View allAll Photos Tagged segmentation
Learn More about the Market Segmentation Forum: openviewpartners.com/event/market-segmentation-forum/
Mine, Yours, Ours 2019
Filodrammatica Gallery, Rijeka
14th February, 2019
on view until 1st March, 2019 (Mon-Fri 5 - 8 pm)
Curated by Silvio Lorusso
Featured artists: Anxious to Make, Deconstructeam, Constant Dullaart, Maria Eichhorn, Sam Kidel, Alina Lupu, François Girard Meunier, Elisa Giardina Papa, Ottonie Von Roeder, Sebastian Schmieg and Jeff Thompson
Photo: Tanja Kanazir / Drugo more
Wenn man mit kaffeine versucht ein Video aufzuzeichnen (Datenquelle kann eine Datei aber auch ein Streamingserver sein), stürzt das Programm mit einen Segmentation Fault (Speicherzugriffsfehler) ab.
Ich weiß nicht was genau der Fehler ist (keine Zeit/Lust um den Quellcode durchzulesen), aber ein Seg.Fault könnte z.B. durch einen Buffer-Overflow verursacht werden. Wenn dies hier der Fall ist, könnte über diesen Bug Fremdcode auf den Rechner ausgeführt werden.
Schritt 1: ein Video öffnen
Schritt 2: Datenstrom speichern (Detailansicht)
Schritt 3: Crash (Detailansicht)
System:
Kubuntu 5.10, KDE 3.5, Kaffeine 0.7, xine-lib 1.12.0
Mine, Yours, Ours 2019
Filodrammatica Gallery, Rijeka
14th February, 2019
on view until 1st March, 2019 (Mon-Fri 5 - 8 pm)
Curated by Silvio Lorusso
Featured artists: Anxious to Make, Deconstructeam, Constant Dullaart, Maria Eichhorn, Sam Kidel, Alina Lupu, François Girard Meunier, Elisa Giardina Papa, Ottonie Von Roeder, Sebastian Schmieg and Jeff Thompson
Photo: Tanja Kanazir / Drugo more
From blog post Google Analytic Gems #1: Split Test Evaluation with Only New Users, this shows the sequence of clicks to reach reporting on a split testing using custom GA segmentation for only new users.
By looking at new users exclusively, we avoid the halo effect of content changes on returning users.
Moments of the WhoLoDancE Performative Workshop realised as a one-day event (27 October 2018, Casa Paganini InfoMus) during the Festival della Scienza of Genova, Italy.
This was during a phase where Kivi wanted me to interrogate different systems to organize each thing - a set of drawings/models for color, a set for openings, and so on, with the idea that the overlapping of the various patterns would produce more diversity than having each one be organized according to the rules of the others (the dreaded 1:1 correspondence). This model was designed to show my favored take on the organization of the windows at this point in time; this representation is rather cartoony, but I think it did the job.
The center and right images are of the street side; the model includes a flap so you can see how the window pattern (center) helps disguise the original segmentation of the apartment units (right). The left-hand side shows the way the building faces the courtyard, with glass only showing up where it maps to openings on the front side, plus one unit to the left or right. Kivi never liked this; his attitude was that the whole thing should be frosted glass to fulfill the dazzling effect of the colored light scheme. For this particular project, he's probably right - if it's going to be all about the colored lights and their blurring into each other, they ought not to be interrupted by anything. I do like the patterning produced by the old method, though, however goofy, and I'll probably pick it up again someday for something else.
This particular massing, of course, was doomed from the get-go. As Dow succinctly put it, "This building is brought to you by the letter H!" Or, Whitn4y: "I don't know what to tell you. You've made an H." Although this particular building in the complex would never be modeled again (in fact, from here on out, all I did were partial hypothetical walls in order to produce the color effects), it did get tweaked in SketchUp to eliminate its H-ness..
Mine, Yours, Ours 2019
Filodrammatica Gallery, Rijeka
14th February, 2019
on view until 1st March, 2019 (Mon-Fri 5 - 8 pm)
Curated by Silvio Lorusso
Featured artists: Anxious to Make, Deconstructeam, Constant Dullaart, Maria Eichhorn, Sam Kidel, Alina Lupu, François Girard Meunier, Elisa Giardina Papa, Ottonie Von Roeder, Sebastian Schmieg and Jeff Thompson
Photo: Tanja Kanazir / Drugo more
After thumbing through a Kindle sample of The Persona Life cycle: Keeping People in Mind Throughout Product Design, I visited Woofstock, a dog lover's paradise held in downtown Toronto. It was a wonderful study in pet lover culture, and I couldn't resist creating a few persona sketches from the event.
