View allAll Photos Tagged seeminglee
An old man crouches on the floor and fiddles with his phone next to his bike. He wears sneakers with the word “Fashion” painted over them.
Crouching this way while hanging out appears to be the norm for the mainland Chinese people. I don’t know how they do it. When I try the same pose, my feet are never able to lie flat, and my back hurts like hell. Everywhere I go, I see people squatting like this when they hang out. Is it just me? Can you do that?!
Photographed with the Canon EOS 7D + Canon EF 100-400mm f/4.5-5.6L IS USM inside Beishan Park, Dongbei, China.
Old Man + Phone (Asian Squat) / 中國東北吉林市北山公園 Jilin Beishan Park, Dongbei, China / SML.20140727.7D.52174
This panorama shows the path leading towards the Hall of Supreme Harmony (太和殿) after entering the Gate of Supreme Harmony (太和門). It can easily be seen that all the roofs inside the Forbidden City are glazed in the Imperial yellow (reserved for the emperor), and their walls painted in red for good fortune in Chinese culture.
17 captures were stitched together using cylindrical projection, with a field of view (FOV) of 132.63 x 45.69. Photographed handheld with the Canon EOS 6D + Canon EF 24-70 f/2.8L USM.
太和殿全景 Hall of Supreme Harmony (Panorama) / 中國北京故宫 Forbidden City, Beijing, China / SML.20140430.6D.31390-SML.20140430.6D.31406-Pano.i17.C.132.63x45.69.P1
This caricature of Donald Trump was adapted from a Creative Commons licensed photo from Gage Skidmore's Flickr photostream. The body was adapted from a Creative Commons licensed photo from Pete Birkinshaw's Flickr photostream. The button was adapted from a Creative Commons licensed photo from SunyDay76 on Wikimedia.
This caricature of Mitch McConnell was adapted from a photo in the public domain from the US Senate. The body was adapted from a Creative Commons licensed photo from See-ming Lee's Flickr photostream.
This caricature of Paul Ryan was adapted from a photo in the public domain from the House Website. The body was adapted from a Creative Commons licensed photo from Hairy Jacques's Flickr photostream.
Nothing can quite describe the excitement of seeing a parallax-free render after spending the time to make the series of shots—not to mention carrying the gear to the location in the middle of the night.
The Manfrotto 303 SPH pano head is not cheap, but at last I do not have to make excuses of why the seams do not match and try to fix them post-processing unsuccessfully. This is the best purchase in recent years yet again.
I found this open space near Pier 10 at Central Pier. All the architectural landmarks in Central can be clearly seen here, as well as the Central Plaza to the right in Wan Chai.
The IFC is quite tall, and I photographed this with the 6D + 17-40 angled 15-degree from the horizon. Stitched together using 15 captures set at 24-degree each. With the 303SPH (the 300N rotating head component) it becomes very easy to photograph at intervals covering everything equally without much guess work.
# SML Data
+ Date: 2013-06-23T22:02:16+0800
+ Dimensions: 21166 x 4855
+ Exposure: 4.0 sec at f/8.0
+ Focal Length: 21 mm
+ ISO: 400
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ Accessories: Canon TC-80N3 Remote release, Manfrotto 303 SPH pano head, Manfrotto tripod
+ Panorama FOV: 360 degree horizontal, 87 degree vertical
+ Panoramic Projection: Spherical
+ GPS: 22°17'7" N 114°9'44" E
+ Location: 香港中環碼頭 Central Ferry Piers, Central, Hong Kong
+ Subject: 香港中環 Central, Hong Kong
+ Workflow: Autopano Giga 3, Lightroom 4
+ Serial: SML.20130623.6D.16533-SML.20130623.6D.16547-Pano.i15.360x87
+ Series: 建築 Architecture, 全景攝影 Panoramic Photography
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
夜深雲湧 Cloudy night / 香港中環全景 Central, Hong Kong Panorama / SML.20130623.6D.16533-SML.20130623.6D.16547-Pano.i15.360x87
/ #建築 #建筑 #Architecture #全景 #Pano #Panorama #SMLPano #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #城市 #Urban #中環 #Central #雲 #Cloud #天 #空 #Sky #山水 #landscape
I went to check out the giant inflatable duck art installation currently on view at Harbour City to see what the fuss is all about. And there it is, floating on water.
This gigantic rubber duck which measures 14 x 15 x 16.5 meters was created as a statement for peace. In the Dutch artist Florentijn Hofman’s own words, “the Rubber Duck knows no frontiers, it doesn't discriminate people and doesn't have a political connotation. The friendly, floating Rubber Duck has healing properties: it can relieve mondial tensions as well as define them. The rubber duck is soft, friendly and suitable for all ages!” [1]
As with all things crazy in Hong Kong, what was most spectacular is not really the duck, but how many it has appeared on the media as well as how many people were seen photographing the duck on the docks.
On the evening news in Hong Kong, it was reported that some photographers were pushing each other just to get a space to photograph this floating duck. Oh humans.
The best place to photograph this is on the roof of Ocean Terminal where the car park is. There are much less people there and you get to see the duck well. I am claustrophobic so this is obviously where I photographed it.
# Notes
1. Florentijn Hofman: Projects: Rubber Duck: Hong Kong 2013 www.florentijnhofman.nl/dev/project.php?id=192
# SML Data
+ Date: 2013-05-08T16:07:39+0800
+ Dimensions: 5118 x 3412
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 32 mm
+ ISO: 200
+ Flash: DId not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°17'42" N 114°10'4" E
+ Location: 中國香港九龍尖沙咀海港城 Harbour City, Tsim Sha Tsui, Kowloon, Hong Kong, China
+ Workflow: Lightroom 4
+ Serial: SML.20130508.6D.05448
+ Series: Photojournalism, Crazyisgood, SML Fine Art
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Florentijn Hofman: Rubber Duck: Hong Kong 2013” / Crazyisgood Art Installation / SML.20130508.6D.05448
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #FlorentijnHofman #RubberDuck #ducks #yellow #WTF #LOL #people #crazy #installation #art #fineart
These are the stadium seatings inside the Bird’s Nest National Stadium. Most of the chairs were painted in a deep red color. Some chairs were painted in white, which would make more sense if you look at the whole stadium as a whole—they form a gradated pattern from the bottom to the top. This would be clearer once I posted a panoramic shot of the stadium.
Photographed with the Canon EOS 7D + Canon EF 100-400mm f/4.5-5.6L IS USM.
鸟巢紅椅 Red chairs inside the Bird’s Nest (National Stadium) / 中國北京體育建築之形 Sports architecture forms in Beijing, China / SML.20140502.7D.52037.P1
And now we take a short break from photojournalism and marvel at some truly incredible cloudscape seen recently outside my window stitched together using 5 full resolution RAWs with the 6D + 17-40 f/4L.
