View allAll Photos Tagged roadblocks
NS 4705 leads BS50 north past 179th St. The train waited for Metra for about 40 minutes and was on the approach circuit for the crossing, making 179th St blocked for said 40 minutes
A rework of an earlier photo I took in Melbourne.
Canon 5D Mk III with Canon EF 24mm F1.4L Mk II lens. 1/500th sec at F8, ISO 100.
Processed with Adobe Photoshop Elements and Silver Efex Pro 2.
A beautiful Great Egret enjoyinh the early morning sun. It tooks its time to cross and get off the road.
A rolling roadblock on the M1 ..the leading police car is escorting the white van whilst the rear police vehicle was weaving about and has just gone back inside...saw the same lot go back north an hour later doing the same thing....Oct 10 2012
A few have taken shots of ex First PMT Olympian A742GFA though from the front in most cases.
Seen at a closed Burslem depot, it was apparently used as a sacrificial lamb, being a road block to deny access to the rear of the building.
Play it straight, or there's no doubt, I'll turn your eyeballs inside out.
Hey I don't like that sound. Tell me dude what's going down?
Yo Joe!
If you're trying to achieve, there will be roadblocks. I've had them; everybody has had them. But obstacles don't have to stop you. If you run into a wall, don't turn around and give up. Figure out how to climb it, go through it, or work around it.
settings:
Canon EOS 60D
Exposure: 1/50
Aperture: f/5.6
Focal Length: 79mm
ISO Speed:100
I want to keep practicing scene creation while advertising the awesome cyberpunk and animesh creators we have. I plan on learning VFX when there's more free time.
Roadblock is in a bad spot behind enemy lines. It's a head swapped custom I created after putting Stalker's head on a different body.
But don't worry. He'll be back with Ma Deuce, and all the Vipers in the world won't be able to hold him down.
This friendly roadblock prevented our hike down to hidden lake for quite a while. And once it moved it was only for a few meters only to lay down again.
For a long time I've had trouble figuring out how to create a desert scene when I don't actually live in a desert. Here's what I came up with.
There's a few things here that are specifically devoted to a desert environment, but I was surprised how many standard Joes and vehicles I had that seemed like a good fit.
For more G.I. JOE photography check out:
@specialmissionforce on Instagram
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and of course, specialmissionforce.com!
While scootering outside we found this interesting background and decided to take a break and a photo.
When i saw this small bull moose in front of me on a forest road i stopped and got out of my pick up truck. He saw me he started to walk towards the bush. I started to imitate the femele and call him. He turned back and look at me for a while so i had the chance to take some shots. We did it twice, and after a while he probably thought I was actually not that sexy, so he ran away. This photo was taken during hunting season, but luckily for him i unly hunt with my camera. This is what i love with photography…i can catch a bull moose who’s still alive and free today.
Quand j’ai vu ce petit « buck » orignal en face de moi sur un chemin forestier j’ai immobilisé ma camionnette et en suis sorti. Quand il m’a vu, il s’est dirigé en direction de la forêt. Je l’ai alors appelé en imitant le cri de la femelle. Il est revenu vers moi, s’est arrêté et m’a regardé. Nous avons répété ce petit jeu deux fois, puis, il s’est probablement dit que finalement je n’étais pas si sexy et est reparti. Cette photo fut prise en pleine saison de chasse. Heureusement pour lui je ne chasse qu’avec ma caméra. Voilà ce que j’aime de la photographie, je peux capturer une belle prise qui poursuit sa vie libre comme l’air.
Hawk's the type of commander who goes out and gets shot at like everyone else. Troops respect that. They know he won't ask them to do anything he isn't willing to do himself. And that's why they are willing to do anything Hawk tells them.
For more G.I. JOE photography check out:
@specialmissionforce on Instagram
@specialmforce on Twitter
@specialmissionforce on Facebook
and of course, specialmissionforce.com!
A colony of Ross' Geese, migrating from the north for the winter months, block a road at the Merced National Wildlife Refuge in the central San Joaquin Valley of California. The Ross' goose is a small white goose with black primary feathers. They are among the first to annually leave their breeding grounds in Canada. The California Central Valley is currently their main wintering area. They feed on grasses, sedges and small grains, particularly waste wheat and barley in the winter months.
The Merced National Wildlife Refuge is located in El Nido. It is a small rural town about eleven miles south of Merced, California. The town was founded early in the 20th century when the development of irrigation enabled intensified farming of this area in the central valley. The refuge encompasses 10,262 acres of wetlands, native grasslands, vernal pools, and riparian areas. It provides important sources of nutrition (carbohydrates) to the tens of thousands of arctic-nesting geese and sandhill cranes that make Merced County their winter home. They also help ensure that the birds will have adequate nutrient stores to make the long migration to their northern breeding grounds.
ROADBLOCK: Dude, can you pick up your end?
HEAVY DUTY: I am picking up my end.
ROADBLOCK: Fine. Let's just move it to the right a little.
HEAVY DUTY: My right or your right?
ROADBLOCK: How many times do I tell you? When I say right... You know what? Just set it down. It needs to be in place before...
HEAVY DUTY: Too late?
ROADBLOCK: Too late.
HEAVY DUTY: I suggest a tactical withdraw.
ROADBLOCK: First good idea you've come up with.
This image is related to a composite I did a while ago called Mud on my dress, blood on my hands. This kinda feels like it came from the same alternate 1930's reality.
I have no idea what's going on. Much like the other composite, it evolved from a simple gangster style image into something way beyond that.
All the elements, apart from Sarah-Jane, were created in Daz Studio and output as tranparent PNG's so I could layer and position them in photoshop.