Gwinnett County
View allAll Photos Tagged relocations
I spied this heron perched in a bush as it watched for fish. Then it made its move to a lower branch closer to the water. I liked the catchlight in the shot.
A stave church is a medieval wooden Christian church building common in northern Europe. The name derives from the building's structure of post and lintel construction, a type of timber framing where the load-bearing pine posts are called stav in Norwegian.
In 1880 a stave church in the rural village of Gol was bought by the Norwegian Preservation Society and moved to the Norsk Folkemuseum in Oslo, which is an open air museum containing more than 150 historical buildings, relocated from towns and rural districts.
This bridge was originally located northwest of Marshall, Indiana. It was