I switched to using Autopano Giga for my panorama stitching as I noticed that Hugin kept on removing resolution from my high res captures—but I couldn’t figure out why. APG has been pretty good so far though so it is nice.
# SML Translate: 白雲如棉挺山青 水映黃昏藍天明
+ 白: white.
+ 雲: clouds.
+ 如: (appears) like.
+ 棉: cotton (describe the clouds).
+ 挺: erect, holding up.
+ 山: mountains.
+ 青: blue / green (describes the color of the mountains).
+ 水: water.
+ 映: reflects.
+ 黃: yellow (color of the sunset)
+ 昏: sunset.
+ 藍: blue.
+ 天: sky.
+ 明: bright.
+ 白雲如棉挺山青 水映黃昏藍天明: during the yellow sunset, the water brightly reflects that of the blue sky with puffy white clouds.
# SML Data
+ Date: 2013-05-29T18:57:50+0800
+ Dimensions: 14616 x 5304
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 40 mm
+ ISO: 320
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ Panorama FOV: 98 degree horizontal, 64 degree vertical
+ Panoramic Projection: Planar
+ GPS: 22°22'42" N 114°9'42" E
+ Location: SML Universe HKG (Vista Paradiso, Ma On Shan, Hong Kong, China)
+ Subject: 香港中文大學 Chinese University of Hong Kong (CUHK) + 吐露港 Tolo Harbour
+ Workflow: Autopano Giga 3.0, Lightroom 4
+ Serial: SML.20130529.6D.15293-SML.20130529.6D.15298-Pano.Planar.98x64
+ Series: 寧 Serenity, 全景攝影 Panoramic Photography
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“白雲如棉挺山青 水映黃昏藍天明” / 香港中文大學全景之寧 Chinese University of Hong Kong (CUHK) Panoramic Serenity / SML.20130529.6D.15293-SML.20130529.6D.15298-Pano.Planar.98x64
/ #寧 #Serenity #SMLSerenity #全景 #Pano #SMLPano #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #山水 #landscape #雲 #Cloud #Cloudscape #自然 #Nature #CUHK
Zoom in on the photo the middle to find penguins. Ship on the far left is included for scale.
Danco is a one-mile (1.6km) long island lies in the southern part of the Errera Channel, off the western coast of Graham Land. Danco Island was first chartered by Gerlache and is named for the geophysicist who died during the Belgica expedition of 1897-99. Gentoo penguins are confirmed breeders and there is a minimum breeding population of approximately 1700 pairs. Snow algae may bloom. Snowy sheathbills, kelp gulls, blue-eyed shags also may be seen, but breeding is not confirmed.
When our plane was about to land in Sanya, I spotted a gigantic statue near one of the coastline. It turns out that it was a statue of the bodhisattva Avalokiteśvara (better known as Guanyin in East Asia). The statue is 108-meter (354 ft) tall, and as you can see from this aerial view, it is pretty big. The locals claim that ever since it was built in 2005, the frequent typhoons affecting Southeast Asia no longer cause any troubles for Sanya—which I can neither prove nor disprove with any meaningful data.
I usually try not to pull out my DSLR when all electronic equipments must be turned off, so sneaking the EOSM out is the best I could do. Useful little mirrorless camera, I have to say.
Photographed with the Canon EOS M + Canon EF-M 22mm f/2 STM on the plane from Hong Kong to Sanya.
# More Information
+ en.wikipedia.org/wiki/Guan_Yin_of_the_South_Sea_of_Sanya
南山海上觀音聖像 Guanyin of the South Sea of Sanya / 中國海南三亞 Sanya, Hainan, China / SML.20140506.EOSM.09918.P1.
The Gornergrat (English: Gorner Ridge; 3,135 m (10,285 ft)) is a rocky ridge of the Pennine Alps, overlooking the Gorner Glacier south-east of Zermatt in Switzerland. It can be reached from Zermatt by the Gornergrat rack railway (GGB), the highest open-air railway in Europe.
eyebeam.org/events/open-studios-fall-2009
Eyebeam is pleased to host Open Studios for its 2009 Senior Fellows, Resident Artists, and Student Residents at Eyebeam’s state-of-the-art design, research, and fabrication studio; showcasing video performance, wearable technologies, code and humor, party technology, and sustainablity design.
///////////////
Eyebeam is the leading not-for-profit art and technology center in the United States.
Founded in 1996 and incorporated in 1997, Eyebeam was conceived as a non-profit art and technology center dedicated to exposing broad and diverse audiences to new technologies and media arts, while simultaneously establishing and demonstrating new media as a significant genre of cultural production.
Since then, Eyebeam has supported more than 130 fellowships and residencies for artists and creative technologists; we've run an active education program for youth, artists' professional development and community outreach; and have mounted an extensive series of public programs, over recent years approximately 4 exhibitions and 40 workshops, performances and events annually.
Today, Eyebeam offers residencies and fellowships for artists and technologists working in a wide range of media. At any given time, there are up to 20 resident artists and fellows onsite at Eyebeam's 15,000-square foot Chelsea offices and Labs, developing new projects and creating work for open dissemination through online, primarily open-source, publication as well as a robust calendar of public programming that includes free exhibitions, lectures and panels, participatory workshops, live performances and educational series.
+++
SML Thank You
This was shot handheld with the 7D + 100-400 during sunset last week. The color information is rather tricky in this shot, so I processed it mainly inside Photoshop Lab mode. If processed in black and white then the drama is somewhat gone, but leaving them in tact looks odd also. I might circle back and work on it more later.
Stitched with 4 captures.
# SML Data
+ Date: 2013-07-06T18:02:15+0800
+ Dimensions: 14160 x 3702
+ Exposure: 1/800 sec at f/8.0
+ Focal Length: 400 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 7D
+ Lens: Canon EF 100-400mm f/4.5-5.6L IS USM
+ Panorama FOV: 9 degree horizontal, 2 degree vertical
+ Panoramic Projection: Planar
+ GPS: 22°25'10" N 114°13'26" E
+ Location: SML Universe HKG (Vista Paradiso, Ma On
Shan, Hong Kong)
+ Workflow: Autopano Giga 3, Lightroom 5, Photoshop CC
+ Serial: SML.20130706.7D.43781-SML.20130706.7D.43784-Pano.i4.9x2.L1.P1
+ Series: 寧 Serenity, 全景攝影 Panoramic Photography
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
黃昏雲影 Evening Cloudscape / 香港日落全景之寧 Hong Kong Sunset Panoramic Serenity / SML.20130706.7D.43781-SML.20130706.7D.43784-Pano.i4.9x2.L1.P1
It is not a skyscraper if it does not touch the sky. And on a foggy day like this, the International Commerce Centre (環球貿易廣場 ICC) certainly does [1] (pictured right). Besides being the tallest building in Hong Kong, it is currently the world’s fourth tallest building and the five-star Ritz-Carlton Hong Kong hotel currently occupies floors 102 to 118.
