View allAll Photos Tagged studiolab
We printed these letterpress cards designed by Studio Lab recently. We worked through a few iterations to find something that was a good balance between colors, design, and impression. The blind deboss triangular pattern is a prominent feature of the cards and looks great when pressed into the cotton paper.
Check out more of our letterpress business cards at Dolce Press Custom Portfolio
We printed these letterpress cards designed by Studio Lab recently. We worked through a few iterations to find something that was a good balance between colors, design, and impression. The blind deboss triangular pattern is a prominent feature of the cards and looks great when pressed into the cotton paper.
Check out more of our letterpress business cards at Dolce Press Custom Portfolio
We printed these letterpress cards designed by Studio Lab recently. We worked through a few iterations to find something that was a good balance between colors, design, and impression. The blind deboss triangular pattern is a prominent feature of the cards and looks great when pressed into the cotton paper.
Check out more of our letterpress business cards at Dolce Press Custom Portfolio
A gene gun is a scientific instrument — a bio-ballistics device used to shoot a particle of gold coated with DNA into a cell. Once inside, the injected DNA can separate from its carrier particle and become integrated into the cell’s genetic material. But at several thousand euros apiece, its high retail price meant that only professional labs could afford to own this piece of basic scientific equipment. Then, biologist Rüdiger Trojok succeeded in building a gene gun of his own, and in slashing the cost to a mere 50 euros. The possibility of setting up an in-home lab and experimenting with new life forms are thus within reach of many more people than ever before.
The gene gun prototype was developed and first displayed as part of a collaborative project at Medical Museion in Copenhagen, under the EU Studiolab framework.
photo credit: Martin Malthe Borch
Alone at work... Just before lunch. But to finish up things before lunch, the lunch became somewhat delayed.
We printed these letterpress cards designed by Studio Lab recently. We worked through a few iterations to find something that was a good balance between colors, design, and impression. The blind deboss triangular pattern is a prominent feature of the cards and looks great when pressed into the cotton paper.
Check out more of our letterpress business cards at Dolce Press Custom Portfolio
We printed these letterpress cards designed by Studio Lab recently. We worked through a few iterations to find something that was a good balance between colors, design, and impression. The blind deboss triangular pattern is a prominent feature of the cards and looks great when pressed into the cotton paper.
Check out more of our letterpress business cards at Dolce Press Custom Portfolio
The id-studiolab custom-fitted car, you know, for shopping (pun intended) and stuff. ;) This is a pre-study of pimping up the car.
I love the strings that connect the notes, images and papers in this lab space. It is an elegant, non-textual way of displaying laboratory life and processes. www.museion.ku.dk/biohacking-do-try-this-at-home/
The inspiration for the project came from an EU science-art initiative that lead to Studiolab, studiolabproject.eu/ It was brought together by an interdisciplinary team of biohackers and scientists, an installation designer, a science communication specialist and a historian of ancient technology.
www.museion.ku.dk/2013/01/opening-the-biohacking-lab-at-m...
The exhibition also reminds the visitor of another famous, local building product, Lego.
Sphæræ: an inflatable multi-dome pavilion
Concept and design Cocky Eek
A Synergetica Lab and ArtScience Interfaculty co-production
As part of the Studiolab open call, "Synthetically Yours", the ArtScience Interfaculty and Synergetica Lab present a series of multi-sensory performances and installations in the context of synthetic biology. Transpiring inside *Sphæræ*, these spherically projected artworks evoke the transformation of prebiotic conditions into the complex behavior and dimensionality of synthesized living cells.
credit: Cocky Eek
Jennifer Davia Sapp, A02, wed Matthew H. Miller on June 27, 2010, at the Solage Resort in Calistoga, CA. Jumbos in attendance included, from left: Andrew Ross, A02; Rachel Blumenthal, A02; Neil Blumenthal, A02; Jordan Sapp, E04; bride; groom; Michelle Kahn, A02; Molly James, A02; Paula Romero, A02; and Keren Blankfeld, A02. Jennifer recently left the business, finance and restructuring department of Weil, Gotshal & Manges LLP to begin a one year clerkship with the Honorable Victor Marrero in the Southern District of New York. Matthew is the owner of StudioLab LLC, an architectural design firm in New York that specializes in high-end residential and commercial projects. The couple resides in New York City with their beloved dog, Ernie.
The mission of the Lifelong Kindergarten group is to “develop new technologies that, in the spirit of the blocks and fingerpaint of kindergarten, expand the range of what people can design, create, and learn.” And true to its playful ethos, the lab is full of legos.
