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True scale display of a stage design by Fernand Leger for the Svenska Baletten, Paris. Swedish Dance Museum Stockholm.
The 1922 Meyerhold performance of Belgian playwright Crommelynk's play The Magnanimous Cuckhold. Set and costumes designed by Liubov Popova.
Rachel Maddow, Mother Jones co-editors Clara Jeffery and Monika Bauerlein; stage design by Arkitektura
San Francisco, March 28, 2009
This is the documentation of WHITEvoids video projector based digital stage lighting system. The system was initially commissioned for the theater play "Fanny and Alexander" by theater director Sebastian Hartmann. The piece inspired by Ingmar Bergmans movie premiered in September 2011 at Leipzigs Central Theater and will be on show until May 2012.
WHITEvoid designed a projector based digital lighting system with integrated depth camera tracking to pixel map the whole stage area of about 120m2. This includes a large scale Neo Rauch painting as a backdrop. Since the theater play used a flexible scene order, we enabled the lighting designer to select or deselect actors on the fly via remote. This way making them active or inactive as triggers for digital light follow effects and generative visuals. Multiple effects can be assigned to individual actors in almost infinite combinations. Additionally virtual "light agents" are autonomously interacting with the real actors on stage.
photo by ©Paul Wright
The Crystal Palace Park Concert Platform, located in Crystal Palace, London, is an outdoor stage, designed by Ian Ritchie Architects. The building was nominated for the RIBA's Stirling Prize award in 1998. The project received the 'Excellence in Design' award from the American Institute of Architects. The platform is located in Crystal Palace Park, in the London Borough of Bromley. It is known locally as the "rusty laptop".
Its outer surface is made entirely of deep red oxidiesed Corten A steel above an oak stage. The first concert performance took place at the Concert Platform in August 1997.
The Crystal Palace Concert Bowl previously stood on the same site and hosted the Crystal Palace Garden Parties concerts between 1971 and 1980. The first of the Garden Parties took place in May 1971 with Rod Stewart and The Faces plus Pink Floyd. In 1980 Bob Marley and the Wailers played there.
Production Design: Stefan Beese, RE:BE Design
Location: Superdome, New Orleans,LA
Venue: Essence Music Festival 2010
編舞：周書毅、羅文瑾
舞者：羅文瑾、李佩珊、左涵潔
服裝設計：趙虹惠 影像設計：周東彥
燈光設計：關雲翔 舞台設計：梁若珊 攝影：陳長志
Choreography：Chou Shu-Yi、Luo Wen-Jinn
Dancers：Luo Wen-Jinn、Li Pei-Shan、Tso Han-Chieh
Costume Design：Chao Hung-Hui Viedol Design：Chou Tung-Yen
Lighting Design：Kaun Yun-Hsiang Stage Design：Liang Joshan Photo：Chen Chang-Chih
Ten Characters of Date
Kumaji Kugimachi (Japan)
Set Design
Kumaji Kugimachi is considered by some to be the original Kabuki set designer. Before him there were no set designers who were identified as such. His sets are like beautiful watercolour paintings, with sophisticated coloring and shadows. His well-honed drawing skills are inimitable. There were no theatre designers by the end of the 20th century who came close to matching him in technique.
Images posted with permission by editors
Projection screens for moving blue skies, astro-turf frame, really big plastic flowers, and a river of red cherries.
VISUAL COMPOSER PERFORMANCE
I perform my music with my interactive stage design.
It is best to experience my performance live.
I use Ableton Live with an M-Audio Microphone & Keyboard, and the keys of my MacBook Pro to make my tracks.
For this video, I am using an instrumental, but I am also a recording artist.
I make my music, write the lyrics, record my vocals, mix and master my albums.
I then create all the visuals.
I create every single aspect of my work to give you a spherical 4 dimensional experience of my Art.
To create the interactive animation, I write code in Processing (Open Source Programming Language based on Java).
In this video, my hands are controlling the visuals. For this, I use the Leap Motion sensor.
I use a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to animate my visuals using Leap Motion.
The animation follows my hand movements in real-time and on key with accurate precision.