The red building to the left is The Arch (凱旋門). It is an 81-floor 231-metre (758 feet) tall skyscraper completed in 2006. It is currently the third-tallest residential building in Hong Kong and is made up of four towers. The towers join at the 69th floor to form an arch with the top floors and thus was named “The Arch” [2].
In the middle is another residential skyscraper called The Harbourside (君臨天下) [3]. It is a 255 m (836.6 ft) tall residential skyscraper which features many “Feng Shui Holes 風水洞” originally seen only at the luxury high-rise at the Southern District in Hong Kong. In Chinese mythology, the dragons flow from the north to the south and so architects decided to make “holes” for the dragon to pass through. Accordingly, the apartments near these holes are more expensive than the rest.
Altogether these building complex together with several other few and the shopping mall Elements make up what is called the “Union Square” area of Hong Kong in West Kowloon.
# Notes
1. The International Commerce Centre (Chinese: 環球貿易廣場) (abbr. ICC Tower) is a 118-storey, 484 m (1,588 ft) skyscraper completed in 2010 in West Kowloon, Hong Kong. en.wikipedia.org/wiki/International_Commerce_Centre
2. The Arch (凱旋門 / 凯旋门) at Union Square Hong Kong. en.wikipedia.org/wiki/Union_Square_(Hong_Kong)
3. The Harbourside (君臨天下) is a 255 m (836.6 ft) tall residential skyscraper located at 1 Austin Road West, in the Union Square complex. Construction of the 74-storey building began in 2001 and was completed in 2004 under the design by P & T Architects & Engineers. en.wikipedia.org/wiki/Union_Square_(Hong_Kong)
# SML Data
+ Date: 2013-05-08T16:47:27+0800
+ Dimensions: 5301 x 3534
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 17 mm
+ ISO: 160
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40mm f/4L USM
+ GPS: 22°18'15" N 114°9'43" E
+ Location: 香港西九龍柯士甸道西一號 Union Square, 1 Austin Road, West Kowloon, Hong KOng
+ Series: 建築 Architecture, 形 Forms, Crazyisgood
“摩天 Scraping the Sky” / 凱旋門 The Arch + 君臨天下 The Harbourside + 環球貿易廣場 International Commerce Centre / 香港摩天大廈建築之形 Hong Kong Skyscrapers Architecture Forms / SML.20130508.6D.05489
/ #建築 #建筑 #Architecture #形 #Forms #SMLForms #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #城市 #Urban #ICC #Arch #Harbourside #skyscraper #sky
# Updates
+ Published in a Fotopedia story about ICC: www.fotopedia.com/reporter/stories/dqb0kROHZIV/view
These are 紫芝, a type of Ganoderma (靈芝 Lingzhi) with a purple exterior. Ganoderma is a genus of polypore mushrooms which grow on wood, and include about 80 species, many from tropical regions. They are extensively used in traditional Asian medicines. And this particular type is sold in Sanya for treating diabetes, high blood pressure and liver diseases.
Photographed with the Canon EOS 6D + Canon EF 24-70mm f/2.8L USM.
# More Information
+ en.wikipedia.org/wiki/Ganoderma
紫芝 Purple Ganoderma (Lingzhi mushroom) / 中國海南三亞 Sanya, Hainan, China / SML.20140507.6D.32195.P1
The real reason why I was scanning stuff today was because I wanted to do some scanography self-portraits but I got distracted.
The Chiang Kai-shek Memorial Hall (中正紀念堂) is a monument erected in memory of Chiang Kai-shek, the former President of the Republic of China (Taiwan).
The Memorial Hall is white with four sides. The octagonal roof is covered with blue glazed tiles. The blue and white colors of the building and the red color of the flowerbeds echo the colors in the flag of Taiwan. The octagonal shape picks up with the symbolism of the number 8, a number traditionally associated in Asia with abundance and good fortune. Two sets of white stairs, each with 89 steps to represent Chiang’s age at the time of his death, lead to the main entrance.
# More Information
+ en.wikipedia.org/wiki/National_Chiang_Kai-shek_Memorial_Hall
中正紀念堂 Chiang Kai-shek Memorial Hall / 台灣台北 Taipei, Taiwan / SML.20140213.6D.30749.P1
/ #台灣 #臺灣 #Taiwan #台北 #Taipei #TW #SMLTravel #旅遊 #旅游 #Travel #SMLPhotography #SMLUniverse #SMLProjects
/ #建筑 #建築 #architecture #landmark #memorial
The Hall of Supreme Harmony (太和殿 Tài Hé Diàn) is the largest hall within the Forbidden City. It was erected in 1406 and has undergone many repairs. Built above three levels of marble stone base, and surrounded by bronze incense burners, the Hall of Supreme Harmony is one of the largest wooden structures within China. It was the location where Ming Dynasty and Qing Dynasty Emperors hosted their enthronement and wedding ceremonies.
Pictured is the stairs leading towards the building. The path in the center, with highly detailed dragon carvings, is reserved for the emperor.
Photographed with the Canon EOS 6D + Canon EF 24-70 f/2.8L USM.
# More Information
+ en.wikipedia.org/wiki/Hall_of_Supreme_Harmony
太和殿 Hall of Supreme Harmony / 中國北京紫禁城 Forbidden City, Beijing, China / SML.20140430.6D.31415.P1
Cloudscape is up to millions of interpretation. It never repeats itself and it never stops evolving.
This is how humans should live. For me, everything is an experiment. And I try not to repeat what I did before. This is the only way to live — to try different things and see what happens.
Life does not come with a manual. It has no rules — so as Mark Twain once said:
“Twenty years from now you will be more disappointed by the things that you didn't do than by the ones you did do. So throw off the bowlines. Sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover.”
# SML Translate
+ 青: Blue. (It can also mean green and blue-green but in this context I meant blue)
+ 天: Heaven, sky.
+ 雲: Clouds.
+ 錦: Brocade. Here used as metaphor of the thickness of the clouds.
+ 龍: Dragon.
+ 藏: Hide, hidden.
+ 宮: Palace.
+ 青天雲錦龍藏宮: The clouds are so thick in the blue sky that the dragons have decided to hide in their palace (and that’s why you don’t see them :)
# SML Workflow
Photographed handheld with the Canon EOS 7D + EF 70-200mm f/4L USM + 1.4x. Processed in Lightroom 4.
# SML Data
+ Date: 2013-02-05 15:04:29 GMT+0800
+ Dimensions: 5184 x 3456
+ Exposure: 1/1250 sec at f/5.6
+ Focal Length: 235 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 7D
+ Lens: Canon EF 70-200mm f/4L USM + 1.4x
+ GPS: 22°25'10" N 114°13'25" E (SML Universe HKG)
+ Serial: SML.20130205.7D.21291
+ Series: 寧 Serenity
“青天雲錦龍藏宮” / 寧 Serenity / SML.20130205.7D.21291
/ #寧 #serenity #SMLSerenity #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #藍 #蓝 #blue #色 #color #雲 #云 #cloud #cloudscape
/ #山水 #landscape #攝影 #摄影 #photography
/ #香港 #HongKong #中國 #中国 #China #Canon7D #Canon70200
Pictured is a variety of hard candies being made into all different kinds of shapes on the street. The dragon (or shrimp?) version is obviously the most popular, but the pigs look cute and dandy as well.
