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Setup shot for Ashley Young. I had to do the same for all 4 footballers, but you get the general idea. Notes should explain everything.
As a general rule, I wouldn't advise you to let footballers kick balls around at full tilt when indoors. Things can get knocked over. I have seen it happen.
Blog: www.photosmudger.com/
Nikon d40
Sigma 30mm f/1.4
18-55mm
55-200mm
SB600
Radio triggers
Yashica Electro 35 GSN
This will be growing near christmas time with 5 rolls of portra 160NC, 2 impact lightstands, 2 impact umbrella mounts, and a vivitar 285HV
plus i have some money to spend so another 285, 2 hotshoe to pc adapters, 2 more sets of triggers, and 2 impact double sided umbrellas
Setup shot for Alan Brogan, Jermain Defoe, Ashley Young, and Roman Pavlychenko. Notes should explain everything. All the lights are so far apart because of having to allow for their run up when they went sprinting past the camera.
Blog: www.photosmudger.com/
Hard steel setup.
Foreground one proxxon tabel TK70 X-Y axis with extra DIY 2 rotary axis in order to position the object.
Background one extra proxxon TK70 X-Y table with extra a DIY Z axis to hold to object, background color can be used but not actieve into this picture setup.
More right the foreground led module 80W peak., the Mitutoyo M plan APO 10X lens monted on the nikkor AF-S 70-200G-ED lens as tube lens.
All mounted on the the lineaire stage module range 250mm at 1 um resolution for a full step on the stepper motor.
Picture take with this setup:
2D version:
www.flickr.com/photos/fotoopa_hs/16857585076/
3D version:
www.flickr.com/photos/fotoopa_hs/16882296662/
Info: Lens center height 42.5 mm, important if you want to support the lens.
From photoclub photo session. Small studio. Lots of gear & photographers = controlled chaos. Got some frames with somebody's leg or head in the picture :) Good times.
setup for this shot.
DISCLAIMER: That is not the arm pit of Mer, it was Photoshop, and yes she was sitting next to me when I did it, no she wasn't mad, and yes we did have a good laugh about it...hahahaha
The setup for a 'practice photoshoot' at IT Mill - the plan is to photo the whole staff at some point, but the plan is progressing slowly. This time we tried a dark theme. And since it was a 'practice' session, we didn't bother to iron the backdrop. Mental note to self: always iron the backdrop ;-)
Strobist info:
Flash 3 was as pictured above for 'Jukka' -photos, and bounced of a white sheet of paper on the laptop screen for the 'Sami' -photos.
For the IT Mill Photogs group.
A familiar setup for subjects on a black glass/acrylic base, acrylic here as the amount of dust will indicate.
Main difference to my usual setup, is the addition of a white reflector above. This is a cheap white memo board which sometimes gets hung on the wall for scribbling notes on. Often described as a dry wipe board, which uses pens with water based inks that will just wipe off with a dry cloth.
This is just resting on top of a pair of tracing paper screens, through which the Neewer SF-01 mini slave flashes are fired. Both activated by Blazzeo SLT-4 radio triggers mounted on mini tripods. The flashes are shielded from the black backdrop which is approx 12inches/300mm behind by a couple of sheets of black card attached to the screens with clothes pegs.
Simple but effective :)
The finished image is shown below:
Setup primarily to test the mounting of a Pringles tube lamp on a tripod, using a flash cold shoe and a couple of rubber bands. More details shown in comment below.
Inside the tube is an 11watt spiral CFL lamp and the tube is also lined inside with black paper to give a smaller pool of light.
On the opposite side, a simple reflector made from an A4 size sheet of white card folded in half to a V shape so it would stand up.
The base here is a sheet of clear acrylic with the underside painted black to create a black mirror.
The table below and a board behind are also covered in black paper to complete the dark environment.
This is a minifigures scale version of our Lego setup. Hope you like it and thanks for 100 followers.
