View allAll Photos Tagged self
Hopelessly adrift
In the eyes of the ghost again
Down on my knees
And my hands in the air again
Pushing my face in the memory of you again
But I never know if it's real
Never know how I wanted to feel
View on black, at your own risk...
Very few self-portraits of me exist out there. I don't like being in front of the camera. I'm trying to change that.
This is the first shot using my new Beauty Dish. It gave a nice soft light for the strobes. I'm sure you'll see more from my studio setup soon.
The hat has a story behind it, which is why I decided to wear it, and go Hollywood glam.
|explored|
self p
www.youtube.com/watch?v=Ed9CYDt99tA&feature=related
[love all that u say. but please, not banner.]
thank u
A five inch tall figurine of Norman Rockwell's "Triple Self Portrait" at the Cooperville Farm Museum. This one was made in the 1990's.
Thanks for views, comments and favs :)
SELF DISCIPLINE BEGINS WITH THE MASTERY OF YOUR THOUGHTS. IF YOU DON'T CONTROL WHAT YOU THINK, YOU CAN'T CONTROL WHAT YOU DO.
BLOG CREDITS:https://reignnoffashion.blogspot.com/2019/03/self-discipline-moondance-boutique.html
I have posted another version of this self portrait long time ago and decided to upload this one after doing some minor editing. This was taken in Islamabad during a blackout and the source of lighting was just an emergency light. I used tripod and remote control for this capture
I am developing my style and I am really enjoying this look.
I used one Ab800 in a grid beauty dish right above my face.
(Explore)
self portrait from the colaboration with Monoloquia
I hate mondays!
I love the focus!
I love the grain but don't wanna use it really much muahaha
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Self-portrait as a pyromaniac. A dark room, one daylight LED lamp, one reflector, and three LED spotlights. Converted from raw in macOS High Sierra photo editor.
A crop from the last image on a roll of Rollei Superpan 200 through a Zeiss Ikon Nettar. through lack of research, the film's strong contrast caught me by surprise; in some images it works surprisingly well, and, having reduced the contrast a touch, the sharply detailed nature of the film works pleasingly.
The framing of this shot is a little off, though not so much as it was before the crop; however, I like the fragmented reflections in the window panes, combined with the vine, so severely pruned, to the left, and plant pot.
Woodstock, November 2020, Zeiss Ikon Nettar, Superpan 200, ID-11 stock.
If you like my photographs, why not consider buying a print at captures.life? I haven't yet finished building the site and putting in all of the terms and conditions and policies, but the bits that involve buying a print, having it delivered, and contacting me if anything isn't working or goes wrong are functioning just fine...