Photographed with the Canon EOS 6D + Canon EF 24-70mm f/2.8L USM at Nanluoguxiang (南鑼鼓巷), a popular hutong in Beijing, China.
Chinese hard candies / 中國北京南鑼鼓巷 Nanluoguxiang, Beijing, China / SML.20140503.6D.31982.P1
This is a panorama of the Houhai Lake (後海, literally: “Rear Sea”), one of the largest lake in central Beijing. I past by this lake during my hutong rickshaw ride. The water is clear, the trees wiggle ever so gently, and the smog of Beijing seems to all dissipate.
Stitched together with 15 captures on the Canon EOS 6D + Canon EF 24-70 f/2.8L USM. FOV is 169.12 x 59.84. It is cropped so the vertical FOV is much less than the original. Cylindrical projection.
# More Information
+ en.wikipedia.org/wiki/Houhai
後海 Houhai Lake / 中國北京 Beijing, China / SML.20140503.6D.31939-SML.20140503.6D.31953-Pano.i15.C.169.12x59.84(2.58).P1
The Perito Moreno Glacier (Spanish: Glaciar Perito Moreno) is a glacier located in the Los Glaciares National Park in southwest Santa Cruz Province, Argentina. It is one of the most important tourist attractions in the Argentinian Patagonia.
Detail of the yellow glazed roof of one of the buildings inside the Forbidden City. Compared to the roofs of the more important buildings in the palace museum, this roof has not seen any renovation in many years. But this just adds to its character and charm.
Photographed with the Canon EOS 7D + Canon EF 100-400mm f/4.5-5.6L IS USM inside the Forbidden City, Beijing, China.
黃瓦屋頂 Yellow glazed roof / 中國北京故宫 Forbidden City, Beijing, China / SML.20140430.7D.51980.P1
Paifang (牌坊) is a gating style as an arch and is an important building type in traditional Chinese architecture. Outside of China, it has long been the symbol of Chinese culture, and can be seen in Chinatowns in many western cities.
Paifangs come in a number of forms. The one seen here involves placing wooden pillars onto stone bases, which are bound together with wooden beams. This type of paifang is always beautifully decorated, with the pillars usually painted in red, the beams decorated with intricate designs and Chinese calligraphy, and the roof covered with coloured tiles, complete with mystical beasts.
Photographed at the entrance to The Grand Hotel (圓山大飯店) with the Canon EOS 6D + Canon EF 24-70 f/2.8L. Processed in Lightroom 5 and Photoshop CC 2014.
# More Information
+ en.wikipedia.org/wiki/Paifang
圓山大飯店牌坊 The Grand Hotel / 台灣台北 Taipei, Taiwan / SML.20140213.6D.30719.P1
/ #台灣 #臺灣 #Taiwan #台北 #Taipei #SMLTravel #旅遊 #旅游 #Travel #SMLPhotography #SMLUniverse #SMLProjects
/ #建筑 #建築 #architecture #landmark #paifang #culture #hotel #tradition
Charming typographic installation with motion activated sensors. That said, I am personally a bit tired of seeing them. They mostly remind me of Edward Ruscha’s paintings with big type, except with added technology. When these first appeared in the art world I do like them but unfortunately not anymore. They become almost formulaic these days, but they are popular because obviously _some_ people love them.
Peter Liversidge (born 1973, Lincoln, England) is a British contemporary artist notable for his diverse artistic practice and use of proposals.
Over the course of the last 12 years, using an Olivetti typewriter, Liversidge has created proposals for exhibitions that range from the simple to the impossible. He experiments with what he describes as the "notion of creativity", often realised as objects, performances, or happenings over the course of an exhibition.
Liversidge says of his proposals that: “.. it’s important that some of the proposals are actually realized, but no more so that the others that remain only as text on a piece of A4 paper. In a sense they are all possible and the bookwork that collates the proposals allows the reader to curate their own show, and because of its size and scale the bookwork allows an individual to interact with each of the proposals on their own terms, one to one.”
Peter Liversidge
Hello, 2013
58 Light bulbs, powder coated steel, motion activated sensor
Unique at this size
53.5 x 267.9 x 18 cm
# Peter Liversidge
www.inglebygallery.com/artists/peter-liversidge/
en.wikipedia.org/wiki/Peter_Liversidge
# Ingleby Gallery
15 Calton Road
Edinburgh EH8 8DL
United Kingdom
# SML Data
+ Date: 2013-05-23T14:06:37+0800
+ Dimensions: 4017 x 2678
+ Exposure: 1/200 sec at f/2.0
+ Focal Length: 22 mm
+ ISO: 100
+ Camera: Canon EOS M
+ Lens: Canon EF-M 22mm f/2 STM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.EOSM.03963
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Mixed Media Installation by Peter Liversidge: Hello, 2013 (58 Light bulbs, powder coated steel, motion activated sensor)” / Ingleby Gallery / Art Basel Hong Kong 2013 / SML.20130523.EOSM.03963
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLTypography #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #PeterLiversidge #typography #installation #InglebyGallery #UK
Artist toolbox: James Cospito (Flickr)
See also
+ Artits on Art: James Cospito talks about his NYC Subway series (Flickr HD video)
+ Art + Artists: James Cospito talks about Brooklyn Art Project (Flickr HD video)
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
As usual, I feel that one cannot fully comprehend an architectural space without a panorama, so here is one such. This shows the inside of the main arena, with the exposed skylight, which is both functional and beautiful. Form follows function.
This panorama is stitched together using 16 images captured with the Canon EOS 6D + Canon EF 24-70mm f/2.8L USM. It covers a FOV (field of view) of 219.20 x 74.48 degrees.
# More Information
+ en.wikipedia.org/wiki/Beijing_National_Aquatics_Center
水立方北京國家游泳中心全景 The Water Cube, Beijing National Aquatics Center (Panorama) / 中國北京體育建築之形 Sports architecture forms in Beijing, China / SML.20140502.6D.31824-SML.20140502.6D.31839-Pano.i16.C.219.20x74.48(2.56).P1
Arrays of similar things have always interested me. On the surface, they all look the same, but then when you look closer, they all have minute differences among them. Macro vs micro.
This is the facade of a luxury hotel in Sydney. Every room is a suite. As a hotel, every room comes with the same furniture. But every occupant arranges their patio furniture differently. Chaos has its order.
