Glamour Addict
View allAll Photos Tagged smashbox
1-Bare EScentuals-Crease Defining Brush- Não consigo usar ele nos olhos, aho que espalha muito a sombra, as vezes uso para passar iluminador no rosto;
2-Chanel-Les Pinceaux De Chanel Angled Brow Brush-É para sobrancelhas, mas uso para passar sombra molhada rente aos cílios;
3-Lancome-Precision Eyeshadow Blush Small 7-É um dos que eu mais uso;
4-Dior-Dior Backstage Makeup Eyeliner Brush-Esse é meu xodó, uso para passar sombra rente aos cílios superiores e inferiores, fica lindo e esfumadinho, ele é muito macio, para os olhos é meu preferido;
5-Smashbox- Double Ended Brush ( 8 Eye Liner Brush & 12 Angle Brow Brush) - confesso que ainda não usei, mas comprei para aplicar fluidline;
6-Chanel-Les Pinceaux De Chanel Contour Shadow Brush 14;
7-Marcelo beauty- pincel chanfrado, eu adoro pra passar sombra molhada rente aos cílios superiores;
8-Paula Dorf- Eye Liner Brush-Também não usei ainda, mas é para aplicar fluidline também;
9-Lancome-Retractable Lip Brush 9;
10-Dior-Dior Backstage Makeup Lip Brush.
Produtos desta produção:
Primer Smashbox
Corretivo: Effacernes 02 (Lancome)
Base: Airflash Dior n. 300 (Dior)
Skinfinish Soft and Gentle (MAC)
Blush Too faced
Olhos:
Primer de olhos Shadow Insurance (Too Faced)
Sombra pálpebra móvel: Pink Split (MAC)
Pálpebra móvel interna: Sweetjoy (MAC)
Concavo interno: Pink Split (parte mais escura) (MAC)
Concavo externo: Real Drama (MAC)
Brownbone: Sweetjoy (MAC)
Traço rente aos cílios sombra Real Drama com pincel umido (MAC)
Traço "delineador" Fluidline Black track (MAC)
Rímel Volume Shocking Loreà’l Black
Lápis labial Chanel
Gloss Too faced
Corretivo amarelo Catharine Hill
Corretivo NW20 MAC
Basse em mousse Maybelline 3
Po Elizabeth Arden light
Caneta Iluminadora 1 MAry Kay
Fixador de sombra Artdeco
Sombra Cool Heat MAC no canto interno e contornando os cilios enfeirores
Sombra Climate Blue MAC no meio do olho
Sombra Meet the Fleet MAC no canto externo e esfumando os cilios inferiores
Sombra Shore Leave MAC como iluminadora
Fluidline Blacktrack como delineador
Rimel 2000 calories Max Factor
Blush Well Dressed MAC
Batom Sunsonic MAC com gloss Footage Smashbox
Fast Responde MAC
Primer Smashbox
Corretivo True Match N1 Loreal
Bases Repulpant Bourjois 62 e 63
Corretivo NW 20 MAC
Po Elizabeth Arden Light
Po Bronzeador 51 Bourjois nas laterais e queixo
Shadestick Sharkskin no olho todo inclusive nos cilios inferiores
Pig Dark Soul no olho todo e nos cilios inferiores
Pig Vanilla como iluminadora
Fluidline Blacktrack dentro dos olhos e como delineador
Rimel 2000 calories
Blush Brit Wit MAC
Batom Nude Cremoso Contem 1g
Urban Decay Friends and Family is once again upon us, and of course, I had to make an order. First, I discovered that I did not own any of the Baked-family colors, which I was surprised at since I'm a sucker for browns lately. I got the Get Baked palette, which came with a little Sin primer potion (cute!) and also a 24/7 liner in Bourbon. I also got a Kirk Pocket Rocket Gloss, Flipside 24/7 liner, and Naked lipstick, all which look true to their colors in the tube.
One lonely purchase at Ulta: Smashbox Oyster eyeshadow.
At Sephora, I picked up some nail polishes: NARS Tokaido Express, SOPI Mermaid to Order and SOPI Ocean Love Potion. Mermaid to Order is absolutely stunning, I must give it that.
the Beach Bunny Swimwear Fashion Show at Day Two of the Mercedes Benz Los Angeles Fashion Week at Smashbox Studios in Culver City, CA
Second one in the series ;D
There's this myth going around about my passion for make-up that says, since I love expensive stuff so much, my make-up kit has it all.
