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The mission of the Lifelong Kindergarten group is to “develop new technologies that, in the spirit of the blocks and fingerpaint of kindergarten, expand the range of what people can design, create, and learn.” And true to its playful ethos, the lab is full of legos.
With a background in neuroscience, music, and education, doctoral student Erik Rosenbaum is the co-inventor of Makey Makey, an invention kit which allows users to turn everyday objects — from ketchup to silverware to pencil graphite to finger paint — into touchpads that connect to the internet. Rosenbaum’s other projects include software for finger painting with sound, painting with light, improvising with looping sounds, and creating interactive behaviors in 3D virtual worlds.
Photo by Elizabeth Woodward
www.elizabethwoodwardphoto.com
Please ask before use
ArtScience celebrates 25th anniversary
Paradiso, Amsterdam 2015
Shadow Puppet? presents an interplay of embodied performance and analog machinery that gives rise to an engulfing play of light, shadow and raw optical sound. Two performers – one behind the machines and one in the spotlights – play this light-to-sound instrument in a dynamic tension of attraction and repulsion. It never gets quite clear who is conducting who… In this project Dieter Vandoren and Mariska de Groot present a special collaboration wherein they integrate their respective expertises in embodied performance and optical sound.
Mariska shoots beams of light coded by graphical patterns engraved on motorized wheels. Dieter wears light sensors on his body, improvising a live optical-sound piece by catching fragments of the rotating light-shadow patterns through his movements. The music hidden within Mariska’s mesmerizing projections is revealed when touched by Dieter’s body.
Mariska de Groot
Intrigued by the phenomena and history of optical sound, Mariska de Groot [1982, NL] makes and performs comprehensive analog light-to-sound instruments and installations which explore this principle in new ways.
Dieter Vandoren
Dieter Vandoren is a media artist, performer and developer. His work balances on the edge of creative arts and scientific research & development. Drawing from his diverse backgrounds in music, informatics and interactive architecture, he is currently occupied with the development and performance of spatial, immersive audiovisual instruments with a strong focus on the embodied aspect of performance.
He is a guest tutor and researcher at the Hyperbody and ID-StudioLab groups at the Delft University of Technology (departments of architecture and industrial design, respectively), founding member of the iii collective and former director of cultural centre De Fabriek Rotterdam. He previously worked as developer and researcher at design office ONL[Oosterhuis_Lenard] and research group Hyperbody. He is part of the art direction team of Blikopener Festival & Producties.
The mission of the Lifelong Kindergarten group is to “develop new technologies that, in the spirit of the blocks and fingerpaint of kindergarten, expand the range of what people can design, create, and learn.” And true to its playful ethos, the lab is full of legos.
With a background in neuroscience, music, and education, doctoral student Erik Rosenbaum is the co-inventor of Makey Makey, an invention kit which allows users to turn everyday objects — from ketchup to silverware to pencil graphite to finger paint — into touchpads that connect to the internet. Rosenbaum’s other projects include software for finger painting with sound, painting with light, improvising with looping sounds, and creating interactive behaviors in 3D virtual worlds.
Photo by Elizabeth Woodward
www.elizabethwoodwardphoto.com
Please ask before use
Every time I clicked anywhere, my iMac gave me these strange popup menus... What could it be? Roll over the image for the answer.
The mission of the Lifelong Kindergarten group is to “develop new technologies that, in the spirit of the blocks and fingerpaint of kindergarten, expand the range of what people can design, create, and learn.” And true to its playful ethos, the lab is full of legos.
With a background in neuroscience, music, and education, doctoral student Erik Rosenbaum is the co-inventor of Makey Makey, an invention kit which allows users to turn everyday objects — from ketchup to silverware to pencil graphite to finger paint — into touchpads that connect to the internet. Rosenbaum’s other projects include software for finger painting with sound, painting with light, improvising with looping sounds, and creating interactive behaviors in 3D virtual worlds.
Photo by Elizabeth Woodward
www.elizabethwoodwardphoto.com
Please ask before use
All Rights Reserved - Forbidden Any Type Of Use
Tutti i diritti riservati - Proibito qualsiasi tipo di utilizzo
Fotografo / Photographer :© Roberto Rando
Camera: Canon 7D
Lente: Canon 24-70 f 2.8 USM L
Design Interactions Research, Royal College of Art, European art-science program Studiolab - Blueprints for the Unknown
THE NEW WEATHERMEN - DAVID BENQUÉ
www.z33.be/en/artworks/design-interactions-research-royal...
photo (c) Kristof Vrancken / Z33
Design Interactions Research, Royal College of Art, European art-science program Studiolab - Blueprints for the Unknown
www.z33.be/en/artworks/design-interactions-research-royal...
