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Den Stora Trädgårdsfesten i Djurby 2015
Projektioner av Ossian Eckerman
På scen: vad hette dom nu igen...?
photo by Claire Shovelton
Nadine Benjamin - BEAM - Everybody Can Stand In Their Own Light
Sat 26 & Sun 27 June, 5pm Britten Studio, Snape Maltings
Nadine Benjamin lead artist, co-dramaturg, composer, soprano
Darren Abrahams director, co-dramaturg, trauma specialist
Jan Rautio music director, arranger, keyboards, electronics
Decus Ensemble:
Uchenna Ngwe oboe (leader), Sarah Daramy-Williams violin, Samara Ginsberg cello
Gerrard Martin movement director, assistant director
Ellie Thompson video design
Callum Macdonald lighting design
Sarah Jane Booth costume and stage design
Claire Shovelton senior producer
Fay Jennett producer/EDI specialist
Helen Ashman stage manager
Craig White production manager
Teresa Karcher lead artist liaison
BEAM Research & Development
Mikhail Karakis visuals consultant
Sara Cowman stage manager
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
The Royal Navy had identified the need for a rapid-firing, multi-barrelled close-range anti-aircraft weapon at an early stage. Design work for such a weapon began in 1923 based on the earlier Mark II, undoubtedly to utilise the enormous stocks of 2-pounder ammunition left over from the First World War.
Lack of funding led to a convoluted and drawn-out design and trials history, and it was not until 1930 that these weapons began to enter service. Known as the QF 2-pounder Mark VIII, it is usually referred to as the multiple pom-pom. The initial mounting was the 11.8 to 17.35 ton, eight-barrelled mounting Mark V (later Mark VI), suitable for ships of cruiser and aircraft carrier size upward. From 1935, the quadruple mounting Mark VII, essentially half a Mark V or VI, entered service for ships of destroyer and cruiser size.
These multiple gun mounts required four different guns and were nicknamed the "Chicago Piano". The mount had two rows each of two or four guns. Guns were produced in both right- and left-hand and "inner" and "outer" so that the feed and ejector mechanisms matched. Single-barrelled mounts, the Mark VIII (manual) and Mark XVI (power operated), were also widely used, mainly in small escorts (such as the Flower-class corvettes) and coastal craft (especially early Fairmile 'D' motor gunboats). The Mark XVI mounting was related to the twin mounting Mark V for the Oerlikon 20 mm cannon and the "Boffin" mounting for the Bofors 40 mm gun.
An interesting feature was the very large magazine, from 140 rounds per gun for the eight-barrelled mount, to 56 rounds for the single mounts. This large ammunition capacity gave the eight-barrelled mount the ability to fire continuously for 73 seconds without reloading. A high velocity (HV), 1.8 lb. (820 g), round was developed for the pom-pom, just prior to World War II, which raised the new gun muzzle velocity from 2,040 ft/s (622 m/s) to 2400 ft/s (732 m/s). Many older mountings were modified with conversion kits to fire HV ammunition, while most newly manufactured mounts were factory built to fire HV ammunition. A mount modified or designed for HV ammunition was given a '*' designation; for example a Mk V mount modified for HV ammunition would be designated Mk V*.
(Text Wikipedia)
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
Screenshots from the live visuals at Thila 2013 in Mechelen (BE). Software and stage design by Dorids.
More information on the project and the creation of the generative software: www.dorids.org
All our love and thanks to:
The Open Frameworks community for pretty much everything. Syphon, Reza for ofxUI, Beeple for additional content, Shadertoy for inspiration and additional content, THH (Toon De Nyn, Sauri De Keye, Bram Verbruggen, Wim Peeters, Koen Verbruggen, Hans Verbist, David De Herdt and Ruben Vannieuwenborg), Björk for getting us through the coding-marathons, Toon Persyn and Vincent Stevens for filming and Thila Coloma.
Live visuals and stage design by KBK Visuals at Soenda Indoor 02-02-2013, Central Studios Utrecht. Photo by Jessica Dreu
Client: Alda events / Armin van Buuren
Stage Design: 250K
Visuals & Operating: Eyesupply.tv
Pictures: Eyesupply.tv
Photo: Agnete Schlichtkrull / DR
we played with The Danish National Chamber Orchestra
the stage design was made by Hvass&Hannibal
Premiere | Breslau Opera House
Choreography | Giorgio Madia
Stage Design | Kinsun Chan
Costume Design | Małgorzata Słoniowska
Client: Alda events / Armin van Buuren
Stage Design: 250K
Visuals & Operating: Eyesupply.tv
Pictures: Eyesupply.tv
Premiere | Breslau Opera House
Choreography | Giorgio Madia
Stage Design | Kinsun Chan
Costume Design | Małgorzata Słoniowska
The Dillinger Escape Plan - Option Paralysis tour - Europe, winter 2010
Stage design by TremensS/ExperiensS
Shot by Sophie Mari
Director Johann Herbeck conducted and staged in 1871 the first production of Wagner's THE FLYING DUTCHMAN in the new house at the ring. The Vienna premiere had already taken place in 1860. THE FLYING DUTCHMAN - Stage design by Theodor Jachimowicz
(further pictures and information you can get by going to the end of page!)