Well, that's not true haha. I get Mary Kay cosmetics free (mom is a consultant) and most of what you see here were actual gifts from the Bun or so. If it's free, I won't complain ;D
This is my on-the-go kit, I don't think I could put together my entire collection, although it's mainly built up with Mary Kay, Eyeko, Smashbox, M.A.C. & E.l.f. + new Coastal Scents additions.
the Beach Bunny Swimwear Fashion Show at Day Two of the Mercedes Benz Los Angeles Fashion Week at Smashbox Studios in Culver City, CA
the Beach Bunny Swimwear Fashion Show at Day Two of the Mercedes Benz Los Angeles Fashion Week at Smashbox Studios in Culver City, CA
the Beach Bunny Swimwear Fashion Show at Day Two of the Mercedes Benz Los Angeles Fashion Week at Smashbox Studios in Culver City, CA
Segundo o fabricante, "uma base em pó sem óleos, que proporciona um suave acabamento mate enquanto simula a visibilidade dos poros". Indicada para peles mistas e oleosas.
Apliquei a Pureness depois do Photofinish Light da Smashbox. A cobertura é leve, não fica com aparência de reboco, uniformizou o tom da minha pele e a deixou sem brilho algum. Também notei que disfarçou bem os poros.
Cheguei como fui - com a pele sem brilho. Amei!
Minha cor é a 30. Como no estojo dela a esponja fica em contato com o pó, pedi para a Fê me trazer qualquer outro case em que a esponja ficasse em um compartimento separado. E ela me trouxe esse estojo liiiiindo da Foundation, que é igual ao das Hydro.
(Não, não uso esponja, aplico todo tipo de pó com pincel, mas gosto de saber que tenho ali uma esponja limpinha caso haja uma emergência.)
Uma observação - Quando fui à Caleche experimentar as cores da Pureness, o solícito e sorridente vendedor afirmou que ela poderia ser aplicada também com a esponja úmida. Não, não pode. Segundo o fabricante, sempre deve ser aplicada com esponja seca.
the Beach Bunny Swimwear Fashion Show at Day Two of the Mercedes Benz Los Angeles Fashion Week at Smashbox Studios in Culver City, CA
EOS 7D | 1/60 | f/4.0 | 24 mm | ISO 400
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Fashion-Designer: Mary Katrantzou
Event: Fashion Days Zurich 2010 - Backstage
Make-Up: SMASHBOX for Marionnaud
Hair: Paul Mitchell
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the Beach Bunny Swimwear Fashion Show at Day Two of the Mercedes Benz Los Angeles Fashion Week at Smashbox Studios in Culver City, CA
Que saudadessssssssssss :D
PELE: Primer smashbox
Corretivo em bastão da shiseido, cor 02
Base Dior Forever, cor 030
Mineralize looser cor médium plus passado com o pincel kabuki da smashbox na zona T
Blush Rose petále chanel
OLHOS: H2 shiseido (a que parece branca, mas fica só os brilhos) em toda pálpebra
Sombra write frost Mac do canto interno do olho até o meio
Pigment Violet no meio
Pig Blue no canto externo e delineando em baixo do olho
Sombra preta TIGI no côncavo e cantinhos externos
Sombra branquinha como iluminadora
Lápis para sobrancelhas, Dior (cor blondes)
Lápis S1 shiseido (a parte preta delineando em baixo até a metade/ parte clara nos cantinhos internos)
Rímel FAUX YSL
BOCA: Batom Hug me Mac
the Beach Bunny Swimwear Fashion Show at Day Two of the Mercedes Benz Los Angeles Fashion Week at Smashbox Studios in Culver City, CA
Pele: Primer Smashbox
Base Diorskin Sculpt 030
Corretivo 01 Shiseido
Pó Facial Avon
Sombras:
Pálpebra móvel: Pigment Violet MAC
Côncavo e externo: Primeiro fiz a definiçao de traços com a sombra Beauty Market da MAC e depois passei por cima o pigment Deep Purple da MAC e usei o pincel para esfumar as cores. Repassei o Violet para definir melhor a cor na pálpebra móvel. e apliquei um pouco da grape abaixo do côncavo.
