View allAll Photos Tagged scriptwriting
A series of production photographs from day 2 of the Roger Smith Shorts.
About
With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.
During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.
Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.
Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.
A series of production photographs from day 2 of the Roger Smith Shorts.
About
With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.
During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.
Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.
Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.
Recent screen grabs from the French language trailer for the feature film FRANKLIN ET LE TRESOR DU LAC, scripted by John van Bruggen in 2006.
See the trailer here:
Just got them in the mail this morning. Hopefully they aren't too small. I have to get the hang of what millimetres translates to visually; this is the second time ice gotten eyes that might be too small.
--
Brian Hogg
brian@hoggworks.com
226.338.2413
skype: inelegant
Hoggworks - www.hoggworks.com
High-quality puppets, character design, filmmaking, and scriptwriting.
Purveyors of all the best things to stick your hand into.
Acting Truthfully Under the Circumstances*
Feiko Beckers, Anja Kirschner and David Panos, Jacopo Miliani, Timothy Ivison and Julia Tcharfas, Rehana Zaman
PV 13 November, 7 to 9pm with performance by Feiko Beckers
Exhibition 14 November to 20 December 2014
*Living Truthfully Under Imaginary Circumstances is the title of a video installation by Anja Kirschner and David Panos, exploring the acting exercises developed by renowned actor and teacher Sanford Meisner.
The exhibition considers artworks that use the structure of the stage and certain conventions of scriptwriting as a framework for investigations into relationships, social interactions, and political ecologies.
Taking theatre as an open ended process with its multiple contexts and references, the exhibition acts as catalyst for performances, screenings, talks and other forms of engagement.
Theatre, performance and dance often crosses over to the medium of fine art when creating new strategies. This exchange is mutual when exhibitions and artists build on the ideas of post-Brechtian and post-dramatic theatre. Each artist in the exhibition employs a wide variety of tactics, developed in genres such as stand up comedy, political theatre or psychodrama. Investigating everyday life situations through a level of abstraction, the works seek alternative models for narration and to describe relations between the individual and society. Combined with ideas stemming from the social sphere such as ecological protests and utopian scientific experiments, this project takes an approach that links to current theoretical developments in the areas of cultural identity, models for communities and social and political activism. To provide multiple entry points to the project, the glossary serves to introduce further ideas and notions that inspired our discussions and informed the artists’ processes to inquire into human agency.
In their films Anja Kirschner and David Panos focus on modes of performance, from acting techniques to digital compositing, in an enquire into the relationship between drama and performance, ideology and subjectivity. Their work unravels the processes involved in re-enacting a ‘realistic’ representation of a given character, and how to create empathy in the viewer from the performers’ standpoint. Uncanny Valley connects the investigation into acting modes started with Living Truthfully Under Imaginary Circumstances with a longstanding interest in digital compositing and animation techniques. The piece weaves together footage of actors in a motion capture shoot with imagery created by crowd generating software. Moving between the intimate process of capturing minute facial expressions and the construction of epic scenes, the work examines the contemporary representation of these two extremes of experience.
www.tenderpixel.com/Acting-Truthfully-Under-the-Circumsta...
Professional DOP James Crowe, CSC, helping Film students set up a shot.
The past two years the Film and Acting students have worked together to shoot the best of the acting students' Dramatic Scriptwriting course scripts.
This is addition to the BRTF students' commercials, TV pilots, music videos and short film assignments in which they cast acting students through an audition process that parallels what the acting students will experience after they graduate.
Theory and practice come together with the students taking the lead.
A series of production photographs from day 2 of the Roger Smith Shorts.
About
With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.
During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.
Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.
Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.
I utilized bubbles because, sometimes for scriptwriting, a childish catalyst is necessary for ideas. This relates to my topic because, while bubbles are meant for children, they are actually a calming factor and many parents play along with their kids by blowing bubbles in the summertime. This stoops adults back to their child-at heart attitudes, and that is sometimes what cartoons are there to do: reignite that kid inside you. Cartoons are for both adults and children, and sometimes it's necessary to try something that is not originally meant for adults.
Acting Truthfully Under the Circumstances*
Feiko Beckers, Anja Kirschner and David Panos, Jacopo Miliani, Timothy Ivison and Julia Tcharfas, Rehana Zaman
PV 13 November, 7 to 9pm with performance by Feiko Beckers
Exhibition 14 November to 20 December 2014
*Living Truthfully Under Imaginary Circumstances is the title of a video installation by Anja Kirschner and David Panos, exploring the acting exercises developed by renowned actor and teacher Sanford Meisner.
