View allAll Photos Tagged structuraldesign
Sempervivum x 'Cobweb' (Crassulaceae - Crassulacées)
After flowering the base will die.
Après la floraison le pied va mourir.
Common names: Sempervivum Arachnoideum, Cobweb Houseleek, live forever, Sempervivum cobweb Hens and Chicks, Cobweb Sedum.
Noms communs: Joubarbe aranéeuse, Sempervivum Jubarbe à toile d'araignée,
Sempervivum x 'Cobweb' (Crassulaceae - Crassulacées)
After flowering the base will die.
Après la floraison le pied va mourir.
Common names: Sempervivum Arachnoideum, Cobweb Houseleek, live forever, Sempervivum cobweb Hens and Chicks, Cobweb Sedum.
Noms communs: Joubarbe aranéeuse, Sempervivum Jubarbe à toile d'araignée.
This photograph captures the intricate play of reflections on a glass building facade, where lines and symmetry create a striking geometric pattern. The bright blue reflections and the green tree in the foreground add contrast and depth to the architectural design, highlighting the harmonious blend of nature and urban structure.
as if swallowed by a world of brutalist geometry, the man becomes a mere fold in concrete. the architecture speaks louder than the figure—its weight, rhythm and silence shaping the narrative. light has no softness here, only precision.
captured within the architectural marvel of the oculus at the world trade center complex in new york city, this image portrays a solitary figure silhouetted against the dramatic backdrop of calatrava's iconic design. the soaring steel ribs, reaching skyward like the wings of a bird, frame the scene, creating a powerful contrast between light and shadow. the interplay of geometric forms and the human element reflects the harmony of movement and structure, embodying both the resilience and elegance of modern urban life.
The Leaning Tower of Pisa is a true marvel, standing tall and proud, defying the laws of physics, and leaving a lasting impression on all those who visit. As the night falls and the sky turns blue, the Leaning Tower of Pisa rises high above the surrounding buildings, casting a striking silhouette against the fading light. Its infamous lean adds a touch of intrigue to the scene, drawing visitors from far and wide to marvel at its architectural wonder. The tranquil setting creates a serene atmosphere, making it a perfect place for reflection and contemplation.
Find me on instagram : www.instagram.com/akhil_sangaonkar/
This is a photograph of the pinned connection on the eastern end of the Pratt pony truss bridge over the Barren Fork River in McMinnville, Tennessee. This bridge was originally built by the Nashville, Chattanooga & St. Louis Railroad, then later used by the Louisville & Nashville Railroad, and finally use is by CSX. There are three common types of connections which join a built structure (the bridge) to its foundation; roller, pinned and fixed. A pinned support (as seen here) can resist both vertical & horizontal forces but not a moment (or rotation). This is the point where the steel structure of the bridge itself 'connects' to the concrete (or stone in this case) support structure/foundation such as piers, pilings, etc. Each connection is designed so that it can transfer, or support, a specific type of load or loading condition. In this case, this connection was designed & constructed to support not only the bridge but the trains that would be crossing the river below.
This photo was taken in 2013 during my previous Project 365…please visit my album for this “REMASTERED” Project 365 as I revisit each day of 2013 for additional photos to share!!
Three bracketed photos were taken with a handheld Nikon D5200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/
Sempervivum x 'Cobweb' (Crassulaceae - Crassulacées)
After flowering the base will die.
Après la floraison le pied va mourir.
Common names: Sempervivum Arachnoideum, Cobweb Houseleek, live forever, Sempervivum cobweb Hens and Chicks, Cobweb Sedum.
Noms communs: Joubarbe aranéeuse, Sempervivum Jubarbe à toile d'araignée,
In capturing this architectural detail, I wanted to strip away all distractions and focus purely on the power of geometric form. Working in black and white allowed me to emphasize the stark contrast between light and shadow, creating a nearly abstract composition from a concrete architectural element. The diagonal positioning was intentional - I wanted to create a sense of upward movement, as if the structure was reaching toward the darkened sky. I carefully positioned myself to capture the repetitive pattern of the architectural fins, using them as leading lines to draw the viewer's eye through the frame. The moody sky and careful processing help create a sense of drama and scale. My goal was to transform what might be seen as a simple architectural detail into a striking geometric study that blurs the line between documentary and fine art photography. The interplay of light across the repeated elements was crucial in bringing depth and dimensionality to what could otherwise have been a flat pattern. This image represents my ongoing exploration of how architectural photography can transcend simple documentation to become abstract art while still maintaining its connection to the built environment.
