View allAll Photos Tagged simpson
The Simposon movie is coming soon.
You can see the big and funny Simpson family sculptures in the some theaters.
it's quite an interesting and attracting marketing idea.
haha..i also became part of simpson family.
SM16SON Neoplan Tourliner. Simpson's Coach Holidays
,Rosehearty,Fraserburgh
Aberdeenshire.
In Skegness.
Sorry I couldn't find the name of the brass player - she was superb and added a lovely finishing touch to the music. If anyone knows her name please let me know ...
Update: Andrew messaged me - Rachel Simpson.
Release: 2015
More information and pics up: THE BRICK TIME
Need mini figures for your project? Visit our BrickLink-Shop: THE BRICK TIME - Store
Simpson Railroad turntable in October of 2016, 16 months after the railroad discontinued service and Sierra Pacific Industries took over the mill property. The Peninsular Railway & LM group was able to save it from the scrapper's torch and removed it to storage off site Feb. 22, 2018.
As every year: Gelukkig kerstfeest! Frohe Weihnachten! ¡Feliz Navidad! Joyeux Noël! Buon Natale! Sretan Božić! Καλά Χριστούγεννα! Boldog karácsonyt! Gleðileg jól! Nollaig Shona! Priecīgus Ziemassvētkus! Linksmų Kalėdų! Среќен Божиќ God jul! Wesołych Świąt! Feliz Natal! Crăciun fericit! С Рождеством Срећан Божић veselé Vianoce! Vesel božič! God Jul! Nadolig Llawen! Gëzuar Krishtlindjet! Eguberri! Merry Christmas!
French postcard by S.I.P., no. 2500. Photo: Reutlinger, Paris. Sent by mail in 1909.
Miss Campton, aka Emily Campton or Aimée Campton (1882-1930), was a British-born French stage and screen actress between c. 1900 and 1930.
In her obituary, the Singapore Free Press and Mercantile Advertiser wrote: “Miss Campton, a cockney originally came to Paris as a member of one of the first Tiller troupes to visit Paris. She had personality and an accent which sent audiences at the Folies Bergere into fits of laughter. […] It was the success of Miss Campton which made Mlle Tanguy change her name to Miss Tanguy, afterwards corrupted into Mistinguett. Miss Campton married a French comedian who has played in London [Prince], but she was divorced. A few years ago she married M. Paul Derval, the manager of the Folies Bergere, where she had made her first appearance.”
Miss Campton, aka Aimée Campton and Emilie Campton, was born on 6 April 1882 as Emily Straham Cager in Brighton, UK. Her mother was Emily Cager of Brighton, her father was unknown, according to the birth act in Brighton. She was a little British blonde with a tiny snub nose who enchanted French audiences with her gaiety and her foreign accent. In the first decade of the early 20th century, Miss Campton was a big vaudeville star at the Folies-Bergère, run at the time by the brothers Emile and Vincent Isola. On 20 December 1900, Campton married the then-popular vaudeville artist Charles Prince, originally Charles Ernest René Petitdemange, who was also a star of the Folies Bergère in the early 1900s. They had one daughter, Renée (1901-1993), but must have divorced not too long after (probably one year after), while Prince remarried in 1914. Miss Campton was a fashion icon in ladies’ magazines of the Belle Epoque and was photographed as a vaudeville star by Valery, Sazerac, Cautin & Berger, Reutlinger, and Stebbing (with her name sometimes misspelt Miss Compton. She was also known to play cross-dressing parts as in the revue 'Entente Cordiale' (1905) by Flers, in which she played a British Lord opposite Mlle Marville as Madame de France, performed at the Theatre des Capucines. In 1904-1907, she performed at the Moulin Rouge, in 1904 in the revue 'La Revue du Moulin' by Oudot & Branger, with music by Goublier, in 1907 in the operetta 'Le Toreador'. In 1906, she contributed to 'Une Revue au Palais-Royal', a revue exceptionally staged at the fancy prose theatre. In 1907, Campton also acted in the comedy 'Souper d’Adieu' at the Theatre des Capucines. In 1907-1910 (and perhaps earlier on already) she performed in the yearly Folies Bergère revue by Flers, together with a.o. Marville and Louis Maurel. With Maurel, she sang 'Entrevue de Marienbad' at the Folies Bergère, which was recorded as well and betrays her typical British accent while singing in French. Around 1908, she appeared in the revue 'Pomme d’amour' (music by P. Doubis), singing songs like 'Déjà!', 'Elle a tout pour elle', 'L’arithmétique', 'Aventure américaine', and 'Oh, my baby!'. Campton performed around 1911 at the Theatre des Ambassadeurs, and in 1911-1913 at the Cigale in 'La revue sans culotte' (1911), the comedy 'Miss Alice des P.T.T.' by Tristan Bernard (1912-1913) and in 'En scene… mon president' by H. Delorme (1913), both with Claudius as her male partner. In 1913, she performed in revues at the Théâtre Marigny, including one by André Barre and Michel Carré. Miss Campton probably liked a gag, because the magazine Gil Blas announced in February 1913 on the cover page, she might do a boxing match against boxing champion Georges Charpentier.
