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I took a walk in the woods to clear my mind. There was a light that broke through the mist and gave me solutions...

 

How many people can remember that red plastic container of bubble solution with the stick inside that you can blow through to make bubbles? This is thought I had when I rested my tripod on Cannon Beach on the Oregon Coast.

The weight of the sky and all of its fabulous sunset glory was a perfect way to cap off an incredible day in the Pacific Northwest of the USA.

With heartfelt and genuine thanks for your kind visit. Have a wonderful and beautiful day, be well, keep your eyes open, appreciate the beauty surrounding you, enjoy creating, stay safe and laugh often! ❤️❤️❤️

Si le problème a une solution, il ne sert à rien de s'inquiéter mais s'il n'en a pas, alors s'inquiéter ne change rien.

 

Thursday, 15-Aug-2024, 16:58:57.

 

Assos, Erisos Municipal Unit, Sami Municipality, Kefallonia Regional Unit, Ioanian Islands, Peloponnese, Western Greece and the Ionian, 280 85, Greece, GRC, altitude m.

 

OM Digital Solutions OM-1, OM 12-40mm F2.8 II, 24 mm, F/8, 1/160 s, ISO 200.

 

www.deadmount.com

OM Digital Solutions OM-1

OLYMPUS M.150-400mm F4.5

ƒ/4.5 400.0 mm 1/4000 2000

2/6/20 - De Solution Band @ Wildcraft Cider Works, Eugene, Oregon, USA

Amsterdam - Admiralengracht / Van Kinsbergenstraat.

  

Residential block, built in 1926 to a design by Bureau Gulden and Geldmaker.

 

This block does have an unmistakable "Amsterdam School" appearance, especially due to the attractive corner solution.

Architects Gulden and Geldmaker excel in usually more sober designs, but they could indeed come up with expressive designs (amsterdamse-school.nl).

 

The Amsterdam School is a style of architecture that arose from 1910 through about 1930 in the Netherlands. The Amsterdam School movement is part of international Expressionist architecture, sometimes linked to German Brick Expressionism (Wp).

OM Digital Solutions OM-1 + OM SYSTEM M.Zuiko Digital ED 90mm f/3,5 Macro IS PRO

Normally I chase this ginger Tom away but as he is doing a fine job of keeping the birds off my cherry tree, I will give him a free pass until August 🤔😉

Stay safe

ABE 28s 1 800sec iso100 a6600 mittyx10 6um kenko5.

Thanks for your comments and faves, they are truly appreciated.

OM Digital Solutions OM-1 + OLYMPUS M.150-400mm F4.5

OM Digital Solutions OM-1 + OLYMPUS M.300mm F4.0

Laowa 60/2.8 Macro Lens

OMG! I'll post a tiny solution for this chaos...

  

OM Digital Solutions OM-1 + OLYMPUS M.150-400mm F4.5

To all Bikini Candidates you can download and print your photos, to Download click all sizes and click download original size.

 

To visit all Bikini sets visit www.flickr.com/koronadal/sets and click on Bikini Events.

 

Bikini Open 2009 Fitmart Mall Fountain Area, Koronadal City South Cotabato - @ LOUIE D PHOTOGRAPHY by Infoactiv Solutions

 

Event: Bikini Open 2009 Fitmart Mall, Koronadal City South Cotabato

Venues: Koronadal City, Fitmart Mall

Camera: Canon 400D , NIKON D5000

Lens: 18-55mm, 50 mm, 200mm

Flash: Stage Light/Natural Light

Date: December 13,16,19,23,26,29

Event Photographer: Louie D.

 

LOUIE D PHOTOGRAPHY

  

Philippines Mobile: +63.919.2980744

Philippines Telephone: +63.83.228-8800

Email: louie.d.weddings@gmail.com

Web: www.louiedphotography.philwired.com

Wedding Portfolio:

www.ramon-geszelle.philwired.net

www.dhot-qtte.philwired.net

Wedding Album Portfolio

www.flickr.com/photos/koronadal/sets/72157619859635112/

Wedding Pictures:

picasaweb.google.com/louie.d.weddings

Webdesign and Hosting: www.philwired.com

Photo and Photography tutorial and Video Editing Training: www.iitacademy.com

  

Team Louie D Photography and Videography:

Photographers: Louie | Jigs | Mike | Toto

Videographers: Toto | Jhimboy

Post Editor: Louie - Jhimboy

   

Coverage: Wedding Photo & 3 Cam Video CMOS w/ Prenuptial MTV + Onsite Editing (SDE) + Postnup w/ MTV + DVDs + Albums + Prints

  

This work is licensed under Creative Commons Attribution - Noncommercial-No Derivative Works 3.0

 

ALL RIGHTS RESERVED (C) 2009 LOUIE D. PHOTOGRAPHY

Three photo take off set of a Lesser Goldfinch.