Capturing the F&F Tower, also known as El Tornillo, this striking image highlights the unique spiral design of Panama City's architectural marvel. Rising above the urban landscape, the tower stands as a testament to modern engineering and creativity.
Kåfjordbrua er en skråstagbru over Kåfjord i Alta. Brua har ett tårn på over 70 meters høyde, hvor det på østsiden av tårnet er et 149,5 meter langt spenn. Mellom dette spennet og østre landkar er det to spenn på 32 meter og et på 26 meter. Vest for tårnet er det et 30 meter langt spenn som fører fram til en 32 meter lang ballastkasse. Total brulengde blir 169,5 meter pluss ballastkassen.
Fri seilingshøyde er 9,0 meter.
When capturing this image, I wanted to convey the silent power of this architectural feat in its nocturnal setting. My intention was to create an almost surreal atmosphere, where the geometric lines of the cables and the rhythmic succession of pylons stand out in the darkness. I chose this diagonal composition to emphasize the perspective and create a sense of infinite depth. The red lights on the pylons and the white lighting of the deck create a duality that I deliberately highlighted to emphasize the contrast between the massive structure of the viaduct and its apparent lightness. Through this photo, I wanted to show how modern architecture can transcend its utilitarian function to become a true nocturnal work of art.
When I approached this iconic bridge, I wasn't interested in capturing another typical postcard shot. Instead, I wanted to reveal its soul through the natural interplay of fog, light, and architectural geometry. By choosing black and white, I stripped away the distractions of color to focus on the ethereal quality of the scene. The fog wasn't an obstacle - it was my ally in creating mystery and depth. I carefully composed the frame to emphasize both the bridge's commanding presence through its nearest tower and its graceful disappearance into the mist. The small sailboat was a deliberate inclusion, serving as both a scale reference and a human element in this industrial landscape. I wanted to maintain the natural texture of the water and the definition in the clouds, preserving the authentic mood of the moment. My goal was to transform this familiar landmark into something more atmospheric and emotional - a meditation on the relationship between human engineering and natural elements. The resulting image speaks more to feeling than fact, suggesting rather than showing, and inviting the viewer to complete the journey into the fog with their imagination.
Inside the Sydney Opera House - Just amazing! I love these purple steps.
“Sydney Opera House is a great architectural work of the 20th century. It represents multiple strands of creativity, both in architectural form and structural design, a great urban sculpture carefully set in a remarkable waterscape and a world famous iconic building.”
Sydney Opera House was inscribed in the World Heritage List in June 2007
A cathedral of concrete and symmetry.
An inverted shell, spiraling inward—towards silence, or maybe ignition.
Whatever this was built for, it no longer asks permission.
[Manchester, UK]
I’m not sure what they were planning to do, but they looked cute!
تو روز روشن از دیوار بالا می رفتند! یواشکی رفتم جلو و این عکس رو گرفنم، اصلا هم از ماسکهای سیاه رو صورتشون نترسیدم
:)
[Processing: colour & contrast adjustment]
In capturing this modern building, I was drawn to the striking geometry created by its angular corner. I positioned myself to emphasize the converging lines that lead the eye upward into darkness, creating a sense of ascension and limitlessness. Working in black and white was a deliberate choice to strip away distractions and focus purely on form, texture, and the interplay of light and shadow. The dark negative space surrounding the building isolates the structure and creates a dramatic stage for architectural elements to perform. I wanted to transform this functional structure into something abstract and contemplative—revealing the hidden rhythm in the repeating patterns of sun shades and windows that might otherwise go unnoticed. Through this image, I aimed to challenge perceptions of scale and perspective, making the familiar unfamiliar. By focusing on this single corner, I invite viewers to consider how fragments can sometimes tell more compelling stories than whole scenes, much like how a single architectural detail can embody the philosophy behind an entire design.
Four, also known as Four Frankfurt, is a major, luxury mixed-use skyscraper project in Frankfurt, consisting of a complex of four skyscrapers under construction.
