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at the World Premiere of THE AMERICAN SIDE by Jenna Ricker. 2014 Woodstock FIlm Festival. (Photo by Anjali Bermain)
This is the health post in the village of Lingui. With EU humanitarian funding, medical NGO ALIMA screens for malnutrition at village level.
Children found to be severely malnourished are immediately started a medical plan to recover their health, with Ready-to-Use Therapeutic Food taken at home. Severe cases with medical complications are transferred to the district hospital.
© 2018 European Union (photo by Ollivier Girard)
Sebastian Junger, the author of “War” and director of “Restrepo” and “Korengal,” spoke with cadets Sept. 22 during a panel discussion hosted by the Defense and Strategic Studies Program. Moderated by Maj. Matthew Cavanaugh, DSS instructor, the panel also featured Maj. Dan Kearney, formerly the commander of Battle Company, 173rd Airborne Brigade Combat Team. In the evening, Junger and Kearney spent an hour signing books before presenting a screening of "Korengal" at Robinson Auditorium. Photo by Mike Strasser/USMA PAO
Nurse Mariama measures little Abdou while her mother Massaouda holds him. This is part of the process to check if children are malnourished, at the Health post of Lingui village, in the Mirriah district of Niger.
Here, EU humanitarian aid provides funds to Medical NGO ALIMA to ensure the prevention and treatment of severe acute malnutrition, the most life-threatening form of malnutrition. Severe cases with medical complications are transferred to the district hospital.
© 2018 European Union (photo by Ollivier Girard)
Sebastian Junger, the author of “War” and director of “Restrepo” and “Korengal,” spoke with cadets Sept. 22 during a panel discussion hosted by the Defense and Strategic Studies Program. Moderated by Maj. Matthew Cavanaugh, DSS instructor, the panel also featured Maj. Dan Kearney, formerly the commander of Battle Company, 173rd Airborne Brigade Combat Team. In the evening, Junger and Kearney spent an hour signing books before presenting a screening of "Korengal" at Robinson Auditorium. Photo by Mike Strasser/USMA PAO
November 7, 2018 at 7:00pmtil 9:00pm at George Orwell Pub
A curated series of national and international artists’ shorts reflecting the festival theme of Lifespans including future of visions of AR, the start of a revolution, and the future of dance.
Featuring Gina Czarnecki, Jeremy Bailey, Floris Kaayk, Francois Knoetze, Mike Pelletier, Benny Nemerofsky Ramsay, Liat Berdugo and Emily Martinez, Keiichi Matsuda, Bex Ilsley, Mary Maggic Tsang.
Full screening notes:
Gina Czarnecki, Infected (2001) 8 mins.
Infected is a film about the nature of the physical body in the context of future technological possibilities, seen through dance and digitally manipulated imagery. The new bio-engineered body is still an sexual, organic, stark, brutal, pounding system. It is beautiful, repulsive, indulgent, curious, emotional, un/controlled, breeding, changing… Is this a futuristic vision of the human body infiltrated and changed, ‘infected’ by biotechnology? Or is the reverse happening? Is the human body, the warm-blooded body of sinews and emotions, corrupting the ‘pure light’ of technology? Infected features Scottish dance artist, Iona Kewney, and a specially commissioned score by Fennesz.
Floris Kaayk, The Order Electrus (2005) 7 mins. 35 sec.
The Order Electrus is a fictional documentary which shows Floris Kaayk’s imaginary world of industrialised nature, situated in a derelict area of the Ruhr in Germany. Due to overcapacity in production systems, many factories in Germany were forced to close down. Over the course of many years these derelict industrial areas became a breeding ground for an electrical insects species, also called the Order Electrus. These insects evolved through the merging of nature and technology.
Mike Pelletier, Still Life (2017) 4 mins. 7 sec.
