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sentiment.
I am going to post one photo a day for 365 days. I am doing this with my lovely friend Katie a.k.a SunshineStudios15 :) She is one day behind me so make sure you go check her out! We will definately be taking photos together and I am wicked exited...
This is Day 1
A fire burns
Water comes
You cool me down
When I'm cold inside
You are warm and bright
You know you are so good for me
With your child's eyes
You are more than you seem
You see into space
I see in your face
The places you've been
The things you have learned
They sit with you so beautifully
You know there's no need to hide away
You know I tell the truth
We are just the same
I can feel everything you do
Hear everything you say
Even when you're miles away
Coz I am me, the universe and you
Just like stars burning night
Making holes in the night
We are building bridges
You know
When you're on your own
I'll send you a sign
Just so you know
I am me, the universe and you
kt tunstall
My sentiments exactly many a night. This is a still in the box new bowling ball that a bowler in my league had picked up that night and decided to put his own personal "spin" on it.
Second in the enchanting Timeless Sentiments™ Collection of angels comes Angel of Peace™ Barbie® doll, bringing a gentle reminder that peace is hidden in every moment if only we will be still and discover it. Irresistible in a heavenly blue gown, her angel wings seem to reflect the golden light of an early morning sunrise. Poised in grace and tranquility, Angel of Peace Barbie® can serve as a reminder to seek peace and calm wherever she is displayed.
Now, this was hard to take because my dogs are very inconsistent. They kept moving around and leaving entirely.
If you're unfamiliar, the idea behind "The Burning House" is essentially the philosophical and also very real dilemma of choosing the things you would take in the event of your house burning down.
I think this really says something about a person, and I hope from what I show here, it shows good things about me.
The items shown here are:
- My dogs: Xero (Black and white) & Millie (Brown, Black, and White). This decision should need not an explanation.
- My trench coat
- A scarf to accompany it
- My bag, which holds the most important of items from my current read, wallet, license, passport, and phone. T he works.
- My Adventure Time sword (for practicality).
- A Domino set in its wooden container. This was the set of dominoes my grandpa and I would play with a lot. He taught me dominoes with this set.
- "Lost At Sea" signed by Bryan Lee O'Malley
- My journal full of my doodles and stories.
- Axis: Bold as Love by Jimmy Hendrix - the first album I ever purchased.
- Beanie, for practicality.
- Assorted films (pictured: Citizen Kane, Fantastic Mr. Fox, Dan in Real Life, Up in the Air, and Children of Men)
- Assorted books (pictured: To Kill a Mockingbird, Animal Farm, The Genius and the Goddess, and Hocus Pocus.
- My car keys, of course.
- My Canon (not pictured)
Now, I probably wouldn't grab all of these in the event of an ACTUAL fire, but it'd be nice to think I would.
I think that it is human nature to feel a certain irreplaceable sentiment towards what we grew up with. After all, childhood is typically a time filled with fantasy and innocence, and once it's gone, there is no other period in our lives quite like it. But that being said, often this attachment creates a strong bias and we find ourselves looking at the new and unfamiliar changes that are bound to occur with disdain and contempt. This is no exception when it comes to the world of dollies. For a time, I definitely felt this way about the Barbies that appeared after my time as a child. Since I always grew up with secondhand dolls, it was easy to feel a connection towards the dollies of generations past. But after a five year hiatus from my plastic friends, I did not feel such warmth towards this new era that was foreign and mysterious to me. It was 2011 when my adult doll collecting journey began. Even though I had only refrained from buying dolls for five years, which in the grand scheme of life is quite insignificant, so much had changed. As I wandered the doll aisles for the first time in years, what I saw was almost unrecognizable. Barbie had new friends, new molds, new clothes, new packaging, and so did the rest of the dolly brands I encountered. I wasn't sure what to make of it all, or how I felt about it.
