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The perennating organs of the Potato (Solanum tuberosum) are underground tubers, which are swollen stems acting as food stores. Originally from the lower Andes in South America, this plant has been exploited in Europe as a food source since the 15th Century, owing to the high starch content and good keeping qualities of the tubers.
This image shows part of a plant dug up to expose underground stems with swollen tips – the immature tubers. Part of the main root system of the plant can also be seen.
The largest tuber is approximately 2 cm across.
Image by John Bebbington FRPS
St Helen is probably my favourite Kent church. At least from the outside. Alternating bands of flints and local stone give it a Christmas Cake effect, but in bright sunshine it looks stunning.
Inside, its no less impressive. Part of the wall paintings survive, as do geometric patterns on some of the supporting columns.
And it is huge, with a fine wooden roof, a replacement after a fire, but still works well, and the fabric of the church seems good.
Everywhere there are fabulous things to find; Aumbries, memorials, and so much more.
And I reeived a warm welcome from the warden who was waiting for visitors. Last time I was here, there was a display of how the estuary airport-cum-Boris Johnson vanity project seemed a real possibility. Now he is back insulting foreigners, and the airport is dead. But a new Thames crossing is being mooted, and it might run across Grain, which would be a shame to have the peace and quiet shattered.
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An absolute knockout of a church. From the first glimpse of the exterior, with its zebra-like stripes of flint and stone, you know that here is a church of great interest. In plan it consists of an aisled nave, transepts, chancel and west tower - all built on a prodigious scale. Although the church was heavily restored on two occasions in the nineteenth century there is still a great deal of interest and a visit here should not be rushed. The pillars of the nave have distinctive 'V' paintings contemporary with their fourteenth-century construction. The pulpit is of 1636 and shows some excellent carved arcading. Attached to it is a contemporary hourglass stand. The north transept has wall paintings depicting the martyrdom of St Edmund, but these were over-touched-up by Professor Tristram in 1932. Further paintings exist in the south transept and probably show the martyrdom of St Margaret. The base of the rood screen is fifteenth century while the rather insubstantial traceried top is an early twentieth-century addition. There is an elaborate tie-beam high in the roof with little quatrefoil piercings in the spandrels, but this could not have supported the rood as the remains of the rood loft staircase may be seen in its usual position. Outside the north chancel wall can be found a piscina and holy water stoup - all that remains of a medieval chantry chapel or anchorite's cell which has been demolished. The blocked-up doorway that originally gave access to it may be seen both inside and out. On the inside south wall of the chancel is one of the finest sedilia in Kent which together with its double piscina dates from the early years of the fourteenth century.
www.kentchurches.info/church.asp?p=Cliffe
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THE Church at Cliffe is dedicated to St. Helen and bears the distinction of being the only church in Kent dedicated to that Saint. It stands in a prominent position at the edge of the Hoo peninsula overlooking the extensive marshes which at this point stretch some two miles to the Thames.
The village seems at one time to have been of greater importance than it is to-day. Lambarde describes it as a large town in his day in spite of a disastrous fire which had destroyed many of the houses about 1520, a fire from the effects of which it appears never to have recovered.
The Manor of Cliffe belonged from very early times to the Prior and Convent of Christ Church, Canterbury, who were also the owners of the advowson, and thus became concerned with the upkeep of the church. At the Dissolution the Manor passed to George Brooke, Lord Cobham, though the Archbishop of Canterbury is still the patron of the living. Among the Rectors of Cliffe were several men of distinction, some of whom probably never visited the parish. From an early date there seems to have been a perpetual vicarage attached to the church, but when it became merged in the Rectory is uncertain.
Of the first church at Cliffe there is no definite record. It is sometimes said to have been founded by Offa, king of Mercia, in the latter part of the eighth century, though the only evidence for this appears to be the presumed identification of the place with the Cloveshoo of the Saxon Chronicle, where various synods of the Saxon Church were held in the eighth and ninth centuries. Without attempting to suggest a solution of this very debatable point, it can only be said that the evidence in favour of Cliffe appears to rest on at least as good authority as that of the rival claimants—Abingdon in Berkshire, and Clifton Hoo in Bedfordshire. There is moreover good reason to think that Cliffe was less inaccessible than might be supposed in mediaeval times. There still remain traces of a causeway across Higham Marsh, which must at one time have led to a ferry, thus affording an easy means of approach from Essex and the Midlands.
The earliest undisputed documentary reference to a church at Cliffe is in the Domesday Survey. It was evidently a building of more than usual importance for it is expressly stated that two ministers were in charge. Of this building, however, not a vestige remains, though there can be little doubt that from it the present plan has, on more or less recognised lines, been developed.
The plan as it exists to-day is complete, and consists of a nave with wide aisles, north and south transepts, chancel, western tower and south porch. The church is one of the largest in Kent, and is a striking example of a parish church whose size and splendour could have borne but little relation to the actual needs of the locality. It was the product of an age whose zeal for church building was limited only by the funds available. The total internal length from east to west is 182 feet, while the width across the transept is 82 feet. The exterior has been the subject of somewhat extensive restoration, which has robbed it of much of its ancient appearance. The south aisle differs from that on the north in having an embattled parapet, similar to that of the porch. The walls of the tower and transepts are faced with flint rubble with little attempt at regular coursing. The later work of the nave and chancel, though extensively refaced, is composed of alternate courses of dressed flints and stone ; the latter, a soft ragstone from the lower green sand formation which, quarried probably from the outcrop a few miles to the south, has weathered badly in many places. A variety of other materials is noticeable, some of which appear to have been reused from the earlier church. A block of Caen stone in the east wall of the chancel, and several pieces in the north wall, have obviously been reused, while a single piece of calcareous tufa can be seen in the north wall of the transept; Reigate stone is also fairly abundant.
