Worlds of Fantasy
View allAll Photos Tagged rendering,
Since 2 years now I moved away from Adobe Ransonware, I am wondering if I should go back. Sometime I feel On1 is not rendering image like LR/PS was doing. For now I save 16$ a month for 2 years. May be I should do a trial an see where LR/PS are now, I still can use ON1 as a addon.
Not sure if LR has now the luminosity mask like ON1.
I do not even know how I created this but I guess it is not important. I am pretty sure was probably in Topaz.
Happy Slider Sunday
I am revisiting the place, using a different lens and camera, also shooting in JPEG and B+W which means that I have only limited possibilities in post-processing of rendering the deep redness of the letterbox. The advantage is perhaps that I have been able now to reduce the scene to what I regard as essential.
Rendering "Rollei Retro 80s"
Dieser einsame Baum steht mitten im Dosenmoor in der Nähe von Neumünster.
Our guess is that this was a rendering facility of some kind. The building at the side looks occupied..
Apologies for adding this late but here's the definition in Dictionary. Com;... Rendering Works - (used with a singular verb) a factory or plant that renders and processes livestock carcasses into tallow, hides, fertilizer, etc
Art for its own sake can be a rewarding experience. The photo has the appearance of an artful rendering with brush strokes, and parameters. The dark shadows and various colours, are struck by an interuption of bright light.
This is however, part of a stream in Cliff Gilker park. Absent of much rain as of late, there is less flow, and the scene takes on an almost stranded look.
In this months Kaizen #59 there was an interesting tutorial using photos of architecture. I haven't finished that yet but did a project first using my personal approach to this idea. All of these elements are from itKuPiLLi, one of the best of the contributors to the program. I call this Renaissance Architecture Rendering. Enjoy!
Out with Kevin on Sunday morning for some early shooting. A painterly rendering with motion blur with the shadow/light forest view!
Ok....my first sketches are always rough, just playing with an idea. I refine it a little bit before I start the rendering. Then on tracing paper I very lightly will start with a single center line to use as a reference. I also draw a center line on my rough sketch to compare. The rough sketches are just a tad bigger than actual size but the rendering will be at least 3 to four times actual size. All first lines are drawn as lightly as possible.....and with a .3mm pencil that I keep fine sanded to a needlepoint. I use an eraser shield and an eraser a lot....but try to draw lines only once (ha!). I use a compass whenever a clean large circle or an arc is called for. I use plastic templates for smaller circles or arcs. I use a steel straight edge and have several french curves on hand. I try and keep my grubby, oily hands off the paper by covering areas already drawn with another sheet of clean paper. When all the lines are lightly drawn just the way I want them, I erase whatever extra marks I can find and air blast the residue off. Then I darken all the lines. Then I shade it. Then I hit the whole thing with the eraser again, and air blast it. Then I apply a very light spray of "Aussie Instant Freeze" hair spray. Now it's time to paint the back. With fine sable brushes I first paint only the areas which are "gold", being very careful not to go outside the lines, hee hee! Dry it thoroughly. Then I rather sloppily apply the other colors quickly so as not to disturb the gold layer. Dry thoroughly. For this job I then also returned to the front and applied tiny smudges (without any rubbing or blending) of a day-glo green oil pastel to the green stones for highlights and green, orange and a little blue for the opal's play of color. For this back-painted rendering to be successful, you must use at least tracing paper......but vellum is uber nice! From there on it's photoshop for color-enhancement and more cleanup. But the images above are how far I get by hand.
Hello everyone! Just per usual, another room I've put together... Soon I'll be finishing up with a client project so I'll post those rooms up sometime next week.
I was jamming to this tune while creating this scene - www.youtube.com/watch?v=GvmKxDcO8vU
In optics, a caustic or caustic network is the envelope of light rays reflected or refracted by a curved surface or object, or the projection of that envelope of rays on another surface. The caustic is a curve or surface to which each of the light rays is tangent, defining a boundary of an envelope of rays as a curve of concentrated light.
We're Here visiting Caustics
Yes, that is how it's done in Mongolia. We ate this ram to celebrate my two families coming together (American and Mongolian).
My host father is in the canary yellow shirt. My little host sister, Otka is as amazed as I am.
I am drinking a Borigo beer, which is a great local brew for casual consumption in the countryside. Label out for photo!
When the photo is not good you can make a painting of it, possibilities are endless
Thanks for the visit have all a nice day
So I have no idea why these DBG backgrounds are looking like doo-doo. I took Matt's advice and reset POV-Ray to initial settings, and it is still looking like this. All white, LBG, and tan look fine, most of the time. But the darker background looks BAD. Anyone have any suggestions?
Photoshop v22.0 3d rendering of (99942) Apophis Object model from 3D Asteroid Catalogue
3d-asteroids.space/asteroids/99942-Apophis
false texture applied
light source upper right
mean diameter0.34+/- 0.04 km
Brozovic et al. (2018)
Based on 3D shape model derived from radar observations in 2012-2013
IAWN 2021 Worldwide Observation Program
Goldstone Radar Observations scheduled
2021-Mar -03 to14
Next Earth close approach occurs on 2021-Mar-06 01:15 at 0.113 au
Brightening to magnitude 15.5
Prompt: ( Mage)
The image depicts a vibrant, surreal scene of a clown emerging from a smartphone, accompanied by a splash of water and a red ball. The clown is dressed in a classic yellow and red outfit with oversized shoes, a ruffled collar, and bright blue hair. Their face is painted white with exaggerated features: large red lips, a red nose, and accentuated eyebrows and eye makeup. The clown's expression is one of surprised excitement or exhilaration.
The clown appears to be leaping out of the screen of a modern, silver smartphone, which lies flat on a wooden surface. The screen itself is covered with a dynamic splash of water, creating the illusion that the clown is bursting forth from this liquid layer. The water droplets are depicted in sharp detail, some suspended in mid-air, adding to the sense of motion and energy.
Above the clown, a bright red ball hovers as if it has just been tossed upwards. This contributes to the playful, circus-like atmosphere. The background is a muted teal or grayish-blue, which contrasts with the brighter colors of the clown, water, ball, and wooden surface. Additional water droplets are scattered around the phone on the wooden surface, suggesting the splash is overflowing from the screen. The overall image is highly dynamic and fantastical, suggesting a playful yet slightly bizarre narrative.
Prompt: #2
digital art of a creepy clown bursting out of a smartphone, surrealism, dynamic pose, vibrant color palette, chaotic atmosphere BREAK 3d render, hyperrealistic, octane render, trending on artstation BREAK professional artwork, detailed rendering BREAK 8k UHD, sharp focus, high quality, award-winning