The visual is an animation within an animation with symmetry, which makes it a bit more challenging to control, making it even more fun.
Some of the visuals are generated by the music's decibel levels.
The main drive behind my work is PLAY. Play leads to fun, which leads to joy. Following our joy is the driving force in my life, and I want to share it with others. This is why I create interactive installations where people and children of different races and religions get to play and have loads of fun in a magical environment.
The VISUAL COMPOSER PERFORMANCE is a emotional piece with a dark track I made to expose the pain I feel everyday trying to survive in society. I perceive that the social system is set up by certain people to their benefit, while it is handicapping many others for whom it does not fit. I also see that many are unhappy with their jobs. Physicians and lawyers have high rates of suicide according to reports I have read. This is a time for us to question everything, and create a new social ecosystem that benefits all. Including the animals going instinct. I understand the Survival of The Fittest approach, but it does not have to be this way. I understand that nature is very violent and brutal, such as humans, but I also see a greater reality than this animalistic self-destroying one. It takes heart and courage to do what you love all day and all night all of the time forever. If you are willing to die for what you perceive as your purpose, then you are a Freedom Fighter… or simply, an Artist.
Thank you for watching this video and possibly sharing it.
Love Universal to All
Unity In Diversity
WillpowerStudios.com
CalArts School of Theater visiting artist Daniel Alexander Jones
CIA-20071205-5009
Photo by Scott Groller
© CalArts 2007
VISUAL COMPOSER PERFORMANCE
I perform my music with my interactive stage design.
It is best to experience my performance live.
I use Ableton Live with an M-Audio Microphone & Keyboard, and the keys of my MacBook Pro to make my tracks.
For this video, I am using an instrumental, but I am also a recording artist.
I make my music, write the lyrics, record my vocals, mix and master my albums.
I then create all the visuals.
I create every single aspect of my work to give you a spherical 4 dimensional experience of my Art.
To create the interactive animation, I write code in Processing (Open Source Programming Language based on Java).
In this video, my hands are controlling the visuals. For this, I use the Leap Motion sensor.
I use a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to animate my visuals using Leap Motion.
The animation follows my hand movements in real-time and on key with accurate precision.
The visual is an animation within an animation with symmetry, which makes it a bit more challenging to control, making it even more fun.
Some of the visuals are generated by the music's decibel levels.
The main drive behind my work is PLAY. Play leads to fun, which leads to joy. Following our joy is the driving force in my life, and I want to share it with others. This is why I create interactive installations where people and children of different races and religions get to play and have loads of fun in a magical environment.
The VISUAL COMPOSER PERFORMANCE is a emotional piece with a dark track I made to expose the pain I feel everyday trying to survive in society. I perceive that the social system is set up by certain people to their benefit, while it is handicapping many others for whom it does not fit. I also see that many are unhappy with their jobs. Physicians and lawyers have high rates of suicide according to reports I have read. This is a time for us to question everything, and create a new social ecosystem that benefits all. Including the animals going instinct. I understand the Survival of The Fittest approach, but it does not have to be this way. I understand that nature is very violent and brutal, such as humans, but I also see a greater reality than this animalistic self-destroying one. It takes heart and courage to do what you love all day and all night all of the time forever. If you are willing to die for what you perceive as your purpose, then you are a Freedom Fighter… or simply, an Artist.
Thank you for watching this video and possibly sharing it.
Love Universal to All
Unity In Diversity
WillpowerStudios.com
Chalk (Giz)
Alvaro Apocalypse (Brazil)
Puppet Design
The Group Giramundo is undeniably the most important puppet theater group in Brazil and in all South America. Alvaro Apocalypse, the group’s head for more than
40 years, was a great researcher in the area of puppet animation. Having trained hundreds of followers around Brazil, he left published educational material that still informs many followers of this art. His group has its
headquarters in Belo Horizonte, Minas Gerais, and keeps its amazing heritage of more than 1,000 puppets in a museum open to the public. The group has taken part of dozens of international festivals, and has been honored with many awards and prizes. Alvaro died in
2003; his work was featured at the Prague Quadrennial of that year.
Images posted with permission by editors