It is not till one enters the church, that its size is fully realised. The absence of pews over a large part of the nave, with the fact that the nave arcade is carried past the crossing without a break, and the absence of a chancel arch, all combine to emphasise its spaciousness. The impression
gathered from a superficial survey of the interior is that of a thirteenth century church with considerable additions in the fourteenth century, but a more careful inspection shows at least one trace of an earlier building. The arch from the north aisle into the transept, which has been partially cut away when the thirteenth century nave arcade was constructed, is certainly of late twelfth century date and must therefore have survived from an earlier church. Before, however, considering the development of the ground plan, it is necessary to refer briefly to the chief features of architectural interest which call for notice.
The porch is of a fairly common type, with an upper room, approached by a stair turret from the south aisle. It measures internally 11 feet 5 inches from east to west by 16 feet from north to south, and is apparently of late fifteenth century date. On the right of the inner doorway are the remains of a holy water stoup. The room above has been considerably modernised, and there is nothing to indicate its original use. Occasionally an altar is found in the porch chamber, which, however, in this case would seem more likely to have been used for storing the church goods.
The north and south aisles of the nave are 19 feet 10 inches and 18 feet wide respectively, and are thus considerably wider than the nave itself. They contain a fine series of Decorated windows, those at the end of either aisle being particularly interesting examples of three lights. The church as a whole is very rich in windows of this period, which form in themselves an interesting study in design. The south aisle has a stone bench running along its south and west walls.
The tower is entered from the nave by a plain thirteenth century arch, and measures approximately 15 feet 6 inches from east to west by 17 feet 6 inches from north to south (interior measurements). The lower stage, which is shut off from the church by a screen, and is now used as a vestry, is lit by three narrow lancets, one in each of the disengaged walls. The roof is a simple quadripartite vault, without any boss at the intersection of the ribs, which are carried on shafts supported on corbels set in the four angles. The lower part of the tower is apparently thirteenth century work, and somewhat earlier than the transepts. The flat, clasping buttresses appear to be original, though now entirely re-faced, and might in themselves suggest a transitional date for the base of the tower. The upper part has been rebuilt at a much later date, and contains a Perpendicular window. Like most towers of the period, it is probable that there was originally no structural stairway leading to the upper stages, access to which had to be obtained by means of a ladder, though the existing doorway to the modern stair turret appears to be of fairly early date.
The transepts deserve special consideration on account of the very interesting work which they contain. Their date cannot be later than about 1260 and there are some grounds for thinking that the south transept may be slightly the earlier of the two. The east wall of the south transept is
divided into two bays by blind arches, supported on slender banded shafts, with a narrow lancet window in the centre of each arch. A somewhat similar arrangement exists on the east wall of the north transept, though in this case the central shaft is not carried to the ground, but rests midway on a moulded bracket, below which is a piscina with a trefoil head of the same date. The treatment of the west wall of the north transept is very similar to that of the east, but the arches are much narrower, and the arrangement has been somewhat interfered with by a later widening of the nave aisle. In the south transept the arcading on the west wall is somewhat plainer, and the banded shafts have been dispensed with. Although similar in general design, certain details point to the south transept being slightly the earlier. The string course below the windows, which is continued round the shafts of the mural arcading, is a plain scroll moulding, while in the north transept a fillet is substituted, and the central bands on the shafts of the arcading are of a more elaborate character. The triple lancet windows at the ends of either transept are modern, and replaced two large fifteenth-century windows, which are shown in several early views.
The north transept was formerly shut off from the rest of the church by a screen, and used for holding the Rector's Court. In mediaeval times, and down to 1845, the Rector of Cliffe had a peculiar jurisdiction within his parish. He was exempt from all ecclesiastical authority other than personal visitation from the Archbishop of Canterbury. The wills of parishioners were proved in the local court, and the official seal of the Peculiar is still preserved in the Rochester Museum.
The chancel, which appears to have been rebuilt entirely in the middle of the fourteenth century, is complete, save for the insertion of a modern east window, which replaced an extraordinarily ugly eighteenth-century aperture of brick. The remaining windows are all fine examples of Decorated work, the tracery of which shows a distinctly Flamboyant tendency. The eastern pair affords interesting examples of Kentish tracery. All have good hood-mouldings with
grotesques at the ends. Beneath the windows is a stringcourse, which terminates at the altar rails with a grotesque head on either side. That on the north has been renewed, but the southern one represents the battered head of a monk.
The chief interest in the chancel, however, is its fittings. In the south wall is a series of three very beautiful fourteenth century sedilia, with a piscina of uniform character, recessed in the wall and ascending eastward. They are divided by slender buttressed shafts, supporting elaborately carved ogee canopies, and surmounted by crockets and finials. Beneath the canopies are trefoiled arches, and behind these the roof is carved in imitation of sexpartite vaulting.
Opposite in the north wall is a fine late-fourteenth century tomb of early Perpendicular character, which is often referred to as an Easter sepulchre, for which purpose it may well have been used. The wide cinquefoil arch is surmounted by an elaborate embattled cornice, supported on narrow
buttressed shafts, and terminating with a carved head at either end ; circles with internal cuspings fill the spandrils of the arch.
Immediately west of this tomb is a blocked doorway which led to an adjoining building, now demolished. The exterior wall at this point is of a different character from the rest of the chancel walls, and apparently of earlier date. It is composed of a variety of material, including pieces of Caen stone, which probably came from the earlier church, and suggests that this section of wall and the chapel, of which it formed part, survived the re-building of the chancel in the fourteenth century. The two adjoining buttresses have been constructed out of sections of the eastern and western walls of the chapel, and serve to indicate its approximate size. The position of its low roof is clearly shown by the stone corbels which remain at a height of 7 feet 8 inches from the ground. The floor must have been somewhat lower than the present ground level, as the small piscina in the exterior of the chancel wall is now only two feet from the ground. In the base of the westernmost of the two buttresses is a niche, now scarcely eighteen inches from the ground, which may originally have been used as a holy water stoup, since it was close to the entrance to the chapel. This small building probably served the joint purpose of a Sacristy and Chapel. That it contained an altar there can be no doubt from the piscina already noted.