Pullman Quay Grand Sydney Harbour, 61 Macquarie Street, East Circular Quay, Sydney NSW 2000, Australia. Photographed with the Canon EOS 6D + Canon EF 100-400mm f/4.5-5.6L IS USM far across the Sydney Harbour.
Same but not equal / Hotel architecture forms in Sydney, Australia / SML.20140315.6D.30917.P1
In Hong Kong, the presence of holes in some skyscrapers is a fascinating aspect of architectural design deeply rooted in feng shui, an ancient Chinese practice that empharsizes harmony with nature and the flow of energy, or qi.
These holes, ofter referred to as “dragon gates,” serve a symbolic purpose, allowing mythical dragons to traverse freely between the mountains and the sea, thereby facilitating the movement of positive energy throughout the buildings.
Feng shui 風水.
Feng 風. Wind.
Shui 水. Water.
Qi 氣. Air.
Dragon gates 龍門.
The Harbourside 君臨天下, West Kowloon, Hong Kong
Canon EOS 7D
Canon EF 100-400 f/4.5-5.6L IS USM
See-ming Lee, 2013-2024
Dragon Gates 龍門, The Harbourside 君臨天下, West Kowloon, Hong Kong / Crazyisgood / SML.20130808.7D.49107
The color palette of the architecture makes a lot more sense looking up—the leaves in green, the trunks in red and yellow (brown), the sky and lake in blue.
I don’t usually do a reverse-vignette on any of my photos, but here it seems to work with the very bright sunlight. Photographed with the Canon EOS 6D + Canon EF 24-70mm f/2.8L USM at the Summer Palace (頤和園) in Beijing, China.
頤和園古樹涼亭 Ancient trees + gazebo, Summer Palace / 中國北京 Beijing, China / SML.20140502.6D.31710.P1
The dragon boat festival is long over, but team members from Hong Kong Police Dragon Boat Club (香港警察龍舟會 PDBC) have been practicing ever more vigorously at Tolo Harbour.
Pictured are two medium-sized dragon boats 富利龍 (Fù lì lóng, lit. rich and easy dragon) and 五週年會長紀念龍 (5th Anniversary Commemorate boat for President) racing each other during the weekends.
As I last wrote, I have tried to do videography for them but I do not currently have a tripod head which can do fluid pan action so instead I shot some stills trying to do a stop-motion flick, but it did not come out as nicely as I wanted to — but stay tuned.
# References
+ zh.wikipedia.org/wiki/香港警察龍舟會
# SML Data
+ Date: 2013-08-17T16:15:01+0800
+ Dimensions: 5184 x 3456
+ Exposure: 1/640 sec at f/8.0
+ Focal Length: 400 mm
+ ISO: 500
+ Camera: Canon EOS 6D
+ Lens: Canon EF 100-400mm f/4.5-5.6L IS USM
+ GPS: 22°25'12" N 114°13'21" E
+ Location: SML Universe HKG
+ Subject: 香港吐露港 Tolo Harbour, Hong Kong
+ Serial: SML.20130817.7D.50621
+ Workflow: Lightroom 5
+ Series: 體育 Sports, 男 Men
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
賽龍 Dragon Race / 香港警察龍舟會: 富利龍和五週年會長紀念龍 Hong Kong Police Dragon Boat Club Medium-sized Dragon Boats / 香港水上體育運動 Hong Kong Water Sports / SML.20130817.7D.50621
/ #體育 #Sports #男 #Men #SMLMen #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #龍舟 #龙舟 #dragonboat #警察 #Police #海 #sea #人 #People
This is an HDR time-lapse of a Shing Mun River (城門河) during sunset in Hong Kong. It was shot from the vantage point of the Banyan Bridge (翠榕橋) which runs parallel to the river which reaches most of Shatin (沙田).
# Black and white vs Color
The video first shows what the HDR footage looks like in color, which highlights the change in hues during sunset. Then it shows a side-by-side comparison when processed in black and white. And finally, it shows the footage when separately processed in black and white. In the B+W rendition, you would see that the intention — which is the clouds in the sky and its reflection from the river — is much more pronounced when the color information is removed.
# Workflow
As I wrote previously [1], I originally had not intended it to be an HDR time-lapse, but since I erroneously left the AEB (auto-exposure bracketing) on before starting the timer, I ended up with 3 exposures spanning -3 to +3 every 5 seconds. The way I processed it is as such:
1. Import RAW files into Lightroom, such that they would be serialised (renamed) the way I need them to.
2. Create an HDR processing preset using Photomatix Pro using one of the image stack.
3. Batch-process the whole folder of images using the preset set in step 2 and output to 16-bit TIF and 32-bit HDR files.
4. Import those 16-bit TIFs into Lightroom, and create DNGs for each of the tone mapped HDR images.
5. In LRTimelapse, setup keyframes from the DNGs (LRT only works on DNG or CR2 and not TIFs)
6. Processed keyframes in Lightroom: one set for color, one set for B+W)
7. Batch-process DNGs using LRT again.
8. Export 1080p JPGs from Lightroom for each frame.
9. Assembled image sequences inside After Effects.
The workflow is not really very complex — but mostly I was just waiting for the computer to crunch numbers to process all these images. After all this, you get 8 seconds of footage, which was also one of the reasons why I decided to output both the color and black and white versions so there would be a slightly longer time to watch it through.
# Soundtrack: Memoirs (Cinematic Version) by Rameses B
Once again, I salute talented musicians who graciously published their music under Creative Commons (CCBY) such that I can focus on working on the visuals. Soundtrack has always been the bottleneck for most of my footage.
soundcloud.com/ramesesb/rameses-b-memoirs-cinematic
# Notes
1. 如上以下 As above, so below / 香港沙田城門河之寧 Hong Kong Shatin Shing Mun River Serenity (BW HDR) / SML.20130807.6D.25123-24-25.HDR.BW: www.flickr.com/photos/seeminglee/9501334606/
# SML Data
+ Date: 2013-08-07 (recorded) 2013-08-14 (processed)
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ Accessories: Canon TC-80N3, Manfrotto tripod, Manfrotto head
+ Workflow: Lightroom 5, LRTimelapse 3, Photomatix Pro 4, After Effects CC, Ableton Live Suite 8
+ Video: 1920x1080 (1080p), 24fps, Progressive
+ Location: 香港沙田城門河 Shing Mun River, Shatin, Hong Kong
+ Photographer: See-ming Lee 李思明 / SML Photography
+ Soundtrack: Rameses B: Memoirs (Cinematic Version) / SoundCloud CCBY
+ Media Production: SML Universe
+ License: Creative Commons Attribution 3.0 Unported (CCBY)
+ Copyright: 2013 See-ming Lee 李思明 / SML Universe Limited
+ Series: 寧 Serenity
+ Serial: SML.20130807.6D.25087-SML.20130807.6D.25677-HDR-PPTM-TL
# SML Simulcast
+ flickr.com/photos/seeminglee/9510440760/
+ youtube.com/watch?v=FZXN8jMyDQo
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
如上以下 As above, so below / 香港沙田城門河
之寧 Hong Kong Shatin Shing Mun River Serenity (HDR Timelapse) / SML.20130807.6D.25087-SML.20130807.6D.25677-HDR-PPTM-TL
/ #寧 #Serenity #SMLSerenity #HDR #SMLHDR #Timelapse #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #山水 #landscape #自然 #Nature #cloudscape #clouds #video
Our ideas are so bad we have to cheat to win.