Strobist info :
SB900 in softbox on right @ 1/4
SB900 in softbox on left @ 1/2
Triggered via PocketWizard II
23" ACD, bluetooth all connected to 3.0GHz Quad-Core Mac Pro with 4GB RAM.
I wrote up a review of my setup if you want to read all about it.
The Stormies wait around while I do a setup shot.
Exposure: 0.02 sec (1/50)
Aperture: f/22.0
Focal Length: 61 mm
ISO Speed: 100
Shot in Raw and processed using Lightroom
Re-edited and Re-posted - 29/09/11
Setup shot for 023/365 Danger Zone.
Strobist Info: Canon 430EXII camera left and about 3 feet high fired into shoot through umbrella about 4 feet away from subject, Canon 430EXII camera right and on back side of subject about 6 feet high and 9 feet rear of subject fired bare/no diffuser, Canon 430EXII camera right about 6 feet high fired into reflective black back umbrella about 8 feet away from subject . Flashes were triggered with Interfit Strobies.
Often many people don't see lighting in photgraphy as they should, many think that is the act of throwing light to the subject, lighting should be thought as part of a concept tied with the plan of thinking in a way of emphasizing your subject and putting relevance to the features you want to give relevance, it is a plan not a dronish mechanic action where you blast light to the subject.
Here you have my beautiful friend Susy in a very simple setup:
Key: A 200ws monolight modified with an umbrella softbox.
Fill: Jumbo sized reflector (silver side used).
Background: a SB-800 in SU-4 mode.
The setup helps to cheer the mood up contrary to a low key setup, it helps to emphasize her eyes, and it makes things a lil bit dynamic without falling into flat lighting territory.
Lighting shouldn't be the same in every setup you do nor you should use the same lighting mindlessly with every subject, that's not a style :P... that's called being lazy ;)... Mr Ogalthorpe has an awesome Blog entry about it here: ogalthorpe.blogspot.com/2009/05/its-all-subjective-if-you... (NSFW) :)
Todos los derechos reservados ©2010
Modelos desfilando las creaciones de los graduados en Diseño del instituto Discenters en Cali, Colombia.
Setup strobist:
Canon xti, 18-55 y 90-300
Vivitar 285HV a 1/2 potencia, en trìpode y sombrilla blanca traslúcida disparado por radio trigger como luz de relleno. Vivitar 2800 modo manual con gobo, en trÃpode atrás como luz de recorte, disparado por fotocelda.
Editado con photoshop cs4
Filtros y acciones varias para el color.
Lighting Setup en:
read about it here! photogwc.blogspot.com/2011/05/behind-scenessimple-dramati...
final shot: www.flickr.com/photos/fjgphoto/5695934328/in/photostream
Model: Alissa Laderer
MUA: Danielle Klatsky
Assistant: Franklin Abreu
guy with camera
Strobist setup shot for this picture.
Strobist info:
SB800 @ 1/32, 105mm, DIY snoot, shot on the bottom of the Powerade through a sheet of frosted glass.
SB25 @ 1/64, 24mm, shooting into a partly collapsed umbrella, pointing at the Powerade
Triggered with Skyports and 5s self-timer
Camera info:
Nikon D700
Nikon 50f/1.4
f/4.5
1/200
ISO 200
WB - Flash
Ok so I don't have any lights set up or anything. I just clamped this shower curtain to a beam in my basement. There isn't much room for lights here. But this is a great temp area to work. Setup shot for:
http://farm3.static.flickr.com/2394/2089882732_9ebf0b294f_m.jpg
Marina Lighting Setup. Result can be see in 1. Marina 1, 2. Mary Poppins, 3. Marina 2 and 4. Naughty Marina.
Image can be downloaded here.
Learn to light at Strobist.
Use this to share your lighting setup or to document your setup for future reference. Email me at kevin@kertzdesign for comments and/or suggestions. Not for commercial use.