View allAll Photos Tagged structuraldesign
Sempervivum x 'Cobweb' (Crassulaceae - Crassulacées)
After flowering the base will die.
Après la floraison le pied va mourir.
Common names: Sempervivum Arachnoideum, Cobweb Houseleek, live forever, Sempervivum cobweb Hens and Chicks, Cobweb Sedum.
Noms communs: Joubarbe aranéeuse, Sempervivum Jubarbe à toile d'araignée,
Sempervivum x 'Cobweb' (Crassulaceae - Crassulacées)
After flowering the base will die.
Après la floraison le pied va mourir.
Common names: Sempervivum Arachnoideum, Cobweb Houseleek, live forever, Sempervivum cobweb Hens and Chicks, Cobweb Sedum.
Noms communs: Joubarbe aranéeuse, Sempervivum Jubarbe à toile d'araignée.
I photographed the Torre Velasca from the roof of the Duomo di Milano on a grey morning, with soft light filtering through the overcast sky. The image isolates the tower in color against a black-and-white cityscape, emphasizing its cantilevered top and angled supports. From this elevated vantage point, the contrast between postwar modernism and Milan’s historic architecture becomes even more pronounced.
Helping form Lake Austin on the Colorado river in Austin, Tx. The dam is downstream from Mansfield Dam.
This photograph captures the intricate play of reflections on a glass building facade, where lines and symmetry create a striking geometric pattern. The bright blue reflections and the green tree in the foreground add contrast and depth to the architectural design, highlighting the harmonious blend of nature and urban structure.
as if swallowed by a world of brutalist geometry, the man becomes a mere fold in concrete. the architecture speaks louder than the figure—its weight, rhythm and silence shaping the narrative. light has no softness here, only precision.
Wide black and white view across the harbor basin. The Rhine Tower forms a vertical anchor on the left, while the Gehry buildings appear clustered along the waterfront. Strong contrast between sky, water, and built structures. The composition highlights urban density, layered architecture, and long tonal gradients enabled by medium format capture.
Black and white architectural photograph focusing on the sculptural volumes of the Gehry-Bauten. The image separates the white plastered volumes from the reflective metal-clad building. Clean background sky increases contrast and emphasizes form, curvature, and rhythm of windows. Precise framing supports a documentary architectural reading
Bold red typography stands out against weathered concrete at the Beaches Olympic Pool in Toronto. A relic of mid-century civic design, the word itself becomes a statement — a reminder that transformation can speak softly, yet resonate deeply.
More here:
www.agreatcapture.com/blog/2025/10/27/october-walk-rc-har...
A wall of glass turns into a living canvas, where reflections, motion, and interior light merge into one shifting pattern.
The façade of Stasjonen in Tønsberg captures layers of transparency: offices, corridors, and the rhythm of LED lights suspended in mid-air.
Shot in monochrome to emphasize the geometry, the structure becomes a study in symmetry, depth, and urban stillness — a moment where architecture paints with light.
Fun fact
Modern glass buildings often reflect only 8–15% of direct light, but when multiple layers of interior illumination meet reflective surfaces, the visual complexity increases exponentially — creating “light echoes,” like the streaks visible in this photo.
captured within the architectural marvel of the oculus at the world trade center complex in new york city, this image portrays a solitary figure silhouetted against the dramatic backdrop of calatrava's iconic design. the soaring steel ribs, reaching skyward like the wings of a bird, frame the scene, creating a powerful contrast between light and shadow. the interplay of geometric forms and the human element reflects the harmony of movement and structure, embodying both the resilience and elegance of modern urban life.
The Leaning Tower of Pisa is a true marvel, standing tall and proud, defying the laws of physics, and leaving a lasting impression on all those who visit. As the night falls and the sky turns blue, the Leaning Tower of Pisa rises high above the surrounding buildings, casting a striking silhouette against the fading light. Its infamous lean adds a touch of intrigue to the scene, drawing visitors from far and wide to marvel at its architectural wonder. The tranquil setting creates a serene atmosphere, making it a perfect place for reflection and contemplation.
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From the Marin side, the Golden Gate Bridge reveals a quieter kind of authority. The south tower lines up cleanly, frame within frame, its geometry doing the work without theatrics. Traffic moves steadily across the deck, suspended between headlands, while the bay opens wide to the west in muted blues and silvers. This is the bridge as infrastructure first—precise, legible, and confident in its own proportions.
The catwalk and trusswork below introduce a second rhythm, all diagonals and riveted steel, grounding the span in craft and labor. Hills rise tight against the roadway, reminding you how abruptly the city gives way to landscape here. On clear days like this, the scene feels almost understated, as if the bridge is content to let light, distance, and repetition carry the image.