With a background in neuroscience, music, and education, doctoral student Erik Rosenbaum is the co-inventor of Makey Makey, an invention kit which allows users to turn everyday objects — from ketchup to silverware to pencil graphite to finger paint — into touchpads that connect to the internet. Rosenbaum’s other projects include software for finger painting with sound, painting with light, improvising with looping sounds, and creating interactive behaviors in 3D virtual worlds.
Photo by Elizabeth Woodward
www.elizabethwoodwardphoto.com
Please ask before use
Design Interactions Research, Royal College of Art, European art-science program Studiolab - Blueprints for the Unknown
www.z33.be/en/artworks/design-interactions-research-royal...
photo (c) Kristof Vrancken / Z33
This is pretty much what's left in my bag when all workdocuments and laptop are already taken out in the office (the ID-Studiolab)
The mission of the Lifelong Kindergarten group is to “develop new technologies that, in the spirit of the blocks and fingerpaint of kindergarten, expand the range of what people can design, create, and learn.” And true to its playful ethos, the lab is full of legos.
With a background in neuroscience, music, and education, doctoral student Erik Rosenbaum is the co-inventor of Makey Makey, an invention kit which allows users to turn everyday objects — from ketchup to silverware to pencil graphite to finger paint — into touchpads that connect to the internet. Rosenbaum’s other projects include software for finger painting with sound, painting with light, improvising with looping sounds, and creating interactive behaviors in 3D virtual worlds.
Photo by Elizabeth Woodward
www.elizabethwoodwardphoto.com
Please ask before use
hyperbolic projection of a 360 panoranmic group photo made by Aldo hoeben. These are all my colleagues of the ID-Studiolab on my balcony.
The mission of the Lifelong Kindergarten group is to “develop new technologies that, in the spirit of the blocks and fingerpaint of kindergarten, expand the range of what people can design, create, and learn.” And true to its playful ethos, the lab is full of legos.
With a background in neuroscience, music, and education, doctoral student Erik Rosenbaum is the co-inventor of Makey Makey, an invention kit which allows users to turn everyday objects — from ketchup to silverware to pencil graphite to finger paint — into touchpads that connect to the internet. Rosenbaum’s other projects include software for finger painting with sound, painting with light, improvising with looping sounds, and creating interactive behaviors in 3D virtual worlds.
Photo by Elizabeth Woodward
www.elizabethwoodwardphoto.com
Please ask before use
ArtScience celebrates 25th anniversary
Paradiso, Amsterdam 2015
Shadow Puppet? presents an interplay of embodied performance and analog machinery that gives rise to an engulfing play of light, shadow and raw optical sound. Two performers – one behind the machines and one in the spotlights – play this light-to-sound instrument in a dynamic tension of attraction and repulsion. It never gets quite clear who is conducting who… In this project Dieter Vandoren and Mariska de Groot present a special collaboration wherein they integrate their respective expertises in embodied performance and optical sound.
Mariska shoots beams of light coded by graphical patterns engraved on motorized wheels. Dieter wears light sensors on his body, improvising a live optical-sound piece by catching fragments of the rotating light-shadow patterns through his movements. The music hidden within Mariska’s mesmerizing projections is revealed when touched by Dieter’s body.
Mariska de Groot
Intrigued by the phenomena and history of optical sound, Mariska de Groot [1982, NL] makes and performs comprehensive analog light-to-sound instruments and installations which explore this principle in new ways.
Dieter Vandoren
Dieter Vandoren is a media artist, performer and developer. His work balances on the edge of creative arts and scientific research & development. Drawing from his diverse backgrounds in music, informatics and interactive architecture, he is currently occupied with the development and performance of spatial, immersive audiovisual instruments with a strong focus on the embodied aspect of performance.
He is a guest tutor and researcher at the Hyperbody and ID-StudioLab groups at the Delft University of Technology (departments of architecture and industrial design, respectively), founding member of the iii collective and former director of cultural centre De Fabriek Rotterdam. He previously worked as developer and researcher at design office ONL[Oosterhuis_Lenard] and research group Hyperbody. He is part of the art direction team of Blikopener Festival & Producties.
September 2004: The Daring Fireball shirt obscuring Vermeer's View on Delft (also check out ID-Studiolab's exploration of Vermeer's Delft
The Trope Tank is directed by Nick Montfort, an Associate Professor of Digital Media in Comparative Media Studies program / Writing at MIT. A lab for research, teaching, and creative production, the Trope Tank works to develop new poetic practices and new understandings of digital media by focusing on the material, formal, and historical aspects of computation and language. Among the machines in the lab is a Commodore 64, an Apple //c, a Macintosh SE, and an Atari 400, among many other items relating to the history of computing.
Photo by Elizabeth Woodward
www.elizabethwoodwardphoto.com
Please ask before use