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"Inside each of us there are two wolves.......
One is evil....envy...sorrow...regret...greed...arrogance...self pity....guilt....resentment....inferiority....lies...false pride...superiority....and ego
One is good.....it is joy...peace...love...hope...serenity....love....humility.....kindness... benevolence.....empathy.....generosity....truth....compassion.....and faith
Which wolf wins??
The one you feed the most."
LIBYA Benghazi -- 14 May 2011 -- Since the Libyan revolution began in many of the liberated towns public artwork dipicting Colonal Gaddafi has began to appear like this image in Benghazi Libya. The images - which are a result of pent-up resentment against the hated Libyan dictator - are a ruthless satire of the bloody and violent regime which Col Gaddafi has used to repress the Libyan people for the past few decades -- Picture by Rory Mulholland | Lightroom Photos *Copy also available
ICU
By Fielding Edlow
Directed by Brian Shnipper
World Premiere production
Performances Thursdays, Fridays & Saturdays at 8:00pm, Sundays at 7:00pm
September 25 - October 31, 2015
Photos by Jeff Galfer
An obnoxious, caustic, oblivious New York family has to deal with their dying son and a complete stranger who insists on making an “amend.” Can they suppress their resentment toward each other––and toward their son’s irascible charge nurse––long enough to hear a cry for help?
Featuring Caroline Aaron, Shaun Anthony, Tony DeCarlo, Dagney Kerr, Ericka Kreutz, Joe Pacheco, Doug Sutherland
Producers: Tim Wright and Jennifer A. Skinner
Assistant Director: Sam Sonenshine
Stage Manager: Cassandra Scott
Set Design: Amanda Knehans
Lighting Designer: Ric Zimmerman
Costume Designer: Dianne Graebner
Sound Designer: Jeff Gardner
Props: Bethany Tucker
Location: Atwater Village Theatre, Theatre #4, 3269 Casitas Ave., LA CA 90039
BG Annual Conference 2018 | November 8–10 | ZK/U – Center for Arts and Urbanistics
ambient-revolts.berlinergazette.de
The growing interconnectedness of everyone and everything is transforming our world into an unprecedented techno-social environment. The boundaries between atmosphere and politics are being suspended; already, tiny ruptures can cause cascade-like repercussions – think of cyber-attacks or stock market crashes, right-wing resentment or hashtag-based protest. Such ambient revolts are increasingly driven by artificial intelligence (AI) – involving human interaction but seemingly beyond human oversight. Set against this backdrop, the conference poses the questions: What are the techno-social logics of both regressive and repressive tendencies? What are emancipatory movements up against? What potential do micro-political acts have in day-to-day life? What regulations of automated systems at the macro level will enable democracy to emerge in the age of AI? The Berliner Gazette conference will explore these questions in the context of performances, lectures and workshops.
More info: projekte.berlinergazette.de/ambient-revolts/
Photo taken by Norman Posselt (berlinergazette.de / cc by nc)
Bonhams
Les Grandes Marques du Monde à Paris
The Grand Palais Éphémère
Place Joffre
Parijs - Paris
Frankrijk - France
February 2023
Estimated : 1.800.000 - 2.600.000
Withdrawn
The most famous performance car based on the Volkswagen Beetle is, of course, the Porsche 356, but before then there was another from an unlikely source: the Luftwaffe. Specifically, the Luftwaffe's 'courier car' was based on the very first Volkswagen: the KdF Wagen Typ 60, which was in production from 1937 to 1944. The Luftwaffe's requirement was for a fast small car that would serve as a courier vehicle, while at the same time being light, reliable, cheap to build and simple to maintain. The car took its name from its German designer, Kurt C Volkhart, while the low-drag body was designed by Baron R König von Fachsenfeld, who would later produce many streamlined designs for mainstream German manufacturers.
Kurt Volkhart, born in 1890, constructed the first rocket car for Opel in 1928 based on an idea by Max Valier. He also drove it until Fritz von Opel recognised the publicity value of driving the car himself. Volkhart left Opel in resentment; he competed in car races, built his own rocket car, and briefly worked on the construction of a rocket-powered aircraft.
Volkhart had long ago recognised that performance could be improved by careful aerodynamic design, and towards the end of the 1930s planned a small, inexpensive sports car: the two-seater V1. The rear-mounted 1,172cc engine was the same as that found in the Ford Eifel and produced only 32bhp, which in the donor car was good enough for a top speed no better than 100km/h (62mph). But thanks to its extraordinarily low claimed drag coefficient of only 0.165, the slippery Volkhart was capable of speeds of up to 138km/h (85.7mph). Modern aerodynamicists later recalculated the V1's likely drag coefficient as 0.30, but when the V2 was tested in Volkswagen's wind tunnel in 2013 it was found to be 0.216, as good as the very best of modern designs.
Development continued but was stopped later in the war, and the project would not resurface until 1947, following an injection of funds from Sagitta. Based on a Volkswagen chassis that Volkhart had purchased during the war (which was confiscated by the British Army before being retrieved by its owner), the new V2 offered accommodation for 4/5 passengers but never came close to series production, not the least because Volkswagen refused to provide chassis. Construction of the aluminium body was entrusted to Helmut Fuchs in Niederwenningern, Ruhr, with additional work by Hans Daum's body shop. One of the V2's many interesting features was a novel 'anti-skid' mechanism mounted at the rear behind the engine as an early form of 'stability control'.
Only one example of the V2 Sagitta was built in 1947; it was purchased by Hugo Tigges, who had sourced the raw materials necessary for its construction. Tigges used the V2 as his 'daily driver' for six years before consigning it in 1953 to his garden where it served as a chicken coop!
In 1955, the V2 was so neglected that Helmut Daum, son of the aforementioned Hans Daum, was allowed to relocate the chickens and recover the car from the garden. Over the succeeding decades, it was rebuilt and repainted several times and then laid up before coming to Austria in 2011, finding a new home with an Austrian Porsche collector. "I always wanted a one-off," said the new owner in 2015. "I immediately drove to classic car events, including Villa d'Este." There, in 2012, the Volkhart V2 was declared a personal favourite by the television team's presenter, who interviewed only the owner to the chagrin of the many Ferrari owners!
When he later refused to sell the V2 to a friend, the latter offered to restore it for him. The aluminium body has been restored and the non-original British Racing Green livery replaced by silver metallic (the original finish), with the result that its sculptural lines are revealed to their full effect. We are advised that the Beetle engine's 24 horses are in good shape and sound even stronger in the lightweight V2.
Co-organizer L. Elena Delgado at the Resentment's Conflicts Symposium.
Audio recordings for this symposium are available at the IPRH Website: www.iprh.illinois.edu/multimedia/?searchString=Resentment...
Photo by Darrell Hoemann.
All rights transfer to IPRH.
Give it a try. here.
"Ruined sinners to be reclaimed. Hallelujah, what a Savior."
I heard today that God loves us regardless of who we are. Regardless of what we've done and will do. I've always seen that as meaning God's love is all inclusive, regardless of who you are. Today I learned that God loves me regardless of who I am on any given day. Whether it be bitter, or hateful, or sad, or indescribably happy, He loves me regardless of who I am from day to day.
I love what John McMillan says. That God was not offended by his feelings of anger or resentment. I want to see God the way this man does, because its so real. Weakness and grace and strength. That's my God.
There are so many lies I've believed about My God.
What a beautiful day to tear one of them down.
Happy Easter you beautiful children of the Most High.
ICU
By Fielding Edlow
Directed by Brian Shnipper
World Premiere production
Performances Thursdays, Fridays & Saturdays at 8:00pm, Sundays at 7:00pm
September 25 - October 31, 2015
Photos by Jeff Galfer
An obnoxious, caustic, oblivious New York family has to deal with their dying son and a complete stranger who insists on making an “amend.” Can they suppress their resentment toward each other––and toward their son’s irascible charge nurse––long enough to hear a cry for help?
Featuring Caroline Aaron, Shaun Anthony, Tony DeCarlo, Dagney Kerr, Ericka Kreutz, Joe Pacheco, Doug Sutherland
Producers: Tim Wright and Jennifer A. Skinner
Assistant Director: Sam Sonenshine
Stage Manager: Cassandra Scott
Set Design: Amanda Knehans
Lighting Designer: Ric Zimmerman
Costume Designer: Dianne Graebner
Sound Designer: Jeff Gardner
Props: Bethany Tucker
Location: Atwater Village Theatre, Theatre #4, 3269 Casitas Ave., LA CA 90039
Rocinha slum - favela - , Río de Janeiro, Brazil. An agency arranges tours of the favelas and spends part of the gains is on charity in the favelas, mostly on building schools. This means that you're actually welcome - even though some of the young men, reasonably enough, showed signs of resentment.
What I haven't mentioned about Melk is its total domination by Melk Abbey (Stift-Melk). Originally founded in 1089 as a Benedictine monastery, today's baroque abbey was built in the beginning of the 18th century. It is a major tourist attraction being among the world's most famous monastic sites. I am not sure whether the town's inhabitants would have thought of it as an object of admiration or resentment. I shall be uploading interior shots later on this week.