It may possibly be referred to in the will of Richard Elys, who in 1468 left 12 pence to the light of the Blessed Mary in the chapel and 4 pence to the light of the Blessed Mary near the pulpit, though one of the transepts may of course have been here intended. Such evidence as there is on the other hand seems to point to the chapel having been pulled down at the time of the rebuilding of the chancel or soon afterwards. The blocked doorway in the chancel wall was originally carried down to the present ground level on the exterior, so that there must have been some steps in the thickness of the wall leading down into the chapel. The date of this doorway, which was probably contemporary with the building to which, it led, is uncertain. It is certainly earlier than the adjoining late-fourteenth-century tomb, as parts have been cut away when the latter was inserted, and the use of somewhat small stones points to an earlier rather than a later date. Its details on the other hand include the wave moulding which is usually taken to be characteristic of the Decorated period, or one might otherwise be inclined to think that it formed part of the thirteenth century chancel. The filling on the exterior is certainly not modern, and the fact that a plinth has been inserted when the doorway was blocked up, to match that round the rest of the chancel evidently with the intention, which was never carried out, of continuing it along the section of earlier walling where the chapel stood, seems to suggest that this work was undertaken about the same time as the rebuilding of the chancel.
We are now in a position to consider the probable development of the ground plan, which, though somewhat conjectural for the earlier period, has left some interesting and unmistakable traces of its later history. In the entire absence of remains of the early Norman church, one is forced to rely for the identification of its position on analogy with other buildings of similar type. The first church of which we have any record in all probability consisted of a simple nave and square- ended chancel. The three easternmost bays of the existing nave arcade would preserve the line of
the north and south walls of the church, while the chancel would occupy the interior of the present crossing. There is nothing to show the position of the west wall, but it would have been approximately in a line with the present north and south doors. Towards the close of the twelfth century north and south aisles, about half the width of the present ones, were probably added by piercing the original walls with arches, and about the same time a small chapel or aisle appears to have been built to the north of the original chancel, and the existing arch constructed so as to give access into it. This arch, which cannot be later than about 1200, is obviously much earlier than the present transept and must therefore have communicated with an earlier building on its site. Some evidence in support of this came to light during the restoration of the north transept in 1864. The foundations of an early wall four feet thick were found beneath the present floor running parallel and close to its eastern wall. At a distance of 15 feet from the chancel wall it appears to have been met by another wall at right angles to it. Unfortunately no further record was made of this discovery, but it establishes beyond doubt the existence of a building in this position, to which the arch in question opened. It is possible that this was the chancel arch of a late twelfth century church, and that the foundations were those of the former chancel, though such a theory would be more difficult to reconcile with the later development of the plan. Moreover on the assumption that there already existed a building on the north of the original chancel when the thirteenth-century builders decided to remodel the church, it is possible to account for the hitherto unexplained fact that the north transept is wider than the south by some three feet. The normal development of the thirteenth century produced a cruciform church. A new and longer chancel, and north and south transepts, were built around the small twelfth century chancel, while the nave and aisles were lengthened by the removal of the west wall some 20 feet further west, and a tower erected to the west of this. These extensive works could not of course have been simultaneous.
The tower appears to be somewhat earlier than the transepts, so that presumably the lengthening of the west end was undertaken first, and at the same time an Early English arcade, extending an additional bay westward, was inserted in place of the twelfth century arches. Contrary to what was frequently the case in churches of this type, there was clearly never any intention to erect a central tower over the crossing, since the abutments are far too weak to have supported the weight. This weakness would account for the presence of the strainer arch of oak, which must
have been inserted sometime in the fifteenth century.
With the completion of this work the early builders grew more ambitious. Almost immediately the work on the new chancel and transepts must have begun. A temporary hoarding was probably erected, shutting off the nave and the altar, transferred there until the new works were finished. The chancel and the south transept were probably first erected, as the sites were free of buildings ; the width of the latter being determined by the size of the former chancel and the chapel on the north. When the work was completed attention was directed towards the north transept, which, according to the usual practice, would have been rebuilt round the earlier building, the foundations of which were discovered in 1864, thus accounting for its slight extra width. Probably towards the end of the century the small chapel, the remains of which have already been mentioned, was built on the north of the new chancel.
Considerable alterations were undertaken in the fourteenth century, the principal of which were the rebuilding of the thirteenth century chancel, and the widening of the nave aisles. The latter was a very frequent form of improvement at this period, and was usually occasioned by the desire
for extra space to set up additional altars so as to meet the enormous increase in the popularity of Chantry bequests. At Cliffe the effect of this widening is clearly shown on the already completed design of the transepts. In the north transept one of the lancets was cut away, and a short pointed arch springing from shafts, which do not reach the ground, inserted in its place. The apex of the original lancet still remains in the wall above. In the south transept a similar alteration in plan is treated somewhat differently. A segmental arch, here reaching to the ground, and opening into the extended aisle, was inserted within the earlier bund arch in the west wall of the transept. This also necessitated the removal of an original lancet, the head of which can be seen occupying the space between the original arch and the later insertion. The windows in the nave all appear to be of this date. Probably contemporary with this extension of the aisles, was the heightening of the nave to allow for the clerestory with its row of single splayed lancets. The junction of this work with the old can be clearly seen immediately above the arcading. The thirteenth century roof of the nave was about on a level with those of the aisles, as the small window in the east face of the tower, which now looks into the church, must originally have looked out over the roof. The line of the fourteenth roof, which was erected at the time that the clerestory was added, can be seen on the wall of the tower, passing across the window opening. Below this the position of the third roof, erected 1732, can also be seen. This roof, which was almost flat, was replaced by the present one about forty years ago.