Along the trail this morning in the patch of recovering Everglades near our home. At first I thought these might be owl pellets, but they are not, because of the slightly tapered ends and segmentation. Owls cannot digest bones, so their pellets are full of them and a single pellet might contain a fairly intact skeleton of a mouse. These feces appeared to not have many bones, just teeth, nails and hair. Fairly large bore and the fact that they were deposited conspicuously along with other, older, specimens nearby suggests they are from a male Bobcat. Coyotes may be present in this general area, but I have not seen any here. Coyote scat often contains vegetable matter such as plant fibers and seeds, and is usually more tapered and smooth rather than blunt and segmented.
Mine, Yours, Ours 2019
Filodrammatica Gallery, Rijeka
14th February, 2019
on view until 1st March, 2019 (Mon-Fri 5 - 8 pm)
Curated by Silvio Lorusso
Featured artists: Anxious to Make, Deconstructeam, Constant Dullaart, Maria Eichhorn, Sam Kidel, Alina Lupu, François Girard Meunier, Elisa Giardina Papa, Ottonie Von Roeder, Sebastian Schmieg and Jeff Thompson
Photo: Tanja Kanazir / Drugo more
Steve Latin-Kasper, Director of Market Data and Research, NTEA, delivers an analysis of the work truck industry, including market size and segmentation by cab type and weight class, and more.
Learn more about NTEA's 2019 Executive Leadership Summit at www.ntea.com/executivesummit
Better data is becoming available on economic activity within countries, often much exceeding the available information of economic activity across countries. This creates new research opportunities for testing economic theory, analyzing market structures and the sources of market segmentation, and making predictions of how economic shocks propagate across space. The aim of this conference is to bring together researchers from urban economics, industrial organization, health economics, and international trade to study production and trade within and across countries.
A high floater and visible fly, this Brown Hi Vis Foam Ant is fisherman and fish friendly. Selective trout and panfish enjoy the realistic segmentation and slightly exaggerated legs of this pattern.
Mine, Yours, Ours 2019
Filodrammatica Gallery, Rijeka
14th February, 2019
on view until 1st March, 2019 (Mon-Fri 5 - 8 pm)
Curated by Silvio Lorusso
Featured artists: Anxious to Make, Deconstructeam, Constant Dullaart, Maria Eichhorn, Sam Kidel, Alina Lupu, François Girard Meunier, Elisa Giardina Papa, Ottonie Von Roeder, Sebastian Schmieg and Jeff Thompson
Photo: Tanja Kanazir / Drugo more
Mine, Yours, Ours 2019
Filodrammatica Gallery, Rijeka
14th February, 2019
on view until 1st March, 2019 (Mon-Fri 5 - 8 pm)
Curated by Silvio Lorusso
Featured artists: Anxious to Make, Deconstructeam, Constant Dullaart, Maria Eichhorn, Sam Kidel, Alina Lupu, François Girard Meunier, Elisa Giardina Papa, Ottonie Von Roeder, Sebastian Schmieg and Jeff Thompson
Photo: Tanja Kanazir / Drugo more
View Looking down at Coal Train Locos and Wagons post coal extraction.
The Criterion LIDAR LASER provides a continuous stream of distance to target. that is then run through advanced DSP segmentation algorithms to determine wagon type and residual coal detection.
Photo by Echo Xie
Friday June 22, 2012 12:00pm - 1:30pm @ World Resources Institute (10 G St NE, Suite 800, Washington, DC 20002)
Most nonprofit organizations are making use of video as a communications tool, but not as many consider their long-term objectives with video. In a quickly evolving media landscape, a video communications strategy must include short- and long-term planning, audience identification and segmentation, and distribution strategies in order to get your organization's message to the right audiences. Join our panel as we explore best practices in the planning, creation and distribution of nonprofit video.
Lunch sandwiches will be provided by the organizer for the first 40 attendees who preregister online and bring their Eventbrite confirmation to the event.
Our panel will address the following topics:
How to use video as part of a larger communications campaign,
How to determine your audiences and the key issues that matter to them,
The benefits of establishing a long-term relationship with a videographer/editor and animator,
How to create a media file library,
How to allocate resources to use video as part of a long-term communications strategy,
How to create videos with "legs" (that will be picked up by other news sites, blogs, etc).
How to distribute video so as to build your audience,
How infographics and animation can add to your story,
...and more!
