View allAll Photos Tagged slowspeed

Karang beach, Sanur, Bali - Indonesia

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Fujifilm X-T1

Samyang 12mm f/2.0 NCS CS @f/8

Lee 0.6 hard GND

Haida ND1000

Location : Ijen, Indonesia

 

Photo by Ali Trisno Pranoto © 2014 All Rights Reserved. www.popsick.com All my images are under © All Rights Reserved and should not be use in any other way. Please don't use this image on websites, blogs or other media without my explicit permission.

Filters: Hitech GND 0.9 Hard

 

Post Processing : Adobe PCS3

 

Location: Kemala Beach, Balikpapan.

 

Thanks for viewing, have a nice weekend guys..

Great Smoky Mountains

Nikon D800, at 35mm, 1sec, f/16, ISO 100. Stitched of 2 frames.

Mertasari Beach, Sanur, Bali - Indonesia.

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Fujifilm X-T1

Samyang 12mm f/2.0 NCS CS @f/5.6

Haida ND1000

Lee 0.3 Hard Graduated ND Filter

Photo by Endar Tri Prakoso © 2010 All Rights Reserved.

Please don't use this image on websites, blogs or other media without my explicit permission.

Pinhole photograph with self-designed pinhole camera.

Paper negative on silver-bromide paper.

my web

Lens: EF-S10-22mm f/3.5-4.5 USM

Filters: Lee Tobacco Soft

 

Location: Dreamland Beach, Bali, Indonesia

 

Thanks for viewing, have a nice days..

my son Anirudh sat still for 12 seconds, while i was painting this star with my mobile torch light.

Réf. : DSC05494

 

Bougé en vitesse lente

 

Move in slow speed

Asahi Pentax K (Tower 29)

 

The missing link in my collection has been fixed by the addition of the best looking Asahi Pentax camera , in my humble opinion anyway! ;-)

 

I especially like the "Zebra-lens" that was standard on this model and was a copy of the look used by the German producers in the late 1950's.

 

Background info

The Asahi Pentax K was released in May 1958, just one month after the introduction of the Asahi Pentax S. It was most likely not intended as a replacement of the Asahi Pentax S, but more as a higher end model with additional features. Both cameras were sold simultaneous with slight price differences. The “K” was sold for just over one year.

 

The Pentax website (www.pentaximaging.com) mentions the following: 1958: The Pentax K with semi-automatic diaphragm and micro-prism viewfinder is introduced. The model name uses the letter “K” for “King” as in “King of the SLRs”.

 

The camera's standard lens is the Auto-Takumar 55mm f/1.8 lens with a “zebra”-style focussing ring and chrome finished diaphragm ring. The lens is semi-automatic, meaning that the diaphragm had to be set manually before every exposure. For its time, this was one of the fastest SLR lenses available in the market.

  

Technical details:

Canon 1D-Mark III

Canon EF 100mm Macro f/2.8 USM

Filter: non

Exposure: 4 sec.

Diaphram: f/ 25

ISO: 100

Focal length: 100 mm (APS-H sensor)

Sharpening in PSE 6

 

2010

 

© text & photos Dutch.Dennis

Hasselblad 500 c/m

Zeiss Planar 80mm f2.8

Kodak Gold 200

Canoscan9000f

 

Gloomy weather in Kyōto

Melasti Beach, Tabanan, Bali - Indonesia

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Fujifilm X-T1

Samyang NCS CS 12mm @f/5.6

Haida ND1000 filter

Lee 0.9 hard graduated ND filter

Taken at slow speed with an orange sunset sky reflecting on the wet golden sand..... Looks like melted chocolate :)

Pirin, Bulgaria, Pentax ME Super, Chinon Lens, Damaged ROllei RPX100

Tanjung Papuma Beach

Jember - East Java

Indonesia

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Nikon D810

Nikon 16-35mm

Lee 0.9 Hard GND

Haida ND1000

Lady in red with fan and wind. Model: Julia Rock ( Washington DC modeling rising Star ). Slow motion.

Nikon D60+ Hasselblad Carl Zeiss Planar T* 80mm f2,8 .

Tomada en Aguasdulces el pasado día 25 con polarizador, ND8 y degradado inverso.

 

© Andoni Lamborena

06/06/2013 with FNT, SJP and Qu

Waterfront, Portland, OR.

 

I just wanted to post this one picture quickly to let you all know that Spring has come to Portland! What a fabulous show. The cherry blossoms are in full bloom. I never thought that photographing cherry blossoms at night would be something interesting. When I took these pictures last night, they were rather yellow. I tried at first adjusting the white balance while shooting but that did not help much. I was able to find a perfect white balance in Adobe Camera Raw that made this final image just the way I wanted it. This place was heavily illuminated by sodium vapor lamps, so when I corrected for the yellow light, darker areas of the image turned metallic blue. I guess I can’t call this as a true blue hour photograph. Supposedly, cities these days are using broad spectrum sodium lamps to avoid excessive (yellow) light pollution! I also liked the light trail left behind by a passing bicycle. Cherry blossoms around the Portland waterfront have become extremely popular these days. At night, however, this area in particular has also become tough to manage. When we were there, we needed to be aware of the surroundings and it was not a comforting feeling.

 

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