Goliath. visually explores the theme of scale, emphasizing the contrast between the immense size of urban architecture and the relative smallness of individual human experience within these spaces. It is a study in contrasts: solidity and void, opacity and transparency, enormity and minutiae. Goliath. ultimately raises questions about the individual's place in the architectural colossus of the urban landscape.
Embarcadero Center in San Francisco is an iconic example of modernist architecture, embodying the city’s mid-20th-century urban redevelopment vision. Comprising five office towers, the center stretches along the Embarcadero waterfront, offering a blend of commercial, retail, and public spaces. This photo highlights the striking linear symmetry of the building’s balconies, each one precisely aligned in a grid-like pattern that emphasizes repetition and rhythm. The design, characterized by minimalist aesthetics, exudes a sense of order and efficiency, reflecting the architectural trends of the 1960s and 1970s. The repetitive vertical lines of the balconies draw the eye upward, while the muted color palette enhances the structure's bold, geometric forms. Designed by architect John C. Portman Jr., Embarcadero Center is a testament to the urban planning and architectural ingenuity of its era. Its clean lines and functional design have made it a landmark in San Francisco's Financial District, symbolizing both the city’s economic prowess and its embrace of modernity. Whether viewed up close or from a distance, the Embarcadero Center’s architectural significance and its place in the fabric of San Francisco are undeniable, making it a must-see for architecture enthusiasts and visitors alike.
A low-angle view of Niittytaival 5 A, one of Espoo’s tallest residential towers, captured in a minimalist architectural frame.
This shot leans into high-key exposure, where the bright, overcast sky becomes a blank canvas—allowing the sharp vertical lines and repetitive balcony structures to dominate. It’s not just a photo of a building, but a study of form, light, and modern Nordic geometry.
Niittytaival 5 A is a defining feature of Niittykumpu, Espoo. Completed in the late 2010s, the tower reaches approximately 90 meters and marks a turning point in the city’s vertical growth. Built for mixed-use residential living, it symbolizes Espoo’s transformation from horizontal suburbia to vertical urbanism.
Shot with the Canon EOS-1D X Mark II.
captured within the captivating architecture of the oculus, part of the world trade center complex, this image showcases the vast, open space and unique structural design that defines this iconic transportation hub. the repetition of lines and curves draws the eye into the distance, where a solitary figure walks, adding a human element to the grandeur of the space. the high-contrast black and white composition emphasizes the geometric patterns and creates a dramatic, timeless feel. this photograph captures a moment of quiet amidst the flow of daily commuters, highlighting the blend of art and functionality in modern urban architecture.
Nestled along the vibrant Embarcadero waterfront, the Hyatt Regency San Francisco’s iconic atrium is nothing short of an architectural marvel. Opened in 1973, this record-breaking structure, designed by renowned architect John Portman, boasts the largest hotel atrium in the world at the time, soaring an awe-inspiring 17 floors high. Upon entering, you’re immediately enveloped in its vast scale: expansive glass elevators glide effortlessly up the walls, offering panoramic views of the bustling interior below and the intricate geometric skylight above. The soaring ceilings allow natural light to flood the atrium, creating a stunning contrast with the bold concrete structures, a hallmark of the Brutalist architecture style that defined the era.
Portman’s vision was to create more than just a hotel lobby—this grand space was designed to feel like a city within a city, fostering social interaction while giving guests a sense of urban retreat. Crisscrossing walkways and balconies offer visitors both intimate and sweeping views, adding depth and texture to the already impressive space. The design was so influential that the atrium has appeared in films like High Anxiety and Towering Inferno, further cementing its cultural relevance.
Situated in San Francisco’s Financial District, the Hyatt Regency is just steps away from iconic landmarks like the Ferry Building Marketplace, the Bay Bridge, and the vibrant waterfront piers. Its location makes it perfect for both business travelers and tourists looking to explore the city. Whether you’re staying the night or simply visiting, this monumental atrium is a must-see—an enduring testament to forward-thinking design that continues to inspire architects and travelers alike.
A close-up shot of the Maastoren in Rotterdam, showcasing the geometric precision and modern architectural style of one of the city's tallest structures. The contrasting light and shadow reveal the building's striking patterns and textures, making this image not only a study of architecture but also a touch of abstract art. Captured in black and white to emphasize the linear composition and minimalist elegance.