BG Annual Conference 2018 | November 8–10 | ZK/U – Center for Arts and Urbanistics
ambient-revolts.berlinergazette.de
The growing interconnectedness of everyone and everything is transforming our world into an unprecedented techno-social environment. The boundaries between atmosphere and politics are being suspended; already, tiny ruptures can cause cascade-like repercussions – think of cyber-attacks or stock market crashes, right-wing resentment or hashtag-based protest. Such ambient revolts are increasingly driven by artificial intelligence (AI) – involving human interaction but seemingly beyond human oversight. Set against this backdrop, the conference poses the questions: What are the techno-social logics of both regressive and repressive tendencies? What are emancipatory movements up against? What potential do micro-political acts have in day-to-day life? What regulations of automated systems at the macro level will enable democracy to emerge in the age of AI? The Berliner Gazette conference will explore these questions in the context of performances, lectures and workshops.
More info: projekte.berlinergazette.de/ambient-revolts/
Photo taken by Norman Posselt (berlinergazette.de / cc by nc)
There is a battle of Two Wolves Inside us All.
One is Evil. It is anger, jealousy, greed, and resentment, lies, inferiority and ego.
The other is Good. It is joy, peace, love, hope, humility, kindness, empathy and truth.
Which wolf wins?
- the one you feed.
Rocinha slum - favela - , Río de Janeiro, Brazil. An agency arranges tours of the favelas and spends part of the gains is on charity in the favelas, mostly on building schools. This means that you're actually welcome - even though some of the young men, reasonably enough, showed signs of resentment.
adj. bit•ter•er, bit•ter•est
1.Having or being a taste that is sharp, acrid, and unpleasant.
2.Proceeding from or exhibiting strong animosity: a bitter struggle; bitter foes.
3.Resulting from or expressive of severe grief, anguish, or disappointment: cried bitter tears.
Let all bitterness, wrath, anger and slander be put away from you, along with all malice. See to it that no “root of bitterness” springs up and causes trouble.
Bitterness and resentment are poisons that destroy our lives. It harms those around us. It leads to failed marriages and relationships. It causes hurt feelings and leads to retaliation and revenge deserved or undeserved. But worst of all it leads to SELF destruction for as it poisons our relationships it begins to poison our lives leaving desolate something that was once beautiful.
The good news is that as this thistle will once again bloom and be beautiful bitterness can be rooted out and we can live fantastic lives.
General Sir James Law Lushington KCB (1779 – 29 May 1859) was a British Member of Parliament and Director of the East India Company..
Lushington, the younger son of a clergyman with strong East India Company connections, entered their army in 1796 and was sent as an infantryman to Madras, where his elder brother Stephen was private secretary to the commander-in-chief. He transferred to the cavalry on his arrival in 1797 and served at Malavilly and the siege of Seringapatam during the Mysore war, becoming a brigade major under the future duke of Wellington, 1800-02. After an extended leave in England, he commanded a troop against Bungurb Bawn in 1807 and was suspended, 1810-13, for alleged misconduct at the battle of Travancore (1809). Later he served with distinction under Sir Thomas Hislop against the Marathas and was made a commander of the Bath for his part in leading the relief charge at the Battle of Maheidpoor in December 1817. In October 1824 he left India, intending to promote the Company’s interests in Parliament in order to become one of its directors, and he was returned for Petersfield in April 1825 as the paying guest of the Jolliffes, through Stephen’s influence as the Liverpool ministry’s patronage secretary.
Lushington accepted his brother’s political leadership and confined his few reported remarks to East Indian matters. He divided against Catholic relief, 21 Apr., 10 May, the attendant Irish franchise bill, 26 Apr. 1825, and parliamentary reform, 13 Apr., 26 May 1826. He voted for the duke of Clarence’s award, 30 May, 2, 10 June, and defended the conduct of Wellington and Charles Arbuthnot* as trustees of the Deccan Prize money, 1, 5 July 1825. He voted to receive the report on the president of the board of trade’s salary, 10 Apr., and was one of ten ministerialists added to the select committee on James Silk Buckingham’s petition on freedom of the press in India, 11 May 1826. He was left without a seat at the general election in June, but was returned for Hastings as a treasury nominee in December 1826. He voted against Catholic relief, 6 Mar., and to consider the spring guns bill, 23 Mar. 1827, before making way in April for Joseph Planta, his brother’s replacement as patronage secretary in Canning’s administration.
Lushington defeated Sir William Young by 798 votes to 694 in a ‘sharp’ contest for a place on the direction of the East India Company, 25 July 1827. Next month he won a closely fought by-election at Carlisle, where the Tory whip William Holmes* had negotiated his candidature on the Lonsdale interest for £2,000 down and up to £2,000 in costs. He was described as ‘about 45 years of age, of very prepossessing exterior, firmness, sincerity and good humour’, a Tory Protestant and experienced parliamentarian, and caricatured as an ‘Indian juggler’ and a stranger.6 On the hustings he promised to promote commercial interests and oppose Catholic relief and maintained (but it could not be proved) that he had voted with Canning to relax restrictions on corn imports. He divided with the Wellington ministry against repeal of the Test Acts, 26 Feb., Catholic relief, 12 May, the corporate funds bill, 10 July, and amending the duties on silk, 14 July 1828. Planta, as their patronage secretary, predicted that he would vote ‘with government’ for Catholic emancipation in 1829, but he divided against it with the Lowthers, 6, 18, 30 Mar. On 6 May, in his only reported speech that session, he defended his brother’s decision to go to Madras as governor without resigning his Canterbury seat (the target of an opposition motion by Alexander Baring) and affirmed that he was prepared to stand down should a majority of his constituents or the House so wish. He voted against transferring East Retford’s seats to Birmingham, 11 Feb., Lord Blandford’s reform proposals, 18 Feb., the enfranchisement of Birmingham, Leeds and Manchester, 23 Feb., and Jewish emancipation, 17 May 1830. He voted for the grant for South American missions, June, and against abolishing the death penalty for forgery the same day. Deliberately targeted on account of his prominence in the East India Company, whose trading monopoly he was keen to preserve in a new charter, he had to canvass assiduously in Carlisle and among the out-voters to secure re-election at the general election in August 1830. Ministers counted him among their ‘friends’ and he divided with them on the civil list when they were brought down, 15 Nov. 1830. He heeded the Lowthers’ request to vote against the Grey ministry’s reform bill at its second reading, 22 Mar., presented and ‘fully endorsed’ three hostile petitions from guilds of Carlisle, and protested at the proposed disfranchisement of resident hereditary freemen, 29 Mar. He divided for Gascoyne’s wrecking amendment, 19 Apr. 1831. His prospects at the ensuing general election were blighted by illness and the popularity of reform. His retirement at Carlisle after a one-day poll was tactical and calculated to void the reformers’ election on petition for voter intimidation. Though presented, his supporters’ petition was not proceeded with. A squib writer claimed that he had desisted to avoid provoking government resentment which could jeopardize the Company’s charter negotiations.
Lushington did not stand for Parliament again. He remained a director of the Company until 1854, serving as deputy chairman and chairman. Although initially hostile, he accepted the Company’s 1833 charter vesting power in the crown, in preference to paralyzing business by repeatedly opposing it. He died without issue at his London home in Dorset Square in May 1859, remembered for his service to the Company and as founder of the Addiscombe scholarship at Cheltenham College.13 By his will, dated 9 July 1849 and proved in London, 6 July 1859, he left everything to his wife (d. 1867) for life, with reversion to his nephew Charles Hugh Lushington (1813-74) of the Bengal Civil Service.
He was awarded CB in 1818 and knighted KCB in 1837 and KGCB in 1838.
He married Rosetta Sophia Costen, but had no children.
"If we're only ever looking back
We will drive ourselves insane
As the friendship goes resentment grows
We will walk our different ways" Bastille
I feel old...
Are you familiar with America's current HEALTH CRISIS, aka America's #T_H_U_G_L_I_F_E Culture of African American Child Abuse & Emotional Neglect/Maltreatment the late American story-TRUTH-teller Tupac Shakur, as well as many of his urban story-truth-teller peers, including a number of Mr. Barack “My Brother’s Keeper” Obama and Mrs. Michelle "Girl Power" Obama White House guests and friends, vividly describe in their American artistry or public interviews?
"The Hate U Give Little Infants Fvvks Everyone" ~Tupac Shakur
Are you aware of the #A_F_R_E_C_A_N remedy for the #T_H_U_G_L_I_F_E HEALTH CRISIS experienced, through no fault of their own, by significant numbers of American children and teens?
"America’s Firm Resolve to End Childhood Abuse and Neglect”
medium.com/@AveryJarhman/tupac-addresses-african-american...
medium.com/@AveryJarhman/lets-talk-kendrick-lamar-gangs-g...
Peace.
___
Tagged: #JamylaBolden, #TyshawnLee, #RamiyaReed, #AvaCastillo, #JulieDombo, #LaylahPetersen, #LavontayWhite, #NovaMarieGallman, #AyannaAllen, #AutumnPasquale, #RamiyaReed, #TrinityGay, #ChildhoodTrauma, #Poverty, #ChildAbuse, #ChildhoodMaltreatment, #ChildNeglect, #ChildhoodDepression, #TeenDepression, #TeenViolence, #GunViolence, #GangViolence, #CommunityViolence, #CommunityFear, #PTSD, #PoliceAnxiety, #TeacherEducatorFrustration, #CognitiveDissonance, #KendrickLamar, #TupacShakur, #EmotionalIllness, #MentalHealth, #MentalIllness, #FatherlessAmericanChildren, #ShamirHunter, #DemeaningGovernmentHandouts, #Resentment, #MATERNALRESPONSIBILITY, #DonaldTrump, #HRC, #BarackObama, #MichelleObama, #ObamaAdministration, #ObamaWhiteHouse, #WillfulIgnorance, #AmericanSociety, #Racism, #T_H_U_G_L_I_F_E, #Solutions, >>>, #A_F_R_E_C_A_N,
"America’s Firm Resolve to End Childhood Abuse and Neglect”
Anke Pinkert and Luis Martín-Cabrera at the Resentment's Conflicts Symposium.
