View allAll Photos Tagged standdevelopment

Oulu, March 2016, Pentax Pz-1p, Pentax F 50 mm, Rollei RPX 400, f8, 1/125, Adonal 1+100 60 minutes at 22 Celsius, stand development, Pacific Image Prime Film XE.

A veces revelar mal un rollo de película produce resultados misteriosos e inesperados. - Sometimes developing a roll of film wrong produces mysterious and unexpected results.

Leica IIIa

Voigtländer Heliar 40mm f2.8 LTM

Fomapan 100 Classic EI100

Kodak HC-110 + ars-imago #9 45min @20° in Jobo1520

DSLR-Scan

Digitaliza on Essential Film Holder

Negative Lab Pro

Ilford R.40 Rapid Process Panchromatic 4x5 inch glass plate, (leaflet inside the box dated to August 1959), shot using MPP Micro-Technical Mk VI camera and 150mm f4.5 Xenar. Stand developed in R09 One Shot 1+100 for one hour.

 

photo-analogue.blogspot.co.uk/2016/04/other-glass-plates....

Kodak Imagelink HQ 1461 shot at ISO 12

 

Canon EOS 10S / Canon 50mm f1.8 EF

 

HC-110 1:300 (2ml into 600ml), one hour stand, 30 seconds agitation at start

 

scanned on a Minolta Scan Dual IV

Ensign Folding Klito de Luxe No.9 with Ilford Special Rapid Panchromatic glass plate (leaflet inside the box dating to July 1946). Stand developed in R09 One Shot 1+100 for one hour.

 

photo-analogue.blogspot.co.uk/2016/03/lapc-bank-holiday-p...

Moscow, 2014. City Day.

Bessa-R3M, Heliar 50/2, Rollei Retro 400S

Shot taken with a Minolta XD7 - MD50mm F1.4 Kodak Tmax 100.

Developed in Ilford DDX - Stand method for 45m @ 20c.

DSLR scanned with a Fuji XT10.

This photo is shot with a Pentax ME with a 135mm Porst Tele MC 1:2.8 135mm auto D on Ilford FP4 Plus 125 @100 during a pure analog photo tour in Hamburg, February 2017. Stand developed with Adonal/Rodinal ~1:100 for 70 minutes.

Braga, June 2015, Nikon F100, Nikkor 35 mm, Ilford Fp4+, f4, 1/4 handheld, Adonal 1+100 60 minutes at 22 Celsius, stand development, Pacific Image Prime Film XE.

Mamiya RZ67, Kodak TMax 100, Rodinal 1:100 Semi Stand Developed, TF-4

Bucks County, PA

Hell's Pleasure Metalfest 2014

Lubitel half frame panorama (24 frames in 120 film)

Acros stand development, 1:100, 60mins

Minolta X-70 / XG-M

Minolta MD macro 100mm f4

Fomapan 100

510-Pyro 1+100, stand development, 20mins

Scan with NORITSU HS-1800

Leica M4-P

TTArtisan M50mm f1.4 ASPH.

Fomapan 100 Classic EI100

ars-imago #9 @20° in Job1520 UniTank

Essential Film Holder

DSLR Scan

Negative Lab Pro

summer, 2013

Hitchcock nature center

Neopan acros 100

Voigtlander Perkeo

Hc110 45min semi-stand development

urf urf.

 

august/september 2012

rollei ortho 25

rodinal 1:200 stand for a half hour, repeat fresh

pentax super program

Leica M4-P

Voigtländer Nokton 35mm f/1.4 VM II MC

Fomapan 100 Classic EI400

Kodak HC-110 + ars-imago #9 45min @20° in Jobo1520

Digitaliza on Essential Film Holder

DSLR Scan

Negative Lab Pro

Leica M6, Elmar 50,f/2,8; Fomapan 200, R09 (1:100) 60', 20-23°C. Scan from negative film.©All rights reserved. This photograph is Copyright and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the photographer

A Shot from last year.

Someone of my contacts is constantly posting snow pictures...take this as a payback :)

  

Mamiya RZ67, Mamiya Sekor 50mm @f8 and 1/60

Ilford FP4+ @ISO200, one hour in Rodinal 1+80, Standdevelopment

Negative captured with a DSLR and developed in LR4.2

 

See where this picture was taken. [?]

Kodak 400 TMY shot at ISO 400, developed in Rodinal stand 1:84 for 60 minutes, water stop, ilford rapid 1:4 fix. Union Pacific Yards and area - Utah

4 sec, f/11, Tri-X, Canon FD 35mm f/2.0 SSC on A-1. HC-110, 1:160, 44min @ 19 C semi stand

'heide' On Black

 

Heide Museum of Modern Art, 7 Templestowe Road, Bulleen, Victoria, Australia.

 

Heide II - designed in 1963 by Melbourne architect David McGlashan.

 

Mamiya C3, Kodak Tmax ISO400

Rodinal 1:100, 1hr @ 20degC, agitate 1min, then 10sec every minute for first 5mins.

Hitchcock nature center

Kodak Tri-X 400

Voigtlander Perkeo

Hc110 52 min semi-stand development @66F

Yashica FX-3

Ilford HP5+ 400 (expired)

R09 1+100 (1:00 hr stand dev.) / FIX AG PLUS 1+9

November is gloomy and most everything was shot at f6. Chris and I doing a cCafe Zen shoot out.

Open Door | Sydney, Australia 2008 | View Larger

 

Attempting to find the absolute limits of Tri-X when stand developed in Rodinal 1:100...

 

Read more about it...

 

Still the slightest hint of uneven development...

 

Shot hand-held with the Meyer Optik Orestegor 300mm f4.0 at full aperture on the Norita 66.

Pentax ME loaded with Ilford HP5 Plus. Stand-developed (70 min @ 1+100) in Rodinal.

...Mt Bushwalker, Morton National Park.

 

Taken with Olympus-35SP on Ultrafine Xtreme 100 and stand developed in Adonal (1:200) for 60 minutes.

Kowa Six, 55mm 1:3.5, HP5+, Rodinal 1:100, one hour

 

Kentmere 100 pushed to 400 exposed with Olympus XA stand developped in 5ml Rodinal into 300ml distilled water for a hour

03-03-2019

 

Pentax Zoom 90WR,

Kodak Tri-X 400,

expired 2005,

Rodinal 1-100,

stand development

Pakon F135 Scan

 

Rollei 35 Black

Tessar 40mm f3.5

Kodak Tri-X EI400

Kodak HC-110 + ars-imago #9 45min @20° in Jobo1520

DSLR-Scan

Digitaliza on Essential Film Holder

Negative Lab Pro

1/15, f/4.5, TMax 100, Mamiya 180mm f/4.5 on RZ67. HC-110, 1:160, 36 min @ 23C semi stand

Taken at Seurasaari, Helsinki

 

Taken with Minolta X-500, 28mm Sigma mini-wide II lens, Kodak Tri-X 400 film

 

Stand developed 1hour, with inversions every 20 minutes. ~1:100 R09 developer. Fixed with 1:4 Ilford rapid fixer.

 

Scanned with Epson v370. No post processing.

Kentmere 100 pushed to 800 exposed with Olympus XA stand developed in Rodianl 12ml into 600ml

  

Shot with Leica MP w/90mm Summicron on Ilford HP5+ and stand developed in Rodinal 1:100 for 60 minutes, then scanned on an Epson V500.

 

I love shooting in B&W. I learned photography with a 4x5 view camera and Tri-X film, usually developing in a D-23 / water bath two step developer. Much of what I shoot is now digital but I always return to film for the "texture" and feel of a real silver negative.

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