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The Hamlyn Centre holds its annual Hamlyn Symposium at the Royal Geographical Society and Imperial College, 25th June 2018
Photography by Fergus Burnett
Accreditation required with all use - 'fergusburnett.com
Raising a cat requires that you provide not only for its most basic needs, such as food and a clean litter box, but also for its health, its comfort, and its mind.
If you are interested in raising a cat, take the time to understand the commitment you are making and learn how to raise it right. If you do this, you are more likely to end up with a well-adjusted, happy, and healthy cat.
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This is a photograph from the 4th and final round of the 2015 Mullingar Road League which was held in Belvedere House and Gardens, Mullingar, Co. Westmeath, Ireland on Wednesday 27th May 2015 at 20:00. The weather was perfect for running and racing again and gave bright sunshine with some breeze. The weather conditions were favourable for runners this evening. As this was the final night of a very successful league there were many category prizes up for grabs with runners having to ensure they ran their races to gain the required finish times for the overall calculations. There was a great atmosphere at the finish as spectators cheered on the runners. This year's 5KM is ran on a modified route based on the route from the last couple of years. The final 1KM is within the Belvedere Gardens bringing runners down to the lakeside for a second time and finishing along the aptly named Stream Of Life. The route modification means that the race offers a slightly faster route than the hill finish of previous years. In the prize giving and awards in Belvedere House Cafe there were refreshments served for runners and this brought the curtain down on the Road League for 2015.
The race is promoted by Mullingar Harriers for the Pat Finnerty Memorial Cup. Competitors need to run 3 races out of the 4 races in May (any order) to be considered in the overall placing in categories at the conclusion of the league. Runners can also choose to just run one race without being considered for the overall league placings. Over 330 people took part in tonight's event bring the total from the four nights to so far to well over 1,400 runners. As with all of the previous weeks the new finish area provided a nice space for runners to stay around and chat in the evening sunshine. The Mullingar Road League 2015 is now over but has continued successfully and looks to add to the success in the history of this great series. Despite the bright evenings the photographic conditions in Belevedere are difficult so this photograph is part of a smaller than usual photograph set as there were many blurred photographs this evening.
The "Road League" is something of a misnomer but is an indication of the League's origins on the roads around Ladestown Mullingar prior to it's move into Belvedere in 2008. The Road League is the envy of many other races in the country as the Belvedere locations offers a completely traffic free 5KM route.
We have an extensive set of photographs from tonight in the following Flickr Album: www.flickr.com/photos/peterm7/sets/72157653157747838
Timing and event management was provided by Precision Timing. Results are available on their website at www.precisiontiming.net/result.aspx?v=2710 with additional material available on their Facebook page (www.facebook.com/davidprecisiontiming?fref=ts) See their promotional video on YouTube: www.youtube.com/watch?v=c-7_TUVwJ6Q
Photographs from the last number of years of the Mullingar Road League are found at the bottom of this text
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Links to previous Mullingar Road League Photographs from over the years
Our photographs from Round 3 of the 2015 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157650853131823
Our photographs from Round 2 of the 2015 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157652357781278
Our photographs from Round 1 of the 2015 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157652342512706
Our photographs from Round 1 of the 2014 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157644508131856/
Our photographs from Round 2 of the 2014 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157644261638039/
Our photographs from Round 3 of the 2014 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157644769714481/
Our photographs from Round 4 of the 2014 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157644840050706/
Road League 2014 Facebook Page: www.facebook.com/patfinnertyroadleague?fref=ts (Requires Facebook logon)
YouTube Video for the Promotion of the 2014 Road League: www.youtube.com/watch?v=KfvVVwrkgTM
A Vimeo Video for the Promotion of the 2013 Road League: vimeo.com/64875578
Our photographs from Round 5 of the 2013 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157633794985503/
Our photographs from Round 4 of the 2013 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157633604656368/
Our photographs from Round 3 of the 2013 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157633470510535/
Our photographs from Round 2 of the 2013 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157633451422506/
Our photographs from Round 1 of the 2013 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157633397519242/
Belvedere House and Gardens on Google Street View: goo.gl/maps/WWTgD
Chip Timing Results from Precision Timing: www.precisiontiming.net/results.aspx
Belvedere House and Gardens Website: www.belvedere-house.ie/
Mullingar Harriers Facebook Group Page: www.facebook.com/groups/158535740855708/?fref=ts
Our Flickr Collection from Mullingar Road League 2012 (1,800 photographs) www.flickr.com/photos/peterm7/collections/72157629780992768/
Our Flickr Collection from Mullingar Road League 2011 (820 photographs) www.flickr.com/photos/peterm7/collections/72157626524444213/
Our Flickr Collection from Mullingar Road League 2010 (500 photographs) www.flickr.com/photos/peterm7/collections/72157624051668808/
Our Flickr Collection from Mullingar Road League 2009 (250 photographs) www.flickr.com/photos/peterm7/collections/72157617814884076/
Our Flickr Collection from Mullingar Road League 2008 (150 photographs) www.flickr.com/photos/peterm7/collections/72157605062152203/
ZEN MAGNETS - Neodymium Magnetic Balls (@637) - Thunderbird 2
Thunderbird 2 requires 637 Zen Magnets (or equivalent neodymium balls) to make. A little less that 3 sets of 216.
Video: www.youtube.com/watch?v=waROpifuh8c
Thunderbird 2 is one of the famous International Rescue ships from Gerry and Sylvia Anderson's brilliant Supermarionation special effects landmark show Thunderbirds circa 1960's. It was a heavy transporter ... characterized by its interchangeable modular cargo pods that filled the center body section . This design was the precursor to Space 1999's Eagle transport ship.
en.wikipedia.org/wiki/Thunderbirds_machines#Thunderbird_2
See it in action here ... www.youtube.com/watch?v=lMEuEF9-UbU
For this design, I took my Space Cruiser Kutrilla concept and lengthened the body and changed the wings slightly. Thunderbird 2 was also the inspiration for that design as well. Shots of it along other ships can be found in www.flickr.com/photos/tend2it/sets/72157629239861575/
For more cool design stuff ... check out
www.flickr.com/groups/zengallery/
www.flickr.com/groups/magnetspheres/
Zen Magnets is a fantastic, creative, magnetic puzzle. It consists of a set of 222 powerful neodymium magnet balls. Multiples of the set can be combined to make larger, more complex shapes. The reflective clarity of the Zen coating is amazing. Purchase them at www.zenmagnets.com
A new generation of cheap lightweight plastic electronic technology that does not require silicon, but which is optically transparent and can be coated onto everyday objects would transform our world.
"Working collaboratively with industry is not only satisfying in that I see aspects of my work translate into real engineered products, but it provides inspiration for new avenues of research too. Roadmapping then allows me to critically assess how I should be developing my research portfolio and engaging with industry to maximise the likelihood of productive collaboration."
