View allAll Photos Tagged stage_design
mermaid costume (preliminary stage) designed by enigma arcana
Codependant Films 2006
photo by bigdada
model:amy beaucham
email: bigdada@shaw.ca
True scale display of a stage design by Fernand Leger for the Svenska Baletten, Paris. Swedish Dance Museum Stockholm.
Cher at Ceasar's, Las Vegas 2008 show. Stage design by Jeremy Railton and Entertainment Design Corporation.
The Passion and Death of Our Lord Jesus Christ
(Passio et mors Domini Nostri Iesu Christi secundum /
Pasja) Andrzej Majewski (Poland)
Set Design
Andrzej Majewski had always insisted that his stage designs were born out of the spirit of painting. His directing debut confirmed this. In this architecturally constructed setting, Majewski saw the gospel of Luke
most of all through the words of the composer: “Passion is the suffering and death of Christ, but also the suffering and death of Auschwitz, the tragic experience of mid-20th-century humanity.” In the first scene, a platform in the shape of a Greek cross rose from
the trapdoor—the symbol of martyrdom and death. A 170-member choir stood on it. Human plaster casts slowly emerged from the darkness, emphasized by a painterly use of lighting to show dynamic movement against a static setting. In the second part, the sky gradually revealed a symmetrical, filled with the remains of the tomb cross— symbol of contemporary suffering. In its upper part Majewski placed a mass of human bodies, symbolizing martyrdom in the gas chambers,
while beneath it a choir sang “Pulver mortis Et in deduxisti me” (“The dust of death has enveloped me.”) In the finale, darkness swallowed everything but a tormented body—the figure of Christ.
Images posted with permission by editors
www.productionmusings.com for details. A view under the front of the add-on. 2 AC Lighting Color Splits were used for the wash.
VISUAL COMPOSER PERFORMANCE
I perform my music with my interactive stage design.
It is best to experience my performance live.
I use Ableton Live with an M-Audio Microphone & Keyboard, and the keys of my MacBook Pro to make my tracks.
For this video, I am using an instrumental, but I am also a recording artist.
I make my music, write the lyrics, record my vocals, mix and master my albums.
I then create all the visuals.
I create every single aspect of my work to give you a spherical 4 dimensional experience of my Art.
To create the interactive animation, I write code in Processing (Open Source Programming Language based on Java).
In this video, my hands are controlling the visuals. For this, I use the Leap Motion sensor.
I use a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to animate my visuals using Leap Motion.
The animation follows my hand movements in real-time and on key with accurate precision.
The visual is an animation within an animation with symmetry, which makes it a bit more challenging to control, making it even more fun.
Some of the visuals are generated by the music's decibel levels.
The main drive behind my work is PLAY. Play leads to fun, which leads to joy. Following our joy is the driving force in my life, and I want to share it with others. This is why I create interactive installations where people and children of different races and religions get to play and have loads of fun in a magical environment.
The VISUAL COMPOSER PERFORMANCE is a emotional piece with a dark track I made to expose the pain I feel everyday trying to survive in society. I perceive that the social system is set up by certain people to their benefit, while it is handicapping many others for whom it does not fit. I also see that many are unhappy with their jobs. Physicians and lawyers have high rates of suicide according to reports I have read. This is a time for us to question everything, and create a new social ecosystem that benefits all. Including the animals going instinct. I understand the Survival of The Fittest approach, but it does not have to be this way. I understand that nature is very violent and brutal, such as humans, but I also see a greater reality than this animalistic self-destroying one. It takes heart and courage to do what you love all day and all night all of the time forever. If you are willing to die for what you perceive as your purpose, then you are a Freedom Fighter… or simply, an Artist.
Thank you for watching this video and possibly sharing it.
Love Universal to All
Unity In Diversity
WillpowerStudios.com
Cher at Ceasar's, Las Vegas 2008 show. Stage design by Jeremy Railton and Entertainment Design Corporation.
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This is the documentation of WHITEvoids video projector based digital stage lighting system. The system was initially commissioned for the theater play "Fanny and Alexander" by theater director Sebastian Hartmann. The piece inspired by Ingmar Bergmans movie premiered in September 2011 at Leipzigs Central Theater and will be on show until May 2012.
WHITEvoid designed a projector based digital lighting system with integrated depth camera tracking to pixel map the whole stage area of about 120m2. This includes a large scale Neo Rauch painting as a backdrop. Since the theater play used a flexible scene order, we enabled the lighting designer to select or deselect actors on the fly via remote. This way making them active or inactive as triggers for digital light follow effects and generative visuals. Multiple effects can be assigned to individual actors in almost infinite combinations. Additionally virtual "light agents" are autonomously interacting with the real actors on stage.