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Something other than my usual seascapes! Yet another grey and drizzly day so here is one from the archives taken on a grey and drizzly day! HBW
An exploration of pure form, light, and interior architecture. Stripped of color, location, and time, this black and white study focuses entirely on the rhythm of space. The repeating curves of futuristic floor lamps slice through the rigid, linear perspective of empty tables and structured seating. This image strips away the human element to reveal the quiet, geometric poetry hidden within modern urban design.
Photo by Vladimir_Kud
Licensed under CC BY-NC-SA 4.0. Attribution required.
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The sand has washed away leaving the large heavy stones backed up against the remains of revetments which form an interesting repeating pattern.
On the beach a few days ago.
Sometimes I've got the very strong feeling that I could spend all of my holidays just taking pictures from this balcony during sunrise :o)
Going simple for this week's theme.
This is a transparent mesh document holder.
I placed my phone inside and took the shot.
Adjusted saturation, brightness and contrast using snapseed.
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For the first Macro Monday of 2018 with a theme of Redux - My Favorite Theme of the Year, I chose the October 2, 2017 theme:
Member's Choice: Found in the Kitchen
This is a citrus zester, shot with an LED pocket spotlight that gives fun multiple shadows.
#MacroMondays #Redux2017--MyFavoriteThemeoftheYear
A low-angle, medium shot looking slightly upward emphasizing the low ceiling and hanging fixtures. An artistic framing of a heavily decorated, dimly lit bohemian interior, dominated by a trio of large portrait panels and glowing ornate lamps. The scene exudes a warm, mysterious, and antique atmosphere.
This isn't just randomized decor; it's a meticulously crafted environment built around concepts of sanctuary, time, and shared human resilience.
The composition utilizes "framing within a frame," using hanging tassels, ropes, and structural wood to tightly enclose the artwork and create a distinct foreground, midground, and background.
Every corner is packed with detail, from the woven textures and dangling tassels to the ornate gold mirror frames, giving it a rich, antique bazaar feel. The golden and amber tones from the lighting wrap the room in a cozy, welcoming heat, characteristic of traditional Bedouin style.
By framing these intense human gazes side-by-side with antique relics, the space elevates the experience from a standard lounge to a living monument celebrating the unbreakable spirit of ordinary people across borders.
The dense clustering of mismatched artifacts, dangling coins, and weathered textures represents the layered nature of human memory and history.
It brings together disparate pieces of the past (antiques), fragments of cross-cultural struggles (the portraits), and transient travelers from around the world to sit at shared tables under a single canopy of light.
Four prominent, circular metal pendant lamps hang from the ceiling. They are adorned with dangling decorative metal coins that catch the light.
The image is dominated by a warm, monochromatic amber and golden glow from the lamps. This is contrasted primarily by the dark green and deep red hues of the headscarfs in the portraits.
The heavy reliance on golden-amber light, sepia tones, and tarnished textures evokes a romanticized sense of time standing still, transforming a modern commercial café into an intimate, museum-like sanctuary.
Captured deep within Farsha Mountain Lounge in Sharm El-Sheikh. This composition explores the psychological weight of contrasting portraits staring out from a sea of handcrafted lanterns and traditional Bedouin textiles; creating a visual and cultural echo that collapses the boundaries between historic photojournalism and localized, bohemian design.
The word "echoes" perfectly matches the visual repetition in the room.. the repeating circular lanterns, the layered hanging tassels, and the stacked vintage frames.
366/2020 - 2020 Vision ~ 007/366
Our Daily Challenge ~ Repeating
We have a large collection of washable marker pens that come out on a regular basis when the grandchildren are here.
Thank you to everyone who pauses long enough to look at my photo. Any comments or Faves are very much appreciated.
When you visit Thailand its impossible not to see images of the Buddha everywhere you travel . Not just in temples I remember a small supermarket in Bangkok with a statue of the Buddha at the entrance to the store . These repeating Buddha statues were in the Wat Yai Chai Mongkhon in Ayutthaya.
Ayutthaya was founded in 1350, it was the second capital of the Siamese Kingdom. It flourished from the 14th to the 18th centuries, during which time it grew to be one of the world’s largest and most cosmopolitan urban areas and a centre of global diplomacy and commerce. This particular Wat ( Temple ) was constructed by King U-thong in 1357 A.D.
THANKS FOR YOUR VISIT TO MY STREAM.
I WOULD BE VERY GRATEFUL IF YOU COULD NOT FAVE A PHOTO
WITHOUT ALSO LEAVING A COMMENT
Large and pallid nightjar with long wings. Flight is powerful, but note that in flight lacks white wing patches and tail corners. Favors open and flat sandy or stony deserts. Song is a peculiar repeating coarse note, "Rrrruu rrruu rrruu…". (eBird)
Morocco. March 2019.
Apologies for repeating myself, but when I updated my home page I suddenly felt that these two needed to be together. Not in the least because of how they reflect the ideas behind the design of this pavilion.
"For the Sonsbeek pavilion Van Eyck provided an elementary structure of six parallel walls made out of concrete blocks, which he manipulated into a surprisingly rich and labyrinthine interior by inserting semicircular niches and apses into the rectilinear structure. Van Eyck described the result as an urban space intentionally conceived in opposition to the natural idyll of the nineteenth-century park, which followed the formal language of the English landscape garden.
The scenography aimed to create the experience of an almost spontaneous encounter with the artworks on display. This was not only communicated through the spatial typology of streets, alleys and small piazzas, but it was also crucially achieved by a relatively high density of artworks gathered together in the narrow spaces which forced one to walk by the sculptures in close proximity."
Repeating this photo in my stream because this is the actual photo used to create the previous Text 2 Dream.
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