Private (Luxury Aircraft Solutions) Hawker 800A 22/11/19 LAX

::glam:: Shape Piper for Catwa Strawberry @ MarketPlace

[ Session ] Piper (Catwa applier) @ eBento january

[ Session ] Mega Body Applier (Omega)

Avi-Glam Passional Eyes - 18 RARE Available at Epiphany

Baiastice Montmartre Hair

.euphoric ~ Luxe Lashes Applier ~[Catwa]

.euphoric ~Shikoba Face Tattoo Applier @ Fetish Fair

[MANDALA] Cheerful Earring-Wood

Window Display, Brussel (B)

The Landsborough (right) and Clarke (far left) rivers, part of the Landsborough Wilderness Area, are separated by the Solution Range, at centre.

Basílica de la Virgen de la Peña, Graus, La Ribagorza, Huesca, Aragón, España.

 

La antigua basílica de la Virgen de la Peña se levanta en la villa española de Graus (Ribagorza, provincia de Huesca, Aragón). El actual templo se levantó a mediados del siglo XVI sobre un edificio románico anterior. Consta de iglesia, patio y hospital de peregrinos con un bello claustro-mirador.

 

Proponemos a los visitantes que comiencen la visita desde el interior de la iglesia. Allí quedan restos del edificio románico, en concreto en la parte inferior del muro del evangelio, donde hay una pequeña puerta en alto y sillares más pequeños. El edificio actual presenta, una nave única de dos tramos, cubiertos con bóvedas de terceletes (la de los pies era originalmente estrellada) y una cabecera plana sobre la que se levanta una torre poligonal rematada en chapitel. LLama la atención el achaflanamiento de los ángulos de los pies de la nave.

 

La puerta de entrada tiene arco de medio punto y abundante decoración: (candelieri, casetones, angelotes, escudos y guirnaldas) y se enmarca por columnas unidas por un entablamento. Frente a ella, el pórtico imita sus formas corintias. En su friso se encuentra la firma de Joan Tellet en dos cartelas junto a una pequeña ménsula que llama la atención del observador. Allí está también la puerta de la capilla de San Juan de Letrán y una escalinata que une el pórtico con el patio. la esquina de la iglesia nos hace comprender el achaflanamiento interior, ya que si no se hubiera adoptado esta solución los contrafuertes exteriores ocuparían el solar de esta escalinata.

 

La arquería del hospital se abre al patio. Allí vemos cómo la estructura de este edificio apoya sobre la de la iglesia. Otra arcada sobre columnas torsas nos ofrece una espléndida vista de Graus y de la confluencia de los ríos Ésera e Isábena. Al salir, bajando por la rampa, veremos la otra esquina de la iglesia y de nuevo entendemos el achaflanamiento interior la nave, pues otro contrafuerte exterior hubiera impedido el camino de acceso al conjunto.

 

Desde el exterior se observan diferencias en los dos tramos de la iglesia:

 

la primera fase de las obras articula sus paños con molduras y contrafuertes

la segunda, obra de Tellet, que presenta paños y esquinas lisos.

 

En el conjunto del hospital también se ven dos fases:

 

un modesto edificio de cuatro plantas (apoyado sobre la iglesia y sobre la entrada al conjunto) fue seguramente el primero en construirse y debía servir de residencia del clero

una ampliación, mucho más ambiciosa, de tres plantas: la primera, con la arcada de arcos de medio punto que cobija la rampa de acceso; la segunda, con el mirador de columnas torsas; y la última, de ladrillo y totalmente reconstruida, donde se hallaban habitaciones destinadas a hospital de peregrinos y donde se ubica actualmente un museo de iconos.

 

The ancient basilica of the Virgen de la Peña stands in the Spanish town of Graus (Ribagorza, province of Huesca, Aragon). The current temple was built in the mid-16th century on a previous Romanesque building. It consists of a church, patio and pilgrim hospital with a beautiful cloister-viewpoint.