San Franciscans know this angle well. It’s less postcard, more proof-of-concept: a working crossing that happens to be monumental. The Golden Gate Bridge earns its place not through drama, but through consistency—showing up, day after day, as a piece of city-scale design that still feels right, decades on, no matter how often you return to it.
Black and white architectural study of the Gehry buildings at Medienhafen, Düsseldorf. The image shows the metallic, curved façade with irregular window placement. Foreground elements include closed parasols and seating, providing scale and spatial context. Shot in high resolution with a medium format camera, emphasizing surface texture, reflections, and tonal separation.
This is a photograph of the pinned connection on the eastern end of the Pratt pony truss bridge over the Barren Fork River in McMinnville, Tennessee. This bridge was originally built by the Nashville, Chattanooga & St. Louis Railroad, then later used by the Louisville & Nashville Railroad, and finally use is by CSX. There are three common types of connections which join a built structure (the bridge) to its foundation; roller, pinned and fixed. A pinned support (as seen here) can resist both vertical & horizontal forces but not a moment (or rotation). This is the point where the steel structure of the bridge itself 'connects' to the concrete (or stone in this case) support structure/foundation such as piers, pilings, etc. Each connection is designed so that it can transfer, or support, a specific type of load or loading condition. In this case, this connection was designed & constructed to support not only the bridge but the trains that would be crossing the river below.
This photo was taken in 2013 during my previous Project 365…please visit my album for this “REMASTERED” Project 365 as I revisit each day of 2013 for additional photos to share!!
Three bracketed photos were taken with a handheld Nikon D5200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/
Sempervivum x 'Cobweb' (Crassulaceae - Crassulacées)
After flowering the base will die.
Après la floraison le pied va mourir.
Common names: Sempervivum Arachnoideum, Cobweb Houseleek, live forever, Sempervivum cobweb Hens and Chicks, Cobweb Sedum.
Noms communs: Joubarbe aranéeuse, Sempervivum Jubarbe à toile d'araignée,
Capturing the F&F Tower, also known as El Tornillo, this striking image highlights the unique spiral design of Panama City's architectural marvel. Rising above the urban landscape, the tower stands as a testament to modern engineering and creativity.
In capturing this architectural detail, I wanted to strip away all distractions and focus purely on the power of geometric form. Working in black and white allowed me to emphasize the stark contrast between light and shadow, creating a nearly abstract composition from a concrete architectural element. The diagonal positioning was intentional - I wanted to create a sense of upward movement, as if the structure was reaching toward the darkened sky. I carefully positioned myself to capture the repetitive pattern of the architectural fins, using them as leading lines to draw the viewer's eye through the frame. The moody sky and careful processing help create a sense of drama and scale. My goal was to transform what might be seen as a simple architectural detail into a striking geometric study that blurs the line between documentary and fine art photography. The interplay of light across the repeated elements was crucial in bringing depth and dimensionality to what could otherwise have been a flat pattern. This image represents my ongoing exploration of how architectural photography can transcend simple documentation to become abstract art while still maintaining its connection to the built environment.
A study of contemporary architecture in Düsseldorf, shown in black and white to emphasize form, rhythm, and contrast. Curved façades meet strict grids of windows, creating a dialogue between movement and order. Reflections in glass and subtle tonal shifts reveal how modern buildings interact with light and sky. The series focuses on geometry, repetition, and surface structure rather than iconic landmarks, highlighting Düsseldorf’s role as a city of modern design and architectural experimentation.
Qasr Al-Hokm Metro Station, Riyadh, Saudi Arabia
From my spatial reading, the exterior expresses futurity and movement, while the interior articulates permanence and historical continuity through structure, materiality, and light.
The handheld photographic approach aligns with this interpretation, documenting the space as it is perceived in motion and at a human scale.
Project: King Abdulaziz Project for Riyadh Public Transport
Owner: Royal Commission for Riyadh City (RCRC)
Architect/Concept Design: Snøhetta
Design Lead: CREW – Cremonesi Workshop
Civil & Architectural Coordination: One Works
Structural Signature Elements: AKT II
Main Contractor: Webuild
Construction Partners: Larsen & ToubroNesma & Partners
Project Management: Riyadh Metro Transit Consultants (RMTC) (led by Egis, in association with Parsons & SYSTRA)
Program/Project Management Consultant: Hill International
Interior Fit-Out Contractor: Lindner Saudi Arabia
Façade/Curtain Wall/Skylight Systems: Permasteelisa Group
Stone Cladding & External Architectural Works: DGlobe International
Architectural Metal & Special Finishes: Atlantis Contracting
Rail Systems & Integration: Alstom, Hitachi
Metro Lines: Blue Line (Line 1), Orange Line (Line 3)
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A study of contemporary architecture in Düsseldorf, shown in black and white to emphasize form, rhythm, and contrast. Curved façades meet strict grids of windows, creating a dialogue between movement and order. Reflections in glass and subtle tonal shifts reveal how modern buildings interact with light and sky. The series focuses on geometry, repetition, and surface structure rather than iconic landmarks, highlighting Düsseldorf’s role as a city of modern design and architectural experimentation.
