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The 'Golden Grove' at sunset on Sydney Harbour.
It has just rounded Cremorne Point and the Robertson Lighthouse.
The ferry is about to dock at Cremorne Point Wharf, before crossing the harbour to the city.
Photographed from the rocks beside the harbour, accessed via a ladder from the 'higher ground' of the parkland on Cremorne Point.
The 'Golden Grove' is one of the First Fleet class of catamarans on Sydney Harbour. It commenced service in1986.
My Canon EOS 5D Mk IV with the Canon EF 16-35mm f/4L IS USM lens.
Processed in Adobe Lightroom and PhotoPad Pro by NCH software.
White-lipped Pecary
Illustration/Art
Digital Art - Image-editing
Effect : HDR, Collor
Texture - Collage
Software: Windows Paint 3D; Pixlr; Snapseed; PicsArt Photo Studio
Edits made to my original photos.
Edições feitas em minhas fotos originais
Animal Silvestre
Observado em
Parque Nacional de Brasília
Água Mineral
Brasília, Brasil
Image created especially for the
Art Week Gallery Theme
17 Sept. to 23 Sept. our theme is:
~~ Animals in Art ~~
Wide range of weather situations over the 3 days I was there provided a lot of diverse shooting opportunities. My favorite was the morning rain which made for some nice shots.
IMSA - Michelin GT Challenge at VIR
When the light has gone, and the action start .
Difficult to edit photos as i did before on my pc, which now are too old to handle such software. Trying to getting used to a laptop, which i dont like
Blair Bridge - Campton, NH
One of the longer covered bridges in New Hampshire, we were in past peak colors but it was still quite beautiful.
Date: October 12, 2024
Location: Loudon, NH, USA
Equipment: Canon 5D Mark iii with Canon 16-35mm F4L IS USM
Software: Lightroom Classic
Copyright: Neil Morrill, All Rights Reserved
Hope you enjoy!
NC
Last run for the Ford GT's in their final season at VIR.
Normally I focus primarily on the Porsche's but given that this is the last season for the Ford GT's in IMSA competition, I figured I should get a few more shots of them. Glad I did. Pleasantly surprised with the results I got with the 7D mkII and my 300mm
IMSA - 2019 Michelin GT Challenge at VIR
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
When I took this photo some years ago I didn't have the skill or processing software to salvage a poor image. Progress since then.
Autumn #PolaroidWeek 🍁
Day 4 photo 2
I've had one pack of original Polaroid 600 film for ages so I decided this year was the year to use it. I loved the faded tones but when I came to scan it, I refreshed my scanners software and it asked me if I wished to restore colours. I think both methods have their charm and I'm liking the way the stripes in the emulsion are all much more saturated.
#MiNTslr670s
#Polaroid vintage 600 film
#1212projectquarantinegroup
#sunny16podcast #shootfilmbenice
A small drainage canal alongside the river Ruhr. Usually there is lots of duckweed during the warm months.
Abandoned airport runway foliage.
DXO film emulation software: Agfa Ultra Color 100.
Floyd Bennett Field, Brooklyn, New York.
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
Monochrome. San Diego Zoo Safari Park.
I'm often asked what software I use to make my imagery. Beside Adobe Photoshop and Lightroom, I use the Topaz Suite of imaging software. You can find information on their products here: www.topazlabs.com?hr=9oeO2
Thank you for commenting and faving my photos :-)
My Website: www.zeitfaenger.at
Creative Commons License: Attribution 3.0 Unported
New Brighton Wirral.
Olympus OM2n, Vivitar 28mm lens, Kodak BW400CN 35mm film, lab processed, ProScan 10T, SilverFast 8 software, Silver Efex Pro 2, Lightroom.
Kep - Cambodia - 2010
This is not the version I wanted to upload but the new Aperture 3 does suck : I cannot get to upload the definitive version of this photo, much better cropped than this one. It appears on my screen but cannot be sent by mail or uploaded... It just drives me mad. I am very disappointed with this software by Apple.
Ice flow in Collingwood's harbour.
Whenever you've been using a piece of software 'forever' it's often a good idea to step back and take a fresh look at it. I'm doing just that with Lightroom through reading Sean McCormack's Essential Development, 20 Great Techniques for Lightroom 4 (available at Craft and Vision). McCormack suggests bringing out the dynamic range of your photo by adjusting the exposure if needed, turning the highlights all the way down, boosting the shadows all the way up, and refining the tonality with the black and white sliders. It's an interesting technique. In this photo it emphasized the fact that some of these ice chunks were partially submerged in the choppy harbour. A gentle slide for today, but an interesting one. HSS!
Using Topaz Noise Adjust 6 for the first time.
This shot of a Beach Staggerwing Replica was very noise on the underside of the aircraft. Not a very good capture but a great candidate for the test.
A symmetric photo of the head of a Vespula vulgaris (Common wasp, a.k.a. the European wasp).
Magnification: 3x
Stacking:
Studio Work
MJKZZ Xtreme PRO rail
52 Photos
Steps: 90 micron
Stacking software: Zerene Stacker
Affinity by Canva: First Impressions
Credit: Giuseppe Donatiello
I spent half an hour learning/evaluating Affinity by Canva.
It's not an intuitive software, especially for those who aren't very experienced with editing, but it quickly makes you realize it's not one of those toy apps. Affinity is powerful, however, and includes a wealth of editing and graphics tools on par with more well-known and very expensive software.
It's not a product for astrophotography, so its value can be best demonstrated by its performance on non-ordinary images.
I limited myself to the Pixel section, i.e., photo editing, and after some testing, I ventured into processing a raw TIFF image of M42 (box 1), a subject rich in nuances, tones, and a myriad of details.
Even with the basic settings (box 2), the result is very satisfying. However, it's by exploring the advanced tools that I discover extremely useful applications for astrophotography, such as generating false-color images (box 3) and applying powerful and incredibly simple deconvolutional algorithms.
The use of deep learning in many tools is all too evident, and it's important/recommended not to get too carried away. The experienced user will know how much to use and, above all, when to stop to avoid entering the minefield of overprocessing, which is unfortunately widespread, where artifacts are considered objective details.
For software that has become free, can you expect more?
M42 taken with 127EDmm f/9
Giving Nik Software HDR efex Pro 2 a test run. I'm not big into HDR, but sometimes it's just kinda necessary (in small amounts). Now that I've got an awesome tripod of awesomeness, it's time I learned to embrace it.
Also thinking it might be time to leave my beloved CNX2. I love it. I wish they would upgrade it and fix all the problems with it and maybe give us a few more features, but it's been YEARS since NX2 was released, there's been no news from nik software of any intention of upgrading it, and their newest versions of the plug-ins aren't even compatible with NX..... sigh....
Testing CS6 with the nik software plug-ins now to see if I can make it close enough to NX2 to convince myself to make the switch.