Between 1912 and 1915, and under the name of Aimée Campton, Campton had her own comedy series at the company Eclipse with the character 'Maud’. They were all directed by René Hervil, and with Gabriel de Gravone or Hervil himself as her male partner. Eclipse had started in 1906 but really boomed in 1908, with its early Westerns with Joë Hammann, the Artheme comic series (1911-1916) starring Ernest Servaes, and the weekly newsreel Eclipse journal. Servaes continued his success in the early 1910s with his Artheme Dupin slapstick series, and also directed the Polycarpe comics (1912-1916). As of 1912, Hervil was hired, a former actor at the Lux company, who directed the Maud series (1913-1914), plus the Fred (1914-1916) series; in the latter, he played the title character as well. Unfortunately, only a few of the hundreds of films produced by Eclipse survive, but one is Les charmes de Maud/Le charme de Maud (1913), which is present in the Desmet Collection of the EYE Filmmuseum in Amsterdam. In Le charme de Maud, it’s all about the harassment of attractive young female office workers. Typist Maud Simpson is too beautiful, so men harass her at work, even her boss, who argues with her and eventually fires her. At job interviews, men continue to bother her, so before starting a job at Vinnay & Co., she changes her physique into ugly and spinster-like, so men stop bothering her. Some days after, the real Maud meets Jack Vinnay, the owner’s son, and they fall in love. The next day, Maud goes to work without the makeover, and all colleagues, including Jack’s father, are flabbergasted. Jack’s father approves of the love between Jack and Maud.
During the First World War, Campton continued her stage career, a.o. At the Theatre des Capucines, where she played in 1915 in 'La Revue En Franchise', written by Berthez, Delorme, and C.A. Carpentier (not the boxer), in which she imitated Charlie Chaplin and played a Normandy woman who teaches British soldiers to speak French. Two years later, she did 'Ou Campe-t-on?' (1917) at the Theatre des Capucines. The title of the revue was a clear pun on the name of the leading lady of the show. The satirical magazine Le Strapontin wrote: “Le Strapontin malgré sa restriction habituelle d’éloges vous conseille sans hésiter d’aller “camper” aux Capucines; vous y passerez deux heures charmantes.” [Despite its usual restraint from praise, The Strapontin advises you to go and ‘camp’ at the Capucines; you’ll pass two charming hours there]. During the war, Campton also contributed to charity parties within the theatre world. In 1916, for instance, she did a parody on Les Mystères de New York, together with Victor Boucher, at the Théâtre de Châtelet. After the war, Campton’s career was less intense. In 1921, Campton had a supporting part in the revue 'Ça va?' by Rip and Gignoux, staged at the Théâtre de Paris. The leading actors were George and Pauley. In 1922, Campton was critically unsuccessful in the revue 'Va l’dire à… Gênes!' by Max Eddy at La Cigale, in which she had the lead. Georges Schmitt in La Rampe thought her poor French was now an obstacle, while a decade ago, audiences and the press found this one of her assets. She also performed in 1923 in Sacha Guitry’s 'Blanc et Noir', staged at the Variétés, and even if her role was praised, the leads were for Jane Marnac and Raimu. In the same year, she had a supporting part in 'Un Jour de Folie', by André Birabeau, again at the Variétés, and again with Marnac and Raimu. By now, Campton had become a society lady and the friend (most obituaries said the husband) of Paul Derval (1880-1966), the owner of the Folies Bergère from 1918 on. Emily/Aimée Campton lived in Paris at 7, rue Albert de Neuville. She died of cancer on 21 November 1930 in Paris and lies buried at the cemetery of Montmartre, in the tomb of Paul Derval. Sources disagree whether she was his cousin, his wife, or his girlfriend. In 1931, the jewels and furs of Miss Campton were auctioned at Drouot by actor Henri Baudin. Visitors crammed the small auction room and paid high prices for her rings and, in particular, for her string of 95 pearls, while Sacha Guitry bought a fur coat.