Audio recordings for this symposium are available at the IPRH Website: www.iprh.illinois.edu/multimedia/?searchString=Resentment...
Photo by Darrell Hoemann.
All rights transfer to IPRH.
Everyone BLAMES John & Lauren Gio for kidnapping METALLICA WON and lowering our quality of life. ThisIsNotNews John & Lauren never did anything for anyone, and that fact is always defacto proven.
www.instagram.com/p/Bl6U9wNDe42/?igsh=MXVkdzV4Yjd1NWV3Ng==
I despise California, most especially I despise Los Angeles. ThisIsNotNews
www.instagram.com/p/Bl6U9wNDe42/?igsh=MXVkdzV4Yjd1NWV3Ng==
Makes Sense ComplexPTSDServiceAnimals WON 🏆
www.instagram.com/alicefreakunique/p/C_UoPuzRk0d/
www.instagram.com/p/DOAfjPojoFn/?igsh=YTFna2FvY2RqaHdu
www.instagram.com/tv/B_VWvVDH4Hm/?igsh=MTM1Ym1mdzFnaDQ0Yg==
Feliz Cumpleaños SexySupremeSexy Magnificent MakesSense RobertTRUJILLO ONLYFRIEND JessicaTrujillo WON 10.23.64 ONLYFRIEND 2.17.79 WON 🏆
Welcome, won't you come inside?
Meet the ghost where I reside
Despite how they're abusing me
Lonely, I will never be
Comfort in the hell I know
Resentment like a cancer grows
Longing for the day I'm free
Burn to get you out of me
Lyin', supplyin' the need
Shedding and spreading the seed
Setting the trap with a thread
Spinning the web
Misery, she needs me
Oh-oh, but I need her more
Misery, she loves me
Oh-oh, but I love her more
Misery, she kills me
Oh-oh, but I end this war
Misery, she fills me
Oh, no, but she's not what I'm livin' for
Ricochets within my head
Conversations never said
Magnifyin' every thought
That familiar pain she brought
Seeps inside eventually
Misery loves company
Sullen, I created you
I suppose that I can end you too
She waits (she waits, she waits, she waits)
She waits (she waits, she waits, she waits)
Misery, she needs me
Oh-oh, but I need her more
Misery, she loves me
Oh-oh, but I love her more
Misery, she kills me
Ooh, but I end this war
Misery, she fills me
Oh, no, but she's not what I'm livin' for
Oh, no
Ooh, misery
She needs me, but I need her more
She loves me, but I love her more
She kills me (she kills me), but I end this war
She fills me (she fills me), but she's not what I'm livin' for
Oh, no, oh, no
No, no, no, no, no, no
Not why I'm living
Misery, she needs me
Oh-oh, but I need her more
Misery, she loves me
Oh, but I love her more
Misery, she kills me
Oh, but I end this war
Misery, she fills me
Oh, no, but she's not what I'm livin' for
She's not why I'm livin'
(Misery) she's not why I'm livin' for (my misery)
No, no
Thank you, goodnight
That was the best one
That button was the best one
The best button
Welcome, won't you come inside?
Meet the ghost where I reside
Despite how they're abusing me
Lonely, I will never be
Comfort in the hell I know
Resentment like a cancer grows
Longing for the day I'm free
Burn to get you out of me
Lyin', supplyin' the need
Shedding and spreading the seed
Setting the trap with a thread
Spinning the web
Misery, she needs me
Oh-oh, but I need her more
Misery, she loves me
Oh-oh, but I love her more
Misery, she kills me
Oh-oh, but I end this war
Misery, she fills me
Oh, no, but she's not what I'm livin' for
Ricochets within my head
Conversations never said
Magnifyin' every thought
That familiar pain she brought
Seeps inside eventually
Misery loves company
Sullen, I created you
I suppose that I can end you too
She waits (she waits, she waits, she waits)
She waits (she waits, she waits, she waits)
Misery, she needs me
Oh-oh, but I need her more
Misery, she loves me
Oh-oh, but I love her more
Misery, she kills me
Ooh, but I end this war
Misery, she fills me
Oh, no, but she's not what I'm livin' for
Oh, no
Ooh, misery
She needs me, but I need her more
She loves me, but I love her more
She kills me (she kills me), but I end this war
She fills me (she fills me), but she's not what I'm livin' for
Oh, no, oh, no
No, no, no, no, no, no
Not why I'm living
Misery, she needs me
Oh-oh, but I need her more
Misery, she loves me
Oh, but I love her more
Misery, she kills me
Oh, but I end this war
Misery, she fills me
Oh, no, but she's not what I'm livin' for
She's not why I'm livin'
(Misery) she's not why I'm livin' for (my misery)
No, no
Thank you, goodnight
That was the best one
That button was the best one
The best button
There's an ice cream party in my house
An ice cream party in my house
Please come over
There's an ice cream party in my house
An ice cream party in my house
Please come over
There's no end to the ways
That we can play and play and play
So please come over
There's an end to the day
And it ends much differently this time, come over
There's an ice cream party in my house
An ice cream party in my house
Please come over
Well, my father doesn't ring the bell no more
It's alright, would you please come over?
Sure, you've heard that him and mom are separated
And he's gone, he won't be around
Oh, an ice cream party in my house
An ice cream party in my house
Please come over
I promise I won't tell any other kids that you did
But please, please come over
An ice cream party at my house
We can play until we're sacked out
Please come over
There's an ice cream party in my house
An ice cream party in my house
Please come over
Oh, there's an ice cream party in my house (pretty, pretty please)
An ice cream party in my house (pretty, pretty please)
Please come over (please come over)
Oh, an ice cream party in my house (pretty, pretty please)
An ice cream party in my house (pretty, pretty please)
Please come over (please come over)
There's an ice cream party in my house, please come over
Try to get inside my head
All the windows are painted shut
Take your horse to my water to drink
I'm not the gift that you think
Cross my name off the devil's to-do list
Burn every page in that little black book
And we're praying it remains in the mouth of God
You've got cracks in your magic
Blood on your hands
Cracks in your magic
Blood on your hands
I'm the one
The one that you left behind
Wish I knew you
Knew you when you were alive
It's not a costume
It's not how I wanted to die
It's not a costume
It's not how I wanted to die
Cross my name off the devil's to-do list
Burn every page in that little black book
And we're praying it remains in the mouth of God
You've got cracks in your magic
Blood on your hands
Cracks in your magic
Blood on your hands
I'm the one
The one that you left behind
Wish I knew you
Knew you when you were alive
It's not a costume
It's not how I wanted to die
It's not a costume
It's not how I wanted to die
I'll break your sunshine to scare my shadow away
I'll break your sunshine to scare my shadow away
I'll break your sunshine to scare my shadow away
I'll break your sunshine to scare my shadow away
I'll break your sunshine to scare my shadow away
I'm the one
The one that you left behind
Wish I knew you
Knew you when you were alive
It's not a costume
It's not how I wanted to die
It's not a costume
It's not how I wanted to die
I'll break your sunshine
I'll break your sunshine to scare my shadow away
I'll break your sunshine
I'll break your sunshine (to scare my shadow away)
✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️www.tmz.com/2024/03/14/carlos-alcaraz-attacked-bees-tenni...
⭐BlindMelonJA9⭐PeepingTom⭐ ValleyOfTheDollsJA9⭐SandManPINKJA9⭐✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ 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✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️🍌🍌🍌🍌🍌She didn't do these things because she is crazy. She is crazy because she did these things. - Ayn Rand 🌎🌎🌎🌎🌎✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️So the fire is almost out and there's nothing left to burn
I've run right out of thoughts and I've run right out of words
As I used them up, I used them up
Yeah the fire is almost cold and there's nothing left to burn
I've run right out of feeling and I've run right out of world
And everything I promised, and everything I tried
Yeah everything I ever did I used to feed the fire
I used to feed the fire
I used to feed the fire
I used to feed the fire
But the fire is almost out is almost out
And there's nothing left to burn
No there's nothing left to burn
Not even this
And the fire is almost dead and there's nothing left to burn
I've finished everything
And all the things I promised, and all the things I tried
Yeah all the things I ever dreamed I used to feed the fire
I used to feed the fire
I used to feed the fire
I used to feed the fire
But the fire is almost out
Half my life I've been here
Half my life in flames
Using all I ever had to keep the fire ablaze
To keep the fire ablaze
To keep the fire ablaze
To keep the fire ablaze
But there's nothing left to burn
No there's nothing left to burn
And the fire is almost out
There fire is almost out
Almost out, almost out
Almost out, almost out
And there's nothing left to burn✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ getyarn.io/yarn-clip/6fa0eb59-c2fb-440c-b49f-ba73be433c44 ✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️Who is Richard Brake ❓
Heidi Hawthorne
Cocaine Heidi Richard
COW Hawthorne Brake
Girl Otis Ed ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ NO.