"The design of the pavillon consists of 151 custom laminated lightweight beech plywood segments. In order to combine these ultra-thin plywood strips into a structurally stable configuration, newly developed robotic sewing techniques for prefabrication and manual lacing on site are applied."
further information:
photographed by
Frank Dinger
BECOMING - office for visual communication
Framed by soaring Corinthian columns and the monumental arches of Bernard Maybeck’s rotunda, this view inside San Francisco’s iconic Palace of Fine Arts captures a moment of calm, geometry, and grandeur. Designed for the 1915 Panama-Pacific International Exposition, the structure remains one of the city’s most photogenic landmarks, beloved for its theatrical evocation of Roman ruins. Here, from the interior looking outward, the fluted columns rhythmically draw the eye upward while the arches open like doorways into an imagined antiquity.
Urns perched like sentinels atop pedestal walls echo the symmetry and reinforce the Palace’s ornamental detailing. Trees just beyond soften the otherwise monumental scale and add a sense of serenity to this classical stage. Above, tucked between the arches, sculpted female figures from Ulric Ellerhusen’s program stand watch—evoking themes of reflection, creativity, and melancholy. What was once a temporary fair pavilion has become an enduring icon of San Francisco’s cultural and architectural identity, reborn in concrete after its original plaster began to deteriorate in the decades following the exposition.
Visitors today wander this colonnade to pose for wedding photos, enjoy quiet moments by the nearby lagoon, or simply marvel at the craftsmanship of a bygone architectural ambition. This angle—underneath the rotunda and looking through its arches—reveals not just the Palace’s design brilliance, but its function as a portal: between past and present, ruin and rebirth, imagination and form.
Embarcadero Center in San Francisco is an iconic example of modernist architecture, embodying the city’s mid-20th-century urban redevelopment vision. Comprising five office towers, the center stretches along the Embarcadero waterfront, offering a blend of commercial, retail, and public spaces. This photo highlights the striking linear symmetry of the building’s balconies, each one precisely aligned in a grid-like pattern that emphasizes repetition and rhythm. The design, characterized by minimalist aesthetics, exudes a sense of order and efficiency, reflecting the architectural trends of the 1960s and 1970s. The repetitive vertical lines of the balconies draw the eye upward, while the muted color palette enhances the structure's bold, geometric forms. Designed by architect John C. Portman Jr., Embarcadero Center is a testament to the urban planning and architectural ingenuity of its era. Its clean lines and functional design have made it a landmark in San Francisco's Financial District, symbolizing both the city’s economic prowess and its embrace of modernity. Whether viewed up close or from a distance, the Embarcadero Center’s architectural significance and its place in the fabric of San Francisco are undeniable, making it a must-see for architecture enthusiasts and visitors alike.
"The design of the pavillon consists of 151 custom laminated lightweight beech plywood segments. In order to combine these ultra-thin plywood strips into a structurally stable configuration, newly developed robotic sewing techniques for prefabrication and manual lacing on site are applied."
further information:
photographed by
Frank Dinger
BECOMING - office for visual communication
The Montjuïc Communications Tower, also known as the Torre Calatrava, is a striking architectural structure located in the Olympic Park of Montjuïc in Barcelona, Spain. Designed by the renowned architect Santiago Calatrava, the tower was constructed between 1989 and 1992. Its futuristic design, representing an athlete holding the Olympic flame, has become an iconic symbol of the city. The tower also serves as a functional element, transmitting television coverage of the 1992 Olympic Games.
"The design of the pavillon consists of 151 custom laminated lightweight beech plywood segments. In order to combine these ultra-thin plywood strips into a structurally stable configuration, newly developed robotic sewing techniques for prefabrication and manual lacing on site are applied."
further information:
photographed by
Frank Dinger
BECOMING - office for visual communication
..in the game of light and darkness....
Copyright : Tania Shukrana
Contact : tania.shukrana@gmail.com
The Bakar Fitness Center at UCSF Mission Bay is a hallmark of modern architecture and cutting-edge fitness facilities. Located in the vibrant Mission Bay neighborhood, this center is part of the University of California, San Francisco's extensive campus, catering to both students and the local community. The building's striking design features bold geometric shapes and a vivid color palette, with a signature yellow structural element that stands out against the terracotta facade. This design not only reflects the contemporary aesthetic of the area but also integrates seamlessly with the surrounding greenery, creating a welcoming and inspiring environment for fitness enthusiasts.
