Rotated Reality
View allAll Photos Tagged rotating
Yes, we do. Not only, when we are drunk, we do it all the time. The earth rotates, and this pretty fast (> 1000 km/h at the equator).
Well, we had a starry, moonless night today, as we didn't have for a long time. Of course, i set up my gear, went home, watched "Alien vs Predator II" on TV and picked my camera up afterwards. This is a stacked image out of 205 single exposures.
Explored! # 318, 03.04.2010
I made this one-image photo using a two-axis, computer-controlled device. The coin was held in place using a banana clip and positioned on a rotary stage, while a linear axis moved the coin 35mm to the right. Both linear and rotary movements were made simultaneously, taking a total of 6 seconds. (X35 A55 F150)
Looking along the top of an ingenious series of rotating signs with information on both sides and handles. Found at the top of the Mediterranean Garden in the Adelaide Botanic Gardens.
Awarded in the Group Exotic World front page "Picture of the month"
Day light photo, filter ND110, exposure 10sec
Click for a better view with B l a c k M a g i c, or Press L to view in the LightBox
Thanks for your visit and comments, I appreciate that very much!
Don't use this image without my explicit permission. © all rights reserved.
Regards, Bram (BraCom)
I have rotated this picture, to prevent my Flickr friends from turning their monitors up side down:-)
For a non-rotated reflection go to Jet d'arc-en-ciel's 's picture
One of the six 14-ft. diameter wheels (or sheaves) that pull the cable haulage for San Francisco's three cable car lines spin non-stop at the cable car powerhouse and museum in the historic Nob Hill neighborhood.
◾credits in my blog!!!! 🚨327
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single exposure - camera rotation - no edit - Emisar D4K 4000K 95 CRI
Laowa 12/2,8 - f5,6
Find the whole story on HIVE: Two Trees
.. a camera while taking a picture attracts quite some people around you .. try it out :) .. btw this is the walkway from the Hudson to the giant Oculus ..
Another shot taken on a flooded road. Loads of cars reluctantly turned around at the sight of the road but on didn't. About two minutes later a van came and splashed water everywhere. My trousers are soaked.... :(
[EN] Wild wine in rotating motion - created only by camera and long time with movement
[CZ] Rotující divoká vinná réva - vytvořeno je fotoaparátem s dlouhým časem a pohybem
rotate? possibly??
this is for Morgan<33
because she is most definitely the diptych queen; it makes me jealous
also, it's her birthday!! :D
go say hi (:
loveee you, morgoo!
“Recall the moment that recalls you,” the Core sang, its voice a melody braided from collapsing epochs. “It is older than stars, and younger than your next breath.”
The harmonics deepened.
“All time bends toward you. All time breaks because of you. All time begins again through you.
You will end what cannot end. You will begin what cannot begin. You will stand where time kneels.”
“I don’t understand,” Adrienne whispered. “Stop speaking in riddles. Just tell me what I’m supposed to do.”
The Core answered on a soft tone, “Stand upon the Ovum Stone… and open your mind.”
Adrienne looked down. At her feet rested an egg-shaped stone, smooth, pale, impossibly ancient — a relic of the first moment, humming with energy.
She stepped onto its center.
The floating rings around the Core shifted, descending through her body like luminous vertebrae. They passed into the ground beneath her. Her muscles loosened; her weight dissolved. She hovered above the stone, suspended in a cradle of unseen force.
Unfamiliar thoughts surged through her — not memories, but possibilities. Her arms rose on instinct. Lightning crackled around the Core, spiraling upward like a storm learning to speak.
Symbols flashed before her eyes, too fast to grasp, too old to name.
The voice whispered, “Stand before the sum of all moments. Every beginning is still beginning. Every ending has already ended. Every possibility exists in superposition.”
Adrienne didn’t know how she knew — but she knew. She was the conduit. She was the interface. She was the one who could command the Core.
“Time has now ceased,” the voice murmured.
All machinery froze. The ground shuddered once. Silence swallowed everything.
Adrienne hung suspended — not breathing, not feeling, only existing. Terror flooded her.
“What have I done…”
Moments — or eternities — passed.
Then the Core spoke again, no longer melodic, but absolute, “Begin the sequencing of moments.”