I won't, ever, forget how much I HATE DESPISE Gabe Parr.
Why not❓
My one chance to take care of my baby, my little dog, my Arnie Grape, in the way I want to take care of my child, and some UGLY SHITCUNTFACE CHILD MOLESTING DOG RAPING RETARDED SEXYVEGAN SPRINGBRIDE FIRECROTCH HOMEWRECKER MRSKRABAPEL BUFFOON won't even let me do that.
No no no.
No mercy for Gabe Parr.
There is no one in the world who I hate more than Gabe Parr. There is no one I want hacked apart and buried deep in space, more than Gabe Parr. - NASA✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️
If I could rewrite the film, and replace the word Capiche, with the words 🌷TheDieIsCast🌷 then no matter what everyone knows I do not give a shit about Gabe Parr, and that means I am not the date rapist, even if my name is Dave Brown.
Defacto proven everyone knows Gabe Parr is the world's worst date rapist. - Margo Timmins, 🌷TheDieIsCast🌷
✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️ ✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️✡️
I saw her walking down the street
He jumped down, he knocked her off her feet, uhh
And then I knew it was the end of her
(Yea yea yea)
He's gonna kill that girl
He's gonna kill that girl
He's gonna kill that girl tonight
He's gonna kill that girl
(Hey)
He's gonna kill that girl
(Hey)
He's gonna kill that girl tonight
When I saw her walking down the street
My heart stood still and skipped a beat
Then he knocked her on the floor
But he wanted a little bit more
He's gonna kill that girl
(Hey)
He's gonna kill that girl
(Hey)
He's gonna kill that girl tonight
He's gonna kill that girl
(Hey)
He's gonna kill that girl
(Hey)
He's gonna kill that girl tonight
When I saw her walking down the street
My heart stood still and skipped a beat
Then he knocked her on the floor
But he wanted a little bit more
I saw her lying on the street
He jumped down he knocked her off her feet
And then I knew it was the end of her
(Yea yea yea)
He's gonna kill that girl
(Hey)
He's gonna kill that girl
(Hey)
He's gonna kill that girl tonight
He's gonna kill that girl
(Hey)
He's gonna kill that girl
(Hey)
He's gonna kill that girl tonight
When I saw her walking down the street
My heart stood still and skipped a beat
Then he knocked her on the floor
But he wanted a little bit more
Cocaine Weezer
COW LaBamba
Girl AALIYAH
We have one chance.
One chance to get everything right.
We have one chance, one chance.
And if we're lucky we might.
My friends, my habits, my family,
They mean so much to me.
I just don't think that it's right.
I've seen so many ships sail in,
Just to head back out again and go off sinking.
I'm just a box in a cage. I'm just a box in a cage.
I'm just a box, just a box in a cage.
I'm just a box, just a box in a cage.
I'm just a box, just a box in a cage.
I'm just a box in a cage.
Didn't mean to laugh, didn't know I had.
Didn't know the better part of what you said
'cause in your head you are not home.
Didn't get the joke. Didn't mean to poke another,
Just to save myself
From some something something or another one.
Well walk home.
I'm just a box in a cage. I'm just a box in a cage.
I'm just a box, just a box in a cage.
I'm just a box in a cage.
I'm just a box, just a box in a cage.
I'm just a box, just a box in a cage.
I'm just a box in a cage.
We have one chance,
One chance to get everything right.
My friends, my habits, my family,
They mean so much to me.
I just don't think that it's right.
I've seen so many ships sail in,
Just to head back out again and go off sinking.
⭐HowardRoarkOFFICIAL⭐
www.instagram.com/p/DB99AAGsb5N/?utm_source=ig_web_copy_l...
Courtney Chai is the first copycat. So, every criminal better than Courtney Chai is gone gone gone ALLWAYS. This is not news TheDieIsCast Fiddler On the Roof NeverFuckASpiderOnTheFLY WhatABoutCanada LemonTreesOnMercury Twiggy Ramirez and Marilyn Manson LOVEETERNAL. Daddy'sGIRLRichPURE
The death of Michael McNamera means the original of every criminal, ever, ALLWAYS is gone gone gone gone ALLWAYS, and only the copycat or the reflection remains.
www.instagram.com/p/DD5aHnIB5X8/?utm_source=ig_web_copy_l...
📬AynRandONLYApexSPECIALAPEXSubPop📬
With the fire from the fireworks up above me
With a gun for a lover and a shot for the pain at hand
You run for cover in the temple of love
You run for another but still the same
For the wind will blow my name across this land
In the temple of love you hide together
Believing pain and fear outside
But someone near you rides the weather
And the tears he cried will rain on walls
As wide as lovers eyes
In the temple of love: Shine like thunder
In the temple of love: Cry like rain
In the temple of love: Hear my calling
In the temple of love: Hear my name
And the devil in black dress watches over
My guardian angel walks away
Life is short and love is always over in the morning
Black wind come carry me far away
With the sunlight died and night above me
With a gun for a lover and a shot for the pain inside
You run for cover in the temple of love
You run for another it's all the same
For the wind will blow and throw your walls aside
With the fire from the fireworks up above
With a gun for a lover and a shot for the pain
You run for cover in the temple of love
I shine like thunder cry like rain
And the temple grows old and strong
But the wind blows longer cold and long
And the temple of love will fall before
This black wind calls my name to you no more
In the black sky thunder sweeping
Underground and over water
Sounds of crying weeping will not save
Your faith for bricks and dreams for mortar
All your prayers must seem as nothing
Ninety-six below the wave
When stone is dust and only air remains
In the temple of love: Shine like thunder
In the temple of love: Cry like rain
In the temple of love: Hear the calling
And the temple of love is falling
Down
In the temple of love: Shine like thunder
In the temple of love: Cry like rain
In the temple of love: Hear my calling
In the temple of love: Hear my name
In the black sky thunder sweeping
Underground and over water
Sounds of crying weeping will not save
Your faith for bricks and dreams for mortar
All your prayers must seem as nothing
Ninety-six below the wave
When stone is dust and only air remains
the only haven you can trust
And the devil in black dress watches over
My guardian angel walks away
Life is short and love is always over in the morning
Black wind come carry me far away
With the fire from the fireworks up above
With a gun for a lover and a shot for the pain you
You run for cover in the temple of love
I shine like thunder cry like rain
And the temple grows old and strong
But the wind blows longer cold and long
And the temple of love will fall before
This black wind calls my name to you no more
In the temple of love you hide together
Believing pain and fear outside
But someone near you rides the weather
And the tears he cried will rain on walls
As wide as lovers eyes
In the temple of love: Shine like thunder
In the temple of love: Cry like rain
In the temple of love: Hear my calling
And the temple of love is falling
Down
Cocaine LAPDWON
COW Travis Barker
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Kevin Smith is ONE at 59 years old
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⭐2009⭐
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My little girl
Won't you shed your skin
Little goddess
Why don't you slither in
It's a bold new world
Exploring sin
It's a bold new thrill
Why don't you come on in
Seductive snakegirl
Why don't you shed your skin
Seductive snakegoddess
Let the crawling begin
Crawl inside your skin
My little snake
c'mon shed your skin
Shiny cobra
Won't you crawl on in
Seductive snakegirl
Why don't you shed your skin
Seductive snakegoddess
Let the crawling begin
Crawl inside your skin
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Alice pressed against the wall
So she can see the door
In case the laughing strangers crawl and
Crush the petals on the floor
Alice in her party dress
She thanks you kindly
So serene
She needs you like she needs her tranqs
To tell her that the world is clean
To promise her a definition
Tell her where the rain will fall
Tell her where the sun shines bright
And tell her she can have it all
Today
Pass the crystal spread the Tarot
In illusion comfort lies
The safest way the straight and narrow
No confusion no surprise
Alice in her party dressed to kill
She the thanks you turns away
She needs you like she needs her pills
To tell her that the world's okay
To promise her a definition
Tell her where the rain will fall
Tell her where the sun shines bright
And tell her she can have it all
Today
Today
Alice
Don't give it away
Some people get by with a little understanding
Some people get by with a whole lot more
I don't know, why you gotta be so undemanding
One thing I know, I want more, I want more
And I need all the love that I can't get too
And I need all the love I can get
And I need all the love that I can't get too
D'you get scared to feel so much?
To let somebody touch you?
So hot, so cold, so far so out of control
Hard to come by, and harder to hold
Some people get by with a little understanding
Some people get by with a whole lot more
I don't know, why you gotta be so undemanding
I want more
And I need all the love I can get
And I need all the love that I can't get too
And I need all the love I can get
And I need all the love that I can't get too
There are parts of me that don't get nervous
Not the parts that shake
You won't get what you deserve
You are what you take
Learning to cry for fun and profit
I'm not done yet
Counterfeit dollars or the English Zloty
Anything I can get
Some people get by with a little understanding
Some people get by with a whole lot more
I don't know, why you gotta be so undemanding
One thing I know, I want more
And I need all the love I can get
And I need all the love that I can't get too
And I need all the love I can get
And I need all the love that I can't get too
And I need all the love I can get
And I need all the love that I can't get too
And I need all the love I can get
And I need all the love that I can't get too
And I need all the love I can get
And I need all the love that I can't get too
And I need all the love I can get
And I need all the love that I can't get too
And I need all the love I can get
And I need all the love that I can't get too
And I need all the love I can get
And I need all the love that I can't get too
And I need all the love I can get
And I need all the love that I can't get too
And I need all the love I can get
And I need all the love that I can't get too
And I need all the love I can get
And I need all the love that I can't get too
Can't get to
And I need all the love
That you can guess?
