View allAll Photos Tagged stringart
Es mi frase favorita de toda la vida, la escuche por primera vez en la película El Mago de Oz, ¿alguien la recuerda? y que bien encaja con nuestra actualidad...porque no hay mejor lugar como el hogar ♥
Macro Mondays theme: Cotton
My binraker husband brought in a discarded sequin art kit about a week before Christmas. I had some flocked black adhesive paper for lining jewelry boxes, so I thought I would try a little miniature string art with the tiny pins. The circle has a diameter of 7cm (~2.75 inches). He had just been talking about filography, the art of thread sculpture, and remembering a large piece he had done in wire in the 80s. I remembered the popularity of the trend but never got around to trying it. Now I can say I have. It had its moments, but the pins in the polystyrene had trouble resisting the pull of the thread, found when I cleared out my mom's stuff a few years back. The No. 8 pearl cotton thread was manufactured by Anchor Coats in Pakistan. It seems fitting that the video tutorial I followed was done by a Pakistani artist. The title is a reference to the math involved. No, I do not understand it but find it all fascinating just the same.
HMM
Tie-dye shoe strings and nails with a little paint is all it takes. I saw this piece of art on a wall at a resort hotel on the Oregon Coast.
~ “#MACRO MONDAYS” ~ and “#EYE OF THE BEHOLDER” ~ “4/29/19” ~
~ "STRING ART MY DAUGHTER MADE YEARS AGO" ~
Une de mes réalisations faite avec des clous dorés et de la ficelle de boucher.
One of my creations made with golden nails and butcher’s string.
D'après diapositive.
It is hard to find a site on Kumihimo that provides instructions to the craft. These are for the beginner, just learning how. I hope this, along with the directions you got with your "kit" will help you. I take this board everywhere! It is cheap and portable. -- Lady Gepa of SunDragon.
Full shot of the thread used for my first Macro Mondays photo-shoot of 2022 for the theme of Cotton.
Une de mes réalisations faite avec des clous dorés et de la ficelle de boucher.
One of my creations made with golden nails and butcher’s string.
D'après diapositive.
Trinity Bridge, Manchester by Santiago Calatrava reminds me of a type of 'Art' popular in the 70s (with my parents st least) where thread was wound round nails on a canvas to form funky geometric patterns. Own up, who's still got one of these masterpieces in their loft ?
made for the Style School online class!
I made my mobile from a plastic hanger! I still might want to add a few more things to it, but here it is!
'#interconnectedness' 2018 #seotus #studying #synergy #students #threads #stringart #installation #blue #architecture #indoor #estonia #tallinn #contemporaryart #art #АЪ EKA81 2018-107 17.12.2018 (2)
Creator/Photographer: Thomas Smillie
Birth Date: 1843
Death Date: 1917
Born in Edinburgh, Scotland, in 1843, Thomas William Smillie immigrated to the United States with his family when he five years old. After studying chemistry and medicine at Georgetown University, he took a job as a photographer at the Smithsonian Institution, where he stayed for nearly fifty years until his death in 1917. Smillie's duties and accomplishments at the Smithsonian were vast: he documented important events and research trips, photographed the museum's installations and specimens, created reproductions for use as printing illustrations, performed chemical experiments for Smithsonian scientific researchers, and later acted as the head and curator of the photography lab. Smillie's documentation of each Smithsonian exhibition and installation resulted in an informal record of all of the institution's art and artifacts. In 1913 Smillie mounted an exhibition on the history of photography to showcase the remarkable advancements that had been made in the field but which he feared had already been forgotten.
Medium: Cyanotype
Dimensions: 7.8" x 9.0"
Date: 1899
Collection: Thomas Smillie Collection (Record Unit 95) - Thomas Smillie served as the first official photographer for the Smithsonian Institution from 1870 until his death in 1917. As head of the photography lab as well as its curator, he was responsible for photographing all of the exhibits, objects, and expeditions, leaving an informal record of early Smithsonian collections.
Repository: Smithsonian Institution Archives
Accession number: SIA RU000095 [13039]
Creator/Photographer: Thomas Smillie
Birth Date: 1843
Death Date: 1917
Born in Edinburgh, Scotland, in 1843, Thomas William Smillie immigrated to the United States with his family when he five years old. After studying chemistry and medicine at Georgetown University, he took a job as a photographer at the Smithsonian Institution, where he stayed for nearly fifty years until his death in 1917. Smillie's duties and accomplishments at the Smithsonian were vast: he documented important events and research trips, photographed the museum's installations and specimens, created reproductions for use as printing illustrations, performed chemical experiments for Smithsonian scientific researchers, and later acted as the head and curator of the photography lab. Smillie's documentation of each Smithsonian exhibition and installation resulted in an informal record of all of the institution's art and artifacts. In 1913 Smillie mounted an exhibition on the history of photography to showcase the remarkable advancements that had been made in the field but which he feared had already been forgotten.
Medium: Cyanotype
Dimensions: 7.8" x 9.0"
Date: 1899
Collection: Thomas Smillie Collection (Record Unit 95) - Thomas Smillie served as the first official photographer for the Smithsonian Institution from 1870 until his death in 1917. As head of the photography lab as well as its curator, he was responsible for photographing all of the exhibits, objects, and expeditions, leaving an informal record of early Smithsonian collections.
Repository: Smithsonian Institution Archives
Accession number: SIA RU000095 [13037]
I’ve had the pleasure of doing a documentary portrait of a string artist based in Montréal @mesmart_by_bazo in instagram.
This is part of the portraiture story I shot. Check out more here:
slideshow 25, slide 44/72
berkeley, california
1971
string art mandalas
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
@Regrann from @rubyowldesigns - Made a Model A Roadster Pickup truck for a customer. It'll be a birthday gift for her grandfather. #stringart #art #etsy #etsyshop #etsyseller #etsystore #onlineshop #homedecor #rubyowldesigns #ohiomade #woodart #walldecor #giftidea #love #handmade100 #modela #modelaroadster #roadster #pickuptruck #truck #1928modela #redwheels #modelaroadsterpickup #pickup #handmadeisbetter #handmadeonetsy #amazonhandmade #handmadeonamazon #antique #antiquetruck via Instagram ift.tt/2a57hvC