The exhibition considers artworks that use the structure of the stage and certain conventions of scriptwriting as a framework for investigations into relationships, social interactions, and political ecologies.
Taking theatre as an open ended process with its multiple contexts and references, the exhibition acts as catalyst for performances, screenings, talks and other forms of engagement.
Theatre, performance and dance often crosses over to the medium of fine art when creating new strategies. This exchange is mutual when exhibitions and artists build on the ideas of post-Brechtian and post-dramatic theatre. Each artist in the exhibition employs a wide variety of tactics, developed in genres such as stand up comedy, political theatre or psychodrama. Investigating everyday life situations through a level of abstraction, the works seek alternative models for narration and to describe relations between the individual and society. Combined with ideas stemming from the social sphere such as ecological protests and utopian scientific experiments, this project takes an approach that links to current theoretical developments in the areas of cultural identity, models for communities and social and political activism. To provide multiple entry points to the project, the glossary serves to introduce further ideas and notions that inspired our discussions and informed the artists’ processes to inquire into human agency.
In their films Anja Kirschner and David Panos focus on modes of performance, from acting techniques to digital compositing, in an enquire into the relationship between drama and performance, ideology and subjectivity. Their work unravels the processes involved in re-enacting a ‘realistic’ representation of a given character, and how to create empathy in the viewer from the performers’ standpoint. Uncanny Valley connects the investigation into acting modes started with Living Truthfully Under Imaginary Circumstances with a longstanding interest in digital compositing and animation techniques. The piece weaves together footage of actors in a motion capture shoot with imagery created by crowd generating software. Moving between the intimate process of capturing minute facial expressions and the construction of epic scenes, the work examines the contemporary representation of these two extremes of experience.
www.tenderpixel.com/Acting-Truthfully-Under-the-Circumsta...
Students take part in a scriptwriting workshop with instructor Stephen Atkins on Sunday, Feb. 25, 2018.
A series of production photographs from day 2 of the Roger Smith Shorts.
About
With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.
During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.
Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.
Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.
A series of production photographs from day 2 of the Roger Smith Shorts.
About
With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.
During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.
Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.
Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.
A series of production photographs from day 2 of the Roger Smith Shorts.
About
With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.
During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.
Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.
Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.
A series of production photographs from day 2 of the Roger Smith Shorts.
About
With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.
During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.
Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.
Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.
Students take part in a scriptwriting workshop with instructor Stephen Atkins on Sunday, Feb. 25, 2018.
A series of production photographs from day 2 of the Roger Smith Shorts.
About
With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.
During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.
Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.
Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.
Students take part in a scriptwriting workshop with instructor Stephen Atkins on Sunday, Feb. 25, 2018.
Being undeclared, I can take a wide variety of classes. In addition to classes like Scriptwriting and Sociology of Sport, I'm taking a 3D Art class. The first project shown is a model for an art park, and the next projects are all abstract, with some made of all natural materials focusing on pattern recognition, and the other based on works by Columbus-born artist Judith Scott.
AFICIONADOS
SCREENINGS AT EL TERRARIO
25 de junio 2010
Lugar: Terrario.
Hora: 19.30 hs.
Precio: Free entrance.
Institución:
INTERMEDIAE
Espacio: Intermediae
On Friday 25 June, director Arturo Dueñas will premiere his documentary film Aficionados at the Terrario at Intermediæ, as the final event in the series Cruzando los márgenes: gente de a pie que sube a los escenarios (Crossing Borders: Ordinary People on Stage).
Aficionados, 2010 (Spain). Fiction. Director: Arturo Dueñas. Running time: 115’. Spanish. Premiere.
Aficionados of life… because life is not for professional: an unusual librarian, a successful executive, an elementary school teacher, a single mother, an Italian cook, a computer programming specialist… meet weekly to cultivate their favourite hobby. Aficionados is an experimental film created collectively in which the (non-professional) actors were chosen first and they created their own characters.
Arturo Dueñas (Valladolid, 1962) holds a degree in Hispanic Philology and a diploma in film, and is an actor and film and theatre director. His training in theatre was at the Aula de Teatro at the Universidad de Valladolid and the Centro de Investigación Actoral Espacio Abierto; he studied in the Master’s Degree Scriptwriting Programme at the Universidad de Salamanca and at a filmmaking course at the New York Film Academy. He directed the short films Run, Run, Run (2007) and Pucela Square(2008).