—Dr Andrew Flewitt
Imagine electronically updated food labels, computers embedded in our armchairs, even contact lenses linking us directly to the Internet to bring us into the age of plastic electronics. In this video podcast Dr Andrew Flewitt and Dr Robert Phaal both from the Department of Engineering and Scott White serial entrepreneur and CEO of Pragmatic Printing talk about the creative partnership forged between different parts of the Department of Engineering and outside companies that enable the technology and research in this area to be exploited successfully.
A day out in London of a Saturday morning requires planning. Jools arranged for shopping to be dropped on Thursday afternoon, meaning we did not have to go on Saturday morning.
Then setting alarms so that we got to Priory station at half seven ready for the quarter to eight train.
Jools went to get tickets, and I went to the corner greasy spoon to get sausage and bacon sticks and brews. So that when the train rolled at twenty to, we climbed on board, sitting at a table and starting on our breakfast.
Leaving at that time meant it was already light, so we could see the countryside rolling by until we got to Ashford, then flash by once we got on the high speed line, zooming up to Ebbsfleet and then under the Thames into Essex and on to Stratford.
We got out at Stratford, caught the DLR to the regional station, then changing DLR lines for the trains heading for Lewisham.
At Pudding Mill Lane, where we used to watch steam tours on the Great Eastern Main Line, a new station has been built to allow for the entrances to the Elizabeth Line tunnels, and next door is the Abba theatre.
We have been talking about going, so Jools checks prices for the show, and amazed that some are nearly £200! Prices next June are £99, but still for seeing a video recreation rather than the band themselves.
The train rattled on, turning south where the old Bryant and May match factory used to be. The building is still there but seems to be business units or flats now.
Passing the old factory used to be the cue for my Granddad to get us standing up and gathering our coats and bags as we were five minutes from Liverpool Street.
Instead, we took the line south through Bow and towards the crystal towers of Docklands and Canary and other Wharves.
I texted Graham to say we were on our way, and he replied to say he was 5 minutes from Canary Wharf. I said we would be there in a few minutes, maybe we would meet there?
Through Poplar and into the 21st century hellscape that is Docklands, we get off on platform 1, and our next train is waiting on platform 2. Jools walks over, I lag behind, scouring the platform for Graham.
Then as I reach the doors, and the electronic bleeps announcing departure, Graham reaches us and comes on board.
Doors close and the train departs, taking tight turns around the skyscrapers before heading to the river, and after Mudschute, dives under the river for Greenwich.
We get off at Cutty Sark, so named after a tea clipper, and find the way out signed to a flight of 125 steps to street level.
I sigh and follow Jools and Graham up, regretting my life choices.
But I made it to the top, and a short walk we called in at a coffee shop for a refill and wait for the Cutty Sark itself to open.
Although the story of the Cutty Sark and the other tea clippers is very interesting, I wanted to come for purely photographic reasons, to snap the prow and the glazed roof that protects the old dry dock.
We pay to go on, and enter the ship, going up two flights of steps onto the deck, where the masts and rigging tower high above. Remember, sailors used to have to climb up these and gather in sails, and all weathers and on all seas, no matter their state.
Hardy buggers.
Cabins were small and on deck, as all space down below was for cases of tea only, to keep them dry and in perfect condition.
Then down through the visitor centre to the bottom of the dry dock, and the copper bottom of the ship, suspended so that shots looking along and up the prow could be taken.
Which I took plenty of.
Above the roofs of the shops and pubs,the tower of the parish church, St Alphage, Greenwich, which is an usual dedication, but turns out this was the site where the titular Saint was martyred in the 11th century.
Graham had never found it open, but I had checked online and it was due to open at eleven, ten minutes ago. So we walked towards the church, dodging through the traffic and arrived at the church gate.
The south doors were closed, as were the north, so I began to doubt myself. But a nearby sight indicated that the main entrance was on the south side, so we went back round.
And one of the doors was indeed ajar.
Bingo.
Bango.
Bongo.
We climbed the steps and went in, and were met my quiet the most friendly and informative volunteer I think I have ever met.
Interesting details were pointed out, and those hidden were shown, including the location of the font where King Henry XIII was christened, and the last surviving part of the second church's wall.
The church, which is after Hawksmoor, is a delight, though gutted during the blitz, so most glass is now lost, though the Victorian is of good quality.
We were here for the Mars display in the Painted Hall at the Greenwich Naval College.
We have been here before, but some 15 years back at least, so a return was overdue, though the sumptuous painting would be partly hidden by the 7m model of the planet Mars.
We have seen the artist's Moon work at the Maritime Museum nearby, but also in Denver back in 2017. But seemed to have missed his "Earth", I'm sure it'll come round again.
We walked through the college grounds, into the painted hall, exchanged vouchers for tickets and climbed the two sets of stairs into the hall itself.
The view opened out, and the first impression was amazing, Mars at the far end, suspended and slowly turning, with the painted hall as a background. And a helmeted Mar looking down at the planet named after him, a great juxtaposition.
We took and hour to take it all in, then talked about going to the Chapel, which we were not sure was open.
At the base of the stairs, we found the entrance to a passageway, with sign pointing to the Chapel, could this lead all the way under the formal gardens?
Yes. Yes it could. And did.
Up spiral staircases to the lobby, then up a formal stairway flanked by statues of Faith, Hope, Charity and Meekness, into the church, a delight, without much in the way of painting to match the hall opposite, but stunning all the same, and few folks had made it over, so we soaked up the building and details, and fittings.
Time was getting on, and thoughts turned to food. So, we left and headed out to the narrow path beside the river, where high tide meant water was lapping at our feet, but we powered back towards the High Road, and the cluster of pubs and other eateries.
Beside the Cutty Sark was the Gipsy Moth pub, but that was full, so we walked on and found a table beside the fire in the Spanish Galleon, a Shepherd Neame's pub, but they had tables and a great looking menu.
We got pints of Whitstable Bay, and ordered burgers each, all in a great end to the trip where we did all we set out to do, and now rounded it off with a pub lunch.
We ate the burgers with pints of Bishop's Finger, now a timid 5.2% rather than the 7% in days of yore, but still full of flavour.
Time to go home. Back to Cutty Sark DLR station, down in the lift this time, and straight on a train heading north. Change at Canary Wharf, where our train to Stratford was also waiting.
We said goodbye to Graham, hopped on, and the doors closed, so we moved off north.
Back at Stratford, down the steps to the concourse, and straight onto a train going to the International Station, we got on, and so were on the platforms for Kent a full ten minutes before the train was due.
When it came, there were a few seats, so I got to sit and rest by back after the 11,000 steps done, so while darkness fell outside, I kept up to date with the football, Norwich 2-2 with Luton at half time, but scoring twice in the second half to win 4-2, and make it 12 goals scored in three games over seven days.
By the time final whistle went, we were back home, and supping fresh brews as we rested, taking our shoes off.
A brilliant day out.
The West Ham fans we had seen on the DLR were going to their home game against Arsenal, which was on TV at half five. Not the game they were hoping for, as Arsenal were 5-2 by halftime, though no more goals scored in the second half, but worthy of that first half to have watched.
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St Alfege Church is an Anglican church in the centre of Greenwich, part of the Royal Borough of Greenwich in London. It is of medieval origin and was rebuilt in 1712–1714 to the designs of Nicholas Hawksmoor.