Conduits erupted with blue white chronal fire. Gears slowly began to rotate, aligning constellations of runes that had not been seen since the universe was young. Pendulums resumed their swing, counting centuries, correcting drift, stitching time back together.
A haze lifted from her. Breath returned. She collapsed to her knees, trembling, exhausted.
“Reset complete,” the Core intoned.
A pause. Then, almost gently, “Would you like me to foretell your future?”
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You can view Quantum Fold episodes in order from the beginning in the album titled, "Quantum Fold":
www.flickr.com/photos/199076397@N02/albums/72177720326169...
You can view Quantum Fold II episodes in order from the beginning in the album titled, "Quantum Fold II":
www.flickr.com/photos/199076397@N02/albums/72177720331313...
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This is an A.I. image generated using my SL avi.
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This tern has just emerged from the sea, still dripping with a fish, and has rotated its head through 180 degrees while flying 'right way up' to drop the fish into its gullet. Fascinating behaviour!
Stood in the dark on a very wet night in the middle of Derbyshire with a camera rotation tool.
It's been a while since I did any camera rotation photography. This is a process whereby the camera is rotated on it's lens axis during a single photographic exposure. For each rotation, it's necessary to replace the lens cap so as to prevent stray light hitting the image sensor. Which is just as well as it was still raining at this point!
I still feel the need to explain that this image was captured in one photographic exposure.
Spelen met de instellingen van de camera.
Vrouwenpolder, Nederland
Playing with the camera settings.
Vrouwenpolder, The Netherlands
© Leanne Boulton, All Rights Reserved
Street photography from Glasgow, Scotland.
Previously unpublished shot from December 2016.
Wishing you all an awesome weekend of photography. Keep the shutters clicking and stay safe my Flickr friends.
Thin strips of shaped and coloured card suspended in front of a black background and rotated during a long exposure.
Regno Unito, Londra, The Gherkin (From Vertigo 42), Estate 2012
The Gherkin (il cetriolo) è il popolare soprannome del grattacielo inaugurato nel 2004 a No.30 St Mary Axe. La strada prende il nome dalla vicina chiesa di St Mary Axe ('axe' fa riferimento a una reliquia conservata nella chiesa). La “pelle” dell'edificio è a doppio vetro e lo spazio tra il vetro è ventilato per aiutare con controllo della temperatura e riduzione del consumo energetico. Si dice che il Gherkin utilizzi solo la metà dell'energia rispetto ad edifici simili. La maggior parte delle lastre di vetro sono completamente piatte e l'unico vetro curvo è la 'lente' in cima. Ogni piano è stato ruotato di 5 gradi rispetto al piano di sotto. La parte superiore della torre è stato mantenuta come uno spazio aperto in modo da poter avere una visuale a 360 gradi.
The Gherkin is the popular nickname for the office block opened in 2004 at No.30 St Mary Axe. The road is named after the nearby Church of St Mary Axe (the 'axe' part referring to a relic kept in the church). The skin of the building is double-glazed and the space between the glazing is ventilated to help with temperature control and reducing energy use. The Gherkin is said to use only half the energy of similar sized office towers. Most of the panes of glass are completely flat - the only curved glass is the 'lens' at the very top. Each floor has been rotated 5 degrees relative to the floor below. The top of the tower has been kept as an open space to give an uninterrupted, all-round view.
Tumblehome Sloop
Scott Sprague designed and built the 44 ft Tumblehome in a Bainbridge Island boat shop in the 1980’s, with the help of many others in the yard when they had time to help out. The hull is a slippery canoe stern shape with a modern fin keel and deep bustled skeg aft. A sculptured teak wheelhouse allows inside steering in addition to the outside station. The rig is a fractional sloop* with a varnished spruce rotating wing mast. The interior is Alaskan yellow cedar with Honduras mahogany, and many other woods, with warm live-aboard accommodations. See: woodenboat.org/plan-your-visit
* A fractional rig allows the mast to bend more easily, which in turn allows more adjustment to the shape of the mainsail, especially when sailing upwind. Many people believe that a fractional-rigged sloop is faster upwind than a similar masthead-rigged sloop, especially as the wind strength increases.