Vienna State Opera
Vienna State Opera, 2012
Vienna State Opera in the evening twilight
The Vienna State Opera was the first major building on the Vienna ring road and was on 25 May 1869 opened with Mozart's "Don Juan" in the presence of Emperor Franz Joseph and Empress Elisabeth. The Vienna State Opera is now considered one of the most important opera houses in the world with the largest repertoire. From the Orchestra of the Vienna State Opera, the Vienna Philharmonic are recruited.
History
The Vienna State Opera was planned by August of Sicardsburg and Eduard van der Nüll. The architects, however, were heavily criticized for the building, so that van der Nüll committed suicide and shortly afterwards died of Sicardsburg of a stroke.
The official opening took place on 25 May 1869 with Mozart's "Don Juan". Gradually, the popularity of the Staatsoper rose, under the director Gustav Mahler it obtained a first climax.
At the time of the Second World War, the State Opera suffered enormously. From 1938 to 1945 many employees were persecuted, expelled and murdered. In addition, many pieces were not allowed to be performed anymore. Finally, shortly before end of war the building was massively destroyed by bombing. On 5 November 1955, the opera was re-opened with a performance of Beethoven's "Fidelio".
Architecture
The historical part of the front at the ring road could be preserved from the original building from 1869. The rear, wider part contains the stage, in the narrow front part the auditorium is housed. Eye-catching are the different roof shapes and the loggia, which should emphasize the public character.
Sideways of the central entrance are the portraits of the two architects. Significant is also the ceiling painting "Fortuna, dispersing her gifts" in the stairwell. The seven statues by Josef Gasser represent the liberal arts (architecture, sculpture, poetry, dance, art of music, drama and painting). In the historic tract is located the tea room, which together with the Hoffestloge (Court Ceremonial Lodge) was reserved the Court.
Directors after the reopening
Karl Böhm
Herbert von Karajan
Herbert von Karajan/Walter Erich Schäfer
Herbert von Karajan/Egon Hilbert
Egon Hilbert
Heinrich Reif-Gintl
Rudolf Gamsjäger
Egon Seefehlner
Lorin Maazel
Egon Seefehlner
Claus Helmut Drese
Eberhard Waechter
Ioan Holender:
Dominique Meyer
Opera Ball
Once a year, the State Opera becomes the most famous and most solemn ballroom in the world. The Opera Ball is the highlight of the ball season in Vienna and has a great international significance. Many celebrities from all over the world travel to Vienna to celebrate the ball of the artists.
Women wear a long evening dress, men are appearing in tails. Tickets are available from € 250, for a seat in the box must be reckoned with over € 10,000. The highlight of the ball is the Marching In of the Jungdamen- and Jungherrenkommitees (female and male debutants' committee).
Staatsopernmuseum (Museum of the Vienna State Opera)
In Staatsopernmuseum the history of the house from 1869 to 2009 is documented. On display are costumes, stage settings, and important events such as premieres and first performances. The exhibition focuses specifically on the singers. At three information terminals casts and stage settings on all performances since 1955 can be retrieved.
Staatsopernmuseum, Hanuschgasse 3, 1010 Vienna
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
Far Eastern University, Manila. Built between 1939 and the 1950's in various stages. Designed by Pablo Antonio.
3 Colours, a mixed media performance event staged for the 4th World Summit on Arts and Culture, September 2009, Johannesburg, South Africa. Concept and Direction by Brett Bailey. Musical Direction by Mapumba Cilombo, Lead Choreography by Gregory Maqoma; Stage Design by Andrew Chandler. In this work about the complexities of interculturalism, Bailey chose to portray different societies/cultures symbolically, as shrines. In his programme notes he writes: "Indefinable as they are, our cultures are sacred to us. At the heart of each glows a unique cluster of precious jewels: our myths and histories, our heritage, our values and social structures, our cosmology and relationship to the Ultimate . . . The energy of these clusters is expressed by and enshrined in the forms of cultural expression distinctive to each people . . . So many varied manifestations. Forever unfurling, forever evolving."
Model of set design
In the workshop of Leslie Travers
The Pullens Estate was developed by builder James Pullen from 1886.
The estate originally comprised of 684 dwellings in 12 blocks, with 4 yards containing 106 workshops. The estate suffered bomb-damage during the Blitz, with the remaining buildings protected from demolition in the 80s due to protests by the Residents' Association and squatters.
The Princess of the Stars
Jerrard Smith (Canada)
Set & Costume Design
The Princess of the Stars by R. Murray Schafer marked my introduction to theatre design, and the success of the Qirst production in 1981 led to a continued collaboration with Schafer, including the 1983 production of RA at the Ontario Science Center and the 1985 remount of The Princess of the Stars at the Banff Centre. This collaboration has continued to the present day and has allowed me to develop a portfolio of designs for sitespecific theatre. As a result of working on RA, I met Robert Desrosiers and designed for Desrosiers Dance Theatre for two years leading up to the commission of Blue Snake by the National Ballet. I was asked to design sets and costumes for this work which went on to have a touring life and in addition, introduced me to the larger dance community where I had the pleasure of designing a number of works with various companies and choreographers. — Jerrard Smith
Images posted with permission by editors