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Photography by David Ellis @ www.davidellis.co.uk .Styling by Guy Hipwell contact @ guy@fashion156.com.Grooming and hair by Celine Nonon @ Terri Manduca, www.terrimanduca.co.uk .Digital operator and retouching by Christopher Kennedy contact @ email@christopher-kennedy.com .Photographer's assistant: Jamie Bowering .Stylist's assistants: John Francis Bowyer, Liz Dye and Carolina Conte. Model: Marko Brozic @ Premier.
I'd call him a ringmaster, but there wasn't really any ring to speak of. He was good and freaky, a pretty good showman, and got things off to a good start. He argued with the complainter pretty well too, got the crowd on his side, and sent the complainer slinking away shamedly.
Photography by David Ellis @ www.davidellis.co.uk .Styling by Guy Hipwell contact @ guy@fashion156.com.Make-up and hair by Celine Nonon @ Terri Manduca, www.terrimanduca.co.uk .Digital operator and retouching by Christopher Kennedy contact @ email@christopher-kennedy.com .Photographer's assistant: Jamie Bowering .Stylist's assistants: John Francis Bowyer, Liz Dye and Carolina Conte. Model: Bo @ Select.
Not many girls feel so completely comfortable with the caress of a large blade against their cheek. Laura worked with this blade on stage for many years, the cold metal almost feels like a warm blanket to her. She's been bitten so many times, she's almost immune to it's danger.
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Pullip Laura
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I realised it's the last day of April and I hadn't taken a Pullip photo this month :o ... so I took a quickie to keep my promise to myself :)
Carnival Circus Shoot [04.15.16]
MUA - Kate Maraj
Art direction and styling - Karen Penman
Photographer - Greg Kitten
MODEL Karen Penman Kate Maraj
Lighting info:
SB28 @ 1/4 through umbrella camera left, SB28 through umbrella w/red gel on background from camera right, bare SB28 at 1/64 camera right as fill
Johnathan Lee Iverson was the first African-American (and youngest!) Ringmaster in Ringling Bros. history. Great voice and impressive resumé.
Interior Motions employees as their favorite circus character. Including the tarpese artist, magician, ringamster, clown, high diver and human cannonball.
Lighting: Each Person individually shot with Paul C Buff Einstein with 86" Diffusing Umbrella for key. AB800 with grid behind subject on right for rim. Fired with Cybersync.
We've been signing our company Christmas cards for the last few days. Aching wrists and funny personal comments. We're exhausted. If you've never seen them before, here's a link to our website and the Christmas card gallery. If you'd like to be added to our mailing list for this year and receive your very own card in the mail, you still have a day or two, but hurry as we don't have many left.
We're also giving away our top 5 albums of 2008. Anyone can enter our simple little competition. Follow this link if you fancy having a go.
What can I say....MARVELLOUS !!!
The car of my son now it comes in handy for taking photos..hahhahaha ..
After leaving a prominent circus company (rhymes with Starnum and Chaliey), Christopher the Ringmaster opened the Happy School for Circus Purrrformers, considered internationally the most important training school of circus cats worldwide. Although it may be difficult to keep up with Christopher's intellectual cat conversations, he is always willing to learn new subjects and meet new people. If you are looking for the Purrfect companion, Christopher may be the Ringmaster for you.
A fun Plush Team challenge. Vote for him, or your favorite circus plush here.
Link to my blog to see more photos.
Model:
Anne Marie my ImReal custom
Details:
Custom Circus Circus Baby Doll dress by FishKnees
Hat from Porto, Portugal
Note: Fishknees’ dresses are just Fabulous. Great quality fabric. Well constructed. Great fit and proportions. I want more
Echoes of the 1940s Circus: Steam Trains, Big Top Lights and Forgotten Wonders
Description
A cinematic journey through a fictional vintage circus world inspired by the atmosphere of the 1940s: steam trains arriving through clouds of smoke, crowded railway platforms, canvas tents rising at dawn, performers preparing behind the scenes, glowing fairground lights, brass bands, trapeze artists, ringmasters, clowns, fortune tellers, animal acts, travelling caravans and the quiet moments hidden between spectacle and exhaustion.
This collection evokes the golden age of travelling circuses as if seen through the lens of an old documentary photographer, but with the visual richness of modern cinematic photography. Warm amber lights, deep shadows, smoky interiors, velvet costumes, weathered wood, worn posters, dusty roads and dramatic faces create a world suspended between memory, theatre and dream. Each image suggests a fragment of a larger story: the arrival of the circus by train, the construction of the tent, the anticipation of the crowd, the tension before the performance, the intimacy of backstage rituals and the melancholy beauty of a show that exists only for one night before disappearing again.
The series blends realism and fantasy, presenting the circus not only as entertainment but as a temporary city of artists, workers, animals, music, mystery and human emotion. It captures both the grand spectacle and the fragile backstage humanity of a travelling world built from canvas, light, discipline and illusion.
All images have been generated by Artificial Intelligence.