The rebuilding of the chancel would appear to have been undertaken at the same time as extension of the aisles, to judge from the similarity of the external stonework. This would again have necessitated the use of the nave for services, and it is probable that either at this time, or during the earlier work on the interior of the transepts, the round headed arch, which can be seen on the exterior of the north wall of the north transept, was constructed for the convenience of the masons while the ordinary entrances were not available. That this arch or doorway, which has sometimes been said to be of Norman origin, was really of a much later date, and of a purely temporary character, seems to be shown by a close inspection of its construction. The position is not in the centre of the wall while the arch itself is made up of a variety of material including large flints, pieces of Beigate stone and a single block of calcareous tufa, the latter doubtless coming from the early church. Further, the fact that the filling of the arch' seems to be of much the same character as the adjoining walls points to it only having been used for a comparatively short time. Everything in fact indicates that it was a purely temporary arrangement used during the construction of the transepts, or the later chancel, and filled up as soon as the work was completed. A somewhat similar, though smaller, arch in the exterior of the south wall of the tower was probably of a similar nature, though its purpose is conjectural, and it may have had some connection with original stairs to the upper floors. By the end of the fourteenth century the church was practically complete. The porch was added early in the following century, and the large Perpendicular windows, which formerly existed at the ends of the transepts, inserted. At the same time the upper part of the west tower was rebuilt. Certain work also seems to have been in progress about this time in the chancel, for in the will of the Rector in 1413 a sum of money was left towards that object. Exactly what resulted from the bequest one cannot say.
The subsequent additions were chiefly in the nature of modern insertions. The eighteenth century saw many acts of destruction which are duly entered in the parish registers. In 1730, during the Rectorship of George Green, the old high-gabled roofs were taken down, the lead recast, and an
almost flat roof substituted. Two years later the east window was demolished and a hideous brick opening substituted, and at the same time the old timber roof of the chancel, which, since it bore his arms, had probably been erected during the time of Archbishop Arundel, who occupied the See from 1396 to 1414, was pulled down, and both the nave and chancel ceiled. During this period also the two enormous brick buttresses, which are shown in some early views, were erected on the north and south sides of the tower. The church was in this condition when Sir Stephen Glynne visited it in 1857. Subsequent restorations have been extensive, though for the most part necessary. The brick buttresses to the Tower were removed shortly after Sir Stephen Glynne's visit, and the present circular stair turret erected in the place of the southern one. The chancel was restored in 1875, when traces of the original reredos were discovered, and the jambs of the original east window, which were of Reigate stone and about 15 feet apart, were found in situ. The present window was erected in place of the eighteenth century one in 1884, and at the same time the flat lead roofs of the nave and chancel were removed, and the present high-pitched tiled roofs substituted. Finally a small building, without any communication with the church, has been erected in recent years to the east of the north transept. During these successive restorations much of the external walls has been refaced from time to time, and the whole of the upper part of the east wall of the chancel which was pulled down in 1732, was rebuilt when the present window was inserted.
It is somewhat difficult now to picture the appearance of the interior of the church in mediaeval times. A brilliant colour scheme evidently played an important part in the general effect. Many of the piers of the nave arcades, which are apparently constructed of hard chalk, still show traces of a bold chevron pattern in red and yellow, and, together with the extensive wall paintings, slight traces of which still remain in the transepts, and the brilliance of the mediaeval glass, must have combined to give a very rich effect to the interior. Of the ancient glass very little remains. Dr.
Grayling mentions some fourteenth century borders in the chancel windows, which seem to have disappeared. In the central window of the north aisle is a small piece of ancient glass representing a ship with fish in the water beneath, which is said to have been found many years ago in a shed in the churchyard. In the top of the adjoining window is a fifteenth century figure of the Virgin and Child. A coat of arms in another window is mentioned by Thorpe, but this also seems to have disappeared. The wall paintings, though now very indistinct, were evidently much clearer until
comparatively recent times. On the east wall of the north transept, in the space between the southernmost of the two lancets and the arch in which it is placed, is one of these paintings, divided into five panels, depicting the Martyrdom of St. Edmund. Very little of it can now be made out, though the whole of this transept showed traces of colour at the time of the restoration of 1864. Some remains of a painting in a similar position in the south transept can still be seen, and are said to represent the Last Judgment.
Several bequests for the provision and upkeep of lights before the various altars add a little to our knowledge of the interior in mediaeval times. Of the various saints to whom lights were dedicated in the church Our Lady was of course the most popular. We have already seen that two altars
were dedicated to her. One of these is again mentioned in 1483, when Robert Qwikerell left 20 pence "to the Parish Church of Cleue and to the ligth of Our Lady besyde the pulpett there" and also a similar amount to the lights of St. Laurence and St. George. Richard Elys in 1469 also
mentions lights of St. Christopher, St. John and St. James, while in 1509 Steven Tudor bequeathed to the high altar of St. Elyn 20 pence, and to the light of St. Elyn 12 pence.
Of the position of these various lights one cannot speak with any certainty. That to St. Christopher would have been near the main entrance to the church, while the light of the patron saint, St. Helen, would have been in the Chancel, probably over the high altar. Remains of a piscina in four other places in the church prove the former existence of altars in these positions. That in the Sacristy has already been mentioned. At least one altar stood in each of the transepts, while a small piscina, apparently constructed of broken window tracery at the east end of the south aisle, testifies to another. An altar probably stood in a corresponding position in the north aisle. This disposition would exactly account for the number of lights mentioned in early wills. Besides the lights burning before the altars, there would also be a light before the great Rood over the entrance to the chancel. Some of the lower panels of the original rood screen survive. Above, and partly supported by, the screen was the rood loft, which was already in existence as early as 1413, when it is mentioned in conjunction with the great rood itself and its attendant figures in the will of Nicholas de Ryssheton, Canon of Sarum and Rector of Cliffe. The small fifteenth century doorway with a fourcentred arch, which gave access to it, can still be seen high up in the north wall just east of the entrance of the chancel, and the original stairs remain in good condition, though the entrance from the church has been blocked up and covered over with plaster.