SCREENINGS AT EL TERRARIO presents videos, documentaries and films related to Intermediae programming. Offered in cine forum format on the last Friday of each month, the series invites audiences to a dialogue and debate with its creators.
Souce – buffer.com
1. The best ways to get over the “blank page hurdle”
I write because it comes out — and then to get paid for it afterwards? I told somebody, at some time, that writing is like going to bed with a beautiful woman and afterwards she gets up, goes to her purse and gives me a...
Acting Truthfully Under the Circumstances*
Feiko Beckers, Anja Kirschner and David Panos, Jacopo Miliani, Timothy Ivison and Julia Tcharfas, Rehana Zaman
PV 13 November, 7 to 9pm with performance by Feiko Beckers
Exhibition 14 November to 20 December 2014
*Living Truthfully Under Imaginary Circumstances is the title of a video installation by Anja Kirschner and David Panos, exploring the acting exercises developed by renowned actor and teacher Sanford Meisner.
The exhibition considers artworks that use the structure of the stage and certain conventions of scriptwriting as a framework for investigations into relationships, social interactions, and political ecologies.
Taking theatre as an open ended process with its multiple contexts and references, the exhibition acts as catalyst for performances, screenings, talks and other forms of engagement.
Theatre, performance and dance often crosses over to the medium of fine art when creating new strategies. This exchange is mutual when exhibitions and artists build on the ideas of post-Brechtian and post-dramatic theatre. Each artist in the exhibition employs a wide variety of tactics, developed in genres such as stand up comedy, political theatre or psychodrama. Investigating everyday life situations through a level of abstraction, the works seek alternative models for narration and to describe relations between the individual and society. Combined with ideas stemming from the social sphere such as ecological protests and utopian scientific experiments, this project takes an approach that links to current theoretical developments in the areas of cultural identity, models for communities and social and political activism. To provide multiple entry points to the project, the glossary serves to introduce further ideas and notions that inspired our discussions and informed the artists’ processes to inquire into human agency.
In their films Anja Kirschner and David Panos focus on modes of performance, from acting techniques to digital compositing, in an enquire into the relationship between drama and performance, ideology and subjectivity. Their work unravels the processes involved in re-enacting a ‘realistic’ representation of a given character, and how to create empathy in the viewer from the performers’ standpoint. Uncanny Valley connects the investigation into acting modes started with Living Truthfully Under Imaginary Circumstances with a longstanding interest in digital compositing and animation techniques. The piece weaves together footage of actors in a motion capture shoot with imagery created by crowd generating software. Moving between the intimate process of capturing minute facial expressions and the construction of epic scenes, the work examines the contemporary representation of these two extremes of experience.
www.tenderpixel.com/Acting-Truthfully-Under-the-Circumsta...
Students take part in a scriptwriting workshop with instructor Stephen Atkins on Sunday, Feb. 25, 2018.
A series of production photographs from day 2 of the Roger Smith Shorts.
About
With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.
During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.
Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.
Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.
A series of production photographs from day 2 of the Roger Smith Shorts.
About
With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.
During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.
Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.
Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.
I don't have many "heroes," but Charlie Kaufman is one of them.
He came across as quiet but very confident and open. It was great to see him, although the event was seriously let down by the interviewing style of, and questions from, Toby Young (author of How to Lose Friends and Alienate People).
A series of production photographs from day 2 of the Roger Smith Shorts.
About
With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.
During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.
Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.
Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.
Students take part in a scriptwriting workshop with instructor Stephen Atkins on Sunday, Feb. 25, 2018.
--
Brian Hogg
brian@hoggworks.com
226.338.2413
skype: inelegant
Hoggworks - www.hoggworks.com
High-quality puppets, character design, filmmaking, and scriptwriting.
Purveyors of all the best things to stick your hand into.
#Scriptwriting #leadingedgemediaa
Great stories happen to those who can tell them.
Lose yourself & experience the ecstasy of scripts with Leading Edge Mediaa.
Call us right away for any orders!
04224373440
Students take part in a scriptwriting workshop with instructor Stephen Atkins on Sunday, Feb. 25, 2018.