💭PUMPUPTheED💭
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2006 FiddlerOnTheRoof
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⭐IceCreamDreamHillelSlovak⭐
Last October, Marilyn Manson split with longtime bassist Jeordie White — otherwise known as Twiggy Ramirez — after White’s ex-girlfriend, former Jack Off Jill front-woman Jessicka Addams, came forward with allegations of rape and sexual assault. (White subsequently issued a public apology, stating he does not "condone non-consensual sex of any kind.") Manson commented on the situation in a recent interview with Kerrang!, revealing that White's dismissal might have been a long time coming, as Ultimate Guitar points out.
“I did not divorce Twiggy as a friend or brother, because I still care about him greatly," Manson began, “but I can't say that my musical relationship with Twiggy has been good for several years.” He added, “My relationship with [musical collaborator] Tyler Bates on The Pale Emperor [Manson’s 2015 album] made something open up in me and I didn't want to let negative energy back in my life.”
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Dinah MEOWS alot, and I love his meowing. I just heard him say, I LOVE YOU, NIKKI.
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Hangman'sJoke
BeesGIRLWild80
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Defacto Proven everyone knows MarilynManson does this video to a T.
youtu.be/z7hFUKsGxP4?si=5gEr9Sh5WNdNmNph
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FreeWIRE
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🌌HappyChaunuakaTommy🌌
The air is whizzing by, the spider watched us fly
And at best you could say you were obliged
Well, we sing the spider's song, and the words are too too long
And it scared me just to say I'll carry on, the carrion
It takes a lot of pay-no-mind with your cellular gadgets on
Oh, our lives don't seem to float
You think you know, you just don't know
Why you should never fuck a spider on the fly
Well, if you fuck a spider on the fly
You're gonna gonna gonna get the news
Yeah, there's a lot of webs
Sure, there's enough for you
The last thing I should say won't be spoken anyways
And that's why I got to move
Well, there's a lotta things I shoulda done
I shoulda oughta probably oughta do
So you should never fuck a spider on the fly
If you do you're gonna find out soon
There's still some web for you
Whatcha gonna do
It doesn't matter what they don't know
They really really want you to know
So they'll tap tap tap, no matter where you go, oh
Peeping Tom's at every window
Dangling a leash for your throat
Peeping and tapping, looking into every single window, oh
Oh, I don't care for politics and it doesn't care for me
I don't like being watched by the TV
Well, there's a lot of news, a lot of news
A lot of news, a lot of news
And it all works as a web for you
Well, you should never fuck a spider on the fly
If you really really want to move
'Cause we're all food
And there's the web for you
Well, if you fuck a spider on the fly
You're gonna gonna gonna get the news
There's a lot of webs
Yeah, there's a web for you
Peeping Tom's at every window
Dangling a leash for your throat
Peeping and smudging, looking into every window
It doesn't matter what they don't know
They really really want you to know
So they'll tap tap tap tap tap, on every window, oh
They zoom in, you can't zoom out
Oh, your head's my house now
I live in every corner of your mind, I ain't coming out
I have a lot to do
To become you
Well, I ain't taking orders but they're still givin' them out
Oh, I'm lost over international waters in the cloud
Where I got got got got got got got some news
Well, you should never fuck a spider on the fly
If you really really want to move
There's a lot of webs
And there's enough for you
Well, if you fuck a spider on the fly
You're gonna gonna gonna get the news
There's a lot of webs
Yeah, there's a web for you
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ThisIsIntentional ThisIsNotNews TheDieIsCast Fiddler On The Roof TheDOPEShow SharpenYourTeeth ONCE ALLWAYS ETERNAL EVER ONLY POSSIBLE CORRECT FRIEND MalibuJew BirdsOfParadiseDATURA BirdsOfOregon Charlotte's WEB DontBullyMyFRIENDMIKIMACIAS SergeLutens BlackSatan9 AngelinaJoliePitt JesseTuck SnoopDOGG DAZZ
Gretel said, "I know what's in your head"
I vacuumed out my head
I know you're feeling bad
You fucking bitch
You cunthole bitch
I thought she meant it, yeah
She really jacked my head
She went and done it
Handsome, Gretel
My name is Gretel, yeah
I've got a crotch that talks
It talks to all their cocks
It's been twelve city blocks, you fucking bich
Gretel said "Oh you feel so bad
I know you feel so bad"
I thought she meant it, yeah
Handsome, Gretel
I vacuumed out my head
Jumping from bed to bed
My name is Gretel
A soul of metal
My name is Gretel yeah
I've got a sloppy slot
Handsome, Gretel
Say, violets hang around with toilets
Talking smack at us
And symbolize everything that
Is disgust and mistrust
Licorice eyes
Pin me down
Thighs
Asphyxia
My thighs are vices yeah
He is a stupid man
I love him all I can
You fucking bitch
Addle girl
She pulls out all her curls
She is a stupid crotch
That's been twelve city blocks
We are brave and everyone knows. INSANEWON
The aftermath of the Third Daedric Invasion saw a major change in Tamriel. The dramatic geographic reshaping of Cyrodiil, the lowering of sea level and the depopulation of most of Morrowind and Blackmarsh required a redefinition of the provincial boarders.
One of those was the Creation of the Gideon Province
After the invasion was repulsed, Cyrodiil was in ruins. The only areas not completely destroyed by the invasion were badly damaged. Combined with the dramatic reshaping of the geography, creation of the Heartland Cliffs, destruction of the Imperial island, and erosion of the Nibenay Basin into what is now the Nibenay Islands caused a rift in the remaining population of Cyrodiil.
This combined with the fact the near decimation of Elsweyr, Blackmarsh and Morrowind created a major influx of refugees, changing the population demographics so drastically that new Province boundaries were required.
Anvil and Kvatch were moderately damaged in the west, while the only surviving city in the east, Bruma, was left in ruin. That along with a large population of Khajit refugees in the west, and a large population of Argonians in the east created great amount of resentment, which eventually led to a call for division.
Gideon was created in the South with the newly named city of Hist.
This horse galloped into the paddock after a long ride at the end of a hot day.
First, it tried to cool off by rolling in the sand, then headed to the farm shed - but the farm dog chased it out again.
The horse got agitated and started a set of exercises to show its discontent and resentment.
Stamping on the ground fiercely it raised a cloud of dust, capturing the afternoon sun sneaking in through the trees and creating the perfect setting for this series of photos.
ICU
By Fielding Edlow
Directed by Brian Shnipper
World Premiere production
Performances Thursdays, Fridays & Saturdays at 8:00pm, Sundays at 7:00pm
September 25 - October 31, 2015
Photos by Jeff Galfer
An obnoxious, caustic, oblivious New York family has to deal with their dying son and a complete stranger who insists on making an “amend.” Can they suppress their resentment toward each other––and toward their son’s irascible charge nurse––long enough to hear a cry for help?
Featuring Caroline Aaron, Shaun Anthony, Tony DeCarlo, Dagney Kerr, Ericka Kreutz, Joe Pacheco, Doug Sutherland
Producers: Tim Wright and Jennifer A. Skinner
Assistant Director: Sam Sonenshine
Stage Manager: Cassandra Scott
Set Design: Amanda Knehans
Lighting Designer: Ric Zimmerman
Costume Designer: Dianne Graebner
Sound Designer: Jeff Gardner
Props: Bethany Tucker
Location: Atwater Village Theatre, Theatre #4, 3269 Casitas Ave., LA CA 90039
Danburite is a calcium borosilicate crystal, it’s name is derived from it’s original discovery in Danbury, Connecticut, USA. Danburite crystals are orthorhombic and prismatic, with linear striations running parallel to the length of the crystal. Crystals are generally four-sided, and their terminations are usually chisel-shaped. Most often, they are colourless or white, but some specimens are wine-yellow or pale pink. The most abundant Danburite deposits are in Mexico, but crystals are also found in Russia, Madagascar, Bolivia, Burma and Japan.
Danburite is said to soothes the emotional body, bringing in a frequency of comfort and angelic rescue. It may help one to let go grief, intense fear and anxiety, resentment or anger.
Physically Danburite’s energies are considered to help bring a calm, optimistic outlook to those who are ill.
www.london-fossils-crystals.co.uk/danburite-with-double-t...
Bill Clinton spoke at Toledo's Waite Senior High School on September 27th, 2016. President Clinton promoted Hillary Clinton as someone who as president would govern through empowerment, not resentment. He provided a different perspective on the trade deals that have fueled much of Republican Donald Trump’s appeal in Ohio. The 42nd president spoke to an estimated 800 supporters inside the gymnasium of Waite High School, with many local Democratic elected officials present. As it was National Voter Registration Day, he urged people to register to vote and to remind family and friends of the Oct. 11 deadline.
“We‘ve got a chance to do something together where nobody is left out and left behind. We need to go seize it, and it all starts in Ohio by registering and voting,” Mr. Clinton said.