The furniture in the church has suffered much from “restoration" and other causes. Six of the ancient stalls remain, three on each side of the chancel, though panelling at the backs and all the seats except two are modern. The sides terminate in carved heads, some of which have been
renewed, while the two original miserecords are carved with grotesques. The Communion rails are Jacobean, though somewhat repaired. They are of the fairly common baluster type with a central bulge. The pulpit is a very fine piece of Renaissance carving, and retains the original stand for the hour glass, though the glass itself is modern; on it is the date 1636.
Besides the fragments of the original rood screen there is another screen shutting off the vestry under the tower.
The font, which has been moved from its original position, is 3 feet 4£ inches in height, and apparently of late-fourteenth century date. The perfectly plain octagonal bowl has concave sides, around the lower edge of which is a hollow chamfer. The bowl is supported by an octagonal, buttressed stem on a plain base. On the westernmost pillar of the south arcade can still be seen the bracket and chain by which the font cover was raised, indicating its original position.
The monuments in the church are few, and call for little comment. In the floor at the west end of the north aisle are two flat coffin-shaped stones with early fourteenth century French inscriptions in Lombardic capitals. The one on the north is probably the earlier, judging from the very rough
characters which are now scarcely legible. It commemorated Eleanor de Olive, of whom nothing is known. The other stone shows traces of brass, and is inscribed in memory of Joan, wife of John Earn. These stones are described in the Gentleman's Magazine, and old rubbings of them exist among the collection of the Society of Antiquaries. There are three brasses of seventeenth century date, one of which is thought to have been engraved locally.
Two wills are of interest in connection with early burials in the church. In 1376 Robert de Walton, Rector of Cliffe, desired to be buried in the church of Olyve at the entrance to the quire. Some years later, in 1387, Thomas de Lynton, a subsequent rector, directed that he should be buried in the chancel near the entrance, and between the entrance to the quire and the tomb of Master Robert Walton, late Rector, and he ordered that a handsome marble monument should be placed over his body at the discretion of his executors. It seems not unlikely however that his executors favoured a brass monument. In the chancel is the stone matrix of what must once have been a very fine brass of about this period, representing a priest under a canopy. Another smaller matrix of an ecclesiastic is close to the pulpit.
Of the church plate the most important piece is a very beautiful paten of silver gilt of the early part of the sixteenth century. In the centre, worked in coloured enamels, is a seated figure of God the Father holding before Him a figure of the crucifixion. The extreme rarity of pre-reformation
plate is not generally recognised, and the example at Cliffe is one of the finest English patens in existence. At some period or other the paten at Cliffe served as a chalice cover, and it is even said to have been used as an alms dish, which would account for its numerous signs of wear. The other plate is of seventeenth century and later date, and of no particular interest.
It remains for me to acknowledge my indebtedness to Mr. F. O. Blliston Erwood for several suggestions and for the photographs which illustrate this paper. The present account is intended to supplement, but not to supplant altogether, an article on Cliffe Church, by the Rev. I. Gr. Lloyd, a former Rector, which appeared in Vol. XI. of Arch. Cant., where reference should be made for further particulars.
www.cliffehistory.co.uk/martin.html
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CLIFFE (St. Helen), a parish, in the union of North Aylesford, hundred of Shamwell, lathe of Aylesford, W. division of Kent, 5 miles (N. by W.) from Rochester; containing 842 inhabitants. The parish is bounded on the north by the Thames, and comprises 5660 acres, whereof 180 are woodland, about 2000 arable, and the remainder pasture, including a considerable portion of marshy land. The village, which is supposed to take its name from the cliff or rock on which it stands, was formerly of much greater extent, a great part of it having been destroyed by fire in 1520: it was the scene of several provincial councils. A pleasurefair is held on September 28th. The living is a rectory, valued in the king's books at £50; net income, £1297; patron, the Archbishop of Canterbury: the glebe contains 20 acres. The church is considered one of the finest in the county, being a large handsome cruciform structure in the early English style, with an embattled central tower, and containing several curious monuments and remains of antiquity, together with six stalls that belonged to a dean and five prebendaries, it having been formerly collegiate.
www.british-history.ac.uk/topographical-dict/england/pp63...
A3 one colour risograph print - available at www.etsy.com/listing/123123745/a3-stem-cycle-risograph-print
(for further information and pictures please go to the end of page and by clicking on the link they are availabe!)
The Church of St. Othmar
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Construction of the Othmar church
560 years ago
On 13th May 1454, the Monday after the feast of St. Pancras, the building of the late Gothic St. Othmar church was begun. Thereon reports the following inscription above the main entrance of the church.
Laying the foundation stone of St. Othmar
The 550-year anniversary was on 13th May 2004 celebrated in a festive vespers followed by a festive academy.
View of the main altar
You can approach a church as historically interested person, as art-historically committed tourist or as a believer. One will see different things.
The historically interested will impress on the Othmar Church in Mödling that since more than 1000 years at this point on the slope of the Calendar mountain (Kalenderberg) (= bare hithe - kahle Lände) are standing churches and that the current construction the seventh church in an unbroken sequence on this place is. He will think of the destruction of the Roman church in 1252 by the Hungarians and the horrors of the Turkish wars in 1529 and 1683.
Tourists who are interested in art and art history, see the in 1454-1523 built late Gothic hall church, the Baroque interior, the neo-Gothic windows and Stations of the Cross and the testimonies of contemporary art in the sanctuary.
For the believer the Othmarkiche makes the impression of a ship that has gone halfway between level and height at anchor to accommodate the people. Twelve pillars - the Twelve Apostles - wear its vaults. The base has a level.
This church is not a castle - defiant, dark and unwelcoming. Its bow goes into the distance. As Noah's Ark it gives refuge and security. It stands on this earth. Yet it has walls. But their higher regions are translucent, are light. The glory of heaven is guessable.