This caricature of Donald Trump was adapted from a Creative Commons licensed photo from Gage Skidmore's Flickr photostream. The body was adapted from a Creative Commons licensed photo from Pete Birkinshaw's Flickr photostream. The button was adapted from a Creative Commons licensed photo from SunyDay76 on Wikimedia.
This caricature of Mitch McConnell was adapted from a photo in the public domain from the US Senate. The body was adapted from a Creative Commons licensed photo from See-ming Lee's Flickr photostream.
At first I thought that this work was by Tony Oursler, who is the only artist I like who integrates videos in his work with other media. But it would appear that I have found someone I should keep an eye on—in China no less.
周啸虎 Zhou Xiaohu (b. 1960, Changzhou, Jiangsu Province) was one the of the first contemporary artists in China to work experimentally with sculptural ideas of video and animation. With a background in sculpture, oil painting and graphic design, Zhou’s work is a dynamic combination of these mediums, reflecting a world in which technology rules and the media is the pinnacle of propaganda and public influence.
Titled “America Loves Me”, this oil painting on aluminium plate comes come with an animated video as part of the piece which runs for 1 min 6 sec. It shows almost the same image as the painting, except that the shovel was seen digging dirt out from the tent.
As with the best contemporary artworks which I like, I found myself saying “WTF” out loud continuously for almost a minute. I have no idea what it is intended to say. Some day I would love to meet this guy. For now, my tiny brain is off to a reboot.
ZHOU Xiaohu 周啸虎
America Loves Me
2012
Oil painting on aluminium plate, animation video
217 x 122 cm
Animation video: 1 min 6 sec
Edition 2/2
# Zhou Xiaohu 周啸虎 (周嘯虎)
b. 1960, Changzhou, Jiangsu Province, China
www.longmarchspace.com/artist/list_7_brief.html
# Long March Space 长征空间 (長征空間)
Founded by Lu Jie in the 798 Art District of Beijing in 2002, Long March Space plays a vital role in pursuing new avenues of production, discourse, and promotion of contemporary art in China. Working to advance the careers of eighteen artists across three generations, the gallery looks to establish a portfolio of the most progressive artists working in contemporary China today.
4 Jiuxianqiao Road, Chaoyang District
Beijing 100015
China
# SML Data
+ Date: 2013-05-23T15:39:41+0800
+ Dimensions: 4798 x 2725
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 40mm
+ ISO: 800
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13936
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Installation by ZHOU Xiaohu 周啸虎 (周嘯虎): America Loves Me, 2012 (Oil painting on aluminium plate, animation video)” / Long March Space 长征空间 (長征空間) / Art Basel Hong Kong 2013 / SML.20130523.6D.13936
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #ZHOUXiaohu #周啸虎 #周嘯虎 #LongMarchSpace #长征空间 #WTF #installation #oil
I was not sure what this was when I photographed this, but it appears that Beijing is building an observation deck for the Olympic Park. When completed, the tower will stand 243m tall. It is designed by Shi Yingfang, Li Lei and Wen Yaling. The form of the architecture looks very similar to the organic lamp post nearby.
This would be very much welcome. The area currently lacks a good vantage point to photograph the wonderful architectures inside the park.
Photographed with the Canon EOS 7D + Canon EF 100-400mm f/4.5-5.6L IS USM inside the Olympic Park, Beijing, China.
奥林匹克公园瞭望塔 Olympic Park Observation Tower / 中國北京建築之形 Architecture forms in Beijing, China / SML.20140502.7D.52026.P1
Whereas having a chiseled body may be a physical ideal in the modern times, being fat was once considered a natural beauty in China. As early as Han Dynasty, the rounded figures used to be desired. And in the early to mid 1900s, when wars were fought across the nation, being fat was once considered a sign of being “well fed,” even though this notion has slowly dissipated.
The “Fatty” sculptural series by Chinese artist 牟柏岩 Mu Boyan (b. 1976) depicts a naked male figure in unimaginable position. Here he is seen hanging onto a ledge and would not let go. Some art critics see the figure as that of sumo wrestler, though I highly doubt that at Chinese artist would be referencing sports culture from Japan.
Similar to the laughing men of 岳敏君 Yue Minjun, you either love it or hate it, but the one thing you cannot do is forget about it. And in that sense it is a successful piece.
Truly demented. Crazyisgood. Just the kind of art I love.
牟柏岩 Mu Boyan (b. 1976 Yunan, China)
Dot
2013
Color on Stainless steel
142 x 37 x 42 cm
# 牟柏岩 Mu Boyan
b. 1976
+ 1993-1997: 中央美术学院 China Central Academy of Fine Arts
+ 1997-2002: BFA, Sculpture, China Central Academy of Fine Arts 中央美术学院雕塑系，获学士学位
+ 2002-2005: MFA, Sculpture, China Central Academy of Fine Arts 中央美术学院雕塑系，获硕士学位。
+ 2005: Teaches at China Central Academy of Fine Arts 中央美术学院
# Aye Gallery
Rm 601, Unit 3, Yonghe Garden, Yard 3, Dongbinhe Road, Dongcheng District
Beijing 100013
China
# SML Data
+ Date: 2013-05-23T18:33:48+0800
+ Dimensions: 3545 x 5252
+ Exposure: 1/30 sec at f/4.0
+ Focal Length: 29 mm
+ ISO: 100
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14253
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
Sculpture by 牟柏岩 Mu Boyan (b. 1976 China): Dot (Fatty series), 2013 (Color on Stainless steel) / Aye Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.14253
/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #牟柏岩 #MuBoyan #sculpture #WTF #LOL #sculpture #fat #figure
James Cospito's (Flickr) Moleskine stash, seen at the Brooklyn Art Project HQ (Flickr Group) during the Dumbo Art Festival 2009.
See also James Cospito talks about his NYC Subway series (Flickr HD video)
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
Mixed media paintings by Dean Russo (Facebook). Photographed inside the artist's studio during Dumbo Art Festival in 2009.
Dean Russo on the Web
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
The Matterhorn (German: Matterhorn, [ˈmatərˌhɔrn]; Italian: Cervino, [ˈtʃerˈviːno]; French: Mont Cervin, [mɔ̃ sɛʁvɛ̃]) is a mountain of the Alps, straddling the main watershed and border between Switzerland and Italy. It is a large, near-symmetrical pyramidal peak in the extended Monte Rosa area of the Pennine Alps, whose summit is 4,478 metres (14,692 ft) high, making it one of the highest summits in the Alps and Europe.
