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#ABFAV_Artificial_light
well part of it, a white screen as bg, the lights, one with soft box, a camera-case with the Hasselblad, the technical camera and a BIG teddy for when there are children in the studio, LOL
The place where the magic happens.
Have a lovely time and thank you, M, (*_*)
For more of my other work visit here: www.indigo2photography.com
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1965年，剛出道的横尾忠則結識了時年40的三島由紀夫，兩人不但沒有因為歲數或名氣差距而格格不入，反而結為知交莫逆。當時的三島已是文壇公認的戰後派大文豪，導演完電影「憂囯」，正值生涯的巔峰。反觀横尾還只是個初出茅廬的小夥子，不滿卅歲的他，才正準備在風起雲湧的六Ｏ年代開始大展身手。如眾人所知，命運後來將兩人推向了不同境遇。五年後，三島依循著電影腳本戲劇性地切腹殉道，而横尾則成為即將進軍紐約MOMA的日本普普運動旗手。在某張珍貴的留影裡，横尾穿上學生服帆布鞋，代表著受美式文化洗禮的日本新一代，而三島就如同「憂囯」主角，逕自沉醉在日本傳統的武士道美學中。幕後操刀掌鏡的，不是別人，正是與三島、横尾兩人交好的篠山紀信。這是日本文學、美術、写真界最富爭議性的三大異色鬼才首度交會的歷史瞬間！
i just love colors and if my eyes catch something like this i can not resist .walking along the city walk at universal studios Orlando the moment i saw these colorful treats i knew i had to take at least one photo :-)
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Model: Jasmine GiGi (IG: theJasmineGiGi)
Shot at Union 206
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I had a magazine interview today.
So I brought my dolls out and put together... and cleaned my studio. @@
It took so long but I was happy because my studio is messy most of time.
Thank you for my cats. (They don't touch my dolls~ :)
I like photos of tidy studios as much as the next girl but the reality is, this is what my studio looks like most of the time. And always when I'm in the final run-up to prepping for a show like I was last week. As always the afternoon light is amazing up there. And the windows were open. And I could hear the girls frolicking in the garden. Bliss.
Strobist: 4 lights. Key is a B800 in a large octa, boomed overhead, f/8. 2 B800s in gridded strip boxes, behind, also f/8. There is a ringflash (ABR800) used as a floor skip to fill from low, un-metered (seasoned to taste). Triggered by Pocket Wizards.
PP in LR3/CS5
Number 10 for 52 in 2017 : Bright
This stained glass was once an outside window, until I built the studio between the house and garage.
See this from the other side here www.renderosity.com/mod/gallery/?image_id=2736665
Modelo:
LANA - a quem agradeço por tornar-se bem simples meu aprendizado.
Studio: Marlon/Fabiano
Marlon- meu mestre, que, com muita paciência, deu-me todas as possibilidades para por em prática este novo aprendizado.
Obrigado a todos
visite:
Title: 81x65 Work 13
Materials: Synthetic enamel on canvas
Dimensions: 81 x 65 cm
Date: 2015
Title: 160x160 Work 27
Materials: Spray and Synthetic enamel on canvas
Dimensions: 160 x 160 cm
Date: 2015
For Studio 26's assignment on "back story". Alas, I had good intentions for this assignment but simply ran out of time with so many other things going on right now.
Universal Studios Florida is a theme park and production studio located in Orlando, Florida, United States. Opened on June 7, 1990, the park's theme is the entertainment industry, in particular movies and television. Universal Studios Florida inspires its guests to "ride the movies", and it features numerous attractions and live shows. The park is one component of the larger Universal Orlando Resort.
In 2016, the park hosted an estimated 9,998,000 visitors, ranking as the sixth most attended theme park in the United States, as well as the ninth most attended theme park worldwide.
Many of the park's past and present attractions were developed with the actual creators of the films they were based on, and feature the original stars as part of the experience. Steven Spielberg helped create E.T. Adventure and was a creative consultant for Back to the Future: The Ride, Twister...Ride it Out, An American Tail Theatre, Jaws, Men in Black: Alien Attack and Transformers: The Ride.
In many current rides, the original stars reprised their film roles including: Rip Torn and Will Smith from Men in Black for Men in Black: Alien Attack, Dan Castellaneta, Julie Kavner, Nancy Cartwright, Yeardley Smith, Hank Azaria and Kelsey Grammer reprised their roles from "The Simpsons" for The Simpsons Ride, Brendan Fraser and Arnold Vosloo from The Mummy for Revenge of the Mummy, Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow from Shrek for Shrek 4D, Steve Carell, Miranda Cosgrove, Dana Gaier, and Elsie Fisher from Despicable Me for Despicable Me Minion Mayhem, and Peter Cullen and Frank Welker reprised their roles as Optimus Prime and Megatron for Transformers: The Ride.
