View allAll Photos Tagged sequator
Another of my images from the evening at Booley bay (I took 17 compositions, so there may be more!). 6 x 30-second exposures with a Canon EOS 5D MkIII and Samyang 14mm at f/5.6 and ISO 12800; Frames stacked in Sequator and post-processed in CyberLink PhotoDirector.
Whytecliff Park, West Vancouver, British Columbia, Canada.
11 sky images were stacked in Sequator 1.5.5, each was taken with Sigma 35mm f/1.4 Art, f1.4, 13s, iso-400. And then stacked in Photoshop with the forground image (f5, 183s, iso-400).
Copyright © AwesomeFoto Photography. All rights reserved. Please do not use it without my permission.
You are welcome to visit my iStockPhoto or shutterstock. com/g/jameschen (remove space) to buy it.
If you find yourself driving along the Blue Ridge Parkway in Virginia, be sure to check out the view from the Ravens Roost Overlook (mile post 10.7). If you happen to be passing by on a clear summer night- bring a camera for the Milky Way!
Here's a photo from a quick outing last night to take advantage of the clear skies left behind following the passing of the remnants of Hurricane Ida. I hope you enjoy!
Specs: 1x non-tracked blue hour photo for landscape blended with a stack of 18x60" sky shots at ISO800. Canon EOS 6D, Rokinon 24mm at F/2.8. Stacked in Sequator, processed and layered in Photoshop and finished in Lightroom.
Looking up at the Milky Way after midnight yesterday morning at the entrance to the Pine Flatwood Trail in the Merritt Island National Wildlife Refuge. While light pollution is very low there, it is not too far from the mainland, and thus that explains the bright effect on the horizon. I cleaned up the image by stacking twenty 25-second exposures, which were at an ISO of 10000, in Sequator. The structure in the center is an information kiosk and I lit it with a blue flashlight, thus giving it that look.
Taken in Garry Point Park, Richmond, British Columbia, Canada.
This was another test. It was stacked in Sequator 1.5.5 from 12 images, each was taken with Rokinon 14mm f/2.8, f2.8, 36s, iso-640. And then stacked in Photoshop with the forground image: f4, 97s, iso-640.
Copyright © AwesomeFoto Photography. All rights reserved. Please do not use it without my permission.
You are welcome to visit my iStockPhoto or shutterstock. com/g/jameschen (remove space) to buy it.
Taken from Garry Point Park, Richmond, British Columbia, Canada.
23 sky images were stacked in Sequator 1.6.0, each was taken with Sigma 14-24mm f/2.8, f2.8, 20s, iso-500. And then stacked in Photoshop with a forground image (f2.8, 30s, iso-500).
Copyright © AwesomeFoto Photography. All rights reserved. Please do not use it without my permission.
You are welcome to visit my iStockPhoto or shutterstock. com/g/jameschen (remove space) to buy it.
Complete revision of this using PixInsight to stack the frames and apply drizzle. Took about 6 hours to complete the satck and 3 hours of processing.
apod.nasa.gov/apod/ap180216.html
Technical card
Imaging telescope or lens: Nikon 55mm Micro lens manual focus
Imaging camera: Nikon D5300
Mount: IOptron Skytracker v2
Software: PixInsight 1.8 Ripley PixInsight, Adobe Lightroom CC, ProDigital Software Astronomy Tools Actions Set, Sequator global Sequator 1.4a, Photoshop CC 2017
Resolution: 5736x3830
Dates: Jan. 13, 2018
Frames: 105x120" ISO800
Integration: 3.5 hours
Darks: ~20
Avg. Moon age: 26.32 days
Avg. Moon phase: 11.22%
Bortle Dark-Sky Scale: 4.00
Astrometry.net job: 1889350
Locations: Limington, Maine, United States
The start of my early shots with the tracker where of Carina @ 15 seconds ISO 5000 now 40 seconds ISO 2500. 56 shots and matching set of back files. One of the easily viable Nebula's in the Southern Hemisphere. Stacked in Sequator Light room edit.
