Concept sketches&Renderings
View allAll Photos Tagged rendering,
Since 2 years now I moved away from Adobe Ransonware, I am wondering if I should go back. Sometime I feel On1 is not rendering image like LR/PS was doing. For now I save 16$ a month for 2 years. May be I should do a trial an see where LR/PS are now, I still can use ON1 as a addon.
Not sure if LR has now the luminosity mask like ON1.
I do not even know how I created this but I guess it is not important. I am pretty sure was probably in Topaz.
Happy Slider Sunday
Credits:
AG. Sarah Skin - Lelutka Applier Available at Avi-Glam
AG. Hope Eyes - lagon color @ ShinyShabby
Babel - Tattoo [CAROL G] @ DISTRICT23 Tattoo Event
LeLutka Bento Head - MAY
Just back from a family break down in Cornwall and we were extremely lucky with the weather throughout our week.
I managed to get out on my own for a few sunsets and sunrises with them being at reasonable times and explore some of the sights of SW Cornwall.
This was an evening at Lands End, a place I've visited before, but I wanted a shot of the Enys Dodnan Arch. So I set off in strong winds along the cliffs to the East of Lands End and this was the scene just before sunset shot from the cliffs looking out past the arch to the rock outcrop called the "Armed Knight" and out further to the Longships Lighthouse.
I took numerous shots and decided to post the Long Exposure rendering the waves as smooth textures with the breaking waves creating a nice white border accentuating the sunlit cliffs.
My wax on the left and on the right is some I bought from a farmers market. My wax cake is a beautiful deep yellow and the other wax is pale brown in color. This is do to having hives in different locations. My little beeswax only weighs 1.5 oz and the other one weighs 4 ozs.
The second rendering stage really cleaned my beeswax, look at the spoon and you can see all garbage that was still in the wax after the first rendering.
The little wax I have rendered will be made into a beard balm. Purchasing beard balm on Amazon costs me $22. If I have a little bit of wax left I will recoat a frame or two.
This is a five-image in-camera multiple exposure of some wine glasses in an illuminated wooden cabinet that hangs on my dining room wall. It was taken during some fun I had with this idea back in March.
This image is a composite of five straight (still) images of some five wine glasses with tall stems. I think what I was intrigued about them was the repetition of the light reflections, something I wanted to emphasise using the compound effect of the compound exposure.
I thought I would have a go at processing one today for the Smile on Saturday group’s theme of Mugs & Co. The colours weren’t terribly interesting so I tried rendering it as a toned monochrome using Nik Color Efex.
Thanks for taking the time to look. I hope you enjoy the image. Happy Smile on Saturday :)
In this months Kaizen #59 there was an interesting tutorial using photos of architecture. I haven't finished that yet but did a project first using my personal approach to this idea. All of these elements are from itKuPiLLi, one of the best of the contributors to the program. I call this Renaissance Architecture Rendering. Enjoy!
Out with Kevin on Sunday morning for some early shooting. A painterly rendering with motion blur with the shadow/light forest view!
Technically at Gamper bay between Sennen and Land's End, this is the wreck of RMS Mulheim, which ran aground on 22nd March 2003, losing its cargo of plastic. The circumstances of the loss are a little unusual to say the least!
From Wikepedia:
"On investigation, it was discovered that the chief officer—who had been on watch at the time—had caught his trousers in the lever of his chair when trying to get up, causing him to fall and rendering him unconscious. By the time he regained consciousness, RMS Mülheim was already bearing down on the shoreline."
Watch your step! I felt it looked like the huge waves of storm Ophelia had resurrected the old Wreck to get her to sail once more. Quite a spectacle from the cliffs.