Panelists:
Kristen Milhollin (Moderator) - Co-Founder, The Goodspeaks Project
Ben Connors - Media Innovator and Visual Journalist
Will Carroll - Creative Director and Principal, Geoill; Organizer, DC Animation Group
Diane Sherman - Founder and Principal, Dianne Sherman Communications
Martha Dodge - Independent Visual Journalist, Still Photographer and Writer
Dave Cooper, Films and Brand Manager, World Resources Institute
Learn more: benevolentmedia.org/festival
Mine, Yours, Ours 2019
Filodrammatica Gallery, Rijeka
14th February, 2019
on view until 1st March, 2019 (Mon-Fri 5 - 8 pm)
Curated by Silvio Lorusso
Featured artists: Anxious to Make, Deconstructeam, Constant Dullaart, Maria Eichhorn, Sam Kidel, Alina Lupu, François Girard Meunier, Elisa Giardina Papa, Ottonie Von Roeder, Sebastian Schmieg and Jeff Thompson
Photo: Tanja Kanazir / Drugo more
The most interesting of the longhorn beetles that I have found. This one is an excellent bee mimic. From the size to the behaviour. It flew from leaf to leaf, never stopping for long, making it quite difficult to photograph. Wasn't really satisfied with any one picture, but together hopefully they show the amazing mimicry at play here. The hind legs are thickened as in bees to mimic pollen carrying buckets, they are even more heavily bristled! There is a green patch on the head, since the eyes of a lot of these bees are green. The colouration is perfect! The segmentation of the abdomen and even the wings which don't look to be held in an elytra! Fantastic!!!!Found during a day hike around Sandoval lake lodge, Tambopata river area, Amazonian lowlands, Peru.
Photo by Echo Xie
Friday June 22, 2012 12:00pm - 1:30pm @ World Resources Institute (10 G St NE, Suite 800, Washington, DC 20002)
Most nonprofit organizations are making use of video as a communications tool, but not as many consider their long-term objectives with video. In a quickly evolving media landscape, a video communications strategy must include short- and long-term planning, audience identification and segmentation, and distribution strategies in order to get your organization's message to the right audiences. Join our panel as we explore best practices in the planning, creation and distribution of nonprofit video.
Lunch sandwiches will be provided by the organizer for the first 40 attendees who preregister online and bring their Eventbrite confirmation to the event.
Our panel will address the following topics:
How to use video as part of a larger communications campaign,
How to determine your audiences and the key issues that matter to them,
The benefits of establishing a long-term relationship with a videographer/editor and animator,
How to create a media file library,
How to allocate resources to use video as part of a long-term communications strategy,
How to create videos with "legs" (that will be picked up by other news sites, blogs, etc).
How to distribute video so as to build your audience,
How infographics and animation can add to your story,
...and more!
Panelists:
Kristen Milhollin (Moderator) - Co-Founder, The Goodspeaks Project
Ben Connors - Media Innovator and Visual Journalist
Will Carroll - Creative Director and Principal, Geoill; Organizer, DC Animation Group
Diane Sherman - Founder and Principal, Dianne Sherman Communications
Martha Dodge - Independent Visual Journalist, Still Photographer and Writer
Dave Cooper, Films and Brand Manager, World Resources Institute
Learn more: benevolentmedia.org/festival
Email list segmentation is an email marketing technique where you split your subscriber list, based on any number of conditions.
