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My least favourite type of weather, is an overcast sheet of white across the entire sky, featureless, boring and annoying, plus seemingly it lasts forever! So, one thing I know when I have perused other photos against such a backdrop, is that they can look like watercolour paintings. This is what I wanted to achieve in this shot.
However, much to my luck, a Bumblebee flew into the shot just as I hit the shutter down and thus, this is the result, I couldn't be happier. The slightly out of focus Bee accentuates to the image I wanted to create, a water painting without heavy software manipulation; sometimes in photography you can just get lucky!
I hope everyone is well and so as always, thank you!
This is the red-flowering New South Wales 'Christmas Bush'. Ceratopetalum Gummiferum.
Located at No. 7 Sydney Street, Concord.
Border of North Strathfield.
Western Sydney.
Photographed last Monday, 22nd November, 2021.
My Canon EOS 5D Mk IV with the Canon EF 24-105mm f 4/L lens.
Processed in Adobe Lighroom and Photopad Pro by NCH software.
olympus omd - lightroom - silver efex pro
I bought my first OMD camera a good 10 years ago. Today I tried to re-process an image from back then. My impression is that the image processing software has made much more advancements than the image sensors in the camera.
Arte Digital - Digital Art
Image-editing
Effects - Texture - Collage
Double Exposure
Effect Paint
Software: Pixlr; Windows Paint 3D, PicsArt Photo Studio
Brasília, Brasil
Agradeço a todos pela apreciação, comentários e prêmios nos grupos. Eu realmente aprecio sua presença.
I thank everyone for their appreciation, comments and awards in the groups. I really appreciate your presence.
Art Week Gallery Theme ~ HOT Colors ~
21 - 29 jan 2022
Happy New Year to all my Flickr friends
Digital Art - Photo Art
Festive Card
Effects: texture, color, light, collage
Software: Windows; PicsArt Photo Studio
Edits made to my original photos
Edições feitas em minhas fotos originais
Brasília, Brasil
Art Week Gallery Theme
- 29 Dec. to January 7 our theme is:
~~~ Happy New Year Of 2023 !! ~~~
Quand le couvercle s'ouvre, les étoiles filent !
When the lid opens, the stars shoot out!
Ma proposition pour Macro Mondays sur le thème "Lid" (couvercle)
Cette boite en plastique transparent renferme des sequins en forme d'étoiles de 8mm de diamètre destinées à la couture
This transparent plastic box contains 10mm diameter star-shaped sequins intended for sewing
Largeur de l'image 6,5mm
EF100mm f/2.8 L IS USM
Stack de 28 images capturées avec Helicon Remote et assemblées avec Helicon Focus
"Macro Mondays"
"Lid"
Manly Cove, Manly (harbour) beach.
Looking west to Manly Wharf and Fairlight.
My Canon EOS 5D Mk IV, with the Canon 16-35mm f 4/L lens.
Processed in Adobe Lightroom and PhotoPad Pro by NCH software.
Jam jar lid
Ma confiture de fraises préfèrée.
Les pots de cette marque française sont équipés d'un couvercle métallique habillé d'un motif à damiers rappelant les charlottes de tissu "Vichy" utilisées autrefois.
My favorite strawberry jam.
The pots from this French brand are equipped with a metal lid decorated with a checkered pattern reminiscent of the "Vichy" fabric charlottes used in the past.
EF100mm f/2.8 L IS USM
Stack de 18 images capturées avec Helicon Remote et assemblées avec Helicon Focus
"Macro Mondays"
“Checkered”
Ponte Juscelino Kubitschek
Saturday at dusk
Sábado ao entardecer
Postagem especial para o grupo
Boats & Other Water Craft
Local da foto:
Prainha da
Ponte Juscelino Kubitschek
Lago Paranoá
Lago Sul, Brasília, Brasil
Image-editing
HDR Effect
Software: Windows Paint 3D; Snapseed
Unterwegs mit einem bei Digitalfotografen nicht sehr beliebten Objektiv, dem 25 Jahre alten Voigtländer Super Wide Heliar f/4.5 15mm. Mittels geeigneter Software (Cornerfix) ist bekannten Schwächen leicht beizukommen und die knapp 100 Gramm leichte Asphäre glänzt mit Schärfe von Rand zu Rand.