The center offers a comprehensive range of amenities, including a state-of-the-art gym, an Olympic-sized swimming pool, and various fitness studios. It's a hub for health and wellness, providing facilities for both high-intensity workouts and more relaxed, restorative activities like yoga and meditation. The Bakar Fitness Center is also known for its inclusive community programs, which aim to make fitness accessible to people of all ages and abilities. This focus on inclusivity and community engagement is a cornerstone of UCSF's mission to promote health and well-being.
Architecturally, the Bakar Fitness Center is a showcase of sustainable design. The building incorporates energy-efficient systems and materials, aligning with UCSF's commitment to sustainability and environmental stewardship. Large windows and open spaces are strategically used to maximize natural light, reducing the need for artificial lighting and enhancing the overall atmosphere of the facility.
Whether you're a fitness aficionado or a casual visitor, the Bakar Fitness Center at UCSF Mission Bay offers an exceptional experience. It's not just a place to work out; it's a community landmark that embodies the spirit of innovation and excellence that defines San Francisco.
This photograph offers a glimpse into urban density, epitomized by the relentless array of windows that dominate the frame. The repetitive pattern is broken only by the slight irregularities in window position and the protruding balconies on the left. It paints a tale of urban life, where individuality coexists within the uniformity of architectural design.
One Bush Plaza, also known as the Crown-Zellerbach Building, is a landmark in San Francisco’s Financial District, offering a glimpse into mid-century modernism in the heart of the city. Completed in 1959, the 20-story tower was designed by architect Skidmore, Owings & Merrill (SOM), known for their work on iconic urban skylines worldwide. One Bush Plaza was one of the first International Style buildings to break away from the city’s tradition of ornate facades, featuring sleek glass and steel instead. This clean-lined aesthetic sets it apart from the neighboring architectural giants.
The building's unique history includes being the first high-rise built in San Francisco post-World War II, marking a shift in the city's architectural landscape. Its thin, rectangular shape is softened by elegant curtain walls with steel-framed glass windows, offering a balance between modernist design and urban utility. The plaza surrounding the tower is an open public space, which provides a rare break in the otherwise densely packed Financial District, ideal for a midday escape or a quick business meeting.
Given its prime location, One Bush Plaza is also a prominent hub for businesses, with easy access to public transportation and nearby landmarks such as the Transamerica Pyramid and Embarcadero Center. Whether you're an architecture enthusiast or a business professional, One Bush Plaza captures the essence of San Francisco's mid-century ambition and modern appeal.
"The design of the pavillon consists of 151 custom laminated lightweight beech plywood segments. In order to combine these ultra-thin plywood strips into a structurally stable configuration, newly developed robotic sewing techniques for prefabrication and manual lacing on site are applied."
further information:
photographed by
Frank Dinger
BECOMING - office for visual communication
One Bush Plaza, also known as the Crown-Zellerbach Building, is a landmark in San Francisco’s Financial District, offering a glimpse into mid-century modernism in the heart of the city. Completed in 1959, the 20-story tower was designed by architect Skidmore, Owings & Merrill (SOM), known for their work on iconic urban skylines worldwide. One Bush Plaza was one of the first International Style buildings to break away from the city’s tradition of ornate facades, featuring sleek glass and steel instead. This clean-lined aesthetic sets it apart from the neighboring architectural giants.
The building's unique history includes being the first high-rise built in San Francisco post-World War II, marking a shift in the city's architectural landscape. Its thin, rectangular shape is softened by elegant curtain walls with steel-framed glass windows, offering a balance between modernist design and urban utility. The plaza surrounding the tower is an open public space, which provides a rare break in the otherwise densely packed Financial District, ideal for a midday escape or a quick business meeting.
Given its prime location, One Bush Plaza is also a prominent hub for businesses, with easy access to public transportation and nearby landmarks such as the Transamerica Pyramid and Embarcadero Center. Whether you're an architecture enthusiast or a business professional, One Bush Plaza captures the essence of San Francisco's mid-century ambition and modern appeal.