A red sculptural doll lies happily on the flat and two-dimensional canvas filled with black and white characters drawn with lines waiting to come out.
Korean artist Eddie Kang’s mixed media piece is yet another fine example of WTF work seen recently at Art Basel Hong Kong 2013 which short-circuited my tiny brain.
As always, I am further WTF’ed up by the gallery description, which you are free to read below. Korean pop art at its heights. The artist got his art education in film and animation at RISD, which might explain the style which he paints with.
Crazyisgood.
Eddie Kang
In the middle of
2013
mixed media on canvas
130 x 130 cm
# Eddie Kang
2003 Rhode Island School of Design (BFA in Fine Art: Film/Animation/Video)
Eddie Kang thematically centered on memories (reminiscences) continuously when he had expressed his works. To express the psychological status of the fiction space (Comic series), he adjusts the frame and juxtaposes the characters with the realities of life that has structural limits and develops an unfamiliar space time. Hereafter, the process of recalling his childhood illusion or series of events is to reconstruct the memories and combine (“Absorbing”, “KARMA” series) them together which is similar as the memory of systematic reconstruction. In places, the collision of reality and inner narrative exposes in his artworks. The behavior of sewing emblem that indulges the cherished objects’ absence during the artist’s childhood and studying abroad, while the subject of dolls and in between their relationship and the overwhelming robots that symbolize the external world events not only deployed as a symbolic placement but by narration which renders a distinctive structure. This description that continues the process of the stories’ context does not exist, but which suits with fiction that evolves to a positive result. The individual characters exist by themselves and continuously arouse hybridization, transmutation that proliferates and might be evidence of the past memories that harmonize with the reality; the process of recalling.
www.galleryihn.com/at/eddie/bio.html
# Gallery Ihn
73 Cheongwadae-ro Jongno-gu
110 - 220 Seoul
Korea, Republic Of
# SML Data
+ Date: 2013-05-23T16:42:01+0800
+ Dimensions: 2985 x 2985
+ Exposure: 1/80 sec at f/4.0
+ Focal Length: 40 mm
+ ISO: 100
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13996.SQ
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Eddie Kang: In the middle of, 2013 (mixed media on canvas)” / Gallery Ihn / Art Basel Hong Kong 2013 / SML.20130523.6D.13996.SQ
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #EddieKang #GalleryIhn #mixedmedia #WTF #LOL #popart #KR
The Rhine Falls (German: Rheinfall) is a waterfall in Switzerland, Europe.
The falls are located on the High Rhine on the border between the cantons of Schaffhausen and Zürich, between the villages of Neuhausen am Rheinfall (SH) and Laufen-Uhwiesen/Dachsen (ZH), next to the town of Schaffhausen in northern Switzerland.
See also Agata Olek talks about her 100% Acrylic Art Guards (Flickr 720p HD video)
Agata Olek (Flickr)
100% Acrylic Art Guards
"I think crochet, the way I create it, is a metaphor for the complexity and interconnectedness of our body and its systems and psychology. The connections are stronger as one fabric as opposed to separate strands, but, if you cut one, the whole thing will fall apart.
Relationships are complex and greatly vary situation to situation. They are developmental journeys of growth, and transformation. Time passes, great distances are surpassed and the fabric which individuals are composed of compiles and unravels simultaneously."
Agata Olek Biography. The SPLAT! of colors hits you in the face, often clashing so ostentatiously that it instantly tunes you into the presence of severely cheeky humor. A moment later the fatigue of labor creeps into your fingers as a coal miner's work ethic becomes apparent. Hundreds of miles of crocheted, weaved, and often recycled materials are the fabric from which the wild and occasionally wearable structures of her fantasylands are born.
Olek was born Agata Oleksiak in Poland and graduated from Adam Mickiewicz University in Poland with a degree in cultural studies. In New York, she rediscovered her ability to crochet and since then she has started her crocheted journey/madness.
Resume sniffers may be pleased to know Olek's work has been presented in galleries from Brooklyn to Istanbul to Venice and Brazil, featured in "The New York Times", "Fiberarts Magazine", "The Village Voice", and "Washington Post" and drags a tail of dance performance sets and costumes too numerous to mention.
Olek received the Ruth Mellon Award for Sculpture, was selected for 2005 residency program at Sculpture Space, 2009 residency in Instituto Sacatar in Brazil, and is a winner of apex art gallery commercial competition. Olek was an artist in an independent collective exhibition, "Waterways," during the 49th Venice Biennale. She was also a featured artist in "Two Continents Beyond," at the 9th International Istanbul Biennale.
Olek herself however can be found in her Greenpoint studio with a bottle of spiced Polish vodka and a hand rolled cigarette aggressively re-weaving the world as she sees.
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
While siheyuans (四合院) used to be residences for a single household, these days many have been converted as low-rent housing near the city. Pictured is one such converted residence, with clothes being hung dry right in the front porch. Bicycles line up the block. Red fortune writings on the walls. Circuit boxes installed to provide electricity for the households.
Photographed with the Canon EOS 6D + Canon EF 24-70mm f/2.8L USM during a hutong rickshaw ride near the Liuhai Hutong (劉海胡同) in Beijing, China.
# More Information
+ en.wikipedia.org/wiki/Siheyuan
四合院的轉變 The transformation of siheyuans (historic residence) / 中國北京 Beijing, China / SML.20140503.6D.31961.P1
See also video interview with the artist (Flickr HD video).
Deadly Sins
A new collectible, slated to set the mark as an icon for the 22nd Century - collect all Seven Deadly Sins. Due out by December in an exclusive limited edition set.
Pure Products USA | Ligorano/Reese Collaboration in Art
Towards a Surreal Politik…
In 1992, we began Pure Products of America as a series of multiple editions focusing on the impact of marketing on politics. Over the past 17 years, the series has expanded and now includes 14 pieces running the gamut from snow globes to underwear (our underwear was the first to pack a political message), to happy meals.
Each object is signed and numbered in various sized editions. When we introduce Pure Products, we send some of them as gifts to government officials. Presidents Obama, Bush, and Clinton, members of the Supreme Court and various Senators and Congressional representatives have all received a pure product at one time or another.
Pure Products also function as discreet elements in installations. The installations The Bible Belt, Pillars of the Clean Order, and Steel Nipples incorporated them in sculptural settings with video and other media. In 2001, we expanded on this idea with the inauguration of an online retail website as part of the project.