photo (c) Kristof Vrancken / Z33
Design Interactions Research, Royal College of Art, European art-science program Studiolab - Blueprints for the Unknown
THE PHOSPHATE STANDARD - STUDIO NAND (in the front)
DYNAMIC GENETICS VS. MANN - SUPERFLUX (in the back left)
MICROBIAL MONEY - RAPHAEL KIM (in the back right)
www.z33.be/en/artworks/design-interactions-research-royal...
photo (c) Kristof Vrancken / Z33
ArtScience celebrates 25th anniversary
Paradiso, Amsterdam 2015
Shadow Puppet? presents an interplay of embodied performance and analog machinery that gives rise to an engulfing play of light, shadow and raw optical sound. Two performers – one behind the machines and one in the spotlights – play this light-to-sound instrument in a dynamic tension of attraction and repulsion. It never gets quite clear who is conducting who… In this project Dieter Vandoren and Mariska de Groot present a special collaboration wherein they integrate their respective expertises in embodied performance and optical sound.
Mariska shoots beams of light coded by graphical patterns engraved on motorized wheels. Dieter wears light sensors on his body, improvising a live optical-sound piece by catching fragments of the rotating light-shadow patterns through his movements. The music hidden within Mariska’s mesmerizing projections is revealed when touched by Dieter’s body.
Mariska de Groot
Intrigued by the phenomena and history of optical sound, Mariska de Groot [1982, NL] makes and performs comprehensive analog light-to-sound instruments and installations which explore this principle in new ways.
Dieter Vandoren
Dieter Vandoren is a media artist, performer and developer. His work balances on the edge of creative arts and scientific research & development. Drawing from his diverse backgrounds in music, informatics and interactive architecture, he is currently occupied with the development and performance of spatial, immersive audiovisual instruments with a strong focus on the embodied aspect of performance.
He is a guest tutor and researcher at the Hyperbody and ID-StudioLab groups at the Delft University of Technology (departments of architecture and industrial design, respectively), founding member of the iii collective and former director of cultural centre De Fabriek Rotterdam. He previously worked as developer and researcher at design office ONL[Oosterhuis_Lenard] and research group Hyperbody. He is part of the art direction team of Blikopener Festival & Producties.
ArtScience celebrates 25th anniversary
Paradiso, Amsterdam 2015
Shadow Puppet? presents an interplay of embodied performance and analog machinery that gives rise to an engulfing play of light, shadow and raw optical sound. Two performers – one behind the machines and one in the spotlights – play this light-to-sound instrument in a dynamic tension of attraction and repulsion. It never gets quite clear who is conducting who… In this project Dieter Vandoren and Mariska de Groot present a special collaboration wherein they integrate their respective expertises in embodied performance and optical sound.
Mariska shoots beams of light coded by graphical patterns engraved on motorized wheels. Dieter wears light sensors on his body, improvising a live optical-sound piece by catching fragments of the rotating light-shadow patterns through his movements. The music hidden within Mariska’s mesmerizing projections is revealed when touched by Dieter’s body.
Mariska de Groot
Intrigued by the phenomena and history of optical sound, Mariska de Groot [1982, NL] makes and performs comprehensive analog light-to-sound instruments and installations which explore this principle in new ways.
Dieter Vandoren
Dieter Vandoren is a media artist, performer and developer. His work balances on the edge of creative arts and scientific research & development. Drawing from his diverse backgrounds in music, informatics and interactive architecture, he is currently occupied with the development and performance of spatial, immersive audiovisual instruments with a strong focus on the embodied aspect of performance.
He is a guest tutor and researcher at the Hyperbody and ID-StudioLab groups at the Delft University of Technology (departments of architecture and industrial design, respectively), founding member of the iii collective and former director of cultural centre De Fabriek Rotterdam. He previously worked as developer and researcher at design office ONL[Oosterhuis_Lenard] and research group Hyperbody. He is part of the art direction team of Blikopener Festival & Producties.
GRADUATES PREVIEW EXPO ARTSCIENCE
Hoop, Den Haag 2012
Dieter Vandoren is a media artist, performer and developer. His work balances on the edge of creative arts and scientific research & development. It combines audiovisual creation with IT engineering in architectural settings, mostly real-time generative and interactive. His current focus is on performing spatial, immersive audiovisual instruments.
He is a guest tutor and researcher at the Hyperbody and StudioLab groups at the Delft University of Technology (Faculty of Architecture and Industrial Design, respectively). Directs Rotterdam-based art centre De Fabriek.
His project Integration.03 was nominated for the STRP Talent Pit Award 2011. Hyperbody’s project InteractiveWall in which he was a team member received the Chicago Athenaeum Good Design Award 2009 in the category robotics and bionics.