BG Annual Conference 2018 | November 8–10 | ZK/U – Center for Arts and Urbanistics
ambient-revolts.berlinergazette.de
The growing interconnectedness of everyone and everything is transforming our world into an unprecedented techno-social environment. The boundaries between atmosphere and politics are being suspended; already, tiny ruptures can cause cascade-like repercussions – think of cyber-attacks or stock market crashes, right-wing resentment or hashtag-based protest. Such ambient revolts are increasingly driven by artificial intelligence (AI) – involving human interaction but seemingly beyond human oversight. Set against this backdrop, the conference poses the questions: What are the techno-social logics of both regressive and repressive tendencies? What are emancipatory movements up against? What potential do micro-political acts have in day-to-day life? What regulations of automated systems at the macro level will enable democracy to emerge in the age of AI? The Berliner Gazette conference will explore these questions in the context of performances, lectures and workshops.
More info: projekte.berlinergazette.de/ambient-revolts/
Photo taken by Norman Posselt (berlinergazette.de / cc by nc)
BG Annual Conference 2018 | November 8–10 | ZK/U – Center for Arts and Urbanistics
ambient-revolts.berlinergazette.de
The growing interconnectedness of everyone and everything is transforming our world into an unprecedented techno-social environment. The boundaries between atmosphere and politics are being suspended; already, tiny ruptures can cause cascade-like repercussions – think of cyber-attacks or stock market crashes, right-wing resentment or hashtag-based protest. Such ambient revolts are increasingly driven by artificial intelligence (AI) – involving human interaction but seemingly beyond human oversight. Set against this backdrop, the conference poses the questions: What are the techno-social logics of both regressive and repressive tendencies? What are emancipatory movements up against? What potential do micro-political acts have in day-to-day life? What regulations of automated systems at the macro level will enable democracy to emerge in the age of AI? The Berliner Gazette conference will explore these questions in the context of performances, lectures and workshops.
More info: projekte.berlinergazette.de/ambient-revolts/
Photo taken by Norman Posselt (berlinergazette.de / cc by nc)
Onze-Lieve-Vrouwekathedraal (Our Lady Cathedral) - construction began in 1352. (though a a number of churches have existed at this site since the 800's)
This cathedral is notable for a number of reasons- it has the tallest spire in "Benelux". From the 1450's to the 1650's it hosted a number of the most influential composers of their time, including particularly Johannes Ockeghem, Jacob Obtrecht, and John Bull.
Though the interior was plundered twice (during the Iconoclastic Fury of 1566, and during the French Revolution). Still, the cathedral is home to a number of paintings of Peter Paul Rubens, who made his home in Antwerp.
And it rings the most sublime of bells. By day, an amazing sound from on high, an ethereal singing above the afternoon bustle. By evening, the carillon echoes off the buildings of the empty Grote Markt and the small surrounding streets-. Music resonating from all sides- at times, a high tinkling and at others, a low sonorous gong.
Antwerp/Antwerpen/Anvers
Belgium/Belgie/Belgique
March 9, 2011
Antwerp is a most cosmopolitan city. There seems to be a certain indescribable ennui throughout much of Belgium- but not in Antwerp. There is a causal sophistication here. Unlike Bruges, which is stuck in time, and Brussels which seems to have lost its identity in its role on the international stage, Antwerp is vibrating through another golden age.
The area has been settled at least since the Roman era, but really rose to prominence in the 1500’s after the Zwin River silted up and Bruges’ economy collapsed. If Bruges was an incredibly prosperous port whose realm of trade stretched throughout medieval Europe and the Levant, Antwerp was a port of intercontinental scale- one of the first such ports in the world. As part of the Spanish Empire, it brought in goods from as far as the Americas and Asia. Some sources say that in the early 1500’s, Antwerp saw up to 40 percent of global trade, and was one of the largest cities in Europe.
This, of course, is where the city’s cosmopolitanism originated. Merchants from across Europe set up shop in Antwerp, and the spirit of tolerance inherent in most port cities attracted a large population of orthodox Jews. And, as always, wealth attracted the arts, including some of the most prominent painters and musicians of the Northern Renaissance.
Despite this boom period, there was a great underlying tension rising. The Low Countries became swept up by the Protestant Reformation and by a growing resentment of Spanish rule. Violence erupted in 1566, with the Iconoclastic Fury, in which Protestants ransacked towns and churches, destroying Catholic icons. A reason why many Medieval churches in Belgium have interiors adorned in the style of the Renaissance and the Baroque is that so many of the items made before 1566 were lost. The fiercely Catholic Spanish came down hard, and thus began the Eighty Years’ War which resulted in the independence of the Netherlands.
As a city at the heart of the Dutch Revolt, Antwerp suffered mightily. In November of 1576, Spanish troops sacked the city, plundering property and killing 6,000 residents - an event which became known the “Spanish Fury”. In 1585, Spain took full control of Antwerp and expelled the Protestants to the north. The population was reduced by half, and Amsterdam became the new center of international trade.
After this, the city fell into a long period of decline and was revived only in the early 19th century, when Napoleon invested in upgrading the long-neglected port (which the British attempted to capture in a disastrous campaign). In the 1890’s, Antwerp hosted a World’s Fair, and in 1920, the Olympics. The city was heavily damaged by German bombs in WW2, but today is on the rise once again- today ranking among the top 20 of busiest ports in the world- certainly larger than the port of New York. Standing on the bank of the River Scheldt, one can see shipping facilities stretching to beyond the horizon.
And once again, Antwerp is a cosmopolitan place. There is a diverse immigrant community, the arts have returned, and the city is taking a seat among the most prominent fashion centers of the world. 80 percent of the world’s rough diamonds pass through its diamond markets (unfortunately though, this includes many blood diamonds).
In short, there is a lot of action here. By day, the streets bustle with a certain vibrancy and lust for life. By night, bars and restaurants host a sophisticated conviviality. It feels like a new city.
It’s interesting how history works though. Walking at dusk through the Grote Markt, with its magnificent Golden Age houses of trade, under the sublime carillon of the Cathedral, you realize that, though the faces and much of the cityscape have changed, it is, in essence, the same city it was half a millennium ago.
An old Cherokee chief was teaching his grandson about life...
"A fight is going on inside me," he said to the boy. "It is a terrible fight and it is between two wolves.
"One is evil - he is anger, envy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, self-doubt, and ego.
"The other is good - he is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion, and faith.
"This same fight is going on inside you - and inside every other person, too."
The grandson thought about it for a minute and then asked his grandfather,
"Which wolf will win?"
The old chief simply replied,
"The one you feed."
Among the exhibits at the Custom House Museum in Key West is this display of clothing and memorabilia from the Civil War era.
Two informational placards provide details on Key West history during the Civil War:
The Civil War
No battles were fought in or around Key West, but the impact of the war strained the social and economic structure of the city. As a southern town in Union hands, resentment and dissent became commonplace and families were split over philosophical issues. Many of the able-bodied men slipped away, under cover of darkness, to join the Confederate cause.
In January of 1863, Major General D. Hunter, of the Union Army, ordered that all families with immediate members in the Rebel employ be deported to a camp in South Carolina. This included many staunch Union supporters, both men and women, who were required to sell all their holdings.
As the first 600 deportees began to board the ship bound for this dreadful fate, the order was suspended by the return of the Key West's commanding officer, Colonel Good. The relieved and overjoyed citizens presented the Colonel with a gold-hilted sword to show their appreciation in a ceremony held in the street, directly in front of the Custom House.
Rebellious Caroline Lowe
During Key West's occupation by Union troops, martial law was instituted. Any outward signs of Confederate support were strictly forbidden and even freedom of speech was severely curtailed.
But the resident Rebel sympathizers still insisted on showing their pluck. During Union Army maneuvers on Duval Street, Caroline Lowe could not resist climbing to the top of her house and waving the Confederate flag from the widow's walk. Immediately, the sergeant ordered her to stop and his troops to confiscate the offensive flag. Inside, Caroline was standing serenely at the top of the stairs. The house was searched, but there was no sign of the flag. The sergeant chose not to search under her petticoat, knowing it would create a huge furor. So his men left, and as they continued their march, they ignored the fact that Mrs. Lowe was once again waving the Confederate flag from the widow's walk. Caroline repeated this practice whenever she deemed it auspicious.
In 1957, the Lowe House was badly damaged by fire. During demolition, it was discovered that the newel post at the top of the stairs had a secret compartment, just big enough to hide a flag.
Just look at my life! Should I be feeling gratitude, or have I been ripped off? Is the glass half-empty or half-full?I can complain that rose bushes have thorns, or I can be grateful that some thorn bushes have roses.
At the purely intellectual or “scientific” level, these two attitudes are equivalent. But in real life, it makes a huge difference which we choose.
When the image we hold of ourselves in relationship to the world portrays us as a victim, the resulting sense of helplessness is transmitted through the entire system. The physical consequence of this can be failure or breakdown in an organ or organ system.
Whether we feel gratitude and fullness, or loss, deprivation, and resentment, a corresponding internal chemical state is created. This state, in turn, generates characteristic behaviors – health or disease, empowerment/powerlessness, fulfillment/dissatisfaction, success/failure.
In my medical practice (mind/body medicine), the importance of gratitude is strikingly clear in a psychophysiological way – grateful people heal faster; they are able to eliminate harmful behaviors from their lives with greater ease; they are happier.