Mine, Yours, Ours 2019
Filodrammatica Gallery, Rijeka
14th February, 2019
on view until 1st March, 2019 (Mon-Fri 5 - 8 pm)
Curated by Silvio Lorusso
Featured artists: Anxious to Make, Deconstructeam, Constant Dullaart, Maria Eichhorn, Sam Kidel, Alina Lupu, François Girard Meunier, Elisa Giardina Papa, Ottonie Von Roeder, Sebastian Schmieg and Jeff Thompson
Photo: Tanja Kanazir / Drugo more
Learn More about the Market Segmentation Forum: openviewpartners.com/event/market-segmentation-forum/
Mine, Yours, Ours 2019
Filodrammatica Gallery, Rijeka
14th February, 2019
on view until 1st March, 2019 (Mon-Fri 5 - 8 pm)
Curated by Silvio Lorusso
Featured artists: Anxious to Make, Deconstructeam, Constant Dullaart, Maria Eichhorn, Sam Kidel, Alina Lupu, François Girard Meunier, Elisa Giardina Papa, Ottonie Von Roeder, Sebastian Schmieg and Jeff Thompson
Photo: Tanja Kanazir / Drugo more
Mine, Yours, Ours 2019
Filodrammatica Gallery, Rijeka
14th February, 2019
on view until 1st March, 2019 (Mon-Fri 5 - 8 pm)
Curated by Silvio Lorusso
Featured artists: Anxious to Make, Deconstructeam, Constant Dullaart, Maria Eichhorn, Sam Kidel, Alina Lupu, François Girard Meunier, Elisa Giardina Papa, Ottonie Von Roeder, Sebastian Schmieg and Jeff Thompson
Photo: Tanja Kanazir / Drugo more
Learn More about the Market Segmentation Forum: openviewpartners.com/event/market-segmentation-forum/
Harris's hawk (Parabuteo unicinctus), formerly known as the bay-winged hawk, dusky hawk, and sometimes a wolf hawk, and known in Latin America as peuco, is a medium-large bird of prey that breeds from the southwestern United States south to Chile, central Argentina, and Brazil. This bird is sometimes reported to be at large in Western Europe, especially Britain, but it is a popular species in falconry and these records almost invariably all refer to escapes from captivity.
The name is derived from the Greek para, meaning beside, near or like, and the Latin buteo, referring to a kind of buzzard; uni meaning once; and cinctus meaning girdled, referring to the white band at the tip of the tail. John James Audubon gave this bird its English name in honor of his ornithological companion, financial supporter, and friend Edward Harris.
Harris's hawk is notable for its behavior of hunting cooperatively in packs consisting of tolerant groups, while other raptors often hunt alone. Harris hawks' social nature has been attributed to their intelligence, which makes them easy to train and has made them a popular bird for use in falconry.
Description
This medium-large hawk is roughly intermediate in size between a peregrine falcon (Falco peregrinus) and a red-tailed hawk (Buteo jamaicensis). Harris's hawks range in length from 46 to 59 cm (18 to 23 in) and generally have a wingspan of about 103 to 120 cm (41 to 47 in). These hawks have a brownish plumage, reddish shoulders, and tail feathers with a white base and white tip.
They exhibit sexual dimorphism with the females being larger by about 35%. In the United States, the average weight for adult males is about 701 g (1.545 lb), with a range of 546 to 850 g (1.204 to 1.874 lb), while the adult female average is 1,029 g (2.269 lb), with a range of 766 to 1,633 g (1.689 to 3.600 lb). They have dark brown plumage with chestnut shoulders, wing linings, and thighs, white on the base and tip of the tail, long, yellow legs, and a yellow cere. The vocalizations of Harris's hawk are very harsh sounds.
The lifespan of Harris's Hawk is 10–12 years in the wild and 20–25 years in captivity.
Juvenile
The juvenile Harris's hawk is mostly streaked with buff and appears much lighter than the dark adults. When in flight, the undersides of the juveniles' wings are buff-colored with brown streaking. They can look unlike adults at first glance, but the identical chestnut plumage is an aid for identification.
Subspecies
P. u. superior: found in Baja California, Arizona, Sonora, and Sinaloa. P. u. superior was believed to have longer tails and wings and to be more blackish than P. u. harrisi. However, the sample size of the original study was quite small, with only five males and six females. Later research has concluded that there is not as strong a physical difference as was originally assumed. Other ecological differences, such as latitudinal cline were also brought up as arguments against the validity of the subspecies segmentation.
P. u. harrisi: found in Texas, eastern Mexico, and much of Central America.
P. u. unicinctus: found exclusively in South America. It is smaller than the North American subspecies and the adult's dark brown ventrum is streaked or flecked with white or whitish.
Taxonomy
Robert Ridgway placed Harris' Hawk in its own new subgenus Urubitinga (Antenor) in 1873, and introduced the generic name Parabuteo in 1874. Richard Bowdler Sharpe also separated Harris' Hawk to a monotypic genus, Erythrocnema, in 1874. In his Catalogue of Birds in the British Museum, Sharpe gives an extensive synonymy, with various authors having earlier placed harrisii in three genera and unicinctus in eleven.
Distribution and habitat
Harris's hawks live in sparse woodland and semi-desert, as well as marshes (with some trees) in some parts of their range (Howell and Webb 1995), including mangrove swamps, as in parts of their South American range. Harris's hawks are permanent residents and do not migrate. Important perches and nest supports are provided by scattered larger trees or other features (e.g., power poles, woodland edges, standing dead trees, live trees, boulders, and saguaros).