ArtScience celebrates 25th anniversary
Paradiso, Amsterdam 2015
Shadow Puppet? presents an interplay of embodied performance and analog machinery that gives rise to an engulfing play of light, shadow and raw optical sound. Two performers – one behind the machines and one in the spotlights – play this light-to-sound instrument in a dynamic tension of attraction and repulsion. It never gets quite clear who is conducting who… In this project Dieter Vandoren and Mariska de Groot present a special collaboration wherein they integrate their respective expertises in embodied performance and optical sound.
Mariska shoots beams of light coded by graphical patterns engraved on motorized wheels. Dieter wears light sensors on his body, improvising a live optical-sound piece by catching fragments of the rotating light-shadow patterns through his movements. The music hidden within Mariska’s mesmerizing projections is revealed when touched by Dieter’s body.
Mariska de Groot
Intrigued by the phenomena and history of optical sound, Mariska de Groot [1982, NL] makes and performs comprehensive analog light-to-sound instruments and installations which explore this principle in new ways.
Dieter Vandoren
Dieter Vandoren is a media artist, performer and developer. His work balances on the edge of creative arts and scientific research & development. Drawing from his diverse backgrounds in music, informatics and interactive architecture, he is currently occupied with the development and performance of spatial, immersive audiovisual instruments with a strong focus on the embodied aspect of performance.
He is a guest tutor and researcher at the Hyperbody and ID-StudioLab groups at the Delft University of Technology (departments of architecture and industrial design, respectively), founding member of the iii collective and former director of cultural centre De Fabriek Rotterdam. He previously worked as developer and researcher at design office ONL[Oosterhuis_Lenard] and research group Hyperbody. He is part of the art direction team of Blikopener Festival & Producties.
Yesterday Donald Norman visited the ID-Studiolab and played with Cabinet. He was enthusiastic about the projected images and the elegantly hidden beamer.
For Ianus party in Dordrecht we've created 2 video mashes of movies created for the DVD supporting his thesis For Inspiration Only
Fellow researcher Lucia Jonkhoff used the Cabinet (then called IGS) to quickly grab design sketches and materials used in her interviews with designers on their methods and tools
Tod Machover’s Opera of the Future group (also known as Hyperinstruments). From their website, “The scope of our research includes musical instrument design, concepts for new performance spaces, interactive touring and permanent installations, and “music toys.” It ranges from extensions of traditional forms to radical departures, such as the Brain Opera, Toy Symphony and Death and the Powers.”
Photo by Elizabeth Woodward
www.elizabethwoodwardphoto.com
Please ask before use
Another real use... we needed to get the award that the Mamasboys won at the Microsoft Research Interface Design Expo for overall design concept up on our website quick. The Cabinet (then called IGS) came in handy for that.
ArtScience celebrates 25th anniversary
Paradiso, Amsterdam 2015
Shadow Puppet? presents an interplay of embodied performance and analog machinery that gives rise to an engulfing play of light, shadow and raw optical sound. Two performers – one behind the machines and one in the spotlights – play this light-to-sound instrument in a dynamic tension of attraction and repulsion. It never gets quite clear who is conducting who… In this project Dieter Vandoren and Mariska de Groot present a special collaboration wherein they integrate their respective expertises in embodied performance and optical sound.
Mariska shoots beams of light coded by graphical patterns engraved on motorized wheels. Dieter wears light sensors on his body, improvising a live optical-sound piece by catching fragments of the rotating light-shadow patterns through his movements. The music hidden within Mariska’s mesmerizing projections is revealed when touched by Dieter’s body.
Mariska de Groot
Intrigued by the phenomena and history of optical sound, Mariska de Groot [1982, NL] makes and performs comprehensive analog light-to-sound instruments and installations which explore this principle in new ways.
Dieter Vandoren
Dieter Vandoren is a media artist, performer and developer. His work balances on the edge of creative arts and scientific research & development. Drawing from his diverse backgrounds in music, informatics and interactive architecture, he is currently occupied with the development and performance of spatial, immersive audiovisual instruments with a strong focus on the embodied aspect of performance.
He is a guest tutor and researcher at the Hyperbody and ID-StudioLab groups at the Delft University of Technology (departments of architecture and industrial design, respectively), founding member of the iii collective and former director of cultural centre De Fabriek Rotterdam. He previously worked as developer and researcher at design office ONL[Oosterhuis_Lenard] and research group Hyperbody. He is part of the art direction team of Blikopener Festival & Producties.
Because Cabinet won the International Design Competition at the Third Conference on Appliance Design, 3AD, I created a little gift for my two big developers in this pod(casting)ready custom-made iPod Shuffle with Cabinet logo on it.