“This animation combines my interest of contemporary technological forms with the more classical form of still life painting. What attracts me to still life paintings is how the paintings can study the form of their subject but also reveal much about how they are made. The quality and materiality of paint exist on equal footing with the study of light, color and form. I took inspiration from the term “still life” itself, by focusing on the idea of stillness. I also took inspiration from how the term is expressed in French as “Nature Morte,” which can be literally translated to dead nature. In this animation the stillness, unnaturalness and deadness of these virtual objects becomes the focus of the piece.”
Liat Berdugo and Emily Martinez, Making You (2016) 7 mins. 32 sec.
“Anxious to Make is the collaborative practice of Liat Berdugo and Emily Martinez, two commissioning bodies. Our focus is on the so-called “sharing economy” and the contemporary artists “anxiety to make” in the accelerationist, neoliberal economic landscape. While Anxious to Make’s physical existence takes many shifting forms, it often manifests as a series of video commissions, downloads, online generators, workshops, net art interventions, and sweepstakes. Anxious to Make believes in absurdist extremes as way to examine contemporary realities. Our work has appeared recently in The Wrong Biennale, Transmediale (Berlin, DE), Yerba Buena Center for the Arts, MoMA PS1, V2_ Institute for the Unstable Media, WRO Media Art Biennale and The Luminary (St. Louis, MO).”
Keiichi Matsuda, Hyper-Reality (2016) 6 mins. 15 sec.
Our physical and virtual realities are becoming increasingly intertwined. Technologies such as VR, augmented reality, wearables, and the internet of things are pointing to a world where technology will envelop every aspect of our lives. It will be the glue between every interaction and experience, offering amazing possibilities, while also controlling the way we understand the world. Hyper-Reality attempts to explore this exciting but dangerous trajectory. It was crowdfunded, and shot on location in Medellín, Colombia, and presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media. It is the latest work in an ongoing research-by-design project by Keiichi Matsuda.
Francois Knoetze, Core Dump (2018) 11 mins. 45 sec.
Core Dump explores the place of screens in global and localised politics and history, looking specifically at the contradiction of Silicon Valley’s techno-utopianism and its impact on the low-tech manufacturing bases of Africa. The project comprises a series of performances, projection-mapping video installations, and interviews that draw from audiovisual archives, early African cinema and the daily life of the cities of Dakar and Kinshasa. These two cities represent both the origin points of mineral extraction for materials used in the production of technology, and the end points at which certain African countries become dumping grounds for electronic waste from Europe and the USA which is then often repaired, re-purposed and reused. In contrast to the spectacle of technological singularity and the Western myth of progress, Core Dump considers the connections, disruptions and contradictions inherent in these ideas, through conflicting designations of value and waste.
Bex Ilsley, Codex (2016) 3 mins. 30 sec.
Bex Ilsley is an artist based in Coventry. Her practice explores the nature of body and personality in virtual, physical, and psychological spaces. Fantasy, performativity, objecthood and paradox are used as a lens through which to examine the authenticity of these structures. Codex was filmed in April 2016 in Grand Rapids, Michigan, USA, on The Moon, a multidisciplinary arts space. It was produced In collaboration with Los Angeles based videographer Bokeh Monster and INTERSPACE, a student arts organisation from Kendall College of Art and Design. The film is a re-interpretation of a specific illustration from Luigi Serafini’s 1981 book Codex Seraphinianus, updated as a music video for the social media age. Music: King Gizzard & The Lizard Wizard – ‘Work This Time’
Jeremy Bailey, Transhuman Dance Recital (2007) 6 mins. 29 sec.
“From this point forward I dedicate myself to finding better ways for humans to dance.” – Famous New Media Artist Jeremy Bailey
Mary Maggic Tsang, Egstrogen Farms (2015) 1 min.