The church is dedicated to Alfege (also spelt "Alphege"), Archbishop of Canterbury, and reputedly marks the place where he was martyred on 19 April 1012, having been taken prisoner during the sack of Canterbury by Danish raiders the previous year. The Danes took him to their camp at Greenwich and killed him when the large ransom they demanded was not forthcoming.[1]
The church was rebuilt in around 1290, and Henry VIII was baptized there in 1491.
The patronage of the church was given to the abbey at Ghent during the 13th century. Following the suppression of alien priories under Henry V, it was granted to the priory at Sheen with which it remained until transferred to the Crown by exchange under Henry VIII in 1530.[1]
During a storm in 1710 the medieval church collapsed, its foundations having been weakened by burials both inside and outside.
Following the collapse of the medieval church, the present building was constructed, funded by a grant from the Commission for Building Fifty New Churches, to the designs of Nicholas Hawksmoor, one of the commission's two surveyors. The first church to be built by the commissioners, it was begun in 1712 and basic construction was completed in 1714;[2] it was not, however, consecrated until 1718.[3] The church was built by Edward Strong the Younger a friend of Christopher Wren the Younger.
The church is rectangular in plan with a flat ceiling and a small apse serving as a chancel. The east front, towards the street, has a portico in the Tuscan order, with a central arch cutting through the entablature and pediment—a motif used in Wren's "Great Model" for St Paul's Cathedral.[3] A giant order of pilasters runs around the rest of the church, a feature Kerry Downes suggests may have been added by Thomas Archer, who, according to the minutes of the commission, "improved" Hawksmoor's plans.[2] On the north and south sides of the churchwide projecting vestibules rise to the full height of the building, with steps leading up to the doors.[3]
Hawksmoor planned a west tower, in the position of the existing one, which had survived the collapse. However the commission was reluctant to fund it, and the medieval tower was retained. In 1730 John James refaced it, and added a spire. Hawksmoor's design, published in an engraving in 1714, had an octagonal lantern at the top, a motif he was later to use at St George in the East.
The crypt served as an air-raid shelter during World War II. During the Blitz on 19 March 1941, incendiary bombs landed on the roof causing it to collapse, burning into the nave. The walls and the tower remained standing but much of the interior was gutted. The church was restored by Sir Albert Richardson in 1953. As part of the post-war restorations, stencils of Mary the Mother of Jesus and St John the Evangelist were installed either side of the Cross (forming a traditional rood) in the side chapel of St Alfege with St Peter by the tempera artist Augustus Lunn.
The present organ was installed in 2001, having been relocated from the Lower Chapel at Eton College, with some minor changes.[6] It is an 1891 Lewis & Co instrument, with modifications in 1927 by A. Hunter & Son and 1970 by Harrison & Harrison.[7]
Additionally, there is a small, six-stop moveable organ located in the north aisle, by W & A Boggis of Diss from c 1960, with a later restoration by Mander Organs.
he previous organ had a long history. It dated from the 16th century (when St Alfege was recorded as having a pair of organs). The National Pipe Organ Register does not record its present whereabouts. However, a three manual drawstop console is on display at the West End of the South aisle. This may incorporate keys from the time of the composer Thomas Tallis,[9] who was buried in the chancel of the medieval church in the 16th century. The organ was restored in 1706 by Thomas Swarbrick, with further restorations and modifications by Dallam (1765), George England (1770) and J. W. Walker & Sons Ltd (1840, 1853 and 1863).[9][10] It was further restored and rebuilt in 1875 by Joseph Robson and Benjamin Flight,[11] modified by Lewis & Co in 1910[12] and rebuilt by R. Spurden Rutt & Co in 1934. By this point it had grown to 47 stops.[13] It survived the bomb damage of 1941 and was rebuilt, again by R Spurden Rutt, in 1953, with 55 stops.
Found this what looks like a stern or a small gull at the salt marsh (see map for location) on August 22 this year.
200 Km East of Québec City, near the St Lawrence River.
I searched a bit in Sibley's Guide and it "could be" a stern ... ??
Or a closeness to a Franklin Gull??
Obviously, some help is needed.
Sorry about the very poor quality of this image as the bird was at least 400 feet away (or more) and the best I could do with a 300mm lens.
So the image is heavily resized.
FRANCE. Paris, the 29th of march 2021. Notre-Dame's cathedral securisation process. Workers and rope climbers before and reinforcing the stones of the broken vaults with a mixture of gypsum and rope. Mathis and Arnaud.
Yep, it's the required roster shot of the 9824 but who cares, it's still a great looking ho-hum GE with Christmas lights on it. After freezing my ass off at Marquette (and it was a great show as usual), the Holiday Train ran up to La Crescent for the next show. The unit ended up sitting right on the new gated crossing at MP 160 for the show in La Crescent. And, to continue an on-going theme, here you go Jerry with a roster shot.
Future note to myself: the bigger the lens, the stronger and sturdier the tripod required.
I bought a new lens and it seems I now need a new tripod, as the tiniest movement is disastrous.
Plus, figuring out the correct camera settings - O'Good Lord - and at 0430 in the morning - I need coffee!!!
The Rolling Stones in concert
Rupp Arena
Lexington, Kentucky
12-11-81
The Rolling Stones; Rupp Arena; Lexington; Kentucky; 12-11-81; Any further use requires permission from the photographer; Michael Conen.
***
These photos were taken on print film, and then digitally scanned at 2000 dpi.
All images viewed here are "proofs" of the negatives.
Serious inquiries regarding further publication will be entertained.
Please contact me with comments, questions, etc. at michaelconen@tutanota.com
Required abt 3,000 tonnes of rice per annum to keep Ta Prohms 'inner circle' fed.
Multiplied by the number of similar Temple-Cities scattered thru Angkor...(do the Maths)...was a BIG 'ask'.
The Khmer kingdom...
relied on a Tribute system (of tax), whereby individuals provided goods or labor.
Eventually those that 'did come up with the goods' ... tired of supporting an increasingly 'top-heavy' urban strata, that didn't.
In addition: two major droughts (1362 to 92 : 1415 to 40) : a shift from (god-fearing) Hindu to (benevolent) T. Buddhism : depleting, construction works : and a perceptible Military weakening ... resulted in the Empires 'sacking' and collapse.
ZEN MAGNETS - Neodymium Magnetic Balls (@637) - Thunderbird 2
Thunderbird 2 requires 637 Zen Magnets (or equivalent neodymium balls) to make. A little less that 3 sets of 216.