Two of the windows are of particular importance: the window in the east as the window of the creation and resurrection, and the window in the West as the window of the sunset, the Last Judgment. The world stands between Jesus' resurrection and his second coming. Every visit to the church, every church service to the community becomes an invocation to deal with God's creation and creatures that way that you don't need to fear his judgment.
The previous buildings
Mödling is ancient settlement with hilltop settlements of the Neolithic on the Jennyberg and the Hallstatt period on the Frauenberg as well as on the Calendar mountain (Calendar mountain culture).
Archaeological excavations in 1982 have shown that at the site of the present Othmar church since the 9th Century at least six predecessor buildings have been located.
More information about the predecessors ...
The present building
Start of construction 1454
As an inscription above the main entrance says, was on 13 May 1454, one year after completion of the hospital church, the construction of the present Othmar church started. It was the Monday after the feast of St. Pancras, whose feast on 12th May is observed. Pancras was the patron of the castle chapels of the castle Mödling and the castle Liechtenstein.
The 550-year anniversary of this laying of the cornerstone on 13th May 2004 was celebrated.
The dimensions of the church are for a market town that had at the time of the laying of the cornerstone 250 (mainly built of wood) Houses, huge: 54 m long, 23 m wide and 18 m high, the ridge height is 37 m. As a building material was, as for the St. Stephen's Cathedral in Vienna, Sarmatsandstein (Cerithiensandstein) used, a rough, deficient in fossils sandstone, which was born as a deposit of Neogene Sea at the edge of the Vienna Basin.
Pastor Hinderbach and Pius II
1449-1465 was Johannes Hinderbach pastor of St. Othmar (in some sources he is called Johann Hinderbach). He planned and thus began the construction of Othmar church. He was a diplomat, ambassador and secretary of Emperor Frederick III. at the court in Wiener Neustadt, together with Aeneas Silvius Piccolomini (Enea Silvio de' Piccolomini), who was good friends with Hinderbach. It is likely that Aeneas Silvius a few times was in Mödling on visit and was well informed about the plans of the new church.
In the tenure of Hinderbach also falls the presentation of the Mödlinger coat of arms by Frederick III.
Aeneas Silvius was for some years pastor in Laa an der Thaya (Lower Austria), 1458 he was elected Pope and took the name Pius II. He built from 1459 the cathedral of Pienza in the form of a hall church, which at that time was unusual for Italy. Models were hall churches in Austria, possibly the Othmar church under construction, however, this is historically not proven. Due to time constraints Aeneas Silvius may have seen from the Othmar church not more than the blueprints and the foundation walls.
Hinderbach and Aeneas Silvius were followers of the for the Gothic spirit characteristic attitude of mind of the light mysticism. A hall church is a suitable design to implement this principle: light-irradiated, large stained glass windows instead of walls painted with images that are prevalent in the Romanesque style.
In Him (Jesus) was life, and the life was the light of men.
And the light shines in the darkness, but the darkness has not overcome it.
The true light that enlightens every man was coming into the world.
(Jn 1, 4 to 5.9)
1465-1486 was Hinderbach Bishop of Trent. Perhaps the Othmar church was originally planned as a bishop's church, but this is historically not proven. Hinderbach created one of the most important collections of music of the 15th Century, the so-called Trent codices.
For more information, in a speech by Dr. Gebhard König here ....
Completion 1523-1525
The year date 1499 on a buttress in the parish garden likely shows the toping-off ceremony, the year date 1509 on the north-eastern crossing pier, the completion of the vault.
After 69-year construction period (corresponding to the age of the saint Othmar), the church was completed in 1523. The above-mentioned Cathedral of Pienza, however, was already completed in 1462.
The progress has been hampered by numerous wars and confusions. In that time, the civil war between the Habsburg Emperor Friedrich III . and his brother, Archduke Albrecht VI. (until his death in 1463) and the conquest of Lower Austria by the Hungarian king Matthias Corvinus I., who resided in Vienna from 1485, falls.
1525 the church was consecrated (year date above the organ).
Destruction 1529
In fall of 1529, six years after the end of construction, the church was destroyed by the hordes of Kassim Beg during the first Turkish siege. The collapsing roof penetrated the vault and the vault of the lower church. Likewise, the Burg (castle) Mödling was destroyed, which was not rebuilt since then.
According to the report of a parish visitation in 1544 was the kürchen (church) and pfarrhof (vicarage) sambt (along with) the gantzen Marckt Mödling (whole market) as well as the umbliegenden (adjoining) fleckhen (hamlets) of the 29th year verwüst (devastated) by the türkhen (Turks) in Grundt (to the ground) and burned.
The grooves and the rectangular holes in the central pillars on which they wanted attach figure niches with pinnacle baldachins and Kapitellsockeln (capital bases) as with the pilasters, therefore, remained to this day empty. At the times when the Othmar church was not usable, the hospital church served as a parish church.
From the interior decoration of the church from the time before the destruction of 1529 today only three items are present: the tabernacle, the head of the crucified and an embroidered image of Mary, which is today at the votive altar.
To 1540 begins on the eastern slope of the Anninger (small mountain) a pine to grow that later became famous under the name width pine (Breite Föhre).
Reconstruction to 1690
Rötelinschriften (red chalk epigraphs) next to the entrance, the south transept and north aisle next to the organ parapet indicate that work has been done on the church in 1556 again.
After 1555 the Peace of Augsburg had approved the principle that the ruler could determine the religious denomination of the subjects, reinforced Emperor Ferdinand I the Counter-Reformation to the recatholicization of the country. 1556 Ferdinand issued the so-called gift letter (Gabebrief). With this document he gave the community all possessions owned by the parish (church buildings, forests, vineyards, fields). He imposed the condition that instead of an Evangelical preacher a Catholic priest was responsible for the pastoral care again and that Mödling became Catholic. Still today the municipality bears the building cost for the ecclesiastical buildings (Othmar church, hospital church, Karner, rectory, sacristan apartment) and has a say in the appointment of a new pastor.