On the move with a lens that is not very popular with digital photographers, the 25 years old Voigtländer Super Wide Heliar f/4.5 15mm. Known weaknesses can be easily overcome using suitable software (Cornerfix) and the 100 grams featherweight aspherical gem shines with sharpness from edge to edge.
mrleica.com/voigtlander-15mm-f4-5-super-wide-heliar/
(Thanks Matt!)
HAPPY SLIDERS SUNDAY !
CLICK on image to look closer at the happy walkers.
This photo might not look "post-processed to the max" but it is.
Why and how?
This is a small portion of a photo I made of a much larger scene.
I blew up and sharpened the tiny crop with my new AI software toy *
I wanted you all to be able to see more closely THE PEOPLE
taking a magical April walk in this glorious field of rape-seed oil plants.
* This image is a tiny portion of a photo taken in April 2013.
Back then, it would not have been possible to heavily crop an image
made with an iPhone 4S😵💫 to produce a high resolution blow up like this.
Now, with Topaz Gigapixel AI, I could crop and blow it up to the max!
Location: Moostal field, Riehen BS Switzerland.
In my album: Roaming Riehen.
HSS!
I hope this isn't too dark. I guess I can redo it if I need to. Anyway, this creation is thanks to Topaz software. I was playing around with the presets and found this one and kinda liked it.
Is anyone besides me having problems running Topaz with Windows 8.1? It keeps shutting down on me.
I passed out free shade trees today. Something the city does every year in an effort to cool the city down..:) I know you're laughing..:) but that's the plan.
IC 4604 and friends. The Ro Ophiuchi Nebula
This is officially my first RGB picture without using narrowband filters. Taken from a bortle 2 zone during the new moon in the little town of Tolmie in country Victoria, Australia. This is about 15h of data across 2 panels. My FOV does not allow me to capture the whole of the Rho Ophiuchi complex, so this is the best I could do with the time I had.
Funny enough I did not combine the luminance channel with this data as I found that it washed out of a lot of the details in the blue channel, detail that just was not really visible in the luminance channel, no matter how hard I have tried to pull it out, so this is a straight RGB picture
Astrobin: www.astrobin.com/ln5irs/B/
Imaging Telescopes:
William Optics Zenithstar 73
Imaging Camera:
ZWO ASI 1600MM-Pro
Mount:
Skywatcher EQ-6r Pro
Software:
Nina, PHD2, Photoshop, Pixinsight, RC astro NoiseXterminator.
Frames:
Antlia Pro Blue: 60x300" (5h) (gain: 139.00) f/5.9 -10°C bin 1x1
Antlia Pro Green: 60x300" (5h) (gain: 139.00) f/5.9 -10°C bin 1x1
Antlia Pro Red: 60x300" (5h) (gain: 139.00) f/5.9 -10°C bin 1x1
Integration:
15h
Bortle Dark-Sky Scale:
2.00
Playing around with Tierazon fractal software. Such a fun and easy software tool. Creating fractals is really addictive !
Optics : TEC140 Apo
Camera : ZWO ASI 174 MM;
Focal lenght : 890 mm.
Mount : Ioptron CEM70G & Ioptron TriPier;
Software : FireCapture, AutoStakkert3, Adobe Photoshop
Casalecchio di Reno - Italia
44° 29’ 29” N
11° 14’ 58” E
The storm before the storm in South Florida along the Lake Worth Lagoon in North Palm Beach. Image tone mapped using Photomatix Pro and Topaz software.
The last part of our visit of the Romanesque churches in Le Puy-en-Velay (central France) now takes us to the one that is possibly the most moving, and certainly the most spectacular of them all: the Saint Michael Chapel, perched on top of the Aiguilhe Rock, an enormous, 82 meters high geological dike made of hard basalt and left standing like a finger sticking out of the plain below by the erosion of all the sediment that once surrounded it.
There is only one way to get there: climb the hard, tall and uneven 268 steps carved out of the basalt, and in doing so, you will be following in the exact footsteps, not only of the millions of Compostela pilgrims that came here over the centuries, but also of innumerable historic figures, among which the Kings of France Charles VII, Louis XI and Charles VIII, who ascended the rock to pray under the humble vaults of the chapel.