Being undeclared, I can take a wide variety of classes. In addition to classes like Scriptwriting and Sociology of Sport, I'm taking a 3D Art class. The first project shown is a model for an art park, and the next projects are all abstract, with some made of all natural materials focusing on pattern recognition, and the other based on works by Columbus-born artist Judith Scott.
Nilanga,16, is an active member of the Youth Media Federation of Monaragala, which is supported by Plan. Through his involvement in the federation, Nilanga has developed skills in scriptwriting, filming and editing, and has contributed to media productions on issues affecting children such as domestic violence and early marriage.
Acting Truthfully Under the Circumstances*
Feiko Beckers, Anja Kirschner and David Panos, Jacopo Miliani, Timothy Ivison and Julia Tcharfas, Rehana Zaman
PV 13 November, 7 to 9pm with performance by Feiko Beckers
Exhibition 14 November to 20 December 2014
*Living Truthfully Under Imaginary Circumstances is the title of a video installation by Anja Kirschner and David Panos, exploring the acting exercises developed by renowned actor and teacher Sanford Meisner.
The exhibition considers artworks that use the structure of the stage and certain conventions of scriptwriting as a framework for investigations into relationships, social interactions, and political ecologies.
Taking theatre as an open ended process with its multiple contexts and references, the exhibition acts as catalyst for performances, screenings, talks and other forms of engagement.
Theatre, performance and dance often crosses over to the medium of fine art when creating new strategies. This exchange is mutual when exhibitions and artists build on the ideas of post-Brechtian and post-dramatic theatre. Each artist in the exhibition employs a wide variety of tactics, developed in genres such as stand up comedy, political theatre or psychodrama. Investigating everyday life situations through a level of abstraction, the works seek alternative models for narration and to describe relations between the individual and society. Combined with ideas stemming from the social sphere such as ecological protests and utopian scientific experiments, this project takes an approach that links to current theoretical developments in the areas of cultural identity, models for communities and social and political activism. To provide multiple entry points to the project, the glossary serves to introduce further ideas and notions that inspired our discussions and informed the artists’ processes to inquire into human agency.
In their films Anja Kirschner and David Panos focus on modes of performance, from acting techniques to digital compositing, in an enquire into the relationship between drama and performance, ideology and subjectivity. Their work unravels the processes involved in re-enacting a ‘realistic’ representation of a given character, and how to create empathy in the viewer from the performers’ standpoint. Uncanny Valley connects the investigation into acting modes started with Living Truthfully Under Imaginary Circumstances with a longstanding interest in digital compositing and animation techniques. The piece weaves together footage of actors in a motion capture shoot with imagery created by crowd generating software. Moving between the intimate process of capturing minute facial expressions and the construction of epic scenes, the work examines the contemporary representation of these two extremes of experience.
www.tenderpixel.com/Acting-Truthfully-Under-the-Circumsta...
It still has to be sewn on, but this is roughly what it will look like. One big difference, of course: there will be no pins in his head when I'm done.
--
Brian Hogg
brian@hoggworks.com
226.338.2413
skype: inelegant
Hoggworks - www.hoggworks.com
High-quality puppets, character design, filmmaking, and scriptwriting.
Purveyors of all the best things to stick your hand into.
A series of production photographs from day 2 of the Roger Smith Shorts.
About
With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.
During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.
Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.
Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.
A series of production photographs from day 2 of the Roger Smith Shorts.
About
With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.
During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.
Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.
Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.
A series of production photographs from day 2 of the Roger Smith Shorts.
About
With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.
During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.
Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.
Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.
A series of production photographs from day 2 of the Roger Smith Shorts.
About
With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.
During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.
Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.
Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.
A series of production photographs from day 2 of the Roger Smith Shorts.
About
With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.
During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.
Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.
Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.
Acting Truthfully Under the Circumstances*
Feiko Beckers, Anja Kirschner and David Panos, Jacopo Miliani, Timothy Ivison and Julia Tcharfas, Rehana Zaman
PV 13 November, 7 to 9pm with performance by Feiko Beckers
Exhibition 14 November to 20 December 2014
*Living Truthfully Under Imaginary Circumstances is the title of a video installation by Anja Kirschner and David Panos, exploring the acting exercises developed by renowned actor and teacher Sanford Meisner.
The exhibition considers artworks that use the structure of the stage and certain conventions of scriptwriting as a framework for investigations into relationships, social interactions, and political ecologies.
Taking theatre as an open ended process with its multiple contexts and references, the exhibition acts as catalyst for performances, screenings, talks and other forms of engagement.