A study of contemporary architecture in Düsseldorf, shown in black and white to emphasize form, rhythm, and contrast. Curved façades meet strict grids of windows, creating a dialogue between movement and order. Reflections in glass and subtle tonal shifts reveal how modern buildings interact with light and sky. The series focuses on geometry, repetition, and surface structure rather than iconic landmarks, highlighting Düsseldorf’s role as a city of modern design and architectural experimentation.
When capturing this image, I wanted to convey the silent power of this architectural feat in its nocturnal setting. My intention was to create an almost surreal atmosphere, where the geometric lines of the cables and the rhythmic succession of pylons stand out in the darkness. I chose this diagonal composition to emphasize the perspective and create a sense of infinite depth. The red lights on the pylons and the white lighting of the deck create a duality that I deliberately highlighted to emphasize the contrast between the massive structure of the viaduct and its apparent lightness. Through this photo, I wanted to show how modern architecture can transcend its utilitarian function to become a true nocturnal work of art.
Inside the Sydney Opera House - Just amazing! I love these purple steps.
“Sydney Opera House is a great architectural work of the 20th century. It represents multiple strands of creativity, both in architectural form and structural design, a great urban sculpture carefully set in a remarkable waterscape and a world famous iconic building.”
Sydney Opera House was inscribed in the World Heritage List in June 2007
When I approached this iconic bridge, I wasn't interested in capturing another typical postcard shot. Instead, I wanted to reveal its soul through the natural interplay of fog, light, and architectural geometry. By choosing black and white, I stripped away the distractions of color to focus on the ethereal quality of the scene. The fog wasn't an obstacle - it was my ally in creating mystery and depth. I carefully composed the frame to emphasize both the bridge's commanding presence through its nearest tower and its graceful disappearance into the mist. The small sailboat was a deliberate inclusion, serving as both a scale reference and a human element in this industrial landscape. I wanted to maintain the natural texture of the water and the definition in the clouds, preserving the authentic mood of the moment. My goal was to transform this familiar landmark into something more atmospheric and emotional - a meditation on the relationship between human engineering and natural elements. The resulting image speaks more to feeling than fact, suggesting rather than showing, and inviting the viewer to complete the journey into the fog with their imagination.
Kåfjordbrua er en skråstagbru over Kåfjord i Alta. Brua har ett tårn på over 70 meters høyde, hvor det på østsiden av tårnet er et 149,5 meter langt spenn. Mellom dette spennet og østre landkar er det to spenn på 32 meter og et på 26 meter. Vest for tårnet er det et 30 meter langt spenn som fører fram til en 32 meter lang ballastkasse. Total brulengde blir 169,5 meter pluss ballastkassen.
Fri seilingshøyde er 9,0 meter.
[Manchester, UK]
I’m not sure what they were planning to do, but they looked cute!
تو روز روشن از دیوار بالا می رفتند! یواشکی رفتم جلو و این عکس رو گرفنم، اصلا هم از ماسکهای سیاه رو صورتشون نترسیدم
:)
[Processing: colour & contrast adjustment]
In capturing this modern building, I was drawn to the striking geometry created by its angular corner. I positioned myself to emphasize the converging lines that lead the eye upward into darkness, creating a sense of ascension and limitlessness. Working in black and white was a deliberate choice to strip away distractions and focus purely on form, texture, and the interplay of light and shadow. The dark negative space surrounding the building isolates the structure and creates a dramatic stage for architectural elements to perform. I wanted to transform this functional structure into something abstract and contemplative—revealing the hidden rhythm in the repeating patterns of sun shades and windows that might otherwise go unnoticed. Through this image, I aimed to challenge perceptions of scale and perspective, making the familiar unfamiliar. By focusing on this single corner, I invite viewers to consider how fragments can sometimes tell more compelling stories than whole scenes, much like how a single architectural detail can embody the philosophy behind an entire design.
A cathedral of concrete and symmetry.
An inverted shell, spiraling inward—towards silence, or maybe ignition.
Whatever this was built for, it no longer asks permission.
Kingdom Centre (Kingdom Tower) - King Fahd Road, Al-Olaya, Riyadh, Saudi Arabia
Design Architect: Ellerbe Becket (AECOM)
Leading Engineering Consultant: Omrania & Associates
Associate Architect: William Chilton
Structural Engineer: Arup
Project Management: Saudi Arabian Bechtel Company
Main Contractor: El Seif Engineering Contracting Co.
