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Here is a Time lapse of one of my imaging session's on my trip to Galloway taken 07.11.13 with Canon 1000d and around 1900 frames.
Night Vision goggles
ak side rail
vertical grip
shotgun ranges
airsoft
airgun
red dot sight
green laser sight
rail mount
handgun
gun parts
gun rang bags
tactical rifle
laser grips
Plz visit www.gl-st.com
or contact gl-st@hotmail.com
LA-R15 Raven, AR15 Rifle Chambered in .22LR with LaRue LT-104 QD Mount and Nightforce 2.5-10X32 Scope.
October 07th, 2013
Finally mounted a Nikon P-223 scope with a Wilson Combat quick-release scope mount on my modern sporting rifle (MSR) and fine-tuning the sight-in at the 100-yard line at Frontier Sportsman's Club - Fountain range.
I did okay with iron sights at 100 yards (and beyond), but a good optic makes a vast difference in hitting small spots 100 yards and beyond.
Used hand-loads consisting of Lake City brass, 24.0 grains of IMR 4895 powder, CCI 41 small rifle primers, and some generic 55 grain blemished FMJ bullets. The results were sub-MOA at 100-yards with the Rock River Arms AR-15.
Timed, self-portrait early Monday morning...
My 13.1" homebuilt dobsonian telescope disassembles to fit in a regular suitcase. The telescope is fully motorized in Alt/Azm using stepper motors driven by Onstep. The red box in the suitcase houses the electronics for reading the mirror/air temperature, driving the mirror cooling fan, and operating the wireless microfocuser (all of which is done by an Arduino UNO board).
This scope combines infrared and visible light cameras with a miniature passive radar system to find your enemies on the battle field no matter where they try to hide!
I'll get back to you on the code...
Researchers viewed the parasites under microscopes to positively identify the nematodes. Little is known about the prevalence of infection in Florida’s American eel populations, and preliminary surveys of commercially harvested eels in 2006 found as many as one third of eels were infected.
Night Vision goggles
ak side rail
vertical grip
shotgun ranges
airsoft
airgun
red dot sight
green laser sight
rail mount
handgun
gun parts
gun rang bags
tactical rifle
laser grips
Plz visit www.gl-st.com
or contact gl-st@hotmail.com
It's Easy!
Zen Cars
Electrical cars have been around for years by the way. They were even on exhibit at the Place Boneventure in Montreal Canada over three decades ago and shown as relatively slow cars.
They were never popular probably because they required so much electrical power to operate, there was a lot of weight to pull and because of the marriage between the auto industry and oil based fossil fuels.
Today with the unpopularity of gas emissions on the streets, pollution and acid rain this type of car would be more popular today. Modern vehicles are also lighter in weight; and today they are still slower than the speed limit allows but this would be perfect for city travel since so much of the urban traffic is supposed to be slow with traffic anyhow. The Zen Car may even reduce road racing fatalities.
The current Zen manufacturer will eventually be able to have these on Canadian Provincial roads once he gets the go ahead from the provincial governments but it has been a long haul so far. One of the main reasons is the car's slow speed but maybe somebody can make a case at least for their use in the city core where there are many pedestrian crosswalks and make an exception for the highways.
In the meantime the Zen Cars are running well outside of Canada in other Countries.
Just In Stories
flickr today
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Pink cast for a week, after 3 weeks of open hole still draining... Dr is trying a cast to prevent movement so maybe the hole will close....
Scope: Veloce RH200 F/3.0 (600mm)
Mount: ASA DDM60 Pro
Camera: SBIG ST-8300M + FW8 filter wheel with Baader filters
Picture: HST 9h (Ha,OIII,SII 18x10 min,bin 1x1)
Processed with Photoshop and CCDStack
Site: Finland
Hoist a Bud to Richie Budd
There’s more to this Fort Worth artist than frat-holes getting wasted inside a glass case.
Thursday, 14 April 2011 08:06
by JIMMY FOWLER
photo caption: Frat brahs were more than happy to drink beer and write on themselves in public, all to help Budd and conspirator Will Robison realize their artistic vision.
Fort Worth artist Richie Budd is accustomed to all kinds of unusual reactions to his sculptural installations and so-called “performative sculptures.” But his favorite response so far may be from a New York blogger who took to the web to denounce a recent collaboration between Budd and a friend, former Denton artist Will Robison, called “Come On Guy.” Displayed last month at the SCOPE New York art fair in New York City, the installation consisted of four very real New Jersey frat guys hooting, hollering, and drinking a lot of “Natty Light” –– Natural Light was actually a corporate sponsor –– inside a glass case.
