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Structure Synth terminates the recursion if the number of objects is greater than the given threshold ('set maxobjects ...') or if the recursion depth becomes greater than the maximum depth ('set maxdepth ...'). It is also possible to set a maxdepth for an individual rule ('rule R1 maxdepth 5').
I've added two new rules for controlling the termination.
'set minsize {size}' and 'set maxsize {size}' allows you to specify how large or small a given object can be before terminating. The 'size' parameter refers to the length of the diagonal of a unit cube in the current local state. (The initial coordinate frame goes from (0,0,0) to (1,1,1) and hence has a diagonal length of sqrt(3)~1.7). It is possible to specify both a mix and a min size. The termination criteria only stops the current branch - if other branches are still within a valid range, the will be continued.
This is very useful for preventing Structure Synth from creating boxes which cannot be seen anyway or from growing without bounds.
The image shows the same structure at three different minimum size tresholds.
Example script (requires a post-version 0.9 of Structure Synth!):
set minsize 0.8 // or 0.4, or 0.2
set maxdepth 600
set background #333
{ h 30 sat 0.2 h -67 b 0.8 } spiral
rule spiral w 100 {
box2
{ y 0.4 rx 90 hue 1 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box2
{ y 0.4 rx 90 hue -1 rz -90 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box2
{ y 0.4 rx 90 hue 0 rz 90 s 0.995 b 0.995 } spiral
}
rule spiral w 3 {
{ rz 5 s 1 1 1 } spiral
{ ry 4 h 3 s 1 1 1 } spiral
}
rule box2 {
{ s 1 5 1 } box
}
rule box2 {
{ s 5 1 1 } box
}
rule box2 {
}
www.facebook.com/neospicaLive (images and share links)
www.youtube.com/user/NeoSpicaTutorial "NeoSpica Paper Structures" (videos about paper structures. I also include videos with elaboration process.)
www.flickr.com/photos/neoliveart/ (images)
www.youtube.com/user/CadDesignLive (virtual 3D shapes)
Thanks for your time.
Yaxchilán, Structure 33
Yaxchilan is an ancient Maya city located on the bank of the Usumacinta River in what is now the state of Chiapas, Mexico. In the Late Classic Period, Yaxchilan was one of the most powerful Maya states along the course of the Usumacinta, with Piedras Negras as its major rival. Architectural styles in subordinate sites in the Usumacinta region demonstrate clear differences that mark a clear boundary between the two kingdoms.
Yaxchilan was a large center, important throughout the Classic era, and the dominant power of the Usumacinta River area. It dominated such smaller sites as Bonampak, and had a long rivalry with Piedras Negras and at least for a time with Tikal; it was a rival of Palenque, with which Yaxchilan warred in 654.
The site is particularly known for its well-preserved sculptured stone lintels set above the doorways of the main structures. These lintels, together with the stelae erected before the major buildings, contain hieroglyphic texts describing the dynastic history of the city.
Structure 33, in the Central Acropolis, has been described as a masterpiece in stone and was probably dedicated in 756 by Bird Jaguar IV. The structure overlooks the plaza and the river and would have been prominent to river traffic in the 8th century. It has plain lower walls with three doorways, each of the which supports a well preserved lintel (Yaxchilan Lintels 1 to 3). In the centre of the back wall of the structure, opposite the central doorway, is a niche containing the headless sculpture of a human figure, probably Bird Jaguar IV himself. The roof of the structure is largely intact, including a sloped roof supporting a frieze and a well preserved roof comb. There are niches in both the roof comb and the frieze, the niche in the roof comb contains the remains of a sculpted figure. Tennons on both roof sections once supported stucco decoration. Leading up to the front of Structure 33 from the plaza is a stairway, the top step of which is sculpted, this step is known as Hieroglyphic Stairway 2.
(source: en.wikipedia.org/wiki/Yaxchilan)
// Produced by Structure Synth V 0.4
// (http://structuresynth.sf.net/)
set maxdepth 600
set background #f94
{ h 30 sat 0.7 } spiral
{ ry 180 h 30 sat 0.7 } spiral
rule spiral w 100 {
box
{ y 0.4 rx 5 hue 1 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box
{ y 0.4 rx 5 hue -1 rz -5 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box
{ y 0.4 rx 5 hue 0 rz 5 s 0.995 b 0.995 } spiral
}
rule spiral w 3 {
{ rx 15 } spiral
{ ry 180 h 3 } spiral
}
Cliveden
(aka Cliveden House)
There have been three houses on the site.
The first house, built in 1666, burned down in 1795. The second house, built in 1824, burned down in 1849. The present house, built in 1851, by the architect Charles Barry for the 2nd Duke of Sutherland.
Cliveden has been the home to a Prince of Wales, two Dukes, an Earl, and finally the Viscounts Astor. As the home of Nancy Astor, wife of the 2nd Viscount Astor, Cliveden was the meeting place of the Cliveden Set of the 1920s and 1930s—a group of political intellectuals.
Later, during the early 1960s, when it was the home of the 3rd Viscount Astor, it became the setting for key events of the notorious Profumo affair.
The house was passed to The National Trust in 1942 with the condition that the family would continue to live there.
The Astor family stopped living at Cliveden in the 1970s.
The house is surrounded by 376 acres of gardens and woodland that are always open to National Trust visitors.
The house is currently on lease to a company that operates the estate as a luxurious, five-star, Relais & Châteaux hotel and is generally not open to National Trust Visitors.