Egstrogen Farms is a tactical media project that addresses the domestication of women’s reproductive abilities by the biotech industry, including hormonal therapies in the assisted reproductive technology (ART) sector. Presented as a fictional company, a parodic diversion of exchanges between species, Egstrogen Farms markets genetically modified eggs that produce a “cocktail of gonadotropins” to allow women to ovulate as frequently as chickens do. Inspired by the work of collectives such as subRosa or Critical Art Ensemble, Egstrogen Farms delivers a critique on the current commercialization of reproduction and expands the symbol of the egg as a therapeutic, nutritional and reproductive matrix.
Benny Nemerofsky Ramsay, A Short History of My Art Practice (2016) 15 mins. 17 sec.
In answer to the question, what is it that you do? – perennially asked of contemporary artists – Nemerofsky summarises fifteen years of professional practice in fifteen minutes, describing and re-embodying key artworks in his sound- and video-centric work.
Image Credit: Kathryn Rattray Photography
A child is being weighed to check if he is malnourished, at the Centre for Intensive Nutritional Rehabilitation, part of Zinder hospital in Niger.
Here, EU humanitarian aid provides funds to the French Red Cross to ensure the treatment of all cases where the life of the child is at risk.
© 2018 European Union (photo by Ollivier Girard)
Sebastian Junger, the author of “War” and director of “Restrepo” and “Korengal,” spoke with cadets Sept. 22 during a panel discussion hosted by the Defense and Strategic Studies Program. Moderated by Maj. Matthew Cavanaugh, DSS instructor, the panel also featured Maj. Dan Kearney, formerly the commander of Battle Company, 173rd Airborne Brigade Combat Team. In the evening, Junger and Kearney spent an hour signing books before presenting a screening of "Korengal" at Robinson Auditorium. Photo by Mike Strasser/USMA PAO
On November 10th, the Alamo Drafthouse South Lamar show featured baristas from Houndstooth Coffee, doing a short demo and making outstanding coffee drinks before the showing of BARISTA.
cancer screening camp - Outreach Health Programs by Trinity Care Foundation in Backward Areas of Karnataka State, India. trinitycarefoundation.org/preventive/outreach-health-prog...
Trinity Care Foundation ( trinitycarefoundation.org/ ) is a Public Health Organization based in Bangalore, India that is involved in Holistic Treatment for Children with Facial Deformities, School Health Programs and Outreach Health Programs..
Connect with us :- www.facebook.com/trinitycarefoundation
{ For Partnership & Volunteering Write to - support@trinitycarefoundation.org }
Screening of documentary about Dolores Huerta sends a powerful message about activism and fostering change within minority communities. Speakers included Maria Elena Chávez, Gary Segura and Abel Valenzuela. Photos by Bryce Carrington
Leah Meyerhoff at the I Believe in Unicorns Screening at 2014 Woodstock Film Festival
(photo by Jan Rattia)
Ric Burns at Enquiring Minds screening at Enquiring Minds screening at the 2014 Woodstock Film Festival
(photo by Silvia Forni)
With the A435 road bridge visible in the background, ballast screening takes place in the straight before Hunting Butts tunnel.
22nd June 1998.
Vice President Joe Biden greets attendees of the "Army Wives" Screening
© U.S. Army Photo by Janet L. Davis
Write a mail to us : support@trinitycarefoundation.org
at the World Premiere of THE AMERICAN SIDE by Jenna Ricker. 2014 Woodstock FIlm Festival. (Photo by Anjali Bermain)
The London Korean Film Festival began with the Opening Gala Screening of at the Odeon West End. Following the screening, Director Huh Jung and Actor Son Hyun Joo held a Q&A session with the audience that was chaired by Tony Rayns.
From the outside, café owner, Sung-soo lives an ideal life. He has a beautiful family, and a sumptuous home. But something is not quite right as Sung-soo battles with a past he tries to forget and a growing obsessive-compulsive disorder. Sung-soo’s comfortable life is shaken when he learns of his brother’s disappearance, he and his family visit the rundown apartment outside of Seoul. Sung-soo soon realises that something is not right from the agitated neighbours and strange symbols found around the complex. Eager to leave he and his family return to Seoul to find that they did not come but alone.