Margem da sobrancelha: Pigment Frozen White MAC
Sobrancelha: marrom do duo Atena Natura
Lápis Bourjois Noir Bleutè. (lindo mas ele escorre fácil... )
Cílios: Rímel Loreà'l Volume Shocking Black
Love Wall by Curtis Kulig at Smashbox Studios on Hayden Ave, with view of Baldwin Hills Scenic Overlook & Culver City Stairs.
shot for the Smashbox Studios Face Off show. If you are in LA this Thursday the 30th, you should come through. You can see it bigger at www.ryanschude.com
the American Lord by Christian Audigier Fashion Show at Day Four of the Mercedes Benz Los Angeles Fashion Week at Smashbox Studios in Culver City, CA
Photo Finish Primer Smashbox verde
Fast Responde Mac
Corretivo verde e amarelo Catharine Hill
Corretivo True Match N1 Loreal
Base mousse 3 Maybelline
Po Elizabeth Arden light
Po Bronzeador 51 Borjois no rosto todo
Fixador de sombra UD
Pig Frost canto interno
Pig Quietly
Pig Pinked Mauve
Reflects Blackened Red no canto externo
Lapis Minted MAc delineando os cilios inferiores
Pig Teal delineando os cilios inferiores esfumacado com o lapis
Mineralize Sheersheen Powder Silver Aura como iluminadora
Delineador Shiseido
Rimel Volumissime Loreal
Blush Stark Naked MAC
MSF Petticoat nas macas
Batom Capricious MAC
LOST AND FOUND: a pair of googly eyes and one yellow beanie (not pictured)
I actually know exactly who they belong to. Brian O'Hara and Derek Wood left them behind after a real silly time after the Smashbox Studios party.
So...what's a photog to do with silly props left at her house? USE THEM, DUH!
This was for Day 11 from the 30 Day Blog Challenge I'm doing for my blog. I think I have too much, and this doesn't even compare to other people's collection!
If curious, this is NOT what I bring with me everyday. That would be too much! When traveling I just bring a pressed powder, lip stuff and lotion. :)
Stuff just... exploded from my bag, haha. Anyway this is what's in my bag, but minus the PSP and DS during school days and add books instead.
the American Lord by Christian Audigier Fashion Show at Day Four of the Mercedes Benz Los Angeles Fashion Week at Smashbox Studios in Culver City, CA
Nossa, 1 milhão de anos depois eu consigo responder a Tag!
Fui taggeada pela Tiane (thanks baby)!
Bom vamos lá:
1 - Live - JLo: Eu tenho vários perfumes, amo perfumes! Esse é meu favorito, por que apesar de ser um perfume mais doce, ele é marcante. Não tem 1 vez que eu use e alguém não me pergunte que perfume estou usando!
2 - O-Plump - Smashbox - Essa marca não é mto popular no Brasil, na verdade eu não conhecia até minha queria irmã me trazer esse gloss. Gamei total! Eu estava doidinha para comprar aquele gloss da Victoria´s Secret que aumenta os lábios... sou vidrata em lábios a la Angelina Jolie sabe? Aí minha irmã foi trabalhar fora do Brasil e eu pedi pra ela pegar na Duty free pra mim... como ela não encontrou o da VS me trouxe esse da Smashbox! Meninas, ele é ÓTEMO! ahuahau. Quando eu usei pela primeira vez me assustei, fiquei com beição enooorme!! Mas tem que passar pouquinho, pq o negócio aumenta mto!! *_*
3 - Fun Milk - O Boticário - Nem preciso comentar mto... pegue um hidratante consistente, dakeles que a pela absorve em segundos e deixa sua pele parecendo um pêssego e acrescente o aroma do chocolate Laka... perfeito! Eu que sou chocólatra e viciada em cremes me apaixonei e fiz um estoque de toda a linha Fun Milk em casa... ahuahauau
4 - Glitter Forte - Hits - Bom, não poderia faltar um esmalte na lista de uma esmaltólatra, correto? Eu conheci a HITS através de uma amiga que tb é viciada nessas coisas de cosméticos, a Van! Eu queria um esmalte que tivesse mto mas mto glitter mesmo e ela me indicou a linha glitter forte da HITS. Eu fiquei meio desconfiada quando vi que ser tratava de uma marca nacional mas concordei em comprar alguns junto com ela... comprei 3 e quando usei me arrependi mto de não ter comprado todos! Daí, ela descobriu um lugar em SP que vendia, fomos lá (tipow, eu atravessei a cidade praticamente) e eu sai da perfumaria com 12 esmaltes HITS! Vcs tinham que ver a cara das meninas que trabalham no lugar!! hauahau
Hoje, a HITS é minha marca nacional preferida.. não tem Risqué, Colorama, Top Beautty, Impala que seja melhor!