Video: www.youtube.com/watch?v=waROpifuh8c
Thunderbird 2 is one of the famous International Rescue ships from Gerry and Sylvia Anderson's brilliant Supermarionation special effects landmark show Thunderbirds circa 1960's. It was a heavy transporter ... characterized by its interchangeable modular cargo pods that filled the center body section . This design was the precursor to Space 1999's Eagle transport ship.
en.wikipedia.org/wiki/Thunderbirds_machines#Thunderbird_2
See it in action here ... www.youtube.com/watch?v=lMEuEF9-UbU
For this design, I took my Space Cruiser Kutrilla concept and lengthened the body and changed the wings slightly. Thunderbird 2 was also the inspiration for that design as well. Shots of it along other ships can be found in www.flickr.com/photos/tend2it/sets/72157629239861575/
For more cool design stuff ... check out
www.flickr.com/groups/zengallery/
www.flickr.com/groups/magnetspheres/
Zen Magnets is a fantastic, creative, magnetic puzzle. It consists of a set of 222 powerful neodymium magnet balls. Multiples of the set can be combined to make larger, more complex shapes. The reflective clarity of the Zen coating is amazing. Purchase them at www.zenmagnets.com
A day out in London of a Saturday morning requires planning. Jools arranged for shopping to be dropped on Thursday afternoon, meaning we did not have to go on Saturday morning.
Then setting alarms so that we got to Priory station at half seven ready for the quarter to eight train.
Jools went to get tickets, and I went to the corner greasy spoon to get sausage and bacon sticks and brews. So that when the train rolled at twenty to, we climbed on board, sitting at a table and starting on our breakfast.
Leaving at that time meant it was already light, so we could see the countryside rolling by until we got to Ashford, then flash by once we got on the high speed line, zooming up to Ebbsfleet and then under the Thames into Essex and on to Stratford.
We got out at Stratford, caught the DLR to the regional station, then changing DLR lines for the trains heading for Lewisham.
At Pudding Mill Lane, where we used to watch steam tours on the Great Eastern Main Line, a new station has been built to allow for the entrances to the Elizabeth Line tunnels, and next door is the Abba theatre.
We have been talking about going, so Jools checks prices for the show, and amazed that some are nearly £200! Prices next June are £99, but still for seeing a video recreation rather than the band themselves.
The train rattled on, turning south where the old Bryant and May match factory used to be. The building is still there but seems to be business units or flats now.
Passing the old factory used to be the cue for my Granddad to get us standing up and gathering our coats and bags as we were five minutes from Liverpool Street.
Instead, we took the line south through Bow and towards the crystal towers of Docklands and Canary and other Wharves.
I texted Graham to say we were on our way, and he replied to say he was 5 minutes from Canary Wharf. I said we would be there in a few minutes, maybe we would meet there?
Through Poplar and into the 21st century hellscape that is Docklands, we get off on platform 1, and our next train is waiting on platform 2. Jools walks over, I lag behind, scouring the platform for Graham.
Then as I reach the doors, and the electronic bleeps announcing departure, Graham reaches us and comes on board.
Doors close and the train departs, taking tight turns around the skyscrapers before heading to the river, and after Mudschute, dives under the river for Greenwich.
We get off at Cutty Sark, so named after a tea clipper, and find the way out signed to a flight of 125 steps to street level.
I sigh and follow Jools and Graham up, regretting my life choices.
But I made it to the top, and a short walk we called in at a coffee shop for a refill and wait for the Cutty Sark itself to open.
Although the story of the Cutty Sark and the other tea clippers is very interesting, I wanted to come for purely photographic reasons, to snap the prow and the glazed roof that protects the old dry dock.
We pay to go on, and enter the ship, going up two flights of steps onto the deck, where the masts and rigging tower high above. Remember, sailors used to have to climb up these and gather in sails, and all weathers and on all seas, no matter their state.
Hardy buggers.
Cabins were small and on deck, as all space down below was for cases of tea only, to keep them dry and in perfect condition.
Then down through the visitor centre to the bottom of the dry dock, and the copper bottom of the ship, suspended so that shots looking along and up the prow could be taken.
Which I took plenty of.
Above the roofs of the shops and pubs,the tower of the parish church, St Alphage, Greenwich, which is an usual dedication, but turns out this was the site where the titular Saint was martyred in the 11th century.
Graham had never found it open, but I had checked online and it was due to open at eleven, ten minutes ago. So we walked towards the church, dodging through the traffic and arrived at the church gate.
The south doors were closed, as were the north, so I began to doubt myself. But a nearby sight indicated that the main entrance was on the south side, so we went back round.
And one of the doors was indeed ajar.
Bingo.
Bango.
Bongo.
We climbed the steps and went in, and were met my quiet the most friendly and informative volunteer I think I have ever met.
Interesting details were pointed out, and those hidden were shown, including the location of the font where King Henry XIII was christened, and the last surviving part of the second church's wall.
The church, which is after Hawksmoor, is a delight, though gutted during the blitz, so most glass is now lost, though the Victorian is of good quality.
We were here for the Mars display in the Painted Hall at the Greenwich Naval College.
We have been here before, but some 15 years back at least, so a return was overdue, though the sumptuous painting would be partly hidden by the 7m model of the planet Mars.
We have seen the artist's Moon work at the Maritime Museum nearby, but also in Denver back in 2017. But seemed to have missed his "Earth", I'm sure it'll come round again.
We walked through the college grounds, into the painted hall, exchanged vouchers for tickets and climbed the two sets of stairs into the hall itself.
The view opened out, and the first impression was amazing, Mars at the far end, suspended and slowly turning, with the painted hall as a background. And a helmeted Mar looking down at the planet named after him, a great juxtaposition.
We took and hour to take it all in, then talked about going to the Chapel, which we were not sure was open.
At the base of the stairs, we found the entrance to a passageway, with sign pointing to the Chapel, could this lead all the way under the formal gardens?
Yes. Yes it could. And did.
Up spiral staircases to the lobby, then up a formal stairway flanked by statues of Faith, Hope, Charity and Meekness, into the church, a delight, without much in the way of painting to match the hall opposite, but stunning all the same, and few folks had made it over, so we soaked up the building and details, and fittings.
Time was getting on, and thoughts turned to food. So, we left and headed out to the narrow path beside the river, where high tide meant water was lapping at our feet, but we powered back towards the High Road, and the cluster of pubs and other eateries.
Beside the Cutty Sark was the Gipsy Moth pub, but that was full, so we walked on and found a table beside the fire in the Spanish Galleon, a Shepherd Neame's pub, but they had tables and a great looking menu.
We got pints of Whitstable Bay, and ordered burgers each, all in a great end to the trip where we did all we set out to do, and now rounded it off with a pub lunch.
We ate the burgers with pints of Bishop's Finger, now a timid 5.2% rather than the 7% in days of yore, but still full of flavour.
Time to go home. Back to Cutty Sark DLR station, down in the lift this time, and straight on a train heading north. Change at Canary Wharf, where our train to Stratford was also waiting.
We said goodbye to Graham, hopped on, and the doors closed, so we moved off north.
Back at Stratford, down the steps to the concourse, and straight onto a train going to the International Station, we got on, and so were on the platforms for Kent a full ten minutes before the train was due.
When it came, there were a few seats, so I got to sit and rest by back after the 11,000 steps done, so while darkness fell outside, I kept up to date with the football, Norwich 2-2 with Luton at half time, but scoring twice in the second half to win 4-2, and make it 12 goals scored in three games over seven days.
By the time final whistle went, we were back home, and supping fresh brews as we rested, taking our shoes off.