Grade I Listed
www.nationaltrust.org.uk/visit/oxfordshire-buckinghamshir...
en.wikipedia.org/wiki/Cliveden
en.wikipedia.org/wiki/Profumo_affair
The Clock Tower
by Henry Clutton, London
1861
A prominent and historical landmark located in the grounds of Cliveden.
Described by the architectural critic Nikolaus Pevsner as "the epitome of Victorian flamboyance and assertiveness."
Commissioned by the 2nd Duke of Sutherland, who owned Cliveden at that time.
The tower was part of the Duke’s vision to enhance the grandeur of the estate and to illustrate his wealth and status.
Originally intended to serve as a water tower supplying water to the estate. Over time it became more of an ornamental feature but it is still a functional water tower that provides water to the house.
The structure is built in the Italianate style and is notable for its elaborate design and the use of gold leaf.
Topped with a gilded ball and a weathervane which adds to the decorative appeal.
The clock was made by the famous clockmaker James McCabe of the London firm McCabe & Sons.
The tower stands at 100 ft making it a prominent feature on the estate’s skyline.
Grade II* Listed
Arcelormittal Orbit
The ArcelorMittal Orbit is a 115-metre-high (377 ft) sculpture and observation tower in the Olympic Park in Stratford, London. It is Britain's largest piece of public art,[3] and is intended to be a permanent lasting legacy of London's hosting of the 2012 Summer Olympics, assisting in the post-Olympics regeneration of the Stratford area. Sited between the Olympic Stadium and the Aquatics Centre, it allows visitors to view the whole Olympic Park from two observation platforms.
Orbit was designed by Anish Kapoor and Cecil Balmond of engineering Group Arup. Announced on 31 March 2010, it was expected to be completed by December 2011, though like many projects on the Olympic Park that date was pushed back. The project came about after Mayor of London Boris Johnson and Olympics Minister Tessa Jowell decided in 2008 that the Olympic Park needed "something extra". Designers were asked for ideas for an "Olympic tower" at least 100 metres (330 ft) high, and Orbit was the unanimous choice from proposals considered by a nine-person advisory panel.
The project was expected to cost £19.1 million, with £16 million coming from Britain's richest man, the steel tycoon Lakshmi Mittal, Chairman of the ArcelorMittal steel company, and the balance of £3.1 million coming from the London Development Agency. The name "ArcelorMittal Orbit" combines the name of Mittal's company, as chief sponsor, with "Orbit", the original working title for Kapoor and Balmond's design.
Kapoor and Balmond believe that Orbit represents a radical advance in the architectural field of combining sculpture and structural engineering, and that it combines both stability and instability in a work that visitors can engage with and experience via an incorporated spiral walkway. It has been both praised and criticised for its bold design. It has also been criticised as a vanity project, of questionable lasting use or merit as a public art project.
en.wikipedia.org/wiki/ArcelorMittal_Orbit
Фото начала реконструкции ЦУМа, Киев 2013.
Photo of beginning of Central Universal Shop in Kiev. 2013.
OLYMPUS DIGITAL CAMERA
©Jeremy Photography 2017
Inside the Catacomb lies not tombs but classrooms for students of this university to study. For lecturers to hold their lectures for a mini class.
This is inside The Hive in NTU, Singapore. It's structure is unique and stunning both exterior and interior. It's also an eco-campus.
Amazing interior which makes me want to capture the curves and lines of this popular architect.
This is the cover of Surface Charging and Points of Zero Charge, a book by my father, Marek Kosmulski. It is a reference work in electro- and surface chemistry.
I folded the modular origami presented on the cover. The unit is Nick Robinson's trimodule (68×4 = 272 modules were used). The book and cover art as a whole are property of the publisher and are presented here for information only.
Layered regular octagons represent the crystal structure of the mineral gibbsite.
Shot from under the Drift Creek Suspension Bridge of the Drift Creek Falls Trail, Lincoln County, Oregon!
"Reflections"
STRUCTURES is a series of generative art pieces the explores the constructions of our world by taking photographs of man-made and natural structures and placing them into a new structure. This process semi-randomly fragments and rearranges the photographs into a grid of my design. I'll often run the images through this process several times, using various grid structures along the way.
Programs used: Lightroom, Photoshop, Processing
Free photos. Set 14.
Use it freely in personal and commercial projects.
CC-License
Photos: Anthony Clochard / wuipdesign.github.io
A dovecote is a structure intended to house pigeons or doves.
Pigeons and doves were an important food source historically in the Middle East and Europe and were kept for their eggs and dung.
The oldest dovecotes are thought to have been the fortified dovecotes of Upper Egypt, and the domed dovecotes of Iran. In these regions, the droppings were used by farmers for fertilizing. Pigeon droppings were also used for leather tanning and making gunpowder. Dovecotes are still an omnipresent part of many Egyptian landscapes.
Dovecotes are often built on the upper stories of houses but frequently they are also of the stand-alone, tower-like variety. There is a great number of different sizes and types. The continuity of the tradition of raising pigeons in dovecotes is nowhere more apparent than in the Fayum, where excavations from the 1920s and 1930s of the Roman town of Karanis revealed six dovecotes, representing only a small fraction of the original number,
Visitors touring Fayum today encounter similar examples across the landscape, using the same construction technique and the same ceramic pots for nests.
The DNA structure image is one of the pictures electronically placed on the phonograph records which are carried onboard the Voyager 1 and 2 spacecraft.
Credit: Jon Lomberg
Please note that these images are copyright protected. Reproduction without permission of the copyright holder is prohibited.
Construction worker at his work.
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Usage: Free for personal, non-profit or commercial. License: Creative Commons Attribution-ShareAlike. Credit: Budi Nusyirwan (Bukrie) - stock.bukrie.org.