According to persistent legends, the first edifice built on top of the rock of Aiguilhe (notice how close the name is to the French word aiguille, i.e., needle) was a Roman temple dedicated to Mercury. No trace of such a sanctuary was ever found by archæologists. The chapel that one can see today was built in two successive phases. First, the initial and very small square chapel, probably with three apses but only two remain today. This was built soon after 950, either by bishop Godescalc (who had been the first French pilgrim of Compostela in 950–51), or more probably by Truannus, dean of the canons of the cathedral chapter, duly authorized by Godescalc. I have not been able to find any definitive evidence pointing to one rather than the other. What is documented, however, is that the finished chapel was consecrated by the said bishop in 961. It was a pre-Romanesque monument.
Secondly, during the late 1000s, the primitive oratory was “surrounded” and augmented by a Romanesque chapel built on the flattened top of the dike. In the process, the probable third apse of the oratory was destroyed to open a way of access between the newly built “nave” and the square space of the oratory, repurposed as “choir”. The best way to understand the layout if to have a look at the floor plan drawn by architect Mallay in the 19th century, here: commons.wikimedia.org/wiki/File:Plan_de_la_chapelle_Saint.... The imposing bell tower was also built at the same time.
A telephoto shot of the chapel emphasizing its stunning and unique natural location. When you see this rock in real life, you understand why men, since the dawn of time, wanted to build something on top of that to honor their god(s)...
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
To learn about photography and softwares, to discover photographers famous or not yet, to know about contest and photo events, follow my new page Photographie : Apprendre-Découvrir-Pratiquer
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Reflection of the landscape in a bubble gives a fisheye appearance. The colors come from the oils on the bubble surface.
No processing but curves/contrast in Lightroom, this isn't projected with software.
On my blog at: viking79.blogspot.com/2009/07/bubble-world.html
Thanks everyone for taking this to Explore!
Featured on the Tyndall Centre for Climate Change Research website: www.tyndall.ac.uk/
This was my 3rd visit to the 'Judge's Lodging' in Presteigne, Powys.
I had permission once again to take more images (in HDR), and a big *Thank You* goes once again to Gaby Rivers and the most helpful Staff at the museum.
Another big thank you goes to my mate Terry Donnelly for the lift and a great day out.
Rollei Magic II TLR + Schneider Xenar 75mm f3.5
Kentmere Pan 100 Film + Ilford Ilfosol S Developer.
Negative scanned using a Pentax K1-II + K Adapter + Pentax 645 120 Macro Lens + Negative Lab Pro Software.
NYC, Chambers Street Station in the Background
Effects using Photoshop and Topaz software.
Photoshop Elements 6: 1) Selected the skateboarder and made a new layer by copy
2) Used Filter-->Blur-->radial blur-->zoom, for background
3) Put the skateboarder layer on top of the blurred layer
Topaz Adjust: Don't remember what effects I used. but they were different for the boarder and the background, maybe "dramatic".
Woo Hoo! This photo made Explore!
Want to see something WILD? Check out this shot of a skateboarder doing his thing in 3D!
www.flickr.com/photos/depth_of_life_stereophotography/364...
Wonder if it is a place where you can find many other people or a place where you lose yourself. A sprawling Nehru Place market notorious for selling pirated softwares.
Another shot from my recent visit to the Toronto Zoo.
This shows the power of combining the Tamron 18-400mm lens with Luminar's editing software.
EXPLORE #442
1976 Pontiac Ventura.
Old HDR Photo from last year.
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Canon EOS 40D
Lens: EF 24-105 F4L IS
ISO: 100
Shutter Speed: Multiple (HDR)
Aperture: F/7.1
Focal length: 28mm
Lens Filter: B+W Circular Polarizer
Software: Adobe Photoshop CS4 - Adobe Lightroom.
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All Intriguing aka AI 😄
I "added" a bunch of effects in PP. Most AI rendering is too clinical (clean)
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Can AI "photos" coexist with the "traditional" imagery? Who are we kidding. Can't imagine a Hollywood movie without AI. too many to mention
Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too?
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
contentauthenticity.org/blog/leica-launches-worlds-first-...
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All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission. Just ask!
© VanveenJF Photography
I have been playing around with various software in order to try to get more realistic, vibrant fall images. I would be interested in your comments how the 3 images here compare. I took 5 raw images at different EV's in Aperture priority mode, with the camera on a tripod. The best exposed image was then processed with DXO5 then tweaked with lightroom (The top image), and with Lightroom alone (the middle image). For the bottom image, all 5 exposures were processed in the latest beta version of HDR Darkroom. I then tweaked the final image in Lightroom. View On Black
I am interested in which you like most/least and why. Thanks.