A brilliant day out.
The West Ham fans we had seen on the DLR were going to their home game against Arsenal, which was on TV at half five. Not the game they were hoping for, as Arsenal were 5-2 by halftime, though no more goals scored in the second half, but worthy of that first half to have watched.
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The Old Royal Naval College are buildings that serve as the architectural centrepiece of Maritime Greenwich,[1] a World Heritage Site in Greenwich, London, described by the United Nations Educational, Scientific and Cultural Organisation (UNESCO) as being of "outstanding universal value" and reckoned to be the "finest and most dramatically sited architectural and landscape ensemble in the British Isles".[2] Formerly the site of a royal palace, the old college was originally constructed to serve as the Royal Navy's Greenwich Hospital, designed by Christopher Wren, and built between 1696 and 1712.[3][4] The hospital closed in 1869 and so between 1873 and 1998 the buildings were used as a training establishment for the Royal Naval College, Greenwich.[5] The site is now managed by the Greenwich Foundation for the Old Royal Naval College, established in 1997 to conserve the buildings and grounds and convert them into a cultural destination.
This was originally the site of Bella Court, built by Humphrey, Duke of Gloucester, and subsequently renamed Palace of Placentia by Queen Margaret upon its confiscation by the Crown in the 15th century. Rebuilt by Henry VII, it was thenceforth more commonly known as Greenwich Palace. As such, it was the birthplace of Tudor monarchs Henry VIII, Mary I, and Elizabeth I, and reputedly the favourite palace of Henry VIII. The palace fell into disrepair during the English Civil War. With the exception of a then incomplete John Webb building, the palace was finally demolished in 1694, with the Webb building being completed and converted to use by the hospital.
In 1692 the Royal Hospital for Seamen at Greenwich was created on the site on the instructions of Mary II, who had been inspired by the sight of wounded sailors returning from the Battle of La Hogue. Initially, the hospital remodeled a wing of the unfinished Greenwich Palace, and then expanded and remade the design. Architectural highlights included the Chapel and the Painted Hall. The Painted Hall was painted between 1707 and 1726 by Sir James Thornhill.[7] The hospital closed in 1869 and the remains of thousands of sailors and officers were removed from the hospital site in 1875 and reinterred in East Greenwich Pleasaunce or "Pleasaunce Park".
In 1873, four years after the hospital closed, the buildings were converted to a training establishment for the Royal Navy. The Royal Navy finally left the college in 1998 when the site passed into the hands of the Greenwich Foundation for the Old Royal Naval College.
Queen Mary Court houses the hospital's chapel (designed by Wren but not completed until 1742). Its present appearance dates from 1779 to 1789, when it was rebuilt to a design by James "Athenian" Stuart after a devastating fire. The ornate plasterwork was created by John Papworth.[8]
King William Court is famous for its baroque Painted Hall, which was painted by Sir James Thornhill in honour of King William III and Queen Mary II (the ceiling of the Lower Hall), of Queen Anne and her husband, Prince George of Denmark (the ceiling of the Upper Hall) and George I (the north wall of the Upper Hall). The Painted Hall was deemed too magnificent for the pensioned seamen's refectory and was never regularly used as such. It became a tourist destination, opened for viewing. On 5 January 1806, Lord Nelson's body lay in state in the Painted Hall of the Greenwich Hospital before being taken up the river Thames to St Paul's Cathedral for a state funeral. Nelson's Pediment in the William Courtyard was sculpted in Coade stone in 1813 as a public memorial,[9] and was regarded by the Coade workers as the finest of all their work.[10] In 1824 a National Gallery of Naval Art was created in the Painted Hall, where it remained until 1936, when the collection was transferred to the National Maritime Museum, newly established in the Queen's House and adjacent building.
The building code required heaters in each room of Debbie Wilshire’s net-zero house, but due to the excellent thermal performance of the home they are not used. Photo David Dodge, Green Energy Futures
This is a photograph from the 4th and final round of the 2015 Mullingar Road League which was held in Belvedere House and Gardens, Mullingar, Co. Westmeath, Ireland on Wednesday 27th May 2015 at 20:00. The weather was perfect for running and racing again and gave bright sunshine with some breeze. The weather conditions were favourable for runners this evening. As this was the final night of a very successful league there were many category prizes up for grabs with runners having to ensure they ran their races to gain the required finish times for the overall calculations. There was a great atmosphere at the finish as spectators cheered on the runners. This year's 5KM is ran on a modified route based on the route from the last couple of years. The final 1KM is within the Belvedere Gardens bringing runners down to the lakeside for a second time and finishing along the aptly named Stream Of Life. The route modification means that the race offers a slightly faster route than the hill finish of previous years. In the prize giving and awards in Belvedere House Cafe there were refreshments served for runners and this brought the curtain down on the Road League for 2015.
The race is promoted by Mullingar Harriers for the Pat Finnerty Memorial Cup. Competitors need to run 3 races out of the 4 races in May (any order) to be considered in the overall placing in categories at the conclusion of the league. Runners can also choose to just run one race without being considered for the overall league placings. Over 330 people took part in tonight's event bring the total from the four nights to so far to well over 1,400 runners. As with all of the previous weeks the new finish area provided a nice space for runners to stay around and chat in the evening sunshine. The Mullingar Road League 2015 is now over but has continued successfully and looks to add to the success in the history of this great series. Despite the bright evenings the photographic conditions in Belevedere are difficult so this photograph is part of a smaller than usual photograph set as there were many blurred photographs this evening.
The "Road League" is something of a misnomer but is an indication of the League's origins on the roads around Ladestown Mullingar prior to it's move into Belvedere in 2008. The Road League is the envy of many other races in the country as the Belvedere locations offers a completely traffic free 5KM route.