The wild Harris's hawk population is declining due to habitat loss; however, under some circumstances, they have been known to move into developed areas.
Behaviour
This species occurs in relatively stable groups. A dominance hierarchy occurs in Harris's hawks, wherein the mature female is the dominant bird, followed by the adult male and then the young of previous years. Groups typically include from two to seven birds. Not only do birds cooperate in hunting, but they also assist in the nesting process. No other bird of prey is known to hunt in groups as routinely as this species.
Breeding
They nest in small trees, shrubby growth, or cacti. The nests are often compact, made of sticks, plant roots, and stems and are often lined with leaves, moss, bark, and plant roots. They are built mainly by the female. There are usually two to four white to blueish-white eggs sometimes with a speckling of pale brown or gray. The nestlings start light buff, but in five to six days turn a rich brown.
Very often, there will be three hawks attending one nest: two males and one female. Whether or not this is polyandry is debated, as it may be confused with backstanding (one bird standing on another's back). The female does most of the incubation. The eggs hatch in 31 to 36 days. The young begin to explore outside the nest at 38 days, and fledge, or start to fly, at 45 to 50 days. The female sometimes breeds two or three times in a year. Young may stay with their parents for up to three years, helping to raise later broods. Nests are known to be predated by coyotes (Canis latrans), golden eagles (Aquila chrysaetos), red-tailed hawks (Buteo jamaicensis), great horned owls (Bubo virginianus), and flocks of common ravens (Corvus corax), predators possibly too formidable to be fully displaced by Harris's hawk's cooperative nest defenses. No accounts show predation on adults in the United States and Harris's hawk may be considered an apex predator, although presumably predators like eagles and great horned owls would be capable of killing them. In Chile, black-chested buzzard-eagles (Geranoaetus melanoleucus) are likely predators.
Feeding
The majority of Harris hawk's prey are mammals, including ground squirrels, rabbits, and larger black-tailed jackrabbits (Lepus californicus). Birds from the size of small passerines such as diuca finch (Diuca diuca) to adult great egret (Ardea alba) and half-grown wild turkey (Meleagris gallapavo) can be taken. In one instance, the lone Harris hawk successfully killed a subadult great blue heron (Ardea herodias). Reptiles such as lizards and snakes are additionally taken as well as large insects.
When hunting in groups, Harris's hawk can take large prey effectively, such as desert cottontail (Syvilagus auduboni), the leading prey species in the north of Harris's hawk's range, usually weighs 800 g (1.8 lb) or less. Even adult black-tailed jackrabbits weighing more than 2,000 g (4.4 lb) can be successfully taken by a pack of harris hawks.
Undoubtedly because it pursues large prey often, this hawk has larger and stronger feet, with long talons, and a larger, more prominent hooked beak than most other raptors around its size. Locally, other buteonine hawks, including the ferruginous hawk, the red-tailed hawk, and the white-tailed hawk also hunt primarily cottontails and jackrabbits, but each is bigger, weighing about 500 g (18 oz), 300 g (11 oz) and 200 g (7.1 oz), respectively, more on average than a Harris's hawk.
In the Southwestern United States, the most common prey species (in descending order of prevalence) are desert cottontail (Syvilagus auduboni), eastern cottontail (Syvilagus floridanus), black-tailed jackrabbit (Lepus californicus), ground squirrels (Ammopsermophilus spp. and Spermophilus spp.), woodrats (Neotoma spp.), kangaroo rats (Dipodomys spp.), pocket gophers (Geomys and Thomomys spp.), Gambel's quail (Callipepla gambelii), scaled quail (C. squamata), northern bobwhite (Colinus virginianus), cactus wren (Campylorhynchus brunneicapillus), northern mockingbird (Mimus polyglottos), desert spiny lizards (Sceloporus magister), and skinks (Eumeces spp.) In the tropics, Harris's hawks have adapted to taking prey of several varieties, including those like chickens and European rabbits introduced by man. In Chile, the common degu (Octodon degus) makes up 67.5% of the prey.
Hunting
While most raptors are solitary, only coming together for breeding and migration, Harris's hawks will hunt in cooperative groups of two to six. This is believed to be an adaptation to the lack of prey in the desert climate in which they live. In one hunting technique, a small group flies ahead and scouts, then another group member flies ahead and scouts, and this continues until prey is bagged and shared. In another, all the hawks spread around the prey and one bird flushes it out. Harris's hawks will often chase prey on foot, and are quite fast on the ground and their long, yellow legs are adapted for this, as most hawks do not spend as much time on the ground. Groups of Harris's hawks tend to be more successful at capturing prey than lone hawks, with groups of two to four individuals having ~10% higher success rates per extra individual.