A son of Ferdinand I, Emperor Maximilian II, the famous castle Neugebäude had built.
One reason for the lengthy reconstruction of the church might have been the Reformation (1517 were the 95 theses of Martin Luther published) and the decline in the number of Catholics. Pastor Georg Müller from 1527 is first Protestant minister in Mödling, sometimes up to three Evangelical pastors in Mödling are active .
Mödling in 1560 among the 18 richest cities and markets in the country is in sixth place. 1576 there is again a Catholic priest. Of him it is said that he had not a good life in the market. The population flows to the Protestant clergies of the surrounding residences, and again and again come Protestant preachers to Mödling.
1582 the church possesses a shallow makeshift roof over a cross barrel vault, the vault is still preserved today. (However, the church in the plan of the Burgfrieden (civil peace) and the District Court market Mödling is represented by 1610 without a roof and called Old deserted churche. Alongside the Karner is shown with pointed conical roof.)
Still in 1605 is reported on the parish that most part is not Catholic and does run after foreign cure of souls.
In the course of the Counter-Reformation cardinal Melchior Khlesl in a decree calls for donations for the reconstruction of the church:
The with big heavy expenses respectable built God house of Mödling under Gebürg (mountain), then as such anno 1523 with all belonging to the city even built up, it is at once it in 6 years afterwards by the erbfeundt (hereditary friend) as he with all of his power invaded the land and besieged the city of Vienna, put on fire and and along with all churches ornat burned down.
Khlesl was originally Protestant, then converted, influential politician, since 1598 bishop of Vienna, 1615 the first Cardinal in Vienna, he died in 1630, tomb in saint Stephen's cathedral.
However, 1618 is also the beginning of the Thirty Years' War, whereby the construction progress was further delayed.
One hundred years after the destruction of the church, it is still worked on the restoration. 1629 a citizen of Salzburg donates the Märbelsteinpflaster (Salzburg marble) for the sanctuary. The top step in front of the high altar is still made of old stones, the difference with the 1982 renewed stones is clearly visible. A commemorative plaque to the donator from Salzburg is located on the right column at the high altar:
Almighty God in praise, of St. Mary Mother of God in honor, has Florianus Ursprunger, citizen and Gastgeb (host) of Salzburg of present choir the Märbelpflastersteine handed on anno 1629.
A lightning strike shattered the windows and the tracery in 1643: here the weather has beaten in the main church, and both the windows and outmost grids anything shattered. 20 years later is reported a Corpus Christi Brotherhood, to which belongs one third of the population of Mödling.
In a report in 1664 six altars in the Othmar church (and one in the Pantaleon chapel) are enumerated by name. The church may have been thus completed for the most part.
1679 the pleague in Mödling breaks out.
1683 destruction and reconstruction
On 12th and 13th July 1683 suffers Mödling the conquest by the troops of Kara Mustafa. The church is partly destroyed and the vault is damaged.
The population is almost entirely eradicated. Many had sought in the crypt and the Karner (charnel house) refuge and were killed as a plate in front of the church reports. It is believed that, of the approximately 2000 inhabitants, only about 10% have survived, who had hidden in the woods.
After 1683 follows the rapid reconstruction of the church under Marktrichter (equivalent to mayor) Wolfgang Ignaz Viechtl, his home with a commemorative plaque stands on Liberty Square. As can be seen on the board, was Viechtl a miller (on the Fischermühle), so he on the outside of the west wall at high altitude had attached two millstones (see external view).
On 1st September 1688 is the vault restored, the executive master mason Brand for it receives according to Council minutes 1/4 bucket of wine (equivalent to approximately 14 liters). In 1690 the church was inclusively roof and truss restored (year date above the organ).
Baroquisation 18th century
The victory over the Turks initiates the second phase of the history of Othmar church. It is made in Baroque style (1690-1760). The windows are bricked up, the light mysticism of the Gothic becomes less important. The pulpit and seven baroque altars are built (see the high altar, Nepomuk altar, Anne altar, weekday chapel, votive altar). 1727 an organ is built. The hall of the Children of God turns into the throne room of the Heavenly Majesty.
Neo-Gothic restoration from 1875 to 1897.
The elevation of Mödling in 1875 as a city under Mayor Joseph Schöffel induces to a major renovation (1875 - 1897). They want the church according to the zeitgeist (spirit of the times) rebuilt in the neo-Gothic style. To do this, on 6th February 1875 at the request of Mayor Joseph Schöffel a church restoration club is founded.
The in the Baroque period bricked-up windows are laid open. This can be seen clearly on the frescoes on the Anne altar in the south transept. The grave stones lying in the soil are placed on the wall.
The figure niches and canopies on the pillars were replaced (except right behind the high altar). At Anne altar there are for unknown reasons no figure niches.
1904, a second gate is broken. The main entrance is getting a new stem, the in 1773 built Cross chapel is removed.
Renovation 1982 to May 1983
The renovation of 1982 restores the hall church (year date above the organ). The by the transept indicated cross in the ground plan of the church is satisfied that the Baroque interior in this cross takes the place of the stigmata. The liturgical ideas of Second Vatican Council are realized in works of contemporary art (folk altar and ambo).
Supplements
In 2008, the heating system was renewed.
Karner and church
Karner and church of the rest of St. John
Inscription on the laying of foundation stone 1454
Glass window
The glass window bears the inscription
Church restoration Club = 1895
Inscription 1499 (topping-off ceremony)
Buttresses in the garden
Inscription 1509 (vault completion)
Red chalk inscription 1558
Plan in 1610, Karner and Old deserted church
Commemorating plaque 1629
Commemorating plaque to the donor of the Märbelsteinpflaster 1629
Märbelsteinstufe (stone step) 1629 at the High Altar
Engraving after Merian 1649
St. Othmar and Karner
Engraving after Matthäus Merian 1649
Saints in figure niches
Lonely St. Anna - all other figure niches (they stem from the construction period 1454-1523) are empty or do not exist.