5 - Body Splash - Victoria´s Secret - Eu simplesmente sou VICIADA MASTER em VS! Isso já faz parte de mim há uns 5 anos ou mais... meu pai trouxe um Body Splash pra mim e eu nunca mais consegui ficar sem... como eu sou louca por perfume doce, o VS é perfeitoso pra mim pois é mto difícil encontrar alguma coisa d VS que não seja extremamente doce!!
Bom meninas, é isso...
Espero que vcs me perdoem pela demora em responder a Tag e aproveito pra taggear algumas meninas, mas acho que todas já fizeram, né?
Bjus
Fast Responde MAC
Primer Smashbox
Corretivo True Match N1 Loreal
Bases Repulpant Bourjois 62 e 63
Corretivo NW 20 MAC
Po Elizabeth Arden Light
Po Bronzeador 51 Bourjois nas laterais r queixo
Shadestick preto no olho todo
Pig Blonde's Gold no canto interno
Solar Bit Bronza Scape
Pig Heritage Rouge
Solar Bit Black Ore no canto externo
O mesmo delineando os cilios inferiores
Lapis preto MAC dentro dos olhos
Delineador Shiseido
Rimel 2000 calories
Blush Brit Wit MAC
Po iluminador Duda Molinos
Gloss Nico MAC
Pele: Primer Smashbox
Base Natura unica bege natural medio
Corretivo shiseido 01 e corretivo Bare Naturale Loreà'l medium
Pó Facial Natura
Sombras:
Pálpebra móvel: Iluminador Catharine Hill e por cima Glitter 3D MAC
Côncavo e externo: Black Black Bed Head Tigi® e pincel para esfumar.
Margem da sobrancelha: Sombra drape Lancôme
Sobrancelha: marrom do duo Atena Natura
Lápis preto rente aos cílios inferiores e passado pincel úmido com sombra Black Bed Head Tigi® para esfumar .
Cílios: Rímel Loreà'l Volume Shocking Black
Trabalho de hoje, make para a Missa de colação de grau. Como ela nunca usa maquiagem realçou muito no rosto dela. ADORO!
Tão bom quando as meninas que maqueio permitem divulgar na net o trabalho :D bjks
o que usei:
primer smashbox
Base Grifforbian
Corretivo iluminador Lancôme 01
Prep-prime translucido para finalizar
Blush Mineralize Petticoat (só ele, como ela é branquinha realçou sem ficar pesado para a ocasião)
Olhos: H1 shiseido em todo olho
Parte bronze do trio mineralize Threesome Mac
Marrom escuro da pallete Smokey Eyes Too Faced no concâno e cantos
Lápis UD underground + sombra escura esfumando - delineando em baixo
Delineador marrom bourjois em cima
Rímel Collosal maybeline
Lápis branco lancôme dentro do olho
Sombra champagne too faced iluminando rente a sobrancelha
Boca: Lápis de boca artdeco + Gloss laranjinha da Bourjois
that´s it :D
kisses
ps.- all size para ver melhor: www.flickr.com/photos/lilianfonseca1/4436269701/sizes/l/
2:03PM - Natural lighting provided by my window & horizontal blinds...