We have an extensive set of photographs from tonight in the following Flickr Album: www.flickr.com/photos/peterm7/sets/72157653157747838
Timing and event management was provided by Precision Timing. Results are available on their website at www.precisiontiming.net/result.aspx?v=2710 with additional material available on their Facebook page (www.facebook.com/davidprecisiontiming?fref=ts) See their promotional video on YouTube: www.youtube.com/watch?v=c-7_TUVwJ6Q
Photographs from the last number of years of the Mullingar Road League are found at the bottom of this text
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Links to previous Mullingar Road League Photographs from over the years
Our photographs from Round 3 of the 2015 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157650853131823
Our photographs from Round 2 of the 2015 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157652357781278
Our photographs from Round 1 of the 2015 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157652342512706
Our photographs from Round 1 of the 2014 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157644508131856/
Our photographs from Round 2 of the 2014 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157644261638039/
Our photographs from Round 3 of the 2014 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157644769714481/
Our photographs from Round 4 of the 2014 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157644840050706/
Road League 2014 Facebook Page: www.facebook.com/patfinnertyroadleague?fref=ts (Requires Facebook logon)
YouTube Video for the Promotion of the 2014 Road League: www.youtube.com/watch?v=KfvVVwrkgTM
A Vimeo Video for the Promotion of the 2013 Road League: vimeo.com/64875578
Our photographs from Round 5 of the 2013 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157633794985503/
Our photographs from Round 4 of the 2013 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157633604656368/
Our photographs from Round 3 of the 2013 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157633470510535/
Our photographs from Round 2 of the 2013 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157633451422506/
Our photographs from Round 1 of the 2013 Road League on Flickr: www.flickr.com/photos/peterm7/sets/72157633397519242/
Belvedere House and Gardens on Google Street View: goo.gl/maps/WWTgD
Chip Timing Results from Precision Timing: www.precisiontiming.net/results.aspx
Belvedere House and Gardens Website: www.belvedere-house.ie/
Mullingar Harriers Facebook Group Page: www.facebook.com/groups/158535740855708/?fref=ts
Our Flickr Collection from Mullingar Road League 2012 (1,800 photographs) www.flickr.com/photos/peterm7/collections/72157629780992768/
Our Flickr Collection from Mullingar Road League 2011 (820 photographs) www.flickr.com/photos/peterm7/collections/72157626524444213/
Our Flickr Collection from Mullingar Road League 2010 (500 photographs) www.flickr.com/photos/peterm7/collections/72157624051668808/
Our Flickr Collection from Mullingar Road League 2009 (250 photographs) www.flickr.com/photos/peterm7/collections/72157617814884076/
Our Flickr Collection from Mullingar Road League 2008 (150 photographs) www.flickr.com/photos/peterm7/collections/72157605062152203/
Dan King Images provides these photo for the public to share. Media requiring a high-resolution version of this or a similar photo for publication should email DKingImages@aol.com. Users may not manipulate or use this photo in commercial materials, advertisements, emails, products, or promotions without licensed permission from Dan King Images. If you are interested in using DKI imagery for commercial purposes, email DKingImages@aol.com / (206) 718-9642
© Danny King. All Rights Reserved - Unauthorized use of this photo is strictly prohibited
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Lanikai Yacht
Lanikai is a motor yacht with a length of 30.53m. The yacht's builder is Ocean Alexander from Taiwan who delivered superyacht Lanikai in 2018. The superyacht has a beam of 7.01m, a draft of 1.96m and a volume of 173 GT.
The Lanikai features exterior design by Evan K Marshall, while her interior was penned by Evan K Marshall, with naval architecture by Ocean Alexander. Up to 8 guests are accommodated on board the superyacht Lanikai, and she also has accommodation for 5 crew members including the captain of Lanikai. The Ocean Alexander 100 yacht Lanikai has a grp hull and grp superstructure. She is powered by 2 Caterpillar Inc engines. The yacht carries 15,141 liters of fuel on board, and 2,461 liters of water.
On the ranking of the largest yachts in the world, Lanikai superyacht is listed as number 5306th. She is the 24th-largest yacht built by Ocean Alexander. The owner of Ocean Alexander 100 yacht Lanikai is shown in SYT iQ and is exclusively available to subscribers. .
Lanikai is currently not for sale, but there are currently 2014 yachts for sale in the world. There are currently 2 Ocean Alexander 100 yachts for sale in the world and 18 Ocean Alexander 100 yachts in the global superyacht fleet. Motor yacht Lanikai was last sold in 2018. According to data from our market intelligence system SYT iQ, she was one of the 826 yachts that were sold in 2018. It is not known if yacht Lanikai has a superyacht infotainment system by YachtEye.
Dimensions
Overall length
30.53m (100'2")
Length at waterline
26.8m (87'11")
Beam
7.01m (22'12")
Draught min.
1.68m (5'6")
Draught max.
1.96m (6'5")
Gross tonnage
173
Full load displacement
104
Build
Builder
Ocean Alexander
Port
Kaoshiung
Country
Taiwan
Year
2018
Materials
Hull
GRP
Superstructure
GRP
Design
Naval
Ocean Alexander
Exterior
Evan K Marshall
Interior
Evan K Marshall
Vessel details
Type
Motor
Hull type
Mono hull yacht
Hull configuration
Semi-displacement
Number of decks
2
Accommodation
Number of guests
8
Guest cabins
4
Number of crew
5
Crew cabins
3
Performance & capabilities
Speed/range
/ n/M
Fuel capacity
15,141L (3,999.828g)
Water capacity
2,461L (650.127g)
Propulsion
Type Count Manufacturer
Propellers 2
Engines
Manufacturer Model Type Year RPM KW HP Count
Caterpillar Inc C32 Diesel 1435 1924 2
Total 2869 3848
The Surgical Robotic Challenge demo at the Hamlyn Centre (IMperial College London) followed by presentations and workshops at the Royal Geographical Society, 23rd June 2019
Photography by Fergus Burnett
Accreditation required with all use - 'fergusburnett.com'
The Hamlyn Centre holds its annual Hamlyn Symposium at the Royal Geographical Society and Imperial College, 25th June 2018
Photography by Fergus Burnett
Accreditation required with all use - 'fergusburnett.com
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Raising a cat requires that you provide not only for its most basic needs, such as food and a clean litter box, but also for its health, its comfort, and its mind.
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A day out in London of a Saturday morning requires planning. Jools arranged for shopping to be dropped on Thursday afternoon, meaning we did not have to go on Saturday morning.
Then setting alarms so that we got to Priory station at half seven ready for the quarter to eight train.
Jools went to get tickets, and I went to the corner greasy spoon to get sausage and bacon sticks and brews. So that when the train rolled at twenty to, we climbed on board, sitting at a table and starting on our breakfast.
Leaving at that time meant it was already light, so we could see the countryside rolling by until we got to Ashford, then flash by once we got on the high speed line, zooming up to Ebbsfleet and then under the Thames into Essex and on to Stratford.
We got out at Stratford, caught the DLR to the regional station, then changing DLR lines for the trains heading for Lewisham.
At Pudding Mill Lane, where we used to watch steam tours on the Great Eastern Main Line, a new station has been built to allow for the entrances to the Elizabeth Line tunnels, and next door is the Abba theatre.
We have been talking about going, so Jools checks prices for the show, and amazed that some are nearly £200! Prices next June are £99, but still for seeing a video recreation rather than the band themselves.
The train rattled on, turning south where the old Bryant and May match factory used to be. The building is still there but seems to be business units or flats now.
Passing the old factory used to be the cue for my Granddad to get us standing up and gathering our coats and bags as we were five minutes from Liverpool Street.
Instead, we took the line south through Bow and towards the crystal towers of Docklands and Canary and other Wharves.
I texted Graham to say we were on our way, and he replied to say he was 5 minutes from Canary Wharf. I said we would be there in a few minutes, maybe we would meet there?
Through Poplar and into the 21st century hellscape that is Docklands, we get off on platform 1, and our next train is waiting on platform 2. Jools walks over, I lag behind, scouring the platform for Graham.
Then as I reach the doors, and the electronic bleeps announcing departure, Graham reaches us and comes on board.
Doors close and the train departs, taking tight turns around the skyscrapers before heading to the river, and after Mudschute, dives under the river for Greenwich.
We get off at Cutty Sark, so named after a tea clipper, and find the way out signed to a flight of 125 steps to street level.