Relationship with humans
Falconry
Since about 1980, Harris's hawks have been increasingly used in falconry and are now the most popular hawks in the West (outside of Asia) for that purpose, as they are one of the easiest to train and the most social.
Trained Harris's hawks have been used to remove an unwanted pigeon population from London's Trafalgar Square, and from the tennis courts at Wimbledon.
Trained Harris's hawks have been used for bird abatement by falconry experts in Canada and the United States at various locations including airports, resorts, landfill sites, and industrial sites.
In art
John James Audubon illustrated Harris's hawk in The Birds of America (published in London, 1827–38) as Plate 392 with the title "Louisiana Hawk -Buteo harrisi". The image was engraved and colored by the Robert Havell, London workshops in 1837. The original watercolor by Audubon was purchased by the New York History Society where it remains to this day (January 2009).
Better data is becoming available on economic activity within countries, often much exceeding the available information of economic activity across countries. This creates new research opportunities for testing economic theory, analyzing market structures and the sources of market segmentation, and making predictions of how economic shocks propagate across space. The aim of this conference is to bring together researchers from urban economics, industrial organization, health economics, and international trade to study production and trade within and across countries.
Photo by Echo Xie
Friday June 22, 2012 12:00pm - 1:30pm @ World Resources Institute (10 G St NE, Suite 800, Washington, DC 20002)
Most nonprofit organizations are making use of video as a communications tool, but not as many consider their long-term objectives with video. In a quickly evolving media landscape, a video communications strategy must include short- and long-term planning, audience identification and segmentation, and distribution strategies in order to get your organization's message to the right audiences. Join our panel as we explore best practices in the planning, creation and distribution of nonprofit video.
Lunch sandwiches will be provided by the organizer for the first 40 attendees who preregister online and bring their Eventbrite confirmation to the event.
Our panel will address the following topics:
How to use video as part of a larger communications campaign,
How to determine your audiences and the key issues that matter to them,
The benefits of establishing a long-term relationship with a videographer/editor and animator,
How to create a media file library,
How to allocate resources to use video as part of a long-term communications strategy,
How to create videos with "legs" (that will be picked up by other news sites, blogs, etc).
How to distribute video so as to build your audience,
How infographics and animation can add to your story,
...and more!
Panelists:
Kristen Milhollin (Moderator) - Co-Founder, The Goodspeaks Project
Ben Connors - Media Innovator and Visual Journalist
Will Carroll - Creative Director and Principal, Geoill; Organizer, DC Animation Group
Diane Sherman - Founder and Principal, Dianne Sherman Communications
Martha Dodge - Independent Visual Journalist, Still Photographer and Writer
Dave Cooper, Films and Brand Manager, World Resources Institute
Learn more: benevolentmedia.org/festival
Photo by Echo Xie
Friday June 22, 2012 12:00pm - 1:30pm @ World Resources Institute (10 G St NE, Suite 800, Washington, DC 20002)
Most nonprofit organizations are making use of video as a communications tool, but not as many consider their long-term objectives with video. In a quickly evolving media landscape, a video communications strategy must include short- and long-term planning, audience identification and segmentation, and distribution strategies in order to get your organization's message to the right audiences. Join our panel as we explore best practices in the planning, creation and distribution of nonprofit video.
Lunch sandwiches will be provided by the organizer for the first 40 attendees who preregister online and bring their Eventbrite confirmation to the event.
Our panel will address the following topics:
How to use video as part of a larger communications campaign,
How to determine your audiences and the key issues that matter to them,
The benefits of establishing a long-term relationship with a videographer/editor and animator,
How to create a media file library,
How to allocate resources to use video as part of a long-term communications strategy,
How to create videos with "legs" (that will be picked up by other news sites, blogs, etc).
How to distribute video so as to build your audience,
How infographics and animation can add to your story,
...and more!