Face:
--"Photo Finish Foundation Primer" by Smashbox
--"Perfecting Concealer" in Shade D by Stila
--"Hydro-Liquid Compact Foundation" in O60 by Shiseido
Eyes:
--"Eyeshadow Primer Potion" by Stila
--"Sin" eyeshadow by Urban Decay
--"Night Porter" eyeshadow by NARS
--"Maui Wowie" eyeshadow by Urban Decay
--"Smudge Pot" eyeliner in Black by Stila
--"Oil Slick" eyeshadow (for eyebrows) by Urban Decay
--"Volume Exact" mascara in Very Black by Cover Girl
Cheeks:
--"Joyous Jennifer" Blush by Bare Escentuals
--"Clear Radiance" Blush by Bare Escentuals
--"Natural Light" by Bare Escentuals
Lips:
Pele: Primer Smashbox
Base Diorskin Sculpt 030
Corretivo natura diversa médio & corretivo Bare Naturale Loreà'l medium
Pó Facial Bare Naturale Loreà'l Creamy Natural
Sombras:
Côncavo e externo: Pigment Naval Blue MAC
Pálpebra móvel: Frozen White e iluminador Catharine Hill
Margem da sobrancelha: Sombra Pretty Pretty Lancôme
Sobrancelha: marrom do duo Atena Natura
Lápis preto natura diversa e contornado por cima com pincel com o pigment Naval Blue MAC
Cílios: Rímel Loreà'l Volume Shocking black
Pele preparada com primer Smashbox
Base Diorskin Sculpt 030
Corretivo effacernes 02
Pó Loreà'l Bare Naturale Creamy Natural
Olhos:
Sombra Black da Bed Head Tigi (côncavo e canto externo)
Pigment MAC Old Gold (palpebra móvel)
Sombra Retrospeck MAC na margem da sobrancelha
Sombra marrom do duo Atena Natura na sobrancelha para definir
Lápis preto Natura
Delineador Dior Black
Máscara de cílios Loreà'l Volume Shoking preta
*** Agradecimentos especiais para a Michelle que fez a montagem pq como fotógrafa sou ótima hair designer... hehehe :P
1-Skinflash Radiance Booster Pen 001 Roseglow - Dior- Esse corretivo que pode ser usado para iluminar é sub aproveitado aqui em casa, não sei muito bem como usá-lo, daí acabo usando muito pouco, as vezes passo sob as sobrancelhas ou sobre o ossinho da maçã para iluminar, mas não noto muita diferença não, alguém aqui no Flickr disse que usa para atenuar aquelas ruguinhas em volta dos lábios ou bigode chinês , vou tentar, não é oleosa , fica sequinha após aplicada.
2- The Makeup Corrector Pencil 1 Light - Shiseido- Outra que também não sei usar, comprei para cobrir algumas manchinhas vermelhas no rosto, mas não achei que fica natural, para quem quer saber não é nada oleosa.
3-White Lucent Brightening Control Base SPF33 Green ( To Neutralize Redness )- Shiseido- Esse é um dos meus queridinhos do momento,serve para uniformizar a pele, acho que cobre deixando um aspecto bem natural, é sequinho ( minha pele é normal), ele é verdinho(para neutralizar vermelhidões) e a textura é um pouco grossinha, basta um pouquinho e depois é só espalhar bem. Acho que deixa a minha pele mais uniforme, luminosa e lisa.
4-Photo Finish Color Correcting Foundation Primer Adjust ( Minimizes Red Tones ) -SmashBox - Gostei bastante, mas acho que não neutraliza tanto, ele é fininho e parece um serum quando aplicado, você sente a pele aveludada e mais luminosa mas acho que não cobre imperfeições, mas realmete prepara a pele e facilita a aplicação da base (não achei oleoso).
5-Acti' Mine Make Up Base SPF15 1 Acti Milk- Essa eu ainda não experimentei.
6-The Makeup Lifting Foundation SPF 15 B20 Natural Light Beige - Sou um pouco chata com base colorida, prefiro essas bases iluminadoras e sem muita cor, mas essa é bem leve, fácil de espalhar, a cobertura também é levinha a pele fica com um aspecto natural, achei bem sequinha.
7-Le Blanc de Chanel Sheer illuminating Base- Essa é outra que gosto bastante, ela é um pouco diferente, é branca, mas não como um hidratante, é uma textura parecida com tinta escolar branca leitosa, porém quando se aplica na pele espalha super bem, cobre , mas deixa um ar natural e transparente, fecha os poros e deixa a pele sequinha, talvez eu goste mais de bases assim ou transparentes porque é difícil achar uma qoue fique exatamente da minha cor. Segundo o modo de usar, ela pode ser usada como primer, antes da base colorida; misturada com a base colorida ou sozinha.
