultimately filmed as a background visual effects model in the "graveyard scene" in the Star Trek: The Next
Generation episode "The Best of Both Worlds, Part II".
SMALL IMAGE SANS WATERMARKS
Star Trek study model for proposed Enterprise design, 77. Based on Ken Adam sketches of a swept forward "Enterprise" design.
It was ultimately filmed as a background visual effects model in the "graveyard scene" in the Star Trek: The Next
Generation episode "The Best of Both Worlds, Part II".
SMALL IMAGE SANS WATERMARKS
Star Trek study model for proposed Enterprise design, 77. Based on Ken Adam sketches of a swept forward "Enterprise" design.
It was ultimately filmed as a background visual effects model in the "graveyard scene" in the Star Trek: The Next
Generation episode "The Best of Both Worlds, Part II".
Henry Grattan (3 July 1746 – 6 June 1820) was a member of the Irish House of Commons and a campaigner for legislative freedom for the Irish Parliament in the late 18th century. He opposed the Act of Union 1800 that merged the Kingdoms of Ireland and Great Britain.
Grattan was born at Fishamble St., Dublin, and baptized in the nearby church of St. John the Evangelist.[1] A member of the Anglo-Irish elite of Protestant background, Grattan was the son of James Grattan MP, of Belcamp Park, County Dublin (d. 1766), and Mary (1724–1768), youngest daughter of Sir Thomas Marlay (1691–1756), Attorney-General of Ireland, Chief Baron of the Exchequer and finally Lord Chief Justice of the Court of King's Bench (Ireland). Grattan was a distinguished student at Trinity College, Dublin where he began a lifelong study of classical literature, and was especially interested in the great orators of antiquity. Like his friend Henry Flood, Grattan worked on his natural eloquence and oratory skills by studying models such as Bolingbroke and Junius. After studying at the King's Inns, Dublin and being called to the Irish bar in 1772 he never seriously practised law but was drawn to politics, influenced by Flood. He entered the Irish Parliament for Charlemont in 1775, sponsored by Lord Charlemont, just as Flood had damaged his credibility by accepting office. Grattan quickly superseded Flood in the leadership of the national party, not least because his oratorical powers were unsurpassed among his contemporaries.
3d interior rendering,3d exterior rendering,3d architectural rendering, architectural visualization,3d animation,architecture simulation, architectural scale model, master plan model,site model,study model,commercial model, individual villa model,residence model,virtual reality,walkthrough animation,flythrough aniamtion
In Z33 BUILDS study models and pictures of our new house for the arts designe by the Italian architect Francesca Torzo will be presented.
In 2012 the design team of the Italian architect Francesca Torzo won the international architectural competition for the renovation and extension of the exhibition building of Z33.
The architect from Genoa designed for the extension of Vleugel '58 a sober and intimate building that will fit effortlessly in the historical fabric of the surroundings and the city. The architecture – unpretentious and poetic – connects seamlessly with the stately exhibition building from 1958.
The construction will start in the summer of 2016 to be completed by the end of 2017.
LOCATION: Z33 - house for contemporary art, Vleugel '58, Zuivelmarkt 33, 3500 Hasselt
Free entrance
Photo: Kristof Vrancken / Z33
In Z33 BUILDS study models and pictures of our new house for the arts designe by the Italian architect Francesca Torzo will be presented.
In 2012 the design team of the Italian architect Francesca Torzo won the international architectural competition for the renovation and extension of the exhibition building of Z33.
The architect from Genoa designed for the extension of Vleugel '58 a sober and intimate building that will fit effortlessly in the historical fabric of the surroundings and the city. The architecture – unpretentious and poetic – connects seamlessly with the stately exhibition building from 1958.
The construction will start in the summer of 2016 to be completed by the end of 2017.
LOCATION: Z33 - house for contemporary art, Vleugel '58, Zuivelmarkt 33, 3500 Hasselt
Free entrance
Photo: Kristof Vrancken / Z33
A study model from 1999.
Foreground: semy-private alley along which single- family double-storey, atrium-type dwellings.
Rowhouses on the other side of the street.
Dense residential block with some variety of housing with enough privacy and scale allowing communal interaction. Inner yards of the atrium type dwellings are serving as a second buffer zone between the (gated ) alley and interior space.