Panelists:
Kristen Milhollin (Moderator) - Co-Founder, The Goodspeaks Project
Ben Connors - Media Innovator and Visual Journalist
Will Carroll - Creative Director and Principal, Geoill; Organizer, DC Animation Group
Diane Sherman - Founder and Principal, Dianne Sherman Communications
Martha Dodge - Independent Visual Journalist, Still Photographer and Writer
Dave Cooper, Films and Brand Manager, World Resources Institute
Learn more: benevolentmedia.org/festival
Mine, Yours, Ours 2019
Filodrammatica Gallery, Rijeka
14th February, 2019
on view until 1st March, 2019 (Mon-Fri 5 - 8 pm)
Curated by Silvio Lorusso
Featured artists: Anxious to Make, Deconstructeam, Constant Dullaart, Maria Eichhorn, Sam Kidel, Alina Lupu, François Girard Meunier, Elisa Giardina Papa, Ottonie Von Roeder, Sebastian Schmieg and Jeff Thompson
Photo: Tanja Kanazir / Drugo more
Bharat Book Bureau Provides the Trending Market Research Report on “Urban Air Mobility Market by Solution, Mobility Type, Platform Operation, Range, Platform Architecture, End User, Region- Global Forecast to 2030”under Defence Market Research Report Category. The report offers a collection of superior Market research, Market analysis, competitive intelligence and Market reports.
The Urban Air Mobility Market is projected to grow from USD 3.8 billion in 2023 to USD 28.5 billion by 2030, at a CAGR of 33.5% from 2023 to 2030. Various factors, such as the need for sustainable aviation in urban areas and increasing urban congestion, drive the market for urban air mobility. However, limited regulatory framework and public psychological obstacles involving UAM are limiting the overall growth of the market.
“Cargo Air Vehicles: The second largest share in mobility type segment in the urban air mobility market in 2023.”
The cargo air vehicles segment is projected to have the second-largest share in 2023. Cargo air vehicle manufacturing companies are focusing on the use of aerial cargo vehicles to deliver light and heavy cargo for intercity and intracity deliveries. The commercial logistics industry uses cargo air vehicles for applications such as inventory management, inventory tracking, parcel delivery, delivery of medical supplies, and food delivery. Thus, the increasing use of cargo air vehicles in commercial logistics is driving the urban air mobility market.
“E-commerce Companies: The second largest share in end-user segment in the urban air mobility market in 2023.”
The E-commerce companies segment is projected to have the second-largest share in 2023. E-commerce companies have become integral participants in the urban air mobility (UAM) ecosystem. They actively contribute to the evolution of delivery services by harnessing UAM technology. By partnering with UAM service providers or establishing their own delivery networks, e-commerce companies optimize their logistics operations for enhanced efficiency and speed. The collaboration between e-commerce and UAM facilitates innovative solutions for last-mile delivery, elevating the customer experience and driving the growth of the e-commerce industry.
“Fixed-wing Hybrid: The second largest share in platform architecture segment in the urban air mobility market in 2023.”
The fixed-wing hybrid segment is projected to have the second-largest share in 2023. Fixed-wing hybrid aircraft in urban air mobility (UAM) has experienced remarkable growth. Fixed-wing hybrid urban air mobility (UAM) aircraft combine the benefits of fixed-wing airplanes and electric propulsion systems. These aircraft use a combination of electric motors and traditional combustion engines, providing both power and lift. They are well-suited for longer-distance trips and can leverage existing airport infrastructure. The growth of this segment is due to ongoing efforts to enhance efficiency, reduce emissions, and promote sustainability in urban air transportation.
“The European region is estimated to have the second largest share in the urban air mobility market in 2023.”
Europe is estimated to account for the second-largest share in urban air mobility in 2023. The European region for this study comprises France, the UK, Russia, Germany, Italy, Switzerland, and the Rest of Europe. Urban air mobility in Europe has experienced a remarkable surge in recent years. The growth of the segment is due to actively embracing developments in electric vertical takeoff and landing (eVTOL) aircraft and autonomous drones to revolutionize transportation within urban areas. Countries like Germany and the Netherlands are investing in the development of dedicated infrastructure and urban air mobility hubs. The European Union is also playing a crucial role by establishing regulatory frameworks to ensure the safe integration of drones and eVTOL aircraft into urban airspace.
The break-up of the profiles of primary participants in the urban air mobility market is as follows:
•By Company Type: Tier 1 - 49%; Tier 2 - 37%; and Tier 3 - 14%
•By Designation: C-Level Executives - 55%; Directors - 27%; and Others - 18%
•By Region: North America - 32%; Europe - 32%; Asia Pacific - 16%; Latin America - 10%; Rest of the World – 10%
Major Players in the urban air mobility market are Airbus SE (Netherlands), Volocopter GmbH (Germany), Hyundai Motor Company (South Korea), EHang (China), Joby Aviation, Inc. (US), Textron Inc. (US), Airo Group Holdings, Inc. (US) and Vertical Aerospace (UK).