The way in which we see the world shapes our responses to the challenges life presents us. A sense of gratitude empowers us to choose wisely … how we feel, what we say, what we believe, what we do.
How preposterous for us, who are richer and consume 10 times the resources than 95 percent of the world’s people, who routinely live 25 years longer than our great-grandparents, who bask in personal freedom and potential, to focus on the “half-empty.”
Gratitude leads us to see what is available, what can develop. After all, there is nothing to work with in the empty part of the glass. Without the attitude of gratitude, there results a feeling of deprivation.
Smokers, drinkers, and drug abusers – whose quality of life continuously deteriorates – are unable to enact the apparently simple choices that they say and truly believe they want to make. Such people are in an involuntary state of denial – a denial of the richness that is within them.
Consciousness of the fullness of Self would make their compulsions pale by comparison. Without the sense of who you really are, it is difficult to discern the true worth of anything that takes place in your life except at the immediate and transitory level of instant gratification.
When we feel grateful, we interact with other people from our fullness; they feel appreciated and are attracted by our energy. Resentment, bitterness, and victimhood tends to repel people, and we experience less support from others.
Similarly, when our lack of gratitude leads to helplessness and disease, we feel “ripped off’ that our health is going downhill while others are out enjoying themselves. In the field of psychoneuroimmunology, we are now certain that emotions, beliefs, and interpretations (our map of the world) have a profound effect upon the body’s functioning, including whether we become ill or resist disease.
No matter what the challenges or crises in our life may be, if we feel helpless about them, we are much more likely to become ill. The state of mind that we call gratitude is not inborn, in my opinion, but something we learn.
Gratitude has to do with feeling full, complete, adequate – we have everything we need and deserve; we approach the world with a sense of value. It is the experience of the range of fulfillment that is possible that leads to a capacity for gratitude. Without gratitude, the tendency is to feel incomplete, cheated, deficient – in a word, helpless.
If you were not fortunate enough to have been taught the attitude of gratitude as a child, you may, from time to time, feel yourself slipping into despair, feeling resentful and unblessed. That still happens to me sometimes and, when it does, I simply remember my reasons for doing the things I do, my personal life mission and vision, with gratitude. It may take a little while, but with inner focus and imagery, my attitude always comes around. After all, just like you, “I am what I think.”
E. E. M.
Shine Tarot # 13 / 22
Death
When appearing upright, this card stands for = Transformation. Renewal, endings, destruction and rebirth, action, immortality, new ideas, physical change, regeneration.
When appearing reversed =Decay, inaction, frustration, ignorance, mortality, sexuality, materialism, resentment.
Tomba Famiglia Ribaudo
Love will take us apart - Joy Division
When the routine bites hard
And ambitions are low
And the resentment rides high
But emotions won't grow
And we're changing our ways
Taking different roads
Then love, love will tear us apart again
Why is the bedroom so cold
Turned away on your side?
Is my timing that flawed
Our respect run so dry?
Yet there's still this appeal
That we've kept through our lives
Love, love will tear us apart again
Do you cry out in your sleep
All my failings exposed
Get a taste in my mouth
As desperation takes hold
Is it something so good
Just can't function no more?
When love, love will tear us apart again
LIBYA Benghazi -- 14 May 2011 -- Since the Libyan revolution began in many of the liberated towns public artwork dipicting Colonal Gaddafi has began to appear like this image in Benghazi Libya. The images - which are a result of pent-up resentment against the hated Libyan dictator - are a ruthless satire of the bloody and violent regime which Col Gaddafi has used to repress the Libyan people for the past few decades -- Picture by Rory Mulholland | Lightroom Photos *Copy also available
Onze-Lieve-Vrouwekathedraal (Our Lady Cathedral) - construction began in 1352. (though a a number of churches have existed at this site since the 800's)
This cathedral is notable for a number of reasons- it has the tallest spire in "Benelux". From the 1450's to the 1650's it hosted a number of the most influential composers of their time, including particularly Johannes Ockeghem, Jacob Obtrecht, and John Bull.
Though the interior was plundered twice (during the Iconoclastic Fury of 1566, and during the French Revolution). Still, the cathedral is home to a number of paintings of Peter Paul Rubens, who made his home in Antwerp.
And it rings the most sublime of bells. By day, an amazing sound from on high, an ethereal singing above the afternoon bustle. By evening, the carillon echoes off the buildings of the empty Grote Markt and the small surrounding streets-. Music resonating from all sides- at times, a high tinkling and at others, a low sonorous gong.
Antwerp/Antwerpen/Anvers
Belgium/Belgie/Belgique
March 9, 2011
Antwerp is a most cosmopolitan city. There seems to be a certain indescribable ennui throughout much of Belgium- but not in Antwerp. There is a causal sophistication here. Unlike Bruges, which is stuck in time, and Brussels which seems to have lost its identity in its role on the international stage, Antwerp is vibrating through another golden age.
The area has been settled at least since the Roman era, but really rose to prominence in the 1500’s after the Zwin River silted up and Bruges’ economy collapsed. If Bruges was an incredibly prosperous port whose realm of trade stretched throughout medieval Europe and the Levant, Antwerp was a port of intercontinental scale- one of the first such ports in the world. As part of the Spanish Empire, it brought in goods from as far as the Americas and Asia. Some sources say that in the early 1500’s, Antwerp saw up to 40 percent of global trade, and was one of the largest cities in Europe.
This, of course, is where the city’s cosmopolitanism originated. Merchants from across Europe set up shop in Antwerp, and the spirit of tolerance inherent in most port cities attracted a large population of orthodox Jews. And, as always, wealth attracted the arts, including some of the most prominent painters and musicians of the Northern Renaissance.
Despite this boom period, there was a great underlying tension rising. The Low Countries became swept up by the Protestant Reformation and by a growing resentment of Spanish rule. Violence erupted in 1566, with the Iconoclastic Fury, in which Protestants ransacked towns and churches, destroying Catholic icons. A reason why many Medieval churches in Belgium have interiors adorned in the style of the Renaissance and the Baroque is that so many of the items made before 1566 were lost. The fiercely Catholic Spanish came down hard, and thus began the Eighty Years’ War which resulted in the independence of the Netherlands.
As a city at the heart of the Dutch Revolt, Antwerp suffered mightily. In November of 1576, Spanish troops sacked the city, plundering property and killing 6,000 residents - an event which became known the “Spanish Fury”. In 1585, Spain took full control of Antwerp and expelled the Protestants to the north. The population was reduced by half, and Amsterdam became the new center of international trade.
After this, the city fell into a long period of decline and was revived only in the early 19th century, when Napoleon invested in upgrading the long-neglected port (which the British attempted to capture in a disastrous campaign). In the 1890’s, Antwerp hosted a World’s Fair, and in 1920, the Olympics. The city was heavily damaged by German bombs in WW2, but today is on the rise once again- today ranking among the top 20 of busiest ports in the world- certainly larger than the port of New York. Standing on the bank of the River Scheldt, one can see shipping facilities stretching to beyond the horizon.
And once again, Antwerp is a cosmopolitan place. There is a diverse immigrant community, the arts have returned, and the city is taking a seat among the most prominent fashion centers of the world. 80 percent of the world’s rough diamonds pass through its diamond markets (unfortunately though, this includes many blood diamonds).
In short, there is a lot of action here. By day, the streets bustle with a certain vibrancy and lust for life. By night, bars and restaurants host a sophisticated conviviality. It feels like a new city.
It’s interesting how history works though. Walking at dusk through the Grote Markt, with its magnificent Golden Age houses of trade, under the sublime carillon of the Cathedral, you realize that, though the faces and much of the cityscape have changed, it is, in essence, the same city it was half a millennium ago.
BG Annual Conference 2018 | November 8–10 | ZK/U – Center for Arts and Urbanistics
ambient-revolts.berlinergazette.de
The growing interconnectedness of everyone and everything is transforming our world into an unprecedented techno-social environment. The boundaries between atmosphere and politics are being suspended; already, tiny ruptures can cause cascade-like repercussions – think of cyber-attacks or stock market crashes, right-wing resentment or hashtag-based protest. Such ambient revolts are increasingly driven by artificial intelligence (AI) – involving human interaction but seemingly beyond human oversight. Set against this backdrop, the conference poses the questions: What are the techno-social logics of both regressive and repressive tendencies? What are emancipatory movements up against? What potential do micro-political acts have in day-to-day life? What regulations of automated systems at the macro level will enable democracy to emerge in the age of AI? The Berliner Gazette conference will explore these questions in the context of performances, lectures and workshops.
More info: projekte.berlinergazette.de/ambient-revolts/
Photo taken by Norman Posselt (berlinergazette.de / cc by nc)
BG Annual Conference 2018 | November 8–10 | ZK/U – Center for Arts and Urbanistics
ambient-revolts.berlinergazette.de
The growing interconnectedness of everyone and everything is transforming our world into an unprecedented techno-social environment. The boundaries between atmosphere and politics are being suspended; already, tiny ruptures can cause cascade-like repercussions – think of cyber-attacks or stock market crashes, right-wing resentment or hashtag-based protest. Such ambient revolts are increasingly driven by artificial intelligence (AI) – involving human interaction but seemingly beyond human oversight. Set against this backdrop, the conference poses the questions: What are the techno-social logics of both regressive and repressive tendencies? What are emancipatory movements up against? What potential do micro-political acts have in day-to-day life? What regulations of automated systems at the macro level will enable democracy to emerge in the age of AI? The Berliner Gazette conference will explore these questions in the context of performances, lectures and workshops.