Theatre, performance and dance often crosses over to the medium of fine art when creating new strategies. This exchange is mutual when exhibitions and artists build on the ideas of post-Brechtian and post-dramatic theatre. Each artist in the exhibition employs a wide variety of tactics, developed in genres such as stand up comedy, political theatre or psychodrama. Investigating everyday life situations through a level of abstraction, the works seek alternative models for narration and to describe relations between the individual and society. Combined with ideas stemming from the social sphere such as ecological protests and utopian scientific experiments, this project takes an approach that links to current theoretical developments in the areas of cultural identity, models for communities and social and political activism. To provide multiple entry points to the project, the glossary serves to introduce further ideas and notions that inspired our discussions and informed the artists’ processes to inquire into human agency.
In his work Feiko Beckers both recounts and stages personal stories with the participation of members of his actual family and friends. Focusing on the problematic nature of everyday human relationships or daily rituals, his own personal connections and experiences become exemplary for wider social problems. In The Exact Opposite of the Exact Opposite he examines behavioural patterns especially as sources of anxieties, in order to unfold their dynamics and expose the underlying emotional charge. Enacting a story, he attempts to find answers to dilemmas or overcome awkward or unfortunate moments. In the form of performance, spoken text, or even song, video, sculpture and stage props his engaging tales revolve around personal failures, accidents and embarrassments. The props often stay behind in the exhibition space where they serve both as part of an installation and as a remnant of the live act.
www.tenderpixel.com/Acting-Truthfully-Under-the-Circumsta...
Acting Truthfully Under the Circumstances*
Feiko Beckers, Anja Kirschner and David Panos, Jacopo Miliani, Timothy Ivison and Julia Tcharfas, Rehana Zaman
PV 13 November, 7 to 9pm with performance by Feiko Beckers
Exhibition 14 November to 20 December 2014
*Living Truthfully Under Imaginary Circumstances is the title of a video installation by Anja Kirschner and David Panos, exploring the acting exercises developed by renowned actor and teacher Sanford Meisner.
The exhibition considers artworks that use the structure of the stage and certain conventions of scriptwriting as a framework for investigations into relationships, social interactions, and political ecologies.
Taking theatre as an open ended process with its multiple contexts and references, the exhibition acts as catalyst for performances, screenings, talks and other forms of engagement.
Theatre, performance and dance often crosses over to the medium of fine art when creating new strategies. This exchange is mutual when exhibitions and artists build on the ideas of post-Brechtian and post-dramatic theatre. Each artist in the exhibition employs a wide variety of tactics, developed in genres such as stand up comedy, political theatre or psychodrama. Investigating everyday life situations through a level of abstraction, the works seek alternative models for narration and to describe relations between the individual and society. Combined with ideas stemming from the social sphere such as ecological protests and utopian scientific experiments, this project takes an approach that links to current theoretical developments in the areas of cultural identity, models for communities and social and political activism. To provide multiple entry points to the project, the glossary serves to introduce further ideas and notions that inspired our discussions and informed the artists’ processes to inquire into human agency.
Timothy Ivison and Julia Tcharfas body of work is grounded in a sculptural practice and is driven by experimentation with object relations and historical references. They developed an aesthetic and spatial language around their research interests, ranging from utopian social theory and architectural history, to urban nature experiments. Emphasising the engagement with the city, their interdisciplinary approach often involves material local to the installation site and context. For this exhibition they created a temporary reading room and event space, as a doubling of Cecil Court’s antique bookshops. In the work in progress installations the displayed books, objects, performance documentation and visual materials from their recent artistic research related to the history of closed-systems experiments and the visualisation of systems thinking. This non-linear archaeology of materials is staged in various custom display modules and sculptural artefacts.
www.tenderpixel.com/Acting-Truthfully-Under-the-Circumsta...
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5-Day Digital Filmmaking Workshop Dec. 12-16.
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I think these three stole the show this morning at our family nativity service. There's far too many budding thesps than is healthy for a normal church, surely. We were thoroughly entertained though, and Ruth did a great job of script-writing, directing, and handling the enthusiastic and often unexpected improvisations.
Ruth is over on the far side acting as PR officer for King Herod - the chap in the middle - with a wise man (very well casted) in the foreground.