Choir stalls detail and consecration cross
Ceiling painting Holy Ghost Hole (1700 - 1750)
Consecration Cross: Twelve Apostle or consecration crosses are in the Othmar church, at those in 1525 at the fair were done prayers
Column
Twelve octagonal central pillars carry the vault
St. Anthony at a column
Replaced my M-stem with a H-stem, Aberhallo stem adapter and straight handle bars (58 cm)
It is about 2cm lower now. Brake/shifter cables are not modified.
Le discipline scientifico-tecnologiche (STEM / STEAM) L’autoproduzione di contenuti digitali per la didattica (Scuola sec di II grado) Esperto STEM / STEAM: prof. arch. Nicodemo Mazzone Tutor: prof.ssa arch. Maria Commisso
Late Friday night, 40 high school girls arrived at NASA’s Goddard Space Flight Center in Greenbelt, Maryland, for a STEM-themed sleepover, ready to learn about careers in Science, technology, engineering and math. The educational event offered young women a chance to meet working female scientists and to discover opportunities for women in STEM-related professions.
The teens kicked off the third annual STEM Girls Night In with an astronaut Q&A, talks from female scientists across disciplines and a collection of hands-on activities. The night culminated in a three-hour Mars rover competition and concluded with a late-night showing of “Hidden Figures.”
Credit: NASA/Goddard/Jessica Koynock
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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STEM Career Expo at New York Hall of Science in Queens, New York, U.S. May 17, 2019. (Photo by Andrew Kelly For NYSCI)
Science, Technology, Engineering and Math Building opening in January 2014 at the Mays Landing Campus.
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The Office of Professional and Career Development hosted their annual STEM Slam for students to network with employers and explore STEM careers Tuesday, February 4, 2020 at Wake Downtown in Winston Salem, NC.
Education Specialists Lynn Dotson, left, of the NASA Public Engagement Center, and Lester Morales, right, of Texas State University's NASA STEM Educator Professional Development Collaborative, explain the Rocketry Engineering Design Challenge to teachers participating in the 2017 GE Foundation High School STEM Integration Conference at the Center for Space Education at NASA's Kennedy Space Center. High school teachers from across the country took part in the week-long conference, which is designed to explore effective ways for teachers, schools and districts from across the country to integrate STEM throughout the curriculum. The conference is a partnership between GE Foundation and the National Science Teachers Association. Photo credit: NASA/Chris Chamberland
Late Friday night, 40 high school girls arrived at NASA’s Goddard Space Flight Center in Greenbelt, Maryland, for a STEM-themed sleepover, ready to learn about careers in Science, technology, engineering and math. The educational event offered young women a chance to meet working female scientists and to discover opportunities for women in STEM-related professions.
The teens kicked off the third annual STEM Girls Night In with an astronaut Q&A, talks from female scientists across disciplines and a collection of hands-on activities. The night culminated in a three-hour Mars rover competition and concluded with a late-night showing of “Hidden Figures.”
Credit: NASA/Goddard/Jessica Koynock
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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Marcie Maxwell, Senior Education Policy Advisor for the Governor joined Patirck D'Amelio from Washington STEM, Aimee Kennedy from Battelle and Yolanda Watson Spiva from College Success Foundation.
Photo by Kariba Photography/Courtesy of Washington STEM
cross section: Pinus stem
magnification: 400x
Triarch quadruple stain
Berkshire Community College Bioscience Image Library
During the first year of growth the cutinized epidermis is replaced by protective growth of cork rich periderm. The outer periderm consists of layers of cork cells, the phellem, which produces waterproofing suberin. Cork cells are dead at maturity. Deep to the phellem is a living layer of cork cambium or phellogen and beneath that, layers of cork parenchyma or phelloderm. Many cells in the periderm contain dark staining tannins.
The cortex is divided into a thin outer hypodermis of lignified sclerenchyma cells and thicker inner cortex of thin walled parenchyma cells containing chloroplasts. Large resin ducts are surrounded by secretory parenchyma that produces resins and turpentines. Some cells enlarge into dark staining tyloses.
Both endoderm and pericycle are inconspicuous.
The vascular cylinder or stele in young stems consists of a ring of vascular bundles interspaced with medullary rays of parenchyma cells. Seasonal activity of the cambium replaces the isolated vascular bundles with well-defined annual rings of secondary phloem and xylem. Xylem is endarch with protoxylem found towards center of the stem and younger metaxylem towards the periphery of the stem. Protoxylem consists of annular and spiral tracheids with only tracheids found in metaxylem. True xylem vessels are lacking. Because of the greater production of xylem, the vascular cylinder is dominated by radially arranged rays of secondary xylem interspaced with medullary rays of parenchyma cells. Conspicuous resin ducts are present throughout the xylem.
Phloem is endarch but annual growth the of stem makes it difficult to distinguish between older protophloem to the periphery and younger metapholem towards center of the stem. Phloem lacks companion cells, consisting entirely of sieve tubes and phloem parenchyma. Medullary rays in the secondary phloem include protein rich albuminous cells.
Visit the BCC Bioscience Image featuring the Microscopic World of Plants. www.berkshirecc.edu/biologyimages
Technical Questions:bioimagesoer@gmail.com
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Made with Processing, Lee Byron's Mesh library and ProXML library.
This little program looks for photos on flickr by a given search word. Afterwards, the colors of the photos are analyzed. The color itself gets detected and how often each color is found. This data is the foundation of every stem. Each segment represents one color of the photo, the diameter shows the quantity. The cell resolution in all segments is based on the brightness of the color.
Another result of my apparently endless obsession with glass and light.... Two things that interested me here are (i) the gradient in the light being transmitted through the stem, and (ii) the banding produced by fairly subtle depth variations in the foot of the glass.
Lighting: single diffused halogen from camera left.
As always, much better if you View On Black