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© Andy Brandl / PhotonMix (2011)
Don´t redistribute / use on webpages, blogs or any other media without my explicit written consent
Today's subject is Garlic Scapes. An arrangement by Joene's Garden, these literally went from the photo shoot to the dinner plate. The curves were just too much to resist some creative lighting.
Strobist Info. sb900 in a soft box camera left for the front, sb28 with a flag to keep light off the back ground, behind and below the table aimed at the back of the scapes. SB600 with two orange gels behind and below the table aimed at the background.
Not perfect but still fun - Look closely and the error is obvious.
Besides looking wet all the time, H. 'Get Nekkid' forms a loose open clump. It is sending up almost feathery scapes in its first season here
Location: Cape Liptrap
Type: Beach House
Size: 160 sq m
Status: Under Construction
Design: WSH
Design Team: Andrew Simpson, Owen West, Steve Hatzellis, Dennis Prior, Stephan Bekhor, Eugene An
Description:
"All children are artists. The problem is how to remain an artist once he grows up" - pablo picasso
This project for a family coastal residence is located on a stunning site in eastern Victoria. The design is an investigation of how an idealised conception of "house" is transformed by its context and use. The site has extraordinary qualities: harsh prevailing winds of the roaring forties; sloping site; and sublime panoramic views from cape liptrap to wilson's promontory. The residence required maximum flexibility as a beach home that could accommodate varying sleeping needs - anything from a single guest to burgeoning family summer holidays.
The sectional character of the design adopts an idealised child-like profile of a gabled house as a point of departure. However this reading of the architecture is subverted by a reorientation of the plan. The house twists to accommodate framed views and take advantage of the natural fall of the site, with two wings capturing significant views of the landscape to the east and west. These arms of the building are mediated by an ambiguous space that operates as provisional gallery, entry, veranda, storage, dining, lounging and circulation zone. This contested space engages more directly with the landscape and environment and accommodates shifting patterns of use.
Item #82033
Night Scape
Giselle Diefendorfâ„¢ Dressed Doll
Toy Fair 2011 Online Exclusive
Limited Edition: TBA
Estimated Arrival: Late June 2011
**Photo, text and information contained herein is copyrighted Integrity Toys, Inc. and Intercap Merchant Partners, LLC 2011 - used for promotional purposes only.
For sale at Food Bazaar. I've gotten them in a CSA produce box before, but I don't recall ever seeing them at a supermarket!
Coastal scapes from Cuchilla Alta. August 2015.
By Andrés Bentancourt
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Besides looking wet all the time, H. 'Get Nekkid' forms a loose open clump. It is sending up almost feathery scapes in its first season here
it was an achingly beautiful day, and i could just walk in the park with nothing to do.
i understood that when i eventually retire, it'll be ok.
Shelter
The natural state of motherhood is unselfishness. When you become a mother, you are no longer the center of your own universe. You relinquish that position to your children.
Jessica Lange
Location: Cape Liptrap
Type: Beach House
Size: 160 sq m
Status: Under Construction
Design: WSH
Design Team: Andrew Simpson, Owen West, Steve Hatzellis, Dennis Prior, Stephan Bekhor, Eugene An
Description:
"All children are artists. The problem is how to remain an artist once he grows up" - pablo picasso
This project for a family coastal residence is located on a stunning site in eastern Victoria. The design is an investigation of how an idealised conception of "house" is transformed by its context and use. The site has extraordinary qualities: harsh prevailing winds of the roaring forties; sloping site; and sublime panoramic views from cape liptrap to wilson's promontory. The residence required maximum flexibility as a beach home that could accommodate varying sleeping needs - anything from a single guest to burgeoning family summer holidays.
The sectional character of the design adopts an idealised child-like profile of a gabled house as a point of departure. However this reading of the architecture is subverted by a reorientation of the plan. The house twists to accommodate framed views and take advantage of the natural fall of the site, with two wings capturing significant views of the landscape to the east and west. These arms of the building are mediated by an ambiguous space that operates as provisional gallery, entry, veranda, storage, dining, lounging and circulation zone. This contested space engages more directly with the landscape and environment and accommodates shifting patterns of use.