 

We suggest visitors begin their visit from inside the church. There are remains of the Romanesque building, specifically in the lower part of the gospel wall, where there is a small high door and smaller ashlars. The current building has a single nave with two sections, covered with triplet vaults (the one at the foot was originally star-shaped) and a flat head on which rises a polygonal tower topped with a spire. The chamfering of the angles of the feet of the nave is striking.

 

The entrance door has a semicircular arch and abundant decoration: (candelieri, coffers, angels, shields and garlands) and is framed by columns joined by an entablature. In front of it, the porch imitates its Corinthian forms. On its frieze there is the signature of Joan Tellet in two cartouches along with a small corbel that draws the observer's attention. There is also the door to the chapel of San Juan de Letrán and a staircase that connects the portico with the patio. The corner of the church makes us understand the interior chamfering, since if this solution had not been adopted the exterior buttresses would occupy the site of this staircase.

 

The hospital archway opens to the patio. There we see how the structure of this building supports that of the church. Another archway on twisted columns offers us a splendid view of Graus and the confluence of the Ésera and Isábena rivers. As we leave, going down the ramp, we will see the other corner of the church and once again we understand the interior chamfering of the nave, since another exterior buttress would have prevented the access path to the complex.

 

From the outside, differences are observed in the two sections of the church:

 

The first phase of the works articulates its panels with moldings and buttresses

the second, a work by Tellet, which presents smooth panels and corners.

 

In the hospital as a whole there are also two phases:

 

a modest four-story building (leaning on the church and on the entrance to the complex) was surely the first to be built and was to serve as the residence of the clergy.

a much more ambitious extension, with three floors: the first, with the archway of semicircular arches that shelters the access ramp; the second, with the viewpoint of twisted columns; and the last one, made of brick and completely rebuilt, where there were rooms used as a pilgrim hospital and where a museum of icons is currently located.

Bicheno, Tasmania

Camera: Pentax K1000 (Early model C.1977)

Lens: Pentax-M F1.7 50mm

Film: 35mm Ferrania P30 80 ASA

Settings: f11 1/125th

Developer: HC-110 Solution H

OM Digital Solutions OM-1 + OLYMPUS M.300mm F4.0

 

Tuesday, 29-Oct-2024, 12:33:41.

 

Tördemici kilátó, Bujdosók lépcsője, Badacsonytördemic, Tapolcai járás, Veszprém, Central Transdanubia, Transdanubia, 8263, Hungary, HUN, altitude m.

 

OM Digital Solutions OM-1, OM 12-40mm F2.8 II, 24 mm, F/4.5, 1/100 s, ISO 200.

 

www.deadmount.com

Monday 16-Dec-2024, 22:18:04.

 

OM Digital Solutions OM-1, OM 45mm F1.2, 45 mm, F/1.2, 1/60 s, ISO 1250.

 

www.deadmount.com

 

~~~for a cleaner earth~~~

For the "Working Towards a Better World” project.

 

Wind Farm--Eastern Colorado

 

(Thank you Sonia!!)

 

.♥.♥.♥.♥.♥.

  

You can download or view Macroscopic Solutions’ images in more detail by selecting any image and clicking the downward facing arrow in the lower-right corner of the image display screen.

 

Three individuals of Macroscopic Solutions, LLC captured the images in this database collaboratively.

 

Contact information:

 

Mark Smith M.S. Geoscientist

mark@macroscopicsolutions.com

 

Daniel Saftner B.S. Geoscientist and Returned Peace Corps Volunteer

daniel@macroscopicsolutions.com

 

Annette Evans Ph.D. Student at the University of Connecticut

annette@macroscopicsolutions.com

 

OM Digital Solutions OM-1 + OLYMPUS M.150-400mm F4.5

OM Digital Solutions OM-1 + OLYMPUS M.150-400mm F4.5

OM Digital Solutions OM-1 + OLYMPUS M.300mm F4.0

Woordfoto: oplossing

OM Digital Solutions OM-1 + OM SYSTEM M.Zuiko Digital ED 90mm f/3,5 Macro IS PRO

OM Digital Solutions OM-1 + OLYMPUS M.300mm F4.0

Seattle, WA 2011

 

Photo by www.flickr.com/photos/66983968@N00/

 

Voigtlander Bessa L

Voigtlander 25mm 4/f

Vivitar 283

D76 Stock Solution, 9 minutes

Epson V600

OM Digital Solutions OM-1 + OLYMPUS M.150-400mm F4.5

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