Each piece is grounded within a framework that satirizes political values and, often, lampoons morality. Some pure products, like Line Up and Contract with America underwear, became media sensations, reported in the press, on television and radio. The commentary surrounding the artwork is a mixture of absurdity and culture jamming, amplifying how much the media interprets and misinterprets contemporary art and blurs the connections between art, activism and commerce.
ligoranoreese.net/pure-products-usa
Bio
NORA LIGORANO and MARSHALL REESE have collaborated together as Ligorano/Reese since the early 80’s. They use collaboration to blend diverse talents into a singular voice and vision. In the process of creating their work, their individual contributions cross and criss-cross between each other from brainstorming to realizing and making the art on location or in the studio.
They use unusual materials and industrial processes to make their limited edition multiples, videos, sculptures and installations, moving easily from dish towels, underwear, and snow globes, to electronic art and computer controlled interactive installations.
They take and manipulate images, audio and text from old media: print, television, radio and combine that with the new: internet and mobile telecommunications. Their pursuit is an ongoing investigation into the impact of technology on culture and the associations and meanings that the media brings to images, language and speech in politics.
They have an interest with using open forms to involve community interaction, like their drawing contests, Crater Bay Area for the 01 Festival in San Jose and Crater New York at Location1. Installations that combine sculpture with public participation in drawing, within the context of a contest that is also streamed on the internet and in Second Life. Their ice sculptures, “Main Street Meltdown” and “The State of Things” share that same sense of open possibility, fusing natural processes of erosion and decay as flexible durations and markers to determine the experience of the work.
Many of their sculptures and installations reinterpret and reexamine older forms of technology - using objects that signify truth, authority and manifest cultural historicity. Ligorano/Reese use mirrors, clocks, metronomes and medieval codex bindings and combine them with video screens. They have invented micro-projection systems to display films on the head of a pin or the counterweight of a metronome.
Since 2004, they’ve investigated portraiture as a construct of social representation. Line Up (2004-5), their series of portraits of Bush administration officials in mug shot, acknowledges that the mug shot is the preeminent form of portraiture now that more people are incarcerated in the U.S. than any other country in the world. In December, 2007, the exhibition of these photos at the New York Public Library caused a firestorm of controversy with heavy rotation on FoxNews, DrudgeReport’s homepage and many, many other publications.
In 2001, they launched www.pureproductsusa.com, the online retail website for their infamous political art series the Pure Products of America. Since 1992, Ligorano/Reese have made 11 multiples in signed editions of 3 to 100. They are best selling editions at Printed Matter, artbook@ps1 and the New Museum store and have prompted, at least on one occasion, the RNC to threaten them with copyright infringement.
For more information see “The Joy of Collaborating: recipes for time-based art.”
Eyebeam Open Studios: Fall 2009
eyebeam.org/events/open-studios-fall-2009
Eyebeam is pleased to host Open Studios for its 2009 Senior Fellows, Resident Artists, and Student Residents at Eyebeam’s state-of-the-art design, research, and fabrication studio; showcasing video performance, wearable technologies, code and humor, party technology, and sustainablity design.
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Eyebeam is the leading not-for-profit art and technology center in the United States.
Founded in 1996 and incorporated in 1997, Eyebeam was conceived as a non-profit art and technology center dedicated to exposing broad and diverse audiences to new technologies and media arts, while simultaneously establishing and demonstrating new media as a significant genre of cultural production.
Since then, Eyebeam has supported more than 130 fellowships and residencies for artists and creative technologists; we've run an active education program for youth, artists' professional development and community outreach; and have mounted an extensive series of public programs, over recent years approximately 4 exhibitions and 40 workshops, performances and events annually.
Today, Eyebeam offers residencies and fellowships for artists and technologists working in a wide range of media. At any given time, there are up to 20 resident artists and fellows onsite at Eyebeam's 15,000-square foot Chelsea offices and Labs, developing new projects and creating work for open dissemination through online, primarily open-source, publication as well as a robust calendar of public programming that includes free exhibitions, lectures and panels, participatory workshops, live performances and educational series.
Rattan everyday objects inside a typical house of the Li and Miao people (黎苗族) in Hainan, China.
Photographed with the Canon EOS 6D + Canon EF 24-70mm f/2.8L USM.
黎苗族籐藝 Rattan arts by Li and Miao minorities / 中國海南三亞 Sanya, Hainan, China / SML.20140506.6D.32024.P1
It has been raining heavily in the past few days, but the rain does something incredible to the air — it cleanses it.
The Tsim Sha Tsui Promenade (尖沙咀海濱長廊) is a high tourist-traffic spot, and it is easy to see why, because it offers an incredible view of the Hong Kong Island across the Victoria Harbour.
Today Rainbow Teddy and I packed the pano gear and gave this place a visit and it did not disappoint. Slaving 30 lbs (15 kg) of metal and glass across town was no fun, but sometimes it is worth the tug.
Here at last the curves are smooth and continuous with the pano head unlike my previous attempts. And look at the clouds! Hong Kong can be quite incredible sometimes—especially on days like this before the pollution comes back to clog the perfect harbor view.
# SML Data
+ Date: 2013-08-08T14:39:00+0800
+ Dimensions: 18430 x 4556
+ Exposure: 1/320 sec at f/8.0
+ Focal Length: 17 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ Accessories: Canon TC-80N3, Manfrotto 303SPH pano head, Manfrotto tripod
+ Panorama FOV: 365 degree horizontal, 95 degree vertical
+ Panoramic Projection: Spherical
+ GPS: 22°17'35" N 114°10'10" E
+ Location: 香港尖沙咀海濱長廊 Tsim Sha Tsui Promenade, Hong Kong
+ Subject: 香港維多利亞港 Victoria Harbour, Hong Kong
+ Workflow: Autopano Giga 3, Lightroom 5
+ Serial: SML.20130808.6D.25746-SML.20130808.6D.25757-Pano.i12.360x95
+ Series: 全景攝影 Panoramic Photography
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
香港尖沙咀海濱長廊維多利亞港全景 Victoria Harbour Panorama from Tsim Sha Tsui Promenade, Hong Kong / SML.20130808.6D.25746-SML.20130808.6D.25757-Pano.i12.360x95
/ #全景 #Pano #Panorama #SMLPano #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #urban #harbor #sky #clouds #people #travel
There is a long corridor inside the Summer Palace (頤和園 Yíhé Yuán) painted with rich vibrant colors. Using RGB as a color palette is rather unusual in Western art, but the Chinese seems to use these colors quite a bit. Every painting on the beams and ceiling is different. Most depict episodes from Chinese literature, folk tales, historical and legendary figures and famous Chinese buildings and landscapes. I imagine that aside from leisure, they could be quite educational for the emperor to guess these “puzzles.” They certainly tested my Chinese literature knowledge when I visited.
Photographed with the Canon EOS 6D + Canon EF 24-70mm f/2.8L USM.
# More Information
+ en.wikipedia.org/wiki/Summer_Palace
+ en.wikipedia.org/wiki/Long_Corridor
頤和園長廊 Long Corridor, Summer Palace / 中國北京 Beijing, China / SML.20140502.6D.31701.P1