View allAll Photos Tagged scaleability
Dollhouse miniature magic made by Caroline of Pixie Dust Miniatures in 1:12 scale.
Images copyright of Pixie Dust Miniatures 2010
the scale of my old kitchen balance. i don't use it at all (needs a fix), but i love it still for the memories it brings back from my childhood
This old scale has been sitting around our house for years. I think my wife got it as a wedding present some 12 years ago. There's not telling how old it really is. We always liked the rust patina and thought it would be a good subject to photograph, but have never gotten around to it before.
Tonight I had to take something of value. It has been about a week and a half since I've taken anything of note.
For this shot, I had one light on level with the face of the scale and to the right of the image. I had my handy-dandy black backdrop behind and underexposed.
Only post-processing in Photoshop was an adjustment layer for contrast, set to 45% opacity (no adjustment in the dialog box) and resizing.
Please critique honestly,
skot
The trouble with digital bricks is that you can take a half finished build, put it off in some corner- "corner" being entirely relative to what you're working on the most -and leave it there for months without ever having to actually look at it, much less fiddle with it.
For example, it's been forever and a day since I last tried to make a quad that wasn't the Garmr or Tempst-in-a-Teacup, but the various approaches and dead-ends have been sitting there accusingly without a speck of dust to hide their reproach.
Incidentally, there's nothing quite like "X bricks were not placed correctly and have been removed from the model" to make one paranoid. You just know the single missing brick you don't notice is going to be glaringly apparent to someone who doesn't overlook it because he knows it's supposed to be there and his mind fills it in for him whether it's truly there or not.
Click here to learn more about Camp Humphreys
U.S. Army photos by Cpl. Han, Jae Ho
Exercise tests emergency response capability
By Cpl. Han, Jae-ho
CAMP HUMPHREYS — Flames dance from a crashed helicopter as casualties cry for help, while rescuers and medical personnel speed to the scene to give aid.
This fictional scenario was part of the annual Full Scale Exercise, held here June 20-22.
The exercise served to evaluate emergency response abilities on post.
Notional incidents included an aircraft crash, a shooter at the commissary and a hostage at the Super Gym.
“This is an annual exercise required by the Department of Defense. Planning for this exercise began six months prior,” said Peter Park, installation emergency manger at the Directorate of Planning, Training, Mobilization and Security. Park served as exercise coordinator.
As part of the exercise, garrison tenant units and city agencies provided support and responded to various scenarios. Units involved included the 2nd Combat Aviation Brigade, 3-2 General Support Aviation Battalion, the Directorate of Emergency Services and Pyeongtaek city emergency services.
“This exercise was very realistic and it required patience from everyone involved, including dependents and civilians,” Park said. “This year’s exercise was very successful and defined our capability. It was an upgrade from last year and critical capabilities of the garrison were evaluated. I want to thank Douglas Fraser, the Antiterrorist Officer and co-lead planner for this exercise, for his support as well.”
This is only a partial example of how to do the scales.
For your real Koi first meassure where you want to have the scales then begin by making the main grid, let´s say 30 by 30 if you´re sadistic minded or 32 by 32 if you want it a little bit easier to obtain (a little bit more scales to fold too, but after having folded 900 scales a few hundred more don´t count...).
Sometimes, when looking at a photograph it is difficult to judge the scale of elements within; the angle from which a photograph is taken alters dramatically the perceived scale which we view the image in our mind. I guess you may be struggling a little with this one taken with the camera nearly at ground level. Cast your eye to the V in the major rocks on the right of the picture and you will see a tree, perhaps that will now alter your perception of the scale? The two largest peaks were probably only five metres or so higher than the level of the camera, although considerably higher than the landscape surrounding this location.
Where? Oh yes, taken on a very warm day a few years ago at Hanging Rock in Australia.
This image is the copyright of © Michael John Stokes; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at mjs@opobs.co.uk for permission to use any of my photographs.
PLEASE NOTE: Before adding any of my photographs to your 'Favorites", please check out my policy on this issue on my profile.
Did you know that butterfly wings are covered with microscopic scales? I used fish leather with a visible scale pattern to cover the spine. Conceptual. No?
(You can find all colors of fish leather at fineleathers.etsy.com).
Ever the helpful photography assistant-- or at least creature strongly attracted by warm lights-- JellyBean decided to insert herself into this image for scale. It's a but unfair, though, she's a Maine Coon.
Read more about the mount, not the cat, here.
Prova scala colore per capire meglio di che colore stampare il negativo per avere una maggior ricchezza di toni.
Si capisce che stampando il negativo in rosso si può avere una scala cromatica più ampia rispeto all'azzurro (colonna 3)
Sfortunatamente non è perfetto, ripeterò l'esperimento, ma magari può tornare utile
Experiment of print for understanding what color is better for print the negative on film with ink-jet printer. At the same time of exposition on Fabriano.
It's intresting to see that if i print negative in red scale i have much tone instead i print negative in light blue (col 3).
Unfortunetly the experiment is not fine tuning. I must repeat it with the CMYK of negative color.
Book of Kings, Shirin Nesh (right panel of triptych)
Bernard Berenson had some strong opinions about studying art from photographs. Photography gives us a false sense of scale and in color photography a idea of the original skewered by the photographer or printer. When looking at photos we fill in the blanks.