I recall that these first few encounters were conflicting. On the one hand, the part of me that naturally resists change and frowns upon the unknown felt repulsed by what I saw. But deep down, that inner dolly fanatic couldn't help but be curious. She couldn't stop herself from craving, wanting, lusting, and desiring these new Barbies. Even Colleen, who was always far more adamant that the "old was superior to the new" had to admit that some of these updated faces and ideas were too cool. And I recall there were many instances when we voiced that "We would have loved this set as kids," or "I wish I had this when I was younger." Most notably, we connected with the strong sisterly theme that stapled the Barbie franchise together. In the early 2000s, Skipper and Stacie slowly faded away, and even disappeared altogether for a brief time. But this dawning of the new decade brought with it a resurgence of family focus. There were so many sister sets and separately sold family dolls. And even though admittedly I was a tad bit offended that Kelly had been replaced by Chelsea, I was still glad to see Barbie had a younger sister represented. This made the 2010s Barbies so much more fun than I ever could have imagined. As kids, we yearned to collect all the sister dolls we could get our hands on, and it never lost novelty when Colleen and I bought a family set and divied up the dolls between us. The possibilities seemed endless, and I felt my inner 12 year old mind reeling with all the potential. We would have had a blast with that Sisters Go Camping! Camper. Colleen would have had a slew of Skipper and Stacie dolls to choose from. It wouldn't have been so easy for her to buy them all up in a short space of time, like it was when we were younger, since there are just so many available nowadays. And maybe that's what I loved most of all about this new side of Barbie. It made her world so much more fascinating knowing that there would be plenty to keep Colleen busy. I often felt bad growing up that I was always so easy to please and quick to be distracted/occupied by whatever dolls were on the market, whereas Colleen's natural interests were so much more limited and restrained. It was an awesome feeling going to the store for the first time in years, and each getting to pick out a doll we wanted so badly (like the time she picked out Sisters' Fun Day Stacie, aka Clara, and I got my Dead Tired re-release Cleo).
I think the major difference between the later years of our childhood collection and our present day one is the amount of focus we put on purchasing dolls brand new in the store. 2002 to 2004 was a time we spent buying brand new dolls nearly every weekend on our excursions with Dad. We therefore had lots of fairly up to date playsets, clothes, and dolls in our collection. But even so, I'd still say that a fair amount of what we decided to get was considered mildly out of date. Our resurgence back into dolls has been marked quite differently. While there were bouts of time we spent hunting stores for certain dolls, like Monster High, Moxie Girlz, and the latest Bratz, our Barbie collection for the most part remained mostly secondhand. It seemed a bit silly to buy the dolls brand new for more money, when they rarely went on good sales, when it was only a matter of time before they turned up discarded at the flea market in hardly played with condition. I think a lot of people confuse this absence of modern Barbies in my collection as a lack of interest, when that's not the case at all. In fact, I'd say the approach we have toward Barbies these days is very reminiscent of my early childhood. And in a way, that makes me that much fonder of my newer ladies and gents. For instance, my Life in the Dreamhouse Barbie isn't all that different from my very first doll, 1989 Ice Capades Barbie (aka Christina). Both were used, abused, and abandoned within the first few years of life. Christina was left half bald and without a trace of her clothes, and Life in the Dreamhouse Barbie had a strange burn hole through her dress that melted part of her stomach. Likewise, many of my earliest Fashionistas dolls were in various stages of mutilation when I rescued them from flea market lots, despite the fact they were not even five years old at the time. The feeling I get when I see a doll that is still sold in stores, sitting in a disheveled, neglected state at the flea market is one that cannot be compared to. It breaks my heart, whether the doll looks so mint, that it was obvious she was never truly loved, or whether she was tormented during her brief stint in life. And sadly it seems that these days more and more dolls are unloved, unwanted, and under appreciated by children who would rather play with a tablet or phone than interact with a plastic doll.
For this reason, I have a soft spot for the newer Barbies that isn't quite like how I feel for any of the other prior decades. And to top it off, most collectors also have little to no interest in this new generation. It's far more often I see scathing reviews ripping Barbie apart, than I see happy smiles and kind words towards these dolls. To some extent, I understand..after all, there is no shame in feeling fondness for what you grew up with. And to be fair, these newer dolls come with their share of issues--molded/painted clothes, hollow bodies, glue laden hair, recycled/repackaged faces, and generic, dull packaging. It's easy to overlook all the wonderful things that this decade of Barbie has offered that other generations lacked, but if you look close enough, you'll find so much to appreciate. Never before have I seen such diversity in a Barbie line. You can get tall Barbies, short Barbies, curvy Barbies, and dolls with every skin color under the sun. There are dolls with half shaven heads, man buns, and even Ken has body mold diversity. The sophistication of articulation has also increased with dolls like the Made to Move line that can literally sit cross-legged and touch their chins. And let's not forget that Barbie's accessories and playsets have also updated--she has a house that you can talk to. As a kid, it was so hard to find African American dolls, and growing up in the 90s/2000s, it was far easier for me than children of the 60s, 70s, and 80s. Barbie's family members were the only true mold diversity. But nowadays, Barbie herself can take on so many forms. I think it's easy to focus on what is lacking from the current Barbie franchise, but once you redirect, it's plain to see how far she's come, and for the better, even if she does miss the mark from time to time.
