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Star Wars® Episode I: The Phantom Menace CommTech™ Reader
Hasbro & Lucasfilm (1999)
Hasbro and Lucasfilm's attempt to create their own portable sound format on the back of the Star Wars prequel trilogy. Multiple "samples" of dialogue & sound effects from the film were encoded onto RFID chips included with action figures ("CommTech™ Chips", which also acted as display stands for the figures and contained a hole so they could be threaded onto a keychain for mass portability) that could only be played by tapping them against the massive CommTech™ reader seen here (its design based on the "Jedi Comlink" walkie talkie used by Qui-Gon Jinn [Liam Neeson] in the film, which was a kit-bashed women's shaving razor). Buttons on the reader could be used to load samples from chips and play them back so that some sounds were always available.
Altho a more advanced version was prototyped, lack of interest in the format led Hasbro to cancel the CommTech™ format (known as CommTalk™ in some countries due to trademark disputes); we think it may have had something to do with the fact that every male character's voice sounded as if their lines were being read by the same unenthusiastic & unskilled vocal actor not even attempting to change the timbre of his voice to match that of the original actors, but that's just a theory.
Kelsey Chaban, a Liaison Librarian at KPU, holds up a sample of paper produced by KPU's new braille printer.
Rafael Mariano Grossi, IAEA Director-General together with experts from China, Republic of Korea, Switzerland and the IAEA collected sea water samples near Fukushima Daiichi Nuclear Power Station. Ukedo Port, Japan. 19 February 2025
Photo Credit: Dean Calma / IAEA
Here is my Ben & Jerry's Sweet Cream & Cookies sample. Ice cream for late breakfast... mmm... Ben & Jerry's Factory Tours. Waterbury, VT
These Foamex box samples are available for any Rocky Mountain Mattress customer. To learn more about Foamex visit Rocky Mountain Mattress
From L to R: Isaac Cruz (as Julian) and Jacquelin Lorraine Schofield (as Selector)
Photo by, Jessica Sherman
I always feel guilty about sampling food items at the street market if I don't actually buy anything, then again, it's so hard to resist that I'm almost always reaching for a bite.
Those people are damn fine psychologists.
Diana Wall (left) and Holley Zadeh, preparing to sample for nematodes inside a temperature chamber at Lake Hoare.
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From a self-initiated project, I developed artwork around the theme of ‘everyday life'. The reason I chose this was because I wanted to work on a theme that was not a phenomenon but something that exists in the world we live in and could easily be overlooked. I wanted to re observe my surroundings with fresh eyes as an artist. Starting in the towns and city in the working week in the day especially around lunchtimes - I visited urban and suburban markets, watching people move around different shops - second hand and vintage as well as record shops - and how they interacted with each other and with buskers. From that initial study I investigated everyday home life, preparing a meal -'because what is more everyday than making dinner' - tidying a room -cleaning etc. From the meal preparation I looked at the food waste - onion skins from the diced onions that I had fried. I also thought about the food ingredients that I had used as an artist may thinks about their materials - rather than as a cook - asking myself if these materials could be reused as dyes or materials for my design work. I steamed the onion skins, which left a reduced liquor of pale brown which I used to dye a variety of fabric samples. I experimented with different constructions of materials from fine silks, basked woven cottons and heavier carpet like brocades and velvet. I settled on silk chiffon as this symbolised the fine sheer waxy onion skins and the way it reacted to the stitching produced an interesting bobbly effect replicating a cellular, vegetal look. This work took on the look of a coral reef and once again I started to think about life under the sea. These samples and fashion drawings are made from fabric that I dyed using onion skins.
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Rafael Mariano Grossi, IAEA Director-General together with experts from China, Republic of Korea, Switzerland and the IAEA collected sea water samples near Fukushima Daiichi Nuclear Power Station. Ukedo Port, Japan. 19 February 2025
Photo Credit: Dean Calma / IAEA
I tried running the sample through the laundry, but that only felted it about 1/2inch , so I felted it further by hand. It could still felt a lot further, but I kinda like it at this stage.
things I noted:
The mohair felts much faster than the mystery woolen. This makes for a great edge.
the texture of the seed stitch shows though, which made me want to try a basket-weave type structure (I'm making a basket, after all....)