8-Blanc Parfait W4-L Brightening Powder Foundation SPF20 PA cor White Sugar-Givenchy-Ele é cremosinho, mas quando aplicado fica com textura de pó bem sequinho, não me adaptei muito bem, acho que não ficou muito natural , ele vem com uma esponjinha e apliquei espalhando, porém já disseram que deve ser aplicado com leves batidinhas, vou testar novamente.
9-The Makeup Pre MakeUp Cream-Shiseido- Gostei bastante, é um primer sem cor, deixa a pele mais macia, suave e iluminada, não é oleoso, mas não deixa a pele mate, fica uma pele bonita com um brilho natural, facilita bastante a aplicação dos outros produtos.
10- Diorskin Eclat Satin 102Porcelain - É uma base de cobertura média, deixa a pele iluminada, não é mate, acho que a cor é um tom acima do meu então quando uso misturo ela com outras bases transparentes ou com hidratante.
11-Base Lumiere Illuminating makeup base-Chanel- Adooro, deixa a pele macia e iluminada, um brilho perolado bem natural e levinho, uso sozinha, como primer ou misturada com outras bases, as vezes uso em cima do White Lucent da Shiseido ou sobre a Le blanc.
Tem um produto da linha da White Lucent da Shiseido para clarear sardas que uso como iluminador ou primer também ( tem foto dele em um post sobre cuidados com a pele) deixa a pele sequinha e com um brilho lindo.
Meninas, entrem na minha comunidade do Morangão:
rare & beautiful case of a well done double spread.
shot by Ji Hyuk Park
W magazine
more pics from JHP
english.chosun.com/w21data/html/news/200702/200702280033....
a friend sent me this a while back,
something from 2005 at www.wwd.com
sorry they didn't tell me the exact page it came from.
How a cover shoot happens
What does it take to produce a magazine cover? Well, start with $100,000. Considering the many expenditures involved, that’s almost a minimum budget for creating a memorable image. From the basics of a studio photo shoot to the extravagant requests celebrities often make on location, here’s a look at what’s behind those coy smiles on the newsstand.
BOOKING CELEBRITIES
In the earliest stages of planning a magazine issue, a special projects or entertainment editor will approach a potential cover subject. This initial outreach typically happens two to eight months before the shoot, though major stars are often sought out for covers more than a year in advance.
“We approached [the Olsen twins] a year and a half before the shoot,” said Allure editor in chief Linda Wells, of her May 2004 cover. “Everyone thought I was crazy at the time because they were still doing tween movies. But we pegged it to their 18th birthday, and it ended up being one of our bestsellers.”
“It depends how much competition there is over them and their project,” said Teen Vogue editor in chief Amy Astley. “For peace of mind, I like to have covers booked a little ahead.…But a lot of [celebrities] like to leave their options open now, so it’s hard.”
Once the celebrity has signed on, the star’s publicist and the magazine then haggle over various contract riders. These are additional requests made by the star and might include, but are not limited to, the type of transportation and accommodations provided by the magazine, what kind of motor home will be available if the shoot is on location, extra space for the star’s privacy, the names of hair and makeup artists the star would prefer to use, specific food requests for catering and stipulations that publicists and/or bodyguards be brought to the shoot at the magazine’s expense.
“Usually, it’s not just a diva-esque request,” Wells said diplomatically. “There might be an awkward history [with a stylist or a writer], or there’s been some violation of trust.” However, she added, “Sometimes we’ve had celebrities ask for their own hair and makeup people.…When we’ve bent the rules and acquiesced, it usually hasn’t yielded the best results.”
Since top hair and makeup people can charge upward of 10 times the standard editorial rate of $200 to $250 per day, upgrading can be an expensive request to indulge. However, when a star insists on bringing in his or her own team, the studio behind the project the celebrity is promoting will sometimes step in to defray costs.
INSPIRATION
Shortly after the cover is booked, someone from the magazine talks to the celebrity or the celebrity’s publicist about the direction of the shoot. Photographers are discussed, as are styles of clothing and locations that might be used. If the celebrity favors certain designers or has a cosmetics contract, those relationships are disclosed. Also discussed are styles and designers the star prefers not to wear, angles at which he or she prefers not to be shot and body parts he or she does not want shown. Independently, the editor in chief and art and/or photo directors will meet to discuss what they want from the cover image.
