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Kuli'ou'ou Canal, Honolulu, Hawai'i
These tangerines were laying in the shallow current in the canal. I had to get dirty for this shot.
Image in HDR. Early morning shot enhanced with gradient and yellow filter using my Nikon 55-200 VR lens mounted on tripod.
On the morning of my second day trip to North Island, NZ, I headed to Kitekite Falls, which is situated on the hinges of the beautiful coastal town of Piha, an hour's drive east of Auckland. I say beautiful because Piha is the only town in New Zealand where it slowly gets into view as you descend from over the mountains, and the Tasman Sea behind it grows majestic.
Kitekite falls is not on Google maps, to get to the carpark (which is the end of Glenesk Road), plug this coordinate into your navigation system: -36.952303,174.48404
All my shots of the magnificent 5 tier falls turned out to be duds - water spray, high position of the sun etc. So instead of that, I present to you - the charming Kitekite stream.
Used Lee 105mm polarizer and GNDs for this shot.
Exposure: 1s
Aperture: f/11
Focal Length: 11 mm
ISO Speed: 100
Get this on print here>>
Crossing The Stream. John Muir Wilderness, California. August 31, 2017. © Copyright 2017 G Dan Mitchell - all rights reserved.
Two backpackers (and their dog) negotiate a stream crossing in the John Muir Wilderness.
I was out photographing around the lower end of the lake above this stream when two backpackers passed by. I was fascinated by watching them as they came through here, and their progression to and across the stream reminded me of some aspects of backcountry travel that are important and quite different from how we live our typical day-to-say city lives. They were moving efficiently as they approached the obstacle of this stream at the trail crossing. At first glance the crossing seemed obvious, with the trail clearly arriving and departing from opposite sides of this wide spot in its course. But, as is frequently the case, the crossing wasn't as simple as it first looked — the water was unusually high for this time of year – and no ideal crossing was apparent. They stopped, looked around, tried a few options, finally settled on stepping across on slightly submerged rocks, and they crossed. The first hiker got across fine, and the dog followed, but the second hiker slipped into the water just a bit and then apparently lost a set of glasses. They pondered a bit, realized that they couldn't get them back, and then set off, once again moving with a purpose across the meadow and on toward a higher lake.
I now think of something else when I see such backpackers, younger (to me, anyway!) backcountry visitors who seem in many ways like me a few decades ago. I envy their ability to carry large loads and to move quickly. I can still carry what I need to, but it is harder and slower than it once was! I also think about how much they cannot yet know about their potential future in these places, including the prospect that their appreciation and connection to the wilderness will grow and mature in ways that they cannot yet foresee. Sometimes I want to stop and tell them... but I never do.
G Dan Mitchell is a California photographer and visual opportunist. His book, "California's Fall Color: A Photographer's Guide to Autumn in the Sierra" is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.
southeast Olympic Mountain stream off of FS road #23. Wanted to hike on the S. Fork Skok river today, but got a late start and then found one of those stupid game gates 5 miles from the trail head. ( should have checked my FS Hoodsport District map ) :(
The image shows a peaceful forest scene with a shallow stream running through it. The water is clear, reflecting the surrounding trees and greenery. Tall trees and lush plants line the stream, creating a tranquil atmosphere.
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A side canyon off Upper Lopez Canyon, San Luis Obispo County, California, USA.
The use of any of my photos, of any file size, for any purpose, is subject to approval by me. Contact me for permission. Image files are available upon request. My email address is available at my Flickr profile page. Or send me a FlickrMail.
Chunggye Stream Restoration Project
A full-scale concrete construction to cover the stream began on May 25, 1958 and was completed in December 1961. A width of 16 to 54 m covering starting at Gwanggyo running a length of 2358 m up to Ogansu Bridge near Pyeonghwa Arcade in the central downtown was covered and paved with concrete. The construction cost was 166.1
7 million Hwan, and about 242,000 people were mobilized.
The restoration of Chunggye-chon is not just a part of Seoul’s urban planning. This project has the concerns of the entire nation as a symbolic project that will revive an important part of Korea’s historical and natural heritage at the start of the 21st century. The project is expected to set a new paradigm for urban management in the new century and contribute to renewing the environmentally sound image of Seoul.
article by hanjin travel
位置：中国湖南省怀化市中破国家森林公园
A stream near the entrance of Zhongpo National Forest Park (中坡国家森林公园) in Huaihua, Hunan (湖南省怀化市)
Note: I, Robert Baxter, released this photograph previously using my pseudonym, “Joseph McKinley.” I am hereby rereleasing it under this account so that I may add more metadata (specifically related to location) to its page and to incorporate it into my public domain collection. Those who choose to credit me for this file may credit me as either “Joseph McKinley” or as “Robert Baxter.” However, no credit of any form is required for this photograph, as I am hereby releasing this file into the public domain in accordance with the release notice below.
I, Robert Baxter, being the creator of this work, do hereby release it into the public domain. It may be used for any purpose, public or private, commercial or noncommercial, by any person, organization, government, business, entity, or institution.
This is an absolute relinquishment of all rights to this work. However, I do not grant permission for those who use this work to state or imply that I am endorsing any specific use of this work.
Sono combattuta tra la voglia di amare e essere amata
e la fredda consapevolezza di dover soffrire
scappare dalla felicità
anche quando bussa alla tua porta
soffrire per la felicità mancata
o accoglierla
e poi piangere per la felicità perduta?