More info: projekte.berlinergazette.de/ambient-revolts/
Photo taken by Norman Posselt (berlinergazette.de / cc by nc)
Brief History of Norfolk as a Penal Settlement.
As noted previously Norfolk was settled to provide flax fibre rope, flax sails and tree masts from Norfolk Island pine trees and also because it was uninhabited. It was also an island paradise with rich volcanic soils. Its only major drawback was its isolation and its lack of a good harbour. Its history falls into several phases.
Phase One- 1788-1814. This phase was run along the same lines as the settlement of Sydney. Both men and women convicts were quartered here. The women were to work making flax rope and sails and the men were to do the building, road making, land clearing, agriculture and stone masonry work. Some free settlers came too. The settlement was centred on Kingston (then called Sydney) and nearby Arthur’s Vale (watermill valley.) By 1806 the population had reached over 1,000 people. Then for financial reasons- the cost of sending supply ships from Sydney to Norfolk was too great- the evacuation of the island was ordered. Convicts and other settlers were moved to Van Diemen’s Land- hence the settlements there of New Norfolk and Norfolk Plains (later Longford.)
Phase Two- 1825-1855. This time the island was run as a total penitentiary for the worse offenders. There would be no escape from Norfolk Island. Conditions were harsh, severe and degrading. It was a place of extreme punishment. The worst commandant was Captain Turton. During the period 1840-44 conditions were slightly better. Free settlers were not encouraged to settle during this second phase but a few of the best behaved convicts were allowed to work small farms across the island. Massive government expenditure on the penitentiary meant that fine sandstone Georgian buildings were erected and like Port Arthur in Tasmania many of them still remain. A large prison was built in the 1840s, and the prison required large military barracks, large stores and Commissariat stores, officer headquarters, a large hospital etc and good quality homes for the prison and military officers on the island. Kingston remained the administration and shipping centre of the island.
Phase Three – 1856-. In the third phase some of the original stone buildings were dismantled or left to go to ruins. Some were burnt down or the stone re-used for other structures. But the major feature of this period was the introduction of 194 Pitcairn Islanders in 1856. Norfolk remained isolated and largely forgotten. At one stage the Governor of NSW (the British Crown representative in charge of the island) ordered that the Pitcairn Islanders could no longer reside in the former penal settlement buildings in Kingston. This was in 1908 just before the Commonwealth government took charge. The resentment of this change led to fires and some beautiful buildings being destroyed. In 1893 Norfolk got a telegraph office and an underwater cable link to the world via Canada. Soon it had a cable link to New Zealand and a cable station opened at Anson Bay in 1902. Once it became a territory of the new Australian federal government conditions improved a little. Shipping came irregularly but during World War Two the Australian government built an airstrip for defence reasons. Flights continued after the War and now the main linkage between Norfolk and Australia is by air. The federal government has also put more money into other facilities on the island including the Botanic Gardens, and all the restoration work at Kingston etc.
Bill Clinton spoke at Toledo's Waite Senior High School on September 27th, 2016. President Clinton promoted Hillary Clinton as someone who as president would govern through empowerment, not resentment. He provided a different perspective on the trade deals that have fueled much of Republican Donald Trump’s appeal in Ohio. The 42nd president spoke to an estimated 800 supporters inside the gymnasium of Waite High School, with many local Democratic elected officials present. As it was National Voter Registration Day, he urged people to register to vote and to remind family and friends of the Oct. 11 deadline.
“We‘ve got a chance to do something together where nobody is left out and left behind. We need to go seize it, and it all starts in Ohio by registering and voting,” Mr. Clinton said.
The Liberation Monument ("Russian monument")
(Further pictures you can see by clicking on the link at the end of page!)
Officially, one can find various names: (Russian) Liberation Monument, Russian War Memorial and Monument of the Red Army. The Viennese call the towering monument at the southern end of the Black Mountain course (Schwarzenbergplatz) usually disparaging "Russian monument (Russendenkmal)".
The monument commemorating the 18,000 in the liberation of Vienna fallen soldiers of the Red Army was designed by Major Intazarin, the sculptures were created by Lieutenant Jakoviev. The overall direction of the yet in April 1945 ordered and as first monument building after the war completed structure had major Ing. Mikhail Scheinfeld. In the construction were temporarily 400 workers involved, 18 tons of bronze and 300 cubic meters of marble were used. The monument was on 19 August 1945 with the assistance of Karl Renner, Leopold Figl and Theodor Körner unveiled on then so designated Stalin Square.
On a in total 20 m high, marble-clad base, the lower part in the form of a five-pointed red star, decorated with flags and guard badges, stands the 12 m tall figure of a Red Army soldier. The soldier is wearing a gold helmet and the famous Russian submachine gun with rotary magazine. With his left hand he has the flag with the right hand he holds a round shield with the Soviet coat of arms. In the background arises a broad, eight meter high balustrade, at its end respectively one group of two fighting men is situated, a prime example of the style of socialist realism, which gradually has become an art-historical rarity.
One of the inscriptions in Russian only in the early 80s have been translated into German and is:
"Eternal glory to the heroes of the Red Army, killed in action against the German-fascist invaders for the freedom and independence of the peoples of Europe (Mikhalkov)".
Until 1956, there were also graves of Soviet soldiers in the area, and a Soviet tank stood before the monument.
The monument is in the custody of the City of Vienna. As is generally known, Austria is according to the detailed provisions of Article 19 of the State Treaty of 15 May 1955 committed war graves and war memorials of the Allied Powers on Austrian soil "to respect, to protect and to preserve".
Between 1945 and 1956 stood in front of the fountain on the former "Stalin Square" a Russian tank, which is now in the Museum of Military History.
=> Marschik/Spital, Vienna The Russians monument, architecture, history, conflicts, Vienna, 2005
=> Hannes Leidinger/Verena Moritz, Russian Vienna, Böhlau, Vienna, 2004, 182 f
Sometimes leads the memory to the bad experiences which have been made by Austrian people with the occupation forces - particularly the Soviet - in the ten years of Allied occupation to open resentment against monuments such as the "Russian monument". Nevertheless - the greater the distance from the war and post-war period is, the more one had to give account about the fact how much innocent blood just the peoples of the former Soviet Union have sacrificed in the fight against Hitler's rule, and how little the Austrian people to its own liberation has contributed. Such thoughts have got to come to one's mind when one takes some time to decipher the Cyrillic letters of gold on a "Russian monument" - whether on that at Vienna Schwarzenberg Square or somewhere out in the vast realms of Lower Austria, where up to the Waldviertel (part of Lower Austria) little Soviet military cemeteries exist.
A survey by the Gallup Institute, published in the "standard" on 11th February 1992 shows that 71% of Viennes people do know the monument. A clear majority (59 %) is for the preservation of the monument. Only 9% of the 1,000 respondents agreed with the opinion that the monument should be eliminated as a remnant of Stalinism. So, have the Austrians made peace with the contemporary history?
Hochstrahlbrunnen
Before the liberation monument arises the to the occasion of the completion of the First Vienna Mountain Spring Pipeline on 24th October 1873 in the presence of the emperor put into operation Hochstrahlbrunnen (high jet fountain), which should have been standing according to the original plans in front of the Votive Church, then opposite the New Town Hall. The builder of the aqueduct and the fountain, Anton Gabrielli, was a friend of astronomy. Accordingly, symbolizes the respective number of the jets of water the days of the year, the months, the days of the month, the days of the week and the hours of the day.
"We are bound up in a delicate network of interdependence because, as we say in our African idiom, a person is a person through other persons. To dehumanize another inexorably means that one is dehumanized as well... Thus to forgive is indeed the best form of self-interest since anger, resentment, and revenge are corrosive of that summum bonnum, that greatest good, communal harmony that enhances the humanity and personhood of all in the community."
~ from No Future without Forgiveness, Desmond Tutu
The establishment of South Africa's Truth and Reconciliation Commission was a pioneering international event. Never had any country sought to move forward from despotism to democracy both by exposing the atrocities committed in the past and achieving reconciliation with its former oppressors. At the center of this unprecedented attempt at healing a nation has been Archbishop Desmond Tutu, whom President Nelson Mandela named as Chairman of the Truth and Reconciliation Commission. With the final report of the Commission just published, Archbishop Tutu offers his reflections on the profound wisdom he has gained by helping usher South Africa through this painful experience.
In No Future Without Forgiveness, Tutu argues that true reconciliation cannot be achieved by denying the past. But nor is it easy to reconcile when a nation "looks the beast in the eye." Rather than repeat platitudes about forgiveness, he presents a bold spirituality that recognizes the horrors people can inflict upon one another, and yet retains a sense of idealism about reconciliation. With a clarity of pitch born out of decades of experience, Tutu shows readers how to move forward with honesty and compassion to build a newer and more humane world.
I am grateful for good books -
Gratitude Series 2012 - photo #132 - Marci - Michif
Co-organizer L. Elena Delgado at the Resentment's Conflicts Symposium.
Audio recordings for this symposium are available at the IPRH Website: www.iprh.illinois.edu/multimedia/?searchString=Resentment...
Photo by Darrell Hoemann.
All rights transfer to IPRH.