Additional Contractor: Webuild (Salini Impregilo)
Curtain-wall Contractor: Götz Middle East
Glass Supplier: Saudi American Glass Company
Developer/Owner: Kingdom Holding Company
Height: 302.3 m
Floors: 41
Total Built-up Area: Approx. 185,000 m²
Status: Completed (1999–2002)
Architectural Style: Modernism
Analogy: Inverted Arch Gate
The building’s form is defined by a pure vertical blade with a dramatic inverted arch at the top. The large opening reduces wind loads, creates a unique skyline identity, and supports the sky-bridge. The form blends structural logic, minimalist geometry, and a modern interpretation of a symbolic gateway in Riyadh’s urban landscape.
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Four, also known as Four Frankfurt, is a major, luxury mixed-use skyscraper project in Frankfurt, consisting of a complex of four skyscrapers under construction.
Goliath. visually explores the theme of scale, emphasizing the contrast between the immense size of urban architecture and the relative smallness of individual human experience within these spaces. It is a study in contrasts: solidity and void, opacity and transparency, enormity and minutiae. Goliath. ultimately raises questions about the individual's place in the architectural colossus of the urban landscape.
An abstract monochrome study of intersecting metal wires and patterned plastic, photographed inside a laundromat. By isolating repetition, geometry, and tone, an everyday object transforms into a modernist visual rhythm.
The Presidio Parkway reveals one of San Francisco’s most quietly sophisticated pieces of infrastructure here, where elevated roadways sweep past each other with a confidence that feels both engineered and lyrical. Shot from below, the intersecting spans create a deliberate tension between curve and line, weight and lift. The concrete is unapologetically modern, yet it sits lightly against the soft greens of the Presidio and the open sky beyond.
What makes this moment work is restraint. The roads don’t compete for attention; they converse. Each arc guides the eye inward, framing the landscape and pulling focus toward the negative space between structures. It’s a view most people experience at speed, rarely noticing how carefully the geometry has been composed. Slowing down reveals a choreography of motion, where infrastructure becomes architecture.
There’s a distinctly San Francisco sensibility at play. The parkland below tempers the scale of the roadway, reminding you that this city insists on coexistence between nature, history, and movement. The light stays cool and even, allowing texture and structure to do the work without drama. Nothing is overstated. Nothing is decorative. And yet the result feels intentional, calm, and deeply urban.
Scenes like this define the city as much as its landmarks. They speak to how San Francisco moves, how it connects itself, and how beauty often lives in the in-between spaces we pass through every day without looking twice.
From the Marin side, the Golden Gate Bridge reveals a quieter kind of authority. The south tower lines up cleanly, frame within frame, its geometry doing the work without theatrics. Traffic moves steadily across the deck, suspended between headlands, while the bay opens wide to the west in muted blues and silvers. This is the bridge as infrastructure first—precise, legible, and confident in its own proportions.
The catwalk and trusswork below introduce a second rhythm, all diagonals and riveted steel, grounding the span in craft and labor. Hills rise tight against the roadway, reminding you how abruptly the city gives way to landscape here. On clear days like this, the scene feels almost understated, as if the bridge is content to let light, distance, and repetition carry the image.
San Franciscans know this angle well. It’s less postcard, more proof-of-concept: a working crossing that happens to be monumental. The Golden Gate Bridge earns its place not through drama, but through consistency—showing up, day after day, as a piece of city-scale design that still feels right, decades on, no matter how often you return to it.
A large orange drainage pipe, cylindrical and hollow, observes a backdrop of modern high-rise structures, reflecting urban design with a significant play of light entering the circular opening.
Nestled along the vibrant Embarcadero waterfront, the Hyatt Regency San Francisco’s iconic atrium is nothing short of an architectural marvel. Opened in 1973, this record-breaking structure, designed by renowned architect John Portman, boasts the largest hotel atrium in the world at the time, soaring an awe-inspiring 17 floors high. Upon entering, you’re immediately enveloped in its vast scale: expansive glass elevators glide effortlessly up the walls, offering panoramic views of the bustling interior below and the intricate geometric skylight above. The soaring ceilings allow natural light to flood the atrium, creating a stunning contrast with the bold concrete structures, a hallmark of the Brutalist architecture style that defined the era.
Portman’s vision was to create more than just a hotel lobby—this grand space was designed to feel like a city within a city, fostering social interaction while giving guests a sense of urban retreat. Crisscrossing walkways and balconies offer visitors both intimate and sweeping views, adding depth and texture to the already impressive space. The design was so influential that the atrium has appeared in films like High Anxiety and Towering Inferno, further cementing its cultural relevance.
Situated in San Francisco’s Financial District, the Hyatt Regency is just steps away from iconic landmarks like the Ferry Building Marketplace, the Bay Bridge, and the vibrant waterfront piers. Its location makes it perfect for both business travelers and tourists looking to explore the city. Whether you’re staying the night or simply visiting, this monumental atrium is a must-see—an enduring testament to forward-thinking design that continues to inspire architects and travelers alike.