Sources: Gallica (including La Rampe, Le Figaro, Le Strapontin, Gil Blas, etc.), Richard Abel (The Ciné Goes to Town), Camptonandchicksands, Wikipedia (French), and IMDb. A particular thanks to Adrien Vernardin, Le musée du music-hall.
And, please check out our blog European Film Star Postcards.
Dual meet between San Francisco State Gators and Simpson University Red Hawks.
Held at the "Swamp" on Friday 25th January 2019.
165lb Justin Hansz v Noah Marquez Simpson by fall
125lb Brandon Vu v Sergio Montoya SF State, TF 17-1
133lb Jordan Gurrola - SF State by forfeit
141lb Christian Ramos v Armand Molina Simpson, TF 17-1
149lb Adrian Marrufo - Simpson by forfeit
157lb Mason Boutain - SF State by forfeit
165lb Justin Hansz v Noah Marquez Simpson by fall
174lb Kurtis Clem v Rodney Kincaid SF State by fall
184lb Justin Pichedwatana v Bryce DeCamargo Simpson, 8-4
197lb Jacob Gonsalves - Simpson by forfeit
HWT Kevin Henry v Chris Borba SF State, 7-1
SF State, win by criteria (29-27)
Simpsons, the (40 Watt, Kingpins, 5/.25) – **
A decent, basic machine: bumpers, targets, a couple ramps, and some Simpsons dialogue (for which the volume is unfortunately set too low). The tasks set before you are challenging but not terribly varied, and the outlanes are cruelly open to the somewhat bouncy-feeling ball. I’d love to see someone get ahold of the more recent “Simpsons Pinball Party” table, which looks to be both more fun and less beholden to the “Crappy Licensed Product From Early Simpsons Mania” phenomenon. Note: The 40 Watt’s table is (surprise!) out of order, but Kingpins’s runs fine.
Dual meet between San Francisco State Gators and Simpson University Red Hawks.
Held at the "Swamp" on Friday 25th January 2019.
184lb Justin Pichedwatana v Bryce DeCamargo Simpson, 8-4
125lb Brandon Vu v Sergio Montoya SF State, TF 17-1
133lb Jordan Gurrola - SF State by forfeit
141lb Christian Ramos v Armand Molina Simpson, TF 17-1
149lb Adrian Marrufo - Simpson by forfeit
157lb Mason Boutain - SF State by forfeit
165lb Justin Hansz v Noah Marquez Simpson by fall
174lb Kurtis Clem v Rodney Kincaid SF State by fall
184lb Justin Pichedwatana v Bryce DeCamargo Simpson, 8-4
197lb Jacob Gonsalves - Simpson by forfeit
HWT Kevin Henry v Chris Borba SF State, 7-1
SF State, win by criteria (29-27)
Simpson's Full English-
"Cumberland Sausage, Bacon, Black or White Pudding, Egg (Fried, Scrambled or Poached) Mushrooms, Tomato, Baked Beans, Non - Stop White or Brown Toast, Complimentary Filter Coffee or English Breakfast Tea." £9.50