No matter how Barbie evolves, or even if she's discontinued one day because nobody cares anymore, I'll always have a warm place for her in my heart and memories. Barbie was the one that started it all for me, even though my first doll was nothing flashy or exotic. She was the staple, the backbone of our doll games. And furthermore, getting back into dolls in 2011 would not have been nearly as exciting were it not for Barbie still being around. Some of my dolls from the 2010s are the most special in my collection, and in a way they really aren't all that different from my childhood companions. The Dolls of the World line was still in full swing back in 2011, when I purchased my very first store bought Barbie in half a decade--2011 India Barbie. When I freed her from her package that December night, she made me feel the same way my 1995 DOTW Indian Barbie, aka Nova, did back in 2003 when I got her at the flea market. And who could forget two of the dolls that I quite literally drool over every time I see them--Hair-Tastic! Color & Design Salon and 2011 Fashionistas Barbie?!! Even though these dolls were only out for a brief time compared to the other dolls from past decades I've coveted, I still feel that same magic when a doll I ogled at stores pops up at the local flea market. I was over the moon when I got Designable Hair, I Can Be...TV Chef Barbie, and my very first Barbie Basics doll. I'll never forget those early days of rediscovering my love for dolls, and the way this generation of Barbie still sparked my imagination and fueled this passion further. I've come to see that dolls are dolls, no matter what time frame they originated from or what brand they are. If I had to survive in a world where only present day Barbies existed, I know I'd still be a happy, fulfilled collector. At the end of the day, it's not really about the dolls themselves, but the memories you make and the attitude you choose to have towards them, and I know my collection would feel a bit lonely without my 2010s friends.
I made up a pair of earrings that matches this necklace awhile back.....the client liked them and commissioned this. They are Czech glass of WWII vintage...but mean a lot to my client. The 14K white gold and diamongs reflect his sentiment.
El sentiment de comunitat va més enllà de compartir un projecte com el de la UOC. Per damunt d'estratègies i plans, aquest sentiment arrela en els moments i els espais informals, on es fa possible construir un esperit de cohesió, motivació i pertinença. La rectora Àngels Fitó va poder saludar personalment a tothom que es va apropar al pati del Campus del Poblenou i va acomiadar aquest intens curs plegats i vadesitjar-nos un bon estiu, tot compartint una copa amb música en directe a càrrec de companys i companyes de la nostra universitat.
La trobada, a més va coincidir amb diverses activitats paral·leles. Així, des d'una hora abans va tenir lloc l'emissió del programa La UOC en viu!, on vam gaudird'una demostració culinària a càrrec d'Ada Parellada, i alguna altra sorpresa.
A funny juxtaposition of "stop wind power" at Biglow Canyon Wind Farm, as I love wind power and spend most of my time researching how to make it better.
Made these card for Embellish Magazines challenge to use tape. I also used Hero Arts Year round sentiments for these.
Por: Felipe Souto Maior
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Recife Pernambuco Brasil
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Saulo Fernandes, líder da banda Eva há oito anos, sempre enfatiza em suas declarações a importância da música em tudo. E é com esse sentimento que o Grupo leva aos seus shows muita alegria, repertório diversificado e energia para todo o público presente. Depois de muita insistência dos fãs pernambucanos, enfim aconteceu o lançamento do “Lugar da Alegria”. Com muita alegria, descontração e energia, porque Saulo e seus músicos estão apresentando o seu mais novo álbum, e essa apresentação não é apenas com as canções inéditas e autorais do disco, mas também com todo o conceito de baianidade, negritude, religiosidade e, sobretudo, de alegria!
O público, que já lotava a arena, cantou junto com o artista os maiores hits da Eva e deram ao evento um clima de grande Carnaval. Ensopado de suor, Saulo Fernandes não parou de dançar e de agitar a platéia. Para iluminar ainda mais a noite de celebração do Eva, os convidados Ninha e Tatau também participaram da grande festa. Seguindo a ordem do set list apresentado no álbum, Saulo abriu o show com "Rua do Sossego", que traz de volta o personagem Zumalaicara, presente no clipe "Rua 15" do álbum "Veja alto, ouça colorido".
Em seguida o anfitrião apresentou a baianíssima "Oxente Balance". A terceira canção do show foi "Tudo Certo na Bahia", que conta com a forte participação de Ninha. A festa foi seguindo com "Lugar da Alegria", "Nada Lhe é proibido", "Encontro Marcado", "Tão Sonhada" e "Como um abraço". O público acompanhou o show com alegria, disposição, atenção e cantando todas as canções junto com a banda, que não conseguia conter a grande felicidade!