In many former rides, the original stars also reprised their film roles such as: Christopher Lloyd and Thomas F. Wilson in Back to the Future: The Ride, Roy Scheider recorded a voice over for the conclusion of Jaws, Alfred Hitchcock and Anthony Perkins appeared in Alfred Hitchcock: The Art of Making Movies, various Nicktoon voice actors and actresses reprised their roles for Jimmy Neutron's Nicktoon Blast, Bill Paxton and Helen Hunt introduced the pre-show for Twister...Ride it Out, and Arnold Schwarzenegger, Edward Furlong and Linda Hamilton reprised their roles for Terminator 2: 3-D Battle Across Time.
From its inception in 1982, Universal Studios Florida was designed as a theme park and a working studio. It was also the first time that Universal Studios had constructed an amusement park "from the ground up." However, the proposed project was put on hold until 1986, when a meeting between Steven Spielberg, a co-founder for the park, and Peter N. Alexander prompted for the creation of a Back to the Future simulator ride in addition to the already planned King Kong based ride. Spielberg had also noticed how competitive the park could be if it could compete with the nearby Walt Disney World and Seaworld.
A major component of the original park in Hollywood is its studio tour, which featured several special-effects exhibits and encounters built into the tour, such as an attack by the great white shark from the film Jaws. For its Florida park, Universal Studios took the concepts of the Hollywood tour scenes and developed them into larger, stand-alone attractions. As an example, in Hollywood, the studio tour trams travel close to a shoreline and are "attacked" by Jaws before they travel to the next part of the tour. In Florida, guests entered the "Jaws" attraction and would board a boat touring the fictitious Amity Harbor, where they encountered the shark, then exited back into the park at the conclusion of the attraction. Universal Studios Florida originally had a Studio Tour attraction that visited the production facilities, but that tour has since been discontinued.
Model - Megara
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Hello,hello!
No carnaval fiz o pé na manicure com o meu filho único da Studio 35.
Apesar da moça ter me deixado ligeiramente manca e precisando de muita água oxigenada para desinchar os dedos, achei digna a ~esmaltação dela.
Só uma observação: detesto que encostem nos meus pés, me dá nervoso!
Quanto a marca: pincel fofucho, vem com esferas de metal para misturar, não manchou na hora da limpeza e tem um brilho bonito.
A cor do dedão está bem fiel, ele é um vinho ligeiramente arroxeado. Os demais dedos parecem mais claros só por causa da luz na hora da foto.
Primeiro filho único da meta de pintura!
Beijos!
... and when I touched her skin, my fingers ran with blood."
The Handsome Family
Studio 26 -- assignment on photography at noon
Taken on the Corona Arch Trail, at 12:50
It felt a little like cheating, to be in Moab for the start of this assignment, since the colors & drama of the landscape stand up so well to midday bright sun. My strategy was simply to underexpose a stop or two -- as is my wont, anyway -- & most of my shots required minimal processing, or sometimes none at all. (Much more processing needed for early morning shots, to lift the intense shadows.)
I chose this shot as my final image because I think the luminosity of red actually depends on intense overhead light.
(Crop suggested by Stefanie & further tweaked according to Ann's & Nancy's suggestions)
Some new work with the lovely Tosha. We shot a few looks in the studio and these are a few of my favorites. Love her hair and smile - Tosha was super comfortable in front of the camera and made my job super easy. Here's to more shoots in the future!
Strobist:
SB910 into 36" shoot-thru umbrella, camera left above model. Triggered by cactus v5s.
A first attempt at a “studio” portrait. Have been experimenting a bit with a “studio” lighting setup, consisting of nothing more than one off-camera flash (with a small softbox) and a black piece of cloth (fleece) as a background. I was after this moody, sparsely lit portrait look (it’s that time of the year after all 😉). Luckily, my daughter had a very short “moody” moment after having given me lots of funny faces... Processed the RAW file in Capture One, trying to acquire moderate contrast, subtle toning, and a bit of fade in the shadows. Any comments, tips, or tricks?
Flash: Nissin Di700A (at 1/32 power) with Commander Air 1 trigger
Softbox: JJC RSB-L Flash Softbox