I sigh and follow Jools and Graham up, regretting my life choices.
But I made it to the top, and a short walk we called in at a coffee shop for a refill and wait for the Cutty Sark itself to open.
Although the story of the Cutty Sark and the other tea clippers is very interesting, I wanted to come for purely photographic reasons, to snap the prow and the glazed roof that protects the old dry dock.
We pay to go on, and enter the ship, going up two flights of steps onto the deck, where the masts and rigging tower high above. Remember, sailors used to have to climb up these and gather in sails, and all weathers and on all seas, no matter their state.
Hardy buggers.
Cabins were small and on deck, as all space down below was for cases of tea only, to keep them dry and in perfect condition.
Then down through the visitor centre to the bottom of the dry dock, and the copper bottom of the ship, suspended so that shots looking along and up the prow could be taken.
Which I took plenty of.
Above the roofs of the shops and pubs,the tower of the parish church, St Alphage, Greenwich, which is an usual dedication, but turns out this was the site where the titular Saint was martyred in the 11th century.
Graham had never found it open, but I had checked online and it was due to open at eleven, ten minutes ago. So we walked towards the church, dodging through the traffic and arrived at the church gate.
The south doors were closed, as were the north, so I began to doubt myself. But a nearby sight indicated that the main entrance was on the south side, so we went back round.
And one of the doors was indeed ajar.
Bingo.
Bango.
Bongo.
We climbed the steps and went in, and were met my quiet the most friendly and informative volunteer I think I have ever met.
Interesting details were pointed out, and those hidden were shown, including the location of the font where King Henry XIII was christened, and the last surviving part of the second church's wall.
The church, which is after Hawksmoor, is a delight, though gutted during the blitz, so most glass is now lost, though the Victorian is of good quality.
We were here for the Mars display in the Painted Hall at the Greenwich Naval College.
We have been here before, but some 15 years back at least, so a return was overdue, though the sumptuous painting would be partly hidden by the 7m model of the planet Mars.
We have seen the artist's Moon work at the Maritime Museum nearby, but also in Denver back in 2017. But seemed to have missed his "Earth", I'm sure it'll come round again.
We walked through the college grounds, into the painted hall, exchanged vouchers for tickets and climbed the two sets of stairs into the hall itself.
The view opened out, and the first impression was amazing, Mars at the far end, suspended and slowly turning, with the painted hall as a background. And a helmeted Mar looking down at the planet named after him, a great juxtaposition.
We took and hour to take it all in, then talked about going to the Chapel, which we were not sure was open.
At the base of the stairs, we found the entrance to a passageway, with sign pointing to the Chapel, could this lead all the way under the formal gardens?
Yes. Yes it could. And did.
Up spiral staircases to the lobby, then up a formal stairway flanked by statues of Faith, Hope, Charity and Meekness, into the church, a delight, without much in the way of painting to match the hall opposite, but stunning all the same, and few folks had made it over, so we soaked up the building and details, and fittings.
Time was getting on, and thoughts turned to food. So, we left and headed out to the narrow path beside the river, where high tide meant water was lapping at our feet, but we powered back towards the High Road, and the cluster of pubs and other eateries.
Beside the Cutty Sark was the Gipsy Moth pub, but that was full, so we walked on and found a table beside the fire in the Spanish Galleon, a Shepherd Neame's pub, but they had tables and a great looking menu.
We got pints of Whitstable Bay, and ordered burgers each, all in a great end to the trip where we did all we set out to do, and now rounded it off with a pub lunch.
We ate the burgers with pints of Bishop's Finger, now a timid 5.2% rather than the 7% in days of yore, but still full of flavour.
Time to go home. Back to Cutty Sark DLR station, down in the lift this time, and straight on a train heading north. Change at Canary Wharf, where our train to Stratford was also waiting.
We said goodbye to Graham, hopped on, and the doors closed, so we moved off north.
Back at Stratford, down the steps to the concourse, and straight onto a train going to the International Station, we got on, and so were on the platforms for Kent a full ten minutes before the train was due.
When it came, there were a few seats, so I got to sit and rest by back after the 11,000 steps done, so while darkness fell outside, I kept up to date with the football, Norwich 2-2 with Luton at half time, but scoring twice in the second half to win 4-2, and make it 12 goals scored in three games over seven days.
By the time final whistle went, we were back home, and supping fresh brews as we rested, taking our shoes off.
A brilliant day out.
The West Ham fans we had seen on the DLR were going to their home game against Arsenal, which was on TV at half five. Not the game they were hoping for, as Arsenal were 5-2 by halftime, though no more goals scored in the second half, but worthy of that first half to have watched.
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The Old Royal Naval College are buildings that serve as the architectural centrepiece of Maritime Greenwich,[1] a World Heritage Site in Greenwich, London, described by the United Nations Educational, Scientific and Cultural Organisation (UNESCO) as being of "outstanding universal value" and reckoned to be the "finest and most dramatically sited architectural and landscape ensemble in the British Isles".[2] Formerly the site of a royal palace, the old college was originally constructed to serve as the Royal Navy's Greenwich Hospital, designed by Christopher Wren, and built between 1696 and 1712.[3][4] The hospital closed in 1869 and so between 1873 and 1998 the buildings were used as a training establishment for the Royal Naval College, Greenwich.[5] The site is now managed by the Greenwich Foundation for the Old Royal Naval College, established in 1997 to conserve the buildings and grounds and convert them into a cultural destination.
This was originally the site of Bella Court, built by Humphrey, Duke of Gloucester, and subsequently renamed Palace of Placentia by Queen Margaret upon its confiscation by the Crown in the 15th century. Rebuilt by Henry VII, it was thenceforth more commonly known as Greenwich Palace. As such, it was the birthplace of Tudor monarchs Henry VIII, Mary I, and Elizabeth I, and reputedly the favourite palace of Henry VIII. The palace fell into disrepair during the English Civil War. With the exception of a then incomplete John Webb building, the palace was finally demolished in 1694, with the Webb building being completed and converted to use by the hospital.
In 1692 the Royal Hospital for Seamen at Greenwich was created on the site on the instructions of Mary II, who had been inspired by the sight of wounded sailors returning from the Battle of La Hogue. Initially, the hospital remodeled a wing of the unfinished Greenwich Palace, and then expanded and remade the design. Architectural highlights included the Chapel and the Painted Hall. The Painted Hall was painted between 1707 and 1726 by Sir James Thornhill.[7] The hospital closed in 1869 and the remains of thousands of sailors and officers were removed from the hospital site in 1875 and reinterred in East Greenwich Pleasaunce or "Pleasaunce Park".
In 1873, four years after the hospital closed, the buildings were converted to a training establishment for the Royal Navy. The Royal Navy finally left the college in 1998 when the site passed into the hands of the Greenwich Foundation for the Old Royal Naval College.