“We look to see what’s been done before, all the covers [the celebrity has] done, who’s photographed them. Are they comfortable posing in front of the camera? Are they comfortable moving their bodies?” said Laurie Kratochvil, the photo director of In Style. “We look at our last few covers. Have we done a tight headshot? Have we done a full body?….For a while, we were doing very much a head and shoulder thing, which got a little boring.” Now, celebrities appear on In Style’s mostly white backgrounds shot over the shoulder, in the “crouching starlet” pose or just sitting on the floor.
Then a photographer is booked. Most magazines have a select group they use for covers. At some titles, the photographers are on contract and are paid a flat fee for their work — anywhere from five to seven figures annually. Other companies simply have a verbal understanding with their photographers and pay them on a daily and/or per-page basis.
High-profile photographers often have a great deal of say in creating the cover image, and they also have their own sources of inspiration. Just as fashion designers consult vintage stores like What Comes Around Goes Around, and chefs frequent Bonnie Slotnick’s cookbook shop, many photographers look to Gallagher’s Fashion and Design magazine archive in Manhattan’s East Village for ideas. The influence of images past is sometimes barely perceptible. In other cases, such as in Esquire’s November 2003 cover with Britney Spears, which re-created a classic 1966 Angie Dickinson pose, the photographer makes an overt homage.
“Nothing ever dies in fashion,” said Michael Gallagher, magazine archive owner. “It just comes back around. Art directors are the worst — they copy too much sometimes. But when it works, it works. Why not re-create something beautiful and put your own spin on it?”
MODEL COVERS
Should the publication so choose — or should, say, a celebrity cancel at the last minute — a model might be booked for the cover instead. Models are reserved anywhere from a few months in advance to just days before the shoot. The going rate for editorial work is $225 a day plus 10 percent to the model’s agency — even for supermodels such as Daria Werbowy, Karolina Kurkova and Liya Kedebe, who is currently on the May cover of Vogue.
“[Editorial work] is not going to pay the same rate as selling jewelry or cosmetics [in an advertising campaign],” said Ivan Bart, senior vice president of IMG Models. “But doing covers leads to other opportunities.…In the same way that Julianne Moore does a magazine cover to promote a film, models are on covers to promote their interests, too.”
LOGISTICS
About a month before the shoot, a photo editor from the magazine reserves a studio space — usually Milk or Pier 59 in New York or SmashBox or Quixote in Los Angeles — or hires an outside producer to begin scouting and coordinating locations.
“When the editor or photographer comes to me, there’ll generally be an overall idea of where the shoot should be, what the clothes are and who the subject is,” said Victoria Brynner, an executive producer with Stardust Visions, a production company based in Los Angeles. “We’ll scout locations and post our pictures on a Web site, so that everybody — the photographer, the editor, the stylist — has a chance to take a look and decide which location is most appropriate.”
Prop stylists, hair and makeup people, a manicurist and a caterer are put on hold, as are any other extras that might be used — say, the lions that appeared with Drew Barrymore in the April Vogue cover shoot. The photo editor or independent producer also books all necessary travel arrangements, accommodations and limousine services. A few days before the shoot, call sheets are sent out to everyone who will be attending, and anyone at the magazine who might need to reach someone on set.
THE CLOTHES
Shortly after the direction is established, the fashion editor and stylist working on the story begin assembling inspiration boards of runway shots and photos. At least three weeks before the shoot, market editors begin calling in clothes and accessories for consideration. A run-through is scheduled, and more clothes are called in if necessary. Once the looks have been picked, all items are sent to the location. If the clothes have to fly, they are usually accompanied by a stylist’s assistant. Since celebrities are typically not sample size, there will often be a fitting the day before so that clothes can be altered to fit the cover subject’s frame. If that doesn’t work, often designers will offer clothes straight from the racks of their stores.
THE SHOOT
The photographer and crew are usually the first to arrive and set up. If a set needs to be built, it’s constructed.
The caterers get there to set up for breakfast and lunch.
“I think there are a lot of misconceptions about photo shoots and models and celebrities,” said Pam D’Orazio, who owns Palma in the West Village and caters many magazine shoots in New York. “People think they don’t eat dessert — they love dessert.” And some love it so much they make special requests. One star’s manager is known for calling ahead and asking for specific dessert recipes. If there are any leftovers, he’s apparently not shy about taking them home.