Ok....my first sketches are always rough, just playing with an idea. I refine it a little bit before I start the rendering. Then on tracing paper I very lightly will start with a single center line to use as a reference. I also draw a center line on my rough sketch to compare. The rough sketches are just a tad bigger than actual size but the rendering will be at least 3 to four times actual size. All first lines are drawn as lightly as possible.....and with a .3mm pencil that I keep fine sanded to a needlepoint. I use an eraser shield and an eraser a lot....but try to draw lines only once (ha!). I use a compass whenever a clean large circle or an arc is called for. I use plastic templates for smaller circles or arcs. I use a steel straight edge and have several french curves on hand. I try and keep my grubby, oily hands off the paper by covering areas already drawn with another sheet of clean paper. When all the lines are lightly drawn just the way I want them, I erase whatever extra marks I can find and air blast the residue off. Then I darken all the lines. Then I shade it. Then I hit the whole thing with the eraser again, and air blast it. Then I apply a very light spray of "Aussie Instant Freeze" hair spray. Now it's time to paint the back. With fine sable brushes I first paint only the areas which are "gold", being very careful not to go outside the lines, hee hee! Dry it thoroughly. Then I rather sloppily apply the other colors quickly so as not to disturb the gold layer. Dry thoroughly. For this job I then also returned to the front and applied tiny smudges (without any rubbing or blending) of a day-glo green oil pastel to the green stones for highlights and green, orange and a little blue for the opal's play of color. For this back-painted rendering to be successful, you must use at least tracing paper......but vellum is uber nice! From there on it's photoshop for color-enhancement and more cleanup. But the images above are how far I get by hand.
Featured in the book:
Suburban America - 1930-1970
An Architectural Perspective
by Frederic A. Sharf
Newbury Press Inc., 2001
Architect: Vincent G. Raney
Artist: C. Hume
Hello everyone! Just per usual, another room I've put together... Soon I'll be finishing up with a client project so I'll post those rooms up sometime next week.
I was jamming to this tune while creating this scene - www.youtube.com/watch?v=GvmKxDcO8vU
Another sneak peek of the cafe and bakery building I'm working on. Computer rendering but only existing bricks/colors were used.
In optics, a caustic or caustic network is the envelope of light rays reflected or refracted by a curved surface or object, or the projection of that envelope of rays on another surface. The caustic is a curve or surface to which each of the light rays is tangent, defining a boundary of an envelope of rays as a curve of concentrated light.
We're Here visiting Caustics
Yes, that is how it's done in Mongolia. We ate this ram to celebrate my two families coming together (American and Mongolian).
My host father is in the canary yellow shirt. My little host sister, Otka is as amazed as I am.
I am drinking a Borigo beer, which is a great local brew for casual consumption in the countryside. Label out for photo!
Here is my rendering of a rushing stream near Angels Camp CA. This effect was done with Photoshop to make it more ethereal.
Photoshop v22.0 3d rendering of (99942) Apophis Object model from 3D Asteroid Catalogue
3d-asteroids.space/asteroids/99942-Apophis
false texture applied
light source upper right
mean diameter0.34+/- 0.04 km
Brozovic et al. (2018)
Based on 3D shape model derived from radar observations in 2012-2013
IAWN 2021 Worldwide Observation Program
Goldstone Radar Observations scheduled
2021-Mar -03 to14
Next Earth close approach occurs on 2021-Mar-06 01:15 at 0.113 au
Brightening to magnitude 15.5
When the photo is not good you can make a painting of it, possibilities are endless
Thanks for the visit have all a nice day
So I have no idea why these DBG backgrounds are looking like doo-doo. I took Matt's advice and reset POV-Ray to initial settings, and it is still looking like this. All white, LBG, and tan look fine, most of the time. But the darker background looks BAD. Anyone have any suggestions?
rendering showing the atrium space of an office design competition i participated in. The concrete floor curls up to create the reception desk, while the wood slat ceiling folds down behind the desk to create the wall and floor.
(or at least rendering down some grapefruit;-)
Macro Mondays - Citrus theme
(& also;-) 3 potato masher tongs? are 6 cm wide)
(no rind included, because of all the Anti-fungals that are applied in wax coating to skin of commercially packed citrus fruit these days........they scare me and I'm fearless;-)