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janinebeangallery with art works by Anna Borowy, Tanja Selzer, Marco Reichert and Peter-Simon Mühlhäußer
This waveform, sampled on VCC of an MSP430F2012, is 305mV tall and 476ns (2.1MHz) wide. A proper ADC ought to be able to extract this, giving me an external clock to sync to for power gitching attacks.
授權方式及範圍:中華民國總統府│政府網站資料開放宣告
Authorization Method & Scope:
According to the Museum, the plan for staging a test case to challenge the Butler Act was made in Robinson's Drug Store.
Made a DIY telescope by with paper and two magnifying glasses. Had to try and snap a photo through it. I'll experiment more with this in conjunction with my camera. Maybe I can trick some macro shots with it..?
Nikon Coolpix CP995 mounted on a Kowa TSN3 spotting-scope with 76mm fluorite lens.
Taken with Canon EOS D60 and Sigma 90mm f2.8. set to f5.6, 1/60th sec ISO400
Strobist info: Sunpak PZ40X set to 1/16th power, positioned on window-ledge 2m left.
Cheap radio flash-triggers from e-bay.
Taken in my garden but geo-tagged Kings Mill reservoir.
Scope normally wears a protective jacket, removed for this shot only.
Jodie Gordon
David Jones launches their Spring Summer 2012 collection at their Sydney Elizabeth Street flagship store on Tuesday 14 August 2012
Ref: SAYE14082012DAVIDJONES
©SCOPE FEATURES AUSTRALIA
At the top you can see where the upper portion of the handtruck will be clamped between two pieces of wood - a 3/8 threaded rod is cut to length to clamp these together.
You can also see the use of heavy-duty angle brackets to mount the top plate to the side members.
Taken outside the Scope. I combined two long exposures together to get the best of both photos. It may appear as the police car is in motion but it was standing still to alert traffic before the Norfolk Admirals hockey game at the Scope. I sat the camera down on the sidewalk and took the two shots as we waited for the light to change so we could cross. Some people had already began walking in front of the one exposure but they aren't visible in the shot as it was near the end of the second exposure.