“Art is horseshit,” the offended blogger fumed. “I can put four idiots in a glass box and call it art. I actually wouldn’t mind being in a glass box to rage at an art festival. How can anyone that is involved in art think any of it is legitimate?” Kind of a sweeping denunciation, to be sure, but one that Budd nonetheless appreciates.
“I loved that,” said the artist, 35, with a chuckle. “It’s better than the usual backslapping. At least criticism gives you something to work with.”
An alumnus of Denton’s Good/Bad Art Collective and a graduate of both the University of North Texas and University of Texas-San Antonio, Budd has received quite a bit of backslapping praise from Texas and New York critics for his oddball performance sculptures, which often deal with the relationship between technology and human sensory perception. He’s done other stunt-driven pieces a la “Come On Guy,” including an exhibit of his wisdom teeth perched horizontally on thin pedestals in a work called “All I Have to Give” –– it’s currently on display at his solo show at San Antonio’s Unit B Gallery. His “Diner Coupon” at a 2009 show in Dallas was a mounted series of 20 I.O.U.s, each printed with a generic photo of Budd’s earnest face. The presumption is that these rather dry, clerical vouchers can be cashed in, at some point, for something a little artier from the artist.
“I hope my art has a sense of humor,” Budd said. But to concentrate solely on the cheeky stuff is to miss some of his more sophisticated work, which combines intellectual and emotional elements in surprisingly vivid ways. Budd has done a striking series of sculptures using home appliances, medical devices, and white plastic resin that are oddly poignant. One, “Whiteout,” features a walker in a pile with calculators, tubes, and other flotsam partially covered with drippy plastic resin –– the resin mounds resemble some kinds of creatures trying to emerge from larval states. An interactive installation at a 2009 San Antonio show was called “Exposing Liminal Homeostasis” and consisted of a vertical industrial assemblage of mirrors, spotlights, speakers, a smoke machine, aromatherapy devices, a margarita maker, and recordings of Budd’s voice repeating Buddhist sutras and self-help affirmations. Viewers were bombarded by all kinds of sensory messages being emitted by this spindly, segmented, robotic monstrosity that appeared almost desperately eager to please.
“I rode in the cockpit on opening night,” said Budd, referring to an attached seat on the sculpture from which he could operate various controls. “I wanted it to be a Wizard of Oz, man-behind-the-curtain kind of effect.”
Budd is taking a hiatus from art-making and doing intensive reading in areas that interest him. He’s fascinated right now by method and process, so he’s reading everything from cookbooks to the Greek-Armenian mystic George Gurdjieff’s massive 1950 tome Beelzebub’s Tales to His Grandson, which attempts through a convoluted allegory to help the reader separate reality from illusion. Given the apparently random ideas and objects that go into Budd’s “performative sculptures,” it’s difficult to pin down obvious influences in his work. Budd acknowledges that there are plenty of artists he admires, but he’s not much into idolizing other creative types. In this sense, the collaborative nature of Denton’s Good/Bad Art Collective has left a permanent stamp on him.
“My biggest influences are my friends, the artists who work with me,” he said. “Art is a symbiotic process. You get ideas from working with other people.”
www.youtube.com/watch?v=m07OQ9t3VkM
www.subports.com/blog/frat-boys-subports-richie-budd/
Hier een puls diagramma van de opgenomen I2C communicatie tussen de TXT controller en de FPGA module.
Het Robopro programma zie je op:
www.flickr.com/photos/fotoopa_hs/26248417607
De data komt ter controle op de 7 segment displays en op de LCD display van de kogelbaan FPGA sturing en gelijktijdig ook op de Fischer TXT controller.
Eigenaardig is dat de eerste schrijf cycle een clock delay vertoont tussen het schrijven van het adres en de data. Die is niet te zien bij de 2 volgende schrijf cyclussen. De pauze door de TXT controller tussen iedere schrijfblok is ongeveer 110 usec. Later ga ik ook nog het blok schrijven ondersteunen zodat alle data in een cyclus kan verstuurd worden. Daarvoor moet je enkel een vlagje aanvinken in de blok parameter voor read of write van de I2C bij de Robopro software.