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Premiere | Breslau Opera House
Choreography | Giorgio Madia
Stage Design | Kinsun Chan
Costume Design | Małgorzata Słoniowska
Stage design for Fall Focus sermon series at Garden Way Church. Set and poster design by Kelly Baum and Kris Carter.
Photos by David Sharp
Stage design for Fall Focus sermon series at Garden Way Church. Set and poster design by Kelly Baum and Kris Carter.
Photos by David Sharp
Stage design for Fall Focus sermon series at Garden Way Church. Set and poster design by Kelly Baum and Kris Carter.
Photos by David Sharp
Customized Flexible LED Video Curtain Screen
Pitch: 50mm
size: 4m x7.2m
Protection level: IP65
pixels: RGB 5050 SMD LED
Taken by: Fisher Dakota
contact info: yuchao622@hotmail.com
All rights reserved.
Client: Alda events / Armin van Buuren
Stage Design: 250K
Visuals & Operating: Eyesupply.tv
Pictures: Eyesupply.tv
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
Stage design for Fall Focus sermon series at Garden Way Church. Set and poster design by Kelly Baum and Kris Carter.
Photos by David Sharp
The Dillinger Escape Plan - Option Paralysis tour - Europe, winter 2010
Stage design by TremensS/ExperiensS
Shot by Sophie Mari
Stage design for Fall Focus sermon series at Garden Way Church. Set and poster design by Kelly Baum and Kris Carter.
Photos by David Sharp
Village Green 2014 art and music festival took place at Chalkwell Hall on Saturday 12 July 11am-10pm.
Around 22,000 people enjoyed a fantastic atmosphere at Village Green in the sunshine yesterday. Among the 22,000 were:
1000’s of under 11s enjoying the mechanical, fire breathing dragon- the smallest nightclub in the world, the Miniscule of Sound, the Insect Circus and loads more attractions on site.
1000’s of teenagers gathered at the new Youth Village stage – designed and curated by Southend school pupils it boasted a packed programme that kept our younger festival goers entertained all day until 8pm
600 arts, crafts, vintage and food traders
900 artists performing on 11 stages
140 volunteers
100 production crew
With something on site for all ages – families were kept entertained all day – the atmosphere was friendly and fantastic across the day – and even the small downpour of rain during the headliner, Beth Orton didn’t dampen spirits.
A really great day!
The fantastic line up of artists and musicians included Beth Orton, Eddi Reader (Fairground Attraction); Dan le Sac vs Scroobius Pip; New York ska band, The Slackers; from London Man Like Me; Youth Club, Shlomo; Danny and the Champions of the Worlds; Kathryn Williams; Eight Rounds Rapid; and hot tips to go global in the very near future, The Hosts!
Alongside, we had an exciting exchange with four visual artists from Shanghai; a wide range of comedy, cabaret, live art, literature, film and a whole host of extraordinary outdoor arts, installations, workshops and performances.
Client: Alda events / Armin van Buuren
Stage Design: 250K
Visuals & Operating: Eyesupply.tv
Pictures: Eyesupply.tv
The Royal Navy had identified the need for a rapid-firing, multi-barrelled close-range anti-aircraft weapon at an early stage. Design work for such a weapon began in 1923 based on the earlier Mark II, undoubtedly to utilise the enormous stocks of 2-pounder ammunition left over from the First World War.
Lack of funding led to a convoluted and drawn-out design and trials history, and it was not until 1930 that these weapons began to enter service. Known as the QF 2-pounder Mark VIII, it is usually referred to as the multiple pom-pom. The initial mounting was the 11.8 to 17.35 ton, eight-barrelled mounting Mark V (later Mark VI), suitable for ships of cruiser and aircraft carrier size upward. From 1935, the quadruple mounting Mark VII, essentially half a Mark V or VI, entered service for ships of destroyer and cruiser size.
These multiple gun mounts required four different guns and were nicknamed the "Chicago Piano". The mount had two rows each of two or four guns. Guns were produced in both right- and left-hand and "inner" and "outer" so that the feed and ejector mechanisms matched. Single-barrelled mounts, the Mark VIII (manual) and Mark XVI (power operated), were also widely used, mainly in small escorts (such as the Flower-class corvettes) and coastal craft (especially early Fairmile 'D' motor gunboats). The Mark XVI mounting was related to the twin mounting Mark V for the Oerlikon 20 mm cannon and the "Boffin" mounting for the Bofors 40 mm gun.
An interesting feature was the very large magazine, from 140 rounds per gun for the eight-barrelled mount, to 56 rounds for the single mounts. This large ammunition capacity gave the eight-barrelled mount the ability to fire continuously for 73 seconds without reloading. A high velocity (HV), 1.8 lb. (820 g), round was developed for the pom-pom, just prior to World War II, which raised the new gun muzzle velocity from 2,040 ft/s (622 m/s) to 2400 ft/s (732 m/s). Many older mountings were modified with conversion kits to fire HV ammunition, while most newly manufactured mounts were factory built to fire HV ammunition. A mount modified or designed for HV ammunition was given a '*' designation; for example a Mk V mount modified for HV ammunition would be designated Mk V*.
(Text Wikipedia)
Screenshots from the live visuals at Thila 2013 in Mechelen (BE). Software and stage design by Dorids.
More information on the project and the creation of the generative software: www.dorids.org
All our love and thanks to:
The Open Frameworks community for pretty much everything. Syphon, Reza for ofxUI, Beeple for additional content, Shadertoy for inspiration and additional content, THH (Toon De Nyn, Sauri De Keye, Bram Verbruggen, Wim Peeters, Koen Verbruggen, Hans Verbist, David De Herdt and Ruben Vannieuwenborg), Björk for getting us through the coding-marathons, Toon Persyn and Vincent Stevens for filming and Thila Coloma.
Live visuals and stage design by KBK Visuals at Soenda Indoor 02-02-2013, Central Studios Utrecht. Photo by Jessica Dreu
IUGTE Conference "Theatre Between Tradition and Contemporaneity" - annual international multidisciplinary conference researching the Bridge between Tradition and Contemporaneity in performing arts - Theatre - Dance - Music - Visual & Multimedia Art - Arts administration - Stage Design & Technology.
Photo: Agnete Schlichtkrull / DR
we played with The Danish National Chamber Orchestra
the stage design was made by Hvass&Hannibal