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350 Scratchers celebrated Scratch's 5th birthday at MIT's Scratch Day event on Saturday, May 19, 2012.
350 Scratchers celebrated Scratch's 5th birthday at MIT's Scratch Day event on Saturday, May 19, 2012.
Nikon F3, Fuji Neopan 1600.
Offering this for critique on Grit & Grain, as an image I've lived with for a while now and still like.
Close to Nosferatu 2.0 graffitti (next pic to come) an empty white-wall displays this rainbow-colourful repetitive prohibition: RESPONSIBILITY FOR THE SPONSORING COMPANY.
Among clonic printed groups, RASKA (SCRATCH) suggest a hidden message: THE LABOR REFORM KILLS.
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Contigüo al graffitti de Nosferatu 2.0 (foto siguiente) una vacía pared blanca despliega esta repetitiva y colorida prohibición arco-iris: RESPONSABLE LA EMPRESA ANUNCIADORA.
Entre los grupos clónicos impresos, RASKA (Rasca) sugiere un mensaje escondido: LA REFORMA LABORAL MATA
350 Scratchers celebrated Scratch's 5th birthday at MIT's Scratch Day event on Saturday, May 19, 2012.
Project: Textures 3/7, Project 365/2011
This is shot from my working table, a little modified with levels, multiply blending, added noise,...
Texture is free to use, just credit me with a link back to this texture, please.
350 Scratchers celebrated Scratch's 5th birthday at MIT's Scratch Day event on Saturday, May 19, 2012.
(public display, Drake Well Museum, Titusville, Pennsylvania, USA)
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From museum signage:
PENNSYLVANIA CRUDE: STILL THE BEST
“Seneca Oil” is one of the purest crudes known. It brings some of the highest prices on the worldwide market. Pennsylvania crude is paraffin-based. Early wells that mysteriously stopped flowing were often clogged with wax. The paraffin base and lack of impurities make Pennsylvania oil ideal for use as a lubricant and motor oil.
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From museum signage:
One of the earliest tools designed to maintain production, was the Scratcher used to keep the face of the oil sand free of paraffin [wax] which is found in Pennsylvania crude oil. It was used like a bottle brush, and was soon replaced with chemical or explosive techniques for maintaining wells.
I really hate cleaning it myself since I see all of the scratches and rock dings on the hood. I got some touch-up paint and started to fill them in. Once I put a few coats down and then some clear coats and then some wax and some buffing, it might look ok once again.
On the final day of Scratch Camp, students used webcams as inputs for Scratch to capture motion and color from the camera to control their programs. Students also had an opportunity to use a Microsoft Kinect as a Scratch input.
350 Scratchers celebrated Scratch's 5th birthday at MIT's Scratch Day event on Saturday, May 19, 2012.
MaMa Clarinet is an homemade (DIY) clarinet that plays music with Scratch via Makey Makey board / é un clarinetto autocostruito che funziona con il software Scratch attraverso la scheda Makey Makey
ScratchEd hosts monthly meetups at MIT where educators gather informally to learn and share about Scratch.
Find out what happened at the April 2014 Scratch Educator Meetup at MIT - bit.ly/apr2014-scratch-meetup
Scratch Educator Meetups take place once a month at MIT. Check out our events page for more info - scratched.media.mit.edu/events
scratch-ed.org
350 Scratchers celebrated Scratch's 5th birthday at MIT's Scratch Day event on Saturday, May 19, 2012.
350 Scratchers celebrated Scratch's 5th birthday at MIT's Scratch Day event on Saturday, May 19, 2012.
350 Scratchers celebrated Scratch's 5th birthday at MIT's Scratch Day event on Saturday, May 19, 2012.
Day Two of Scratch Camp was spent learning to use Lego WeDo motors and sensors to raise and lower helium balloons, and some students used their Makey Makey controllers to make the balloon motion even more interactive.
Day Two of Scratch Camp was spent learning to use Lego WeDo motors and sensors to raise and lower helium balloons, and some students used their Makey Makey controllers to make the balloon motion even more interactive.
Volkspaleis
Zuiderstrandtheater, Scheveningen 2014
The Scratch Orchestra was an experimental musical ensemble founded in 1969 by Cornelius Cardew, Michael Parsons and Howard Skempton. In that time anyone could join, graphic scores were used (rather than traditional sheet music), and there was an emphasis on improvisation. Despite the emphasis on free improvisation, the varying experience of the members, and the ‘do your own thing’ free aesthetic of the time, the Scratch Orchestra was a disciplined ensemble. Eventually tensions between musically-trained and non-musically-trained members, and an increasing interest in political aesthetics led to a gradual change in the activities, and then the outlook of the ensemble in 1974. LOOS will present a remake of the Scratch Orchestra with participating artists such as Johan van Kreij, Marie Guilleray, Gert-Jan Prins, Kacper Ziemianin, Peter van Bergen and Dario Giustarini.