Queen Mary Court houses the hospital's chapel (designed by Wren but not completed until 1742). Its present appearance dates from 1779 to 1789, when it was rebuilt to a design by James "Athenian" Stuart after a devastating fire. The ornate plasterwork was created by John Papworth.[8]
King William Court is famous for its baroque Painted Hall, which was painted by Sir James Thornhill in honour of King William III and Queen Mary II (the ceiling of the Lower Hall), of Queen Anne and her husband, Prince George of Denmark (the ceiling of the Upper Hall) and George I (the north wall of the Upper Hall). The Painted Hall was deemed too magnificent for the pensioned seamen's refectory and was never regularly used as such. It became a tourist destination, opened for viewing. On 5 January 1806, Lord Nelson's body lay in state in the Painted Hall of the Greenwich Hospital before being taken up the river Thames to St Paul's Cathedral for a state funeral. Nelson's Pediment in the William Courtyard was sculpted in Coade stone in 1813 as a public memorial,[9] and was regarded by the Coade workers as the finest of all their work.[10] In 1824 a National Gallery of Naval Art was created in the Painted Hall, where it remained until 1936, when the collection was transferred to the National Maritime Museum, newly established in the Queen's House and adjacent building.
The Hamlyn Centre holds its annual Hamlyn Symposium at the Royal Geographical Society and Imperial College, 25th June 2018
Photography by Fergus Burnett
Accreditation required with all use - 'fergusburnett.com
Only pictures taken in 2013. No tagging required.
1. Which of this year's pics has received the most favorites?
WIP - Gopala (50 favs)
It´s really awesome this little cutie blue god Krishna as baby Gopala :-)
2. Which of this year's pics has the most comments?
Winona's teal wild hair (38 comments)
Winona says hello to everyone who commented about her new teal hair, thank you, fellows!
3. Which of this year's pics is considered by Flickr to be the most interesting?
LittleFée Sisters (49 favs, 12 comments, 999 views)
BJDs reigned absolute in my Flickr photostream this year, I just luv them, they´re so nice, real and posing perfectly <3
4. Which of this year's pics got more views?
Nude Siean (2.980 views)
Now she's at spa, I can't wait to see her finished ;-P
Feel free to play!
My Best wishes for an amazing 2014 to all my Flickr friends, peace, love and health!
Happy New Year
during the FIFA World Cup 2026 Final match between Spain and Argentina at Metlife Stadium, New Jersey, USA on 19 July 2026. Photo by Peter Dovgan.
Editorial use only, license required for commercial use. No use in betting, games or a single club/league/player publications.
From the August 2016 return trip to Siem Reap and the Angkor complex:
I love the Angkor complex, Siem Reap, and the Cambodian people so much that I returned again for about a week to photograph as much of the “non-major” sites as I could. Some of them are slightly far from Angkor Wat (by that, I mean to say more than 10 kilometers away), and usually require a little more money to get to. Also, some of the sites (Beng Mealea, Phnom Kulen) are not included in the Angkor ticket price and have an additional admission fee.
I don’t know if there’s a set number of how many sites belong in the Angkor complex, though I’m sure it would vary. (Do you only count the major sites like Angkor Wat, Bayon, Ta Prohm? Do you add the sites that aren’t included in the standard “Angkor Pass,” but are clearly of the same era? Do you include sites that aren’t even named (as are one of the sites in this series)? All in all, I’ll put a very rough number at…50 sites in the Siem Reap area, and that includes the sites that are about 100 km away. Of those, I would say I’ve been to all but 5-10 now. All are included here with the exception, obviously, of the sites that I didn’t visit. (Off the top of my head, I can say they include Koh Ker & that respective group, which is about 120 km ENE of Siem Reap; Phnom Krom, one of the three “mountains” with temples; Ta Prohm Kel; and Mangalartha.)
In practical terms, I’m afraid that with the volume of shooting (about 1,500 frames in the past 7 days), photos will start to look redundant to those who don’t have the same interest in ancient/historical architecture or Angkor as I do. That being said, there are a few things besides temples here. The Old Market area (now Night Market/Pub Street) is represented – a little – and Phnom Kulen has a pretty nice waterfall which is also in this series. Also, I tried to catch a few people in here, though didn’t get as many as I would’ve liked.
I had my friend Mao (tuktuk driver) take me around for 5 of these 7 days this time around. As I mentioned last time, he may cost a little more than what you can arrange through a hotel/guesthouse, but he’s well worth the money (and, in the grand scheme of things, not too expensive; I paid less than $200 for the five days, two of which were “long” trips). He loves his country and heritage, he knows what he’s showing you, he’s flexible, he gives you enough ice water to keep you hydrated, and he’s just a good guy. (He even bought me a birthday cake for cryin’ out loud…) Anyway, I highly recommend Mao. You can find him here: www.facebook.com/mao.khvan (or on Trip Advisor: www.tripadvisor.com/Attraction_Review-g297390-d10726821-R... )
Now that shameless plugs and other assorted rhetoric are out of the way, it’s time to get on to the temples, ruins, and other miscellany.
This first set is of Beng Mealea. (I’m including the schoolkids in both the Beng Mealea set and Siem Reap set, though this particular school is very, very close to Beng Mealea.) It’s about 40 km due east of Angkor as the crow flies, but about 60 km by tuktuk. This is one of the few sites where the Angkor Pass does not apply. You get all the way out here and find you have to pay an additional $5 to get in. However, $5 is a pretty small price in the grand scheme of things.
Beng Mealea (which means “lotus pond”) was built in the middle of the 12th century by Suryavarman II. It’s in the same style as Angkor Wat, but the feel is much closer to that of Ta Prohm (which was built about a century later by a different king). It feels like Ta Prohm simply in its current state/setting. Both are in a pretty severe state of ruin in a jungle setting – Beng Mealea even more so than Ta Prohm. It used to be completely consumed by jungle, but now has been restored, albeit slightly. The only other things of note are that this temple is surrounded by a fairly large moat (1.2 km by 800 meters), part of which is dried up now.
The central tower of Beng Mealea is completely in ruins – it’s simply a huge pile of rocks (on which you can scramble/climb, though probably shouldn’t). Around this, there is an elevated walkway that encircles the towers and passes what used to be most of the inner gates, which are still standing in various states of disrepair.
After the central tower, you climb over/through one of the inner gates to a courtyard with libraries. (When they say libraries, it’s not in our current understanding of it; more like…a repository for written histories only, if I’m not mistaken.) In the interior courtyards, you again wander around the inner wall/gates before going through one of the outer gates where you can take any of the four paths leading off in the cardinal directions to wander the grounds.
I haven’t been able to determine what the significance of this temple was, but, it seems that it was a fairly good size. Currently, the aforementioned central tower is essentially a large rubble heap, and there is a wooden walkway that goes around it. The temple walls are, for the most part, still intact.
All in all, it’s a pretty nice site. I’d venture to say that it’s probably more appealing and photogenic before noon when you have more interesting shade/shadows to play with, as a photographer, though it is in the jungle, so any time of day may work fine.
I hope you enjoy this set. I appreciate you taking time to look. If you have any questions, please feel free to send me a message or leave it via comment.
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Photographed at Mondello Racetrack during Fundracer - event returned to Mondello Park for sixth time to raise funds for charity.
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