Acting Truthfully Under the Circumstances*
Feiko Beckers, Anja Kirschner and David Panos, Jacopo Miliani, Timothy Ivison and Julia Tcharfas, Rehana Zaman
PV 13 November, 7 to 9pm with performance by Feiko Beckers
Exhibition 14 November to 20 December 2014
*Living Truthfully Under Imaginary Circumstances is the title of a video installation by Anja Kirschner and David Panos, exploring the acting exercises developed by renowned actor and teacher Sanford Meisner.
The exhibition considers artworks that use the structure of the stage and certain conventions of scriptwriting as a framework for investigations into relationships, social interactions, and political ecologies.
Taking theatre as an open ended process with its multiple contexts and references, the exhibition acts as catalyst for performances, screenings, talks and other forms of engagement.
Theatre, performance and dance often crosses over to the medium of fine art when creating new strategies. This exchange is mutual when exhibitions and artists build on the ideas of post-Brechtian and post-dramatic theatre. Each artist in the exhibition employs a wide variety of tactics, developed in genres such as stand up comedy, political theatre or psychodrama. Investigating everyday life situations through a level of abstraction, the works seek alternative models for narration and to describe relations between the individual and society. Combined with ideas stemming from the social sphere such as ecological protests and utopian scientific experiments, this project takes an approach that links to current theoretical developments in the areas of cultural identity, models for communities and social and political activism. To provide multiple entry points to the project, the glossary serves to introduce further ideas and notions that inspired our discussions and informed the artists’ processes to inquire into human agency.
Timothy Ivison and Julia Tcharfas body of work is grounded in a sculptural practice and is driven by experimentation with object relations and historical references. They developed an aesthetic and spatial language around their research interests, ranging from utopian social theory and architectural history, to urban nature experiments. Emphasising the engagement with the city, their interdisciplinary approach often involves material local to the installation site and context. For this exhibition they created a temporary reading room and event space, as a doubling of Cecil Court’s antique bookshops. In the work in progress installations the displayed books, objects, performance documentation and visual materials from their recent artistic research related to the history of closed-systems experiments and the visualisation of systems thinking. This non-linear archaeology of materials is staged in various custom display modules and sculptural artefacts.
www.tenderpixel.com/Acting-Truthfully-Under-the-Circumsta...
Acting Truthfully Under the Circumstances*
Feiko Beckers, Anja Kirschner and David Panos, Jacopo Miliani, Timothy Ivison and Julia Tcharfas, Rehana Zaman
PV 13 November, 7 to 9pm with performance by Feiko Beckers
Exhibition 14 November to 20 December 2014
*Living Truthfully Under Imaginary Circumstances is the title of a video installation by Anja Kirschner and David Panos, exploring the acting exercises developed by renowned actor and teacher Sanford Meisner.
The exhibition considers artworks that use the structure of the stage and certain conventions of scriptwriting as a framework for investigations into relationships, social interactions, and political ecologies.
Taking theatre as an open ended process with its multiple contexts and references, the exhibition acts as catalyst for performances, screenings, talks and other forms of engagement.
Theatre, performance and dance often crosses over to the medium of fine art when creating new strategies. This exchange is mutual when exhibitions and artists build on the ideas of post-Brechtian and post-dramatic theatre. Each artist in the exhibition employs a wide variety of tactics, developed in genres such as stand up comedy, political theatre or psychodrama. Investigating everyday life situations through a level of abstraction, the works seek alternative models for narration and to describe relations between the individual and society. Combined with ideas stemming from the social sphere such as ecological protests and utopian scientific experiments, this project takes an approach that links to current theoretical developments in the areas of cultural identity, models for communities and social and political activism. To provide multiple entry points to the project, the glossary serves to introduce further ideas and notions that inspired our discussions and informed the artists’ processes to inquire into human agency.
Jacopo Miliani works with images that have a certain past of existence. Focusing on the concept of representation and the power of language, especially gestures, he researches instances of elusive theatrical moments that call attention to the perception of transformation through the image of the mirage. In an array of media spanning from dance and performance to installation, video, and collages, he explores the interaction between the reality of the physical world and its representation. In this exhibition the series Folding Characters combine found footage of scene photographs from plays, with a collection of folded fabrics. The artist, and therefore the new viewer, are unaware of the original context of what is actually happening on the stage. The fabrics (tessuto in Italian from the Latin textus, meaning both fabric and narrative plot) and their dynamic folds allows to imagine further acts and narratives.
www.tenderpixel.com/Acting-Truthfully-Under-the-Circumsta...