Research Coverage
The market study covers the urban air mobility market across various segments and subsegments. It aims at estimating the size and growth potential of this market across different segments based on solution, mobility type, platform operation, platform architecture, end-user, range, and region. This study also includes an in-depth competitive analysis of the key players in the market, along with their company profiles, key observations related to their product and business offerings, recent developments undertaken by them, and key market strategies adopted by them.
Key benefits of buying this report:
This report will help the market leaders/new entrants in this market with information on the closest approximations of the revenue numbers for the overall urban air mobility market and its subsegments. The report covers the entire ecosystem of the urban air mobility industry and will help stakeholders understand the competitive landscape and gain more insights to better position their businesses and plan suitable go-to-market strategies. The report will also help stakeholders understand the pulse of the market and provide them with information on key market drivers, restraints, challenges, and opportunities.
The report provides insights on the following pointers:
Analysis of key drivers (Increasing urban congestion; Technological advancements in UAM industry; Need for fast and effective transportation; Rise in environmental concerns; smart city initiatives), restraints (Limited regulatory framework; Psychological obstacles involving UAM), opportunities (High demand for shorter lead time, Need for sustainable development), and challenges (Cybersecurity Concerns; Lack of skilled labor) influencing the growth of the urban air mobility market
• Product Development/Innovation: Detailed insights on upcoming technologies, research & development activities, and new product & service launches in the urban air mobility market
• Market Development: Comprehensive information about lucrative markets – the report analyses the urban air mobility market across varied regions
• Market Diversification: Exhaustive information about new products & services, untapped geographies, recent developments, and investments in the urban air mobility market
• Competitive Assessment: In-depth assessment of market shares, growth strategies, and service offerings of leading players like Volocopter GmbH (Germany), Eve Holding, Inc. (Brazil), Hyundai Motor Company (South Korea), Lilium Aviation GmbH (Germany), Joby Aviation, Inc. (US), Wingcopter GmbH (Germany) among others in the urban air mobility market.
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Mine, Yours, Ours 2019
Filodrammatica Gallery, Rijeka
14th February, 2019
on view until 1st March, 2019 (Mon-Fri 5 - 8 pm)
Curated by Silvio Lorusso
Featured artists: Anxious to Make, Deconstructeam, Constant Dullaart, Maria Eichhorn, Sam Kidel, Alina Lupu, François Girard Meunier, Elisa Giardina Papa, Ottonie Von Roeder, Sebastian Schmieg and Jeff Thompson
Photo: Tanja Kanazir / Drugo more
Better data is becoming available on economic activity within countries, often much exceeding the available information of economic activity across countries. This creates new research opportunities for testing economic theory, analyzing market structures and the sources of market segmentation, and making predictions of how economic shocks propagate across space. The aim of this conference is to bring together researchers from urban economics, industrial organization, health economics, and international trade to study production and trade within and across countries.
Photo by Echo Xie
Friday June 22, 2012 12:00pm - 1:30pm @ World Resources Institute (10 G St NE, Suite 800, Washington, DC 20002)
Most nonprofit organizations are making use of video as a communications tool, but not as many consider their long-term objectives with video. In a quickly evolving media landscape, a video communications strategy must include short- and long-term planning, audience identification and segmentation, and distribution strategies in order to get your organization's message to the right audiences. Join our panel as we explore best practices in the planning, creation and distribution of nonprofit video.
Lunch sandwiches will be provided by the organizer for the first 40 attendees who preregister online and bring their Eventbrite confirmation to the event.
Our panel will address the following topics:
How to use video as part of a larger communications campaign,
How to determine your audiences and the key issues that matter to them,
The benefits of establishing a long-term relationship with a videographer/editor and animator,
How to create a media file library,
How to allocate resources to use video as part of a long-term communications strategy,
How to create videos with "legs" (that will be picked up by other news sites, blogs, etc).
How to distribute video so as to build your audience,
How infographics and animation can add to your story,
...and more!
Panelists:
Kristen Milhollin (Moderator) - Co-Founder, The Goodspeaks Project
Ben Connors - Media Innovator and Visual Journalist
Will Carroll - Creative Director and Principal, Geoill; Organizer, DC Animation Group
Diane Sherman - Founder and Principal, Dianne Sherman Communications
Martha Dodge - Independent Visual Journalist, Still Photographer and Writer
Dave Cooper, Films and Brand Manager, World Resources Institute
Learn more: benevolentmedia.org/festival