Hair and makeup people come in an hour or two before the celebrity, who is the last person to arrive on set. While most celebrities have cars in Los Angeles, and many have homes just blocks from the two major studios in New York, few stars offer to get themselves to and from a shoot. Notable exceptions are Julianne Moore, who has been known to walk to locations in New York, and Jennifer Aniston, who frequently drives herself to shoots in Los Angeles. (Uma Thurman, on the other hand, reportedly prefers to be chauffeured, even if it’s just a few blocks.)
If the shoot is not in New York or Los Angeles, chances are everyone has to be flown to the location. A-list celebrities, top photographers and top editors and stylists are almost always flown first class. B-list stars, assistants, hair and makeup people and publicists fly coach and must upgrade on their own. While most magazines will only make commercial flight arrangements, there have been instances where celebrities have requested and gotten private jet and helicopter flights to “save time” on a cover shoot.
LAYING OUT THE COVER
Within a week, contact sheets from the photographer arrive at the magazine. Film is picked by the art and photo departments and the editor in chief. A print order is made and the retouching and color correcting process begins, which can take up to two weeks. Most magazines and photographers use Box Studios in New York. Simultaneously, an editor in chief and other editors at the magazine generate cover lines, while the art department uses scans from the original contact sheets to mock up versions of the cover. While stars often ask for photo approval, it’s rarely ever granted. However, many celebrities and models are able to see polaroids during the shoot and can make objections if something looks off to them then.
COVER TESTING
Once the editor in chief has narrowed down the possibilities, two to five potential covers are tested, typically by an outside vendor using an e-mail survey. The vendor sends an e-mail blast to people who are asked to rate cover lines and images. Within 48 hours, the editor in chief receives the results of the test and makes his or her final decisions about which image and cover lines to use for the issue.
While some editors argue cover testing limits the creative process, its devotees say the opposite is true. Astley ended up going with a riskier cover choice for the June issue of Teen Vogue in part because of cover tests. “We had lots of different options that were all fairly conventional, with [cover subject Lindsay Lohan] just sitting there,” said Astley. “We thought here at the magazine that the image with her eyes closed was fun and different, but we didn’t know if it would work. The feedback we got [from kids through testing] just helped us follow our convictions.”
THE COVER SHIPS
Once the cover has been finalized, the image is sent to the printing plant — typically located in some far off, glamorous locale like Baraboo, Wisc., or Dyersburg, Tenn. — in an electronic file, along with a color proof. Depending on the magazine, someone from production may go with the magazine to the plant. It takes roughly two weeks to print and bind the issue. Within seven days after the issue is bound, magazines arrive on newsstands and in subscribers’ mailboxes. And then, of course, the process begins all over again.
Encontrei um site com a descrição da maquiagem usada por Edward e Bella em Twilight: www.beautyfool.net/makeup-used-in-twilight-kristen-stewar...
Para quem quer ficar com um look vampira, aqui os produtos usados:
Bella Swan/Kristen Stewart
Skin:
* Shiseido Ultimate Sun Protection Cream SPF 55P+++
* SK-II Air Touch Foundation in OP-3
* M.A.C. Blot Powder/Pressed in Light
* Visiora Compact Powder in PC 103 as blush
Eyes:
* M.A.C. Eye Shadow in Blanc Type,
* M.A.C. Eye Shadow in Flute (Flute was a limited edition color and is no longer available; Girlie is an equivalent)
* M.A.C. Eye Shadow in Wedge
* Smashbox Limitless Lash Mascara in black waterproof
Lips:
* Smashbox Lip & Lid Primer
* Benefit Silky Finish Lipstick in Good to Go (a plum/brown color)
Edward Cullen/Robert Pattinson
Skin:
* Shiseido Ultimate Sun Protection Cream SPF 55P+++
* SK-II Air Touch Foundation in OP-1
* M.A.C. Blot Powder/Pressed in Light
Lips:
* Benefit Silky Finish Lipstick in Ms. Behavin (a mulberry color)
* Noriko Cranberry Lip Balm
EDITANDO:
Video com a make da Bella ( Thank you, Marcelinha ) :