With a banner year for the Korean box office, Hide and Seek is the breakout film of 2013. The film attracted a massive 5 million plus viewers with its quintessential Korean thriller flavour and masterful storytelling from its debut filmmaker, Huh Jung, and fantastic cast.
A great way to kick off the 8th London Korean Film Festival!
Photo Title: Delta Screening
Submitted by: Johan Claassen
Category: Professional
Country: South Africa
Organisation: 20/20 Quest, Inc.DFL
COVID-19 Photo: No
Photo Caption: Dr Jonathan Pons from GSH screen patients in a isolated village within the Zambezi Delta in Mozambique during a DFL eye surgery campaign in Marromeu.
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Photo uploaded from the #HopeInSight Photo Competition on photocomp.iapb.org held for World Sight Day 2020.
Vice President Joe Biden with Mr. Allen Hanson and Mr. Don Hodge, both with AMVID, at the "Army Wives" Screening
© U.S. Army Photo by Janet L. Davis
ActorsEd Crawford, Keith Leonard, Joe James and Reagan Leonard at Q&A for THE SUFFERING KIND at 2014 Woodstock Film Festival
(Photo by Patricia Mitchell)
Brian McNamara, who plays MG Michael Holden on the Lifetime TV series "Army Wives, and his son, Tyler, pose with GEN George W. Casey, Jr., Army Chief of Staff, and Mrs. Casey at the "Army Wives" screening.
© U.S. Army Photo by Janet L. Davis
Photo Title: Screening for Cataract
Submitted by: Abdul Salam
Category: Amateur
Country: Pakistan
Organisation: Umah Welfre trust
COVID-19 Photo: No
Photo Caption: the photo was shoot in Chitral during free eye surgical camp under the umbrella of umah welfare trust.
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Photo uploaded from the #HopeInSight Photo Competition on photocomp.iapb.org held for World Sight Day 2020.
Submitted by: Terry Cooper
Caption: Screening for diabetic retinopathy
Sub-theme:
Professional, , Eye screening, ,
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This e-mail was sent from the PhotoComp microsite
Photo Title: Vision screening Program
Submitted by: AVINASH SHAH
Category: Amateur
Country: Nepal
Organisation: Eyemart Nepal
COVID-19 Photo: No
Photo Caption: Free Vision screening Program organised by Eyemart Nepal to Raise vision awareness among people
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Photo uploaded from the #HopeInSight Photo Competition on photocomp.iapb.org held for World Sight Day 2020.
WEDU held a free preview screening of the Ken Burns documentary JACKIE ROBINSON on April 6, 2016 at Friday Morning Musicale in Tampa. During the event, former Negro Baseball League players shared their own personal stories, memories and experiences.
Airport X-ray Scanner. IAL Rapiscan 1. Rapiscan Systems is a global privately held company that specializes in walk-through metal detectors, and x-ray machines for airport luggage and cargo screening.
Screen City Festival tour 2014 - third stop: Ceresole Reale, Italy
Special Guest Screening
August 23rd, 24th, 30th,31st | 19:30h-22:30h | Casa Rivetti
Vernissage: 23 August, 19:30
In collaboration with the Rivetti family we turned two windows of their holiday house in the woods for 3 hours in the evening into screens and invited the public to pass by and enjoy with us the art screening on the large balcony.
For Ceresole Reale we have chosen to show our program Borders and Migration and the video Evighetens Avkom of the program Imaginary Landscapes, creating a confrontation between a wild panorama of remote landscapes and the theme of migration. Migration is a wide topic that can be seen from various angles. With our screening in Ceresole Reale we would like to raise the question of what migration means in places in the mountains. Here animals follow their own cycle of migration since ages. Young people however recently are leaving their home villages, choosing life in a big city. In return people temporarily migrate to the mountains to escape the unbearable heat of the urban space so in summer Ceresole Reale becomes alive. Finally all is intertwined with a global movement of people of different race.