Saw it was going to be a clear night at Pettigrew State Park. Grabbed my gear and drove down to the boat ramp to see what I could photograph. It was a windy night, but not too bad. I set up behind some small trees to block the wind. 15 shots for the sky, stacked on Sequator, and 5 shots, light painted for the foreground, blended in Photoshop. Final composite blended in Photoshop.
Camera: Nikon Z6
Lens: Nikkor Z 20mm f/1.8 S
Sky:
15 x (20mm @ f/2.8, 15 sec, ISO 6400)
Foreground:
5 x (20mm @ f/5.6, 10 sec, ISO 800)
The Orion constellation and the faint part of the Milky Way at the tail end of astronomical twilight over the coast of Maine last night. It felt good to be back out under the stars, even if it was windy as heck with the windchill in probably the low teens or single digits.
In person the sky of course looks much less detailed, but the bright Orion constellation really stands out, so I teased out the stars of Orion during editing to make them more prominent.
Nikon Z6 with NIKKOR Z 14-24mm f/2.8 S lens @ 14mm, f/2.8 for all shots, taken in the same place on the same night without moving the camera.
Sky: Star stack of 20 exposures each at 8 sec and ISO 6400, stacked in Starry Landscape Stacker for low noise (Mac only, Sequator can do this on Windows).
Foreground: Single shot at 5 minutes and ISO 1600.
Final blend and edits in Photoshop.
Visit my website to learn more about my photos and video tutorials: www.adamwoodworth.com
Essai de retraitements avec Luminar et Sequator.
sur cette image (ici traitée avec lightroom 6.14):
www.flickr.com/photos/basses-lumieres/43772915791/in/date...
luminar:
sequator:
sites.google.com/site/sequatorglobal/home
sony alpha 7s, cumul de 6 poses de 15s à 2000iso
et samyang 24mm f1.4
Here's another comet shot to fill your feeds 😆. I had to make one more attempt at C/2020 F3 NEOWISE before it really starts to fade and depart for the outer reaches of our solar system. Here's NEOWISE from #shenandoahnationalpark on the morning of July 12th.
I was thrilled that I was able to capture both the bright dust tail and dimmer ion tail (bluish) with longer exposures and more shots from some dark skies. This shot was captured from the top of Blackrock Summit in Shenandoah NP looking to the east , with the light dome of Harrisonburg, VA lighting up the lower left corner of the shot.
The last comet I observed with the naked eye was Hyakutake in 1996 with my Dad so NEOWISE has been a nice and reminiscent surprise.I hope you enjoy the shot and get a chance to see this beautiful comet before it dims as it won't return for almost 7,000 years!
Specs: 25x30" tracked sky shots, 30 darks, 30 flats. Merged with 60 second nontracked foreground shot. Canon 6D, Samyang 135mm @F2.8, ISO800 for all shots. Stacked in Sequator, processed in Photoshop and lightroom, gradient removal in Startools.
#skypixphoto #comet #neowise #astronomy #astrophotography #milkyway #milkywaychasers #shenandoahnationalpark #virginia #ayennicole #universetoday #nightimages #night_shooterz #nightsky #lookup #longexposure #canon #ioptron #samyang #toplongexposure #space #astronomypicturesdaily #sky
This is the result of my first attempt at photographing the milky way. For the sky, I stacked eight exposures (ISO 6400, 20sec) with the free software Sequator. For the foreground, I used a single exposure (ISO 320, 120sec), which was blended into the main image utilizing Gimp.
A beautiful night along the coast of Maine. The tree tops in the foreground are being lit up by nearby West Quoddy Head Lighthouse.
Nikon Z 7, Mount Adapter FTZ, NIKKOR 14-24mm f/2.8 lens @ 18mm, f/2.8 for all shots.
Sky: Star stack of 20 exposures, each at 10 seconds, ISO 6400. Stacked in the new version of Starry Landscape Stacker that supports raw files (update should be available in the Mac App Store). Processing raw files in SLS makes the workflow a bit easier, and also gets around the fact that you cannot disable built-in lens profile corrections in Lightroom Classic, which cause major problems on dark images with warping artifacts. If you’re on Windows you can use Sequator for star stacking landscapes at night, which also supports raw files.
Foreground: Single 10 minute exposure at ISO 1600. I processed the raw file for the foreground in Capture One Pro, which allows me to disable the built-in lens profile corrections, and it has a “Single Pixel” slider that makes removing hot pixels a breeze. I did not use in-camera LENR (long exposure noise reduction), knowing that I was going to process the foreground in Capture One anyways. This saves a lot of time when out shooting, and I can move onto other compositions without having to wait for LENR to complete.
The star stacked sky result from Starry Landscape Stacker and the processed file from Capture One were blended in Photoshop, with additional edits, to create the final image with detail and low noise in the foreground and sky.
Lightroom Classic version 9.4 has just been released and Adobe has finally fixed the built-in lens profile issue for camera models new to version 9.4 and all future versions, allowing you to disable them entirely…but not for currently supported cameras, which seems really strange. I hope they fix that in a future release.
Visit my website to learn more about my photos and video tutorials: www.adamwoodworth.com
Réou d'Arsine in Parc des Écrins (2,240m) French Alps under a moonless starry night.
18 x 20 " stacked with Sequator (separate stacking for ground and sky)
While shooting the star trial photo I posted yesterday, I was light painting this photo. It was a lot of work to remove all of the flash light beams from the star trail photos. Managed to catch a little of the Milky Way over the top of the lighthouse. 15 background images stacked in Sequator, 5 light painted foreground images blended with the background in Photoshop.
Camera: Nikon Z6
Lens: Nikkor Z 24-70mm f/4 S
15 x Background (24mm @ f/4, 13 sec, ISO 6400)
5 x Foreground (24mm @ f/6.3, 120 sec, ISO 1000)
The Milky Way rising straight up behind a lone tree at White Pocket in the Vermilion Cliffs National Monument of Northern Arizona.
I was with a photo workshop at this location and got to this spot before everyone else, so I took these series of shots before the lead photographers set up the light stands to light up the foreground, which is good and bad. I like how the darker foreground really makes the Milky Way shine, but I only had enough time for one 2 min exposure of the foreground before the lights were set up and changed the shot. Overall I love this location, the sky is super dark and really allows the Milky Way to pop.
12 shots at 16mm, ISO 12800, F2.8, and 15 seconds stacked in Sequator blended with one shot for the foreground at 16mm, ISO 3200, F2.8, and 122 seconds.
3 stack image of the Flame & Horsehead nebulae taken on a tracking mount using a 300mm lens. The image was taken at Lake Clifton about an hour south of Perth in Western Australia.
Rising Milky Way in the spring of 2018, also showing the planets Mars, Saturn and Jupiter. The three Alpine mountains in the foreground are Kreuzmauer, Scheiblingstein and Pyhrgas (from left), all around 2100 meters high.
This is my first try of a software called "Sequator", which is very usefull in stacking TWAN skyscapes. The resulting image combines 14 frames of 20 seconds each.
Saturday morning 6/29/2019; my 4th location on this all nighter. This view is actually from what used to be the backyard; it may be a little hard to see, but there is the (somewhat collapsed) remains of a swing set right behind the house. I believe the small concrete building to the left may have been a storm shelter and the tank next to it was for fuel.
Shot with my Fuji X-T2 and Samyang 8mm f/2.8 fisheye; (5) 15 second shots + (2) dark frames @ f/2.8, ISO 6400, 3800K WB; a single LED panel was used for LLL.
Stacked in Sequator, fisheye correction with Imadio Fisheye Hemi and DxO Viewpoint, final edits in Adobe Photoshop using a few Topaz plugins.
40s, f3.5, ISO 2000, 14mm
First time stacked in Sequator
Olympus E-M10 Mark III
Olympus M.ZUIKO 14-42mm II R
Scenic Rim Serenity. SE Qld Australia.
Had a little Astro fun tonight for a couple hours out rural! 😁
Short trip but managed to get a few good shots. The wind and overgrown grass was really against us this trip but we couldnt have asked for a better sky. :)
Nikon D810 + 20mm f1.8G.
Sky: 20 x ISO 6400, 15 sec, f2.8.
Stacked in Sequator.
Foreground 6 x ISO 500, 15 sec, f5.6.
Blended in Photoshop
NGC 3576 Statue of Liberty Nebula shot from my backyard on 30/12/21. This is one Nebula I have been extremly keen to try to capture . Finally it is in a good location from my yard and had some good clear sky last night. Canon 60d with optlong L enhance filter on a Skywatcher Quattro F4 250P telescope. 25 x 120 sec exposures stacked in sequator.
This morning’s Milky Way. Conditions were sub-optimal, Moon had just set, lots of light pollution, and the area was a class 5 bortle. I managed to coax this photo out of a stack of 5 images processed in Sequator, adjusted in Lightroom, and then ran through Topaz Labs Denoise AI.
Camera: Nikon D7500
Lens: Samyang 14mm f/2.8
5 x (14mm @ f/2.8, 15 sec, ISO 3200)
Autumn Milky way near Medvednica mountain near Zagreb city.
St. Jakob chapel
Despite heavy light pollution from nearby capital of Croatia Zagreb, milky way is still visible in the starry night 😁
Shot with Nikon d750 and tamron 15-30 f2.8 lens, stacked in Sequator
First outing with a Sigma 20mm f 1.4.
7 sky shots at f/1.8, iso 3200, 10 sec exposures stacked in sequator and 6 foreground shots at f/4, iso 1000, 10 sec exposures light painted from different angles. A few artifacts in the corners but at f2.2 all but disappear.
Seen over the Julian Alps at Lake Jasna, Kranjska Gora, Slovenia.
3 x 13-sec exposures at f/2 and ISO 3200; Canon EOS 7D and Samyang 24mm f/1.4 lens.
Frames stacked using Sequator software.
Lighthouse Park, West Vancouver, BC, Canada.
The sky was stitched from 17 image (each of them was stacked from 7 images with Sequator 1.5.5). Each sky image was taken with Sigma 35mm f1.4 Art, f1.4, 13s, iso-640. And then stacked in Photoshop with the forground panorama (stitched from 8 images: f4, 61s, iso-640).
Copyright © AwesomeFoto Photography. All rights reserved. Please do not use it without my permission.
You are welcome to visit my iStockPhoto or shutterstock. com/g/jameschen (remove space) to buy it.
Orión, varias tomas de 15 segundos apiladas con Sequator y procesadas en PS. Evidentemente las fotos se hicieron con seguimiento, un Sky Watcher Adventurer.
Lleva recorte.
Espero que os guste.
Saludos.
The Large Magellanic cloud shot with Canon 5DSr and 70-200mmF2.8 L .102 x30 sec exp stacked in Sequator.
The Lagoon Nebula (Messier 8) is a bright emission nebula in the constellation Sagittarius. It is an active stellar nursery, an area of dust and gas in space where stars are formed. It lies about 5,000 light-years away, near the center of our Milky Way Galaxy in the rich starfields of Sagittarius.
Canon 5Dsr and Sigma 150-600mm @600mm. 38 x 30 sec files stacked in sequator and messed about in Pixinsight and PS.
The Milky Way rising up over Big Laguna Lake in the San Diego Mountains.
7 shots stacked in Sequator
Mukot village, Dolpo, Nepal, altitude 4,000m, near Dhaulagiri Himal.
Zodiacal is slightly visible on the left of the Milky Way.
Technical data :
Pentax K-1 Mark II with Samyang 12mm f/2.8
30 sec at ISO 500, 9 frames plus 10 dark frames
Sky stacking with Sequator
Ground stacking with Siril
Processing with DXO PL, Gimp, Topaz NR and Rawtherapee
Comet 2023 A3 (Tsuchinshan-ATLAS) and the Milky Way over Phillips Lake, Lucerne, Maine.
30-exposure stack processed in Lightroom, stacked in Sequator, and finished in Lightroom/Photoshop.
The zoom to 30mm pushes the limits of what you can do with shutter speed, then the reflection challenges your ability to handle even lower light. Captured at f/2.8.
Huawei p30 pro en raw dng 40mp, 7x20 secondes de poses, total 2mn20s, pas de Lune.
traitements: lightroom, sequator, luminar4, denoise AI
série par la fenêtre
This was actually an unplanned shot. I had originally scouted out a location more face-on with the lighthouse with the Milky Way emerging from behind the lighthouse. But when I took a walk around the park, I suddenly noticed this wonderful scene with the lighthouse, the ocean, the cliff, and a peaceful cove. I took a series of exposures just as the moon came up from the mountains behind me. The result was quite magical, after the enormous task of blending together the two exposures and extracting as much data out of the sky as possible. Pacific- Ocean-facing skies are hard to beat!
Technical details:
* 30 exposures for the ground, HDR merged
* 7 exposures for the sky, and an additional 8 exposures for the sky with the lighthouse light visible to the camera. Sky shots were tracked with a Star Adventurer Mini star tracker.
Preprocessed in RawTherapee,
stacked in Sequator and GIMP,
and composited and finished in GIMP.
Lac de Graveirette - Mercantour - Alpes Maritimes, France
Sony A1 + 14mm f1.8 GM
Foreground: iso 100 f8 25s taken at dusk, processed first in lightroom
Sky: 16 shots @ iso 1600 f1.8 15s, averaged in Sequator to reduce the noise and processed into lightroom
Exposure blended in photoshop.
Final fine tuning back in Lightroom
Comet NEOWISE as seen from the dark skies of western Illinois on July 22, 2020.
This is a 6 image stack yielding a virtual 6-minute exposure.
17 frames in this image .. 16 stacked and blended in Sequator, with the foreground developed in Silkypix Pro 10 - blended and finished off in ON1 Photo Raw 2020
The Eastern Veil Nebula is also known as the Witch’s Broom. It is part of the Supernova Remnant.
Technical Info:
Optics: GSO 6 inch f/4 Imaging Newtonian @ 610mm FL
Explore Scientific 2 inch HR Coma Corrector
Camera : Canon t3i (Astro Modified)
Filters: IDAS 2 inch Light Pollution Suppression D2 Filter
Mount: Losmandy GM8
Guiding: PHD2
Acquisition: Sequence Generator Pro via Plate Solving
Exposure: Light (ISO 800) - 36 subs @ 30 seconds
Calibration: 15 Darks
Processing : Sequator, Photoshop, PS Astrotools, Astroflat Pro PS plug-in
Lake Weyba, Qld, Australia.
The Lake Weyba Tree!
Me and my girlfriend went for a shoot to the lake last night.
A few years back I shot this composition at the lake with the Milky Way above this cool tree so I wanted to get an updated version of it and last night was perfect to do that, a 57% moon was setting in the west and I thought it might be too bright but it was so clear the Milky Way was shining brightly still.
16 images stacked in Sequator and then edited in Ps and Lr.
Untracked images.
Iso-6400 / 15secs / f2.8 / 12mm
A location that I discovered and shot last year, I decided to return this year and shoot it again. My original goal for this year was to get out for at least one nighttime shoot every month this year. With the Covid-19 situation and of coarse the unpredictability of the weather, this may or may not be possible. Shot in March (just barely; the 31st, 2020).
Shot with my Fuji X-H1 and Samyang 12mm f/2.0 @ f/2.8, (5)15 second shots + (1) dark frame, ISO 6400, 3800K WB, (1) LED panel used for LLL. Stacked in Sequator; final edits in Photoshop using a few Toapz plugins, DxO Viewpoint 3, and Blake Rudis' 5 Tone Heat Map actions.
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