Tatau foi o segundo convidado a entrar no palco no momento da canção "Velocidade Luz", dando seqüência com "Mar sem fim" e "Esse Amor". Outro grande destaque do show "Lugar da Alegria" foi quando a banda se reuniu na frente do palco e apresentou o samba "Feliz de feliz te ver". A aprovação do público ficava clara em cada canção, que também cantou e dançou com "Doralice" e "Que batuque é esse".
Para finalizar a primeira parte da festa, que foi a apresentação do repertório de "Lugar da Alegria", Saulo e a sua banda Eva sacudiram com "Agradecer", canção que retrata o momento de gratidão que o Eva está vivendo com muita alegria!
Em seguida, o anfitrião da noite, Saulo Fernandes, relembrou grandes sucessos do Eva como "Me Abraça", "Flores", "Alô Paixão" e "Coleção", e embalou o público com hits do carnaval baiano, das bandas Asa de Águia e Chiclete com Banana, e da cantora Ivete Sangalo. O Grupo ainda passeou pelos álbuns "É do Eva", "Banda Eva 25 anos" e "Veja alto, ouça colorido". Saulo chamou os seus convidados Tatau e Ninha para voltarem ao palco e juntos agitaram o público com "Zorra", "Água Mineral", "Faraó - Divindade do Egito" e "Protesto do Olodum".
Durante a sua apresentação, Saulo fez questão de comentar sobre as pessoas que estão sofrendo com as enchentes que ocorreram em algumas cidades do Estado e pediu ajuda a todos. "Vamos mandar toda a nossa energia boa para essas pessoas. Elas estão precisando muito", diz Saulo. Aproveitando a oportunidade do show, o Eva e a empresa pernambucana BG Promoções realizaram uma ação solidária. Os desabrigados das chuvas vão receber alimentos não perecíveis, que serão comprados pela produção do evento com o valor arrecadado na distribuição da cortesia, que foi solidária, e parte da receita do show. A quantidade arrecadada será entregue ao Quartel General da Polícia Militar do Estado de Pernambuco para eles realizarem a distribuição nas cidades mais necessitadas.
Cantari crestine „Sentimentele sincere ale Creatorului pentru omenire”
Următoarele sunt consemnate în Cartea lui Iona 4:10-11:
„Atunci Iahve a spus: «Ai avut milă de tărtăcuța pentru care nu ai lucrat
și nici n-ai făcut-o să crească;
care a ieșit într-o noapte și a pierit într-o noapte;
și nu ar trebui să cruț Ninive, acel oraș mare,
în care sunt mai mult de șase mii de oameni care nu pot să-și deosebească
mâna dreaptă de cea stângă; și, de asemenea, multe bovine?»”
Acestea sunt chiar cuvintele lui Iahve Dumnezeu,
o conversație între El și Iona.
Cu toate că acest dialog este unul scurt,
debordează de grija Creatorului pentru om și reticența Lui de a renunța la el.
Aceste cuvinte exprimă
atitudinea adevărată și sentimentele pe care Dumnezeu le are
în inima Sa pentru creația Sa
și, cu aceste cuvinte clare,
cum rareori aude omul, Dumnezeu afirmă adevăratele Sale intenții pentru omenire.
Creatorul este tot timpul între oameni.
El conversează mereu cu omul și cu întreaga Sa creație.
Și El realizează fapte noi zi de zi.
Esența și firea Lui sunt exprimate, prin dialogul Lui cu omul sunt arătate.
Gândurile și ideile Lui sunt revelate. Da, sunt complet arătate în faptele Sale.
El însoțește și observă-omenirea mereu,
El vorbește ușor omenirii și-ntregii creații prin cuvintele Lui tăcute.
Dumnezeu este-n ceruri, în mijlocul creației Sale. El veghează și așteaptă.
El e-alături de tine.
Mâinile-I sunt calde și puternice.
Pașii Săi sunt ușori. Vocea-I grațioasă și moale,
forma Îi trece și se-ntoarce, îmbrățișând omenirea.
Frumoasă și blândă, așa e-nfățișarea Lui.
El nu a plecat niciodată și nici nu a dispărut.
Zi și noapte, El e-alături de om. El e tovarășul constant al omenirii.
Grija Lui devotată și afecțiunea specială pe care El le-acordă-ntregii omeniri
și iubirea și grija Sa reală pentru om,
toate-au ieșit la lumină treptat când a salvat orașul Ninive.
În special, dialogul dintre Iahve Dumnezeu și Iona
a dezvăluit și mai mult mila Creatorului pentru omenirea de El Însuși creată.
Vei afla sentimentele lui Dumnezeu pentru omenire prin dialogul lor.
din „Urmați Mielul și cântați cântări noi”
Sursa imaginilor ：Biserica lui Dumnezeu Atotputernic
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