View allAll Photos Tagged scaffolding
Poles at the top of tall scaffolding in the new housing construction by Caldecotte Lake, Milton Keynes.
Wakefield Cathedral is undergoing renovation work in the nave. I was fortunate to be there when part of the scaffolding was being removed and took the opportunity to make a time lapse of this event.
first time this year that I've not uploaded my "photo of the day", on the day, as I could not face looking at a computer screen yesterday for long. Just getting over a rotten cold, and feeling a bit better this afternoon.
Temporary scaffolding on our flat at the moment -just keep telling myself it's only temporary and as it's winter it's dark most of the time anyway.
04.12.2016
Recreation of the scaffolding that would have been used to build keeps like this back in medieval times. You were able to walk up to the top with a gorgeous view.
the Parthenon, Acropolis, Athens, Greece....under restoration. There was a crane inside it which will remain there and one on the outside
Since these stages can be custom designed and constructed in virtually any size or shape they also can accommodate almost type of event.
A definite sign that Spring is on its way, although it is lingering, taking amply its time, is the sudden appearing of scaffolds here and there and everywhere in town.
Thank you very much, Spring !
Exhibition at the Center for Architecture, curated by Greg Barton with exhibition design by OMA's Shohei Shigematsu
The man sitting on the scaffolding was carefully and precisely fixing the elevation of the building. For the whole day. He didn’t make a big difference with his work, since a big part of the building is simply missing - notice how the column reaches from the top into the void. Details, details.
Enclosed Scaffolding on a Brisbane Highrise Construction Site
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This image can be purchased/licensed Here at full resolution
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Camera: Olympus Trip 35
Film: France-Loisirs HPX400 @ ISO 25 (expired 2002 and brutally overexposed)
Dev: C-41
Roll: AZQ
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Llanelly House completely covered in scaffolding.
Photo by Jon Hobden
San Gimignano.
Collegiate Church of Santa Maria Assunta.
Nave.
Wiki -
"New Testament cycle
The six decorated bays of the right aisle, with scenes of the New Testament, pose a problem of authorship. Giorgio Vasari states that they are the work of "Barna of Siena" and relates that Barna fell to his death from the scaffolding. The name "Barna" in relation to paintings at the Collegiate Church of San Gimignano appears to have originated in Lorenzo Ghiberti's Commentaries. In 1927 the archivist Peleo Bacci made the suggestion that Barna had never existed and that the paintings are the work of Lippo Memmi. This hypothesis received no support and little comment for fifty years. In 1976 discussion of Bacci's attribution was revived, with Moran suggesting that there had been a mis-transcription of "Bartolo" as "Barna", with the name "Bartolo" referring to Bartolo di Fredi, painter of the Old Testament cycle.
The attribution of the New Testament cycle to Lippo Memmi, perhaps assisted by his brother Federico Memmi and father Memmo di Filippucci, is now generally agreed.[13] Lippo Memmi was influenced by his more famous brother-in-law, Simone Martini. Lippo Memmi also painted a large Maesta in the Town Hall of San Gimignano, in imitation of that done by Simone Martini at the Town Hall of Siena. The New Testament cycle of the right aisle appears to pre-date the Old Testament cycle and is generally accepted to date from c.1335-1345.
The scenes within the New Testament cycle are organised into four separate narratives, and do not follow a clear left-to-right pattern as do those of the left aisle. As with the left aisle, they are divided into three registers, the upper being the lunettes between the vaults.
Upper level
The upper register shows the Birth of Christ. The series reads from right to left, in six bays.
The Annunciation
The Nativity and adoration of the shepherds
The adoration of the Magi
The Presentation at the Temple
The Massacre of the Innocents
The Flight into Egypt
Middle level
Jesus enters Jerusalem on a donkey
Jesus calls Lazarus forth from the tomb
The middle register shows scenes of the Life of Christ, beginning at the 4th bay, below the picture of the Presentation at the Temple, and reading left to right, with eight scenes. The scenes have been skilfully juxtaposed so that narrative elements may be compared or contrasted. Within the fourth bay is shown the Presentation of the Temple, Jesus sitting among the Doctors of the Temple of Jerusalem as a twelve-year-old, and Jesus before his crucifixion, enthroned, crowned with thorns and mocked.
Jesus among the Doctors of the Temple of Jerusalem
The Baptism of Jesus
The Calling of Peter
The Wedding at Cana of Galilee (damaged in WWII)
The Transfiguration
The Resurrection of Lazarus
Jesus enters Jerusalem
The people welcome Jesus to Jerusalem (the final two scenes are a single event spread over two frames)
Lower level
Judas receives thirty pieces of silver to betray Jesus
The Last Supper all from the New Testament cycle by Lippo Memmi
The lower register, showing the Passion of Christ, continues beneath the Entry into Jerusalem, and is read from right to left in eight scenes over four bays.
The Last Supper
Judas agrees to betray Jesus for thirty pieces of silver
Jesus prays in the Garden of Gethsemane
The Kiss of Judas
Jesus at the Praetorium
The Scourging of Jesus
Jesus crowned with thorns and mocked
Jesus carrying the cross to Calvary
Bays five and six
Bay five, beneath the lunette of the Slaughter of the Innocents, has a single large scene of the Crucifixion
Bay six, beneath the lunette of the Flight into Egypt contained four scenes (destroyed in the 15th century) of post-crucifixion events which are thought to have been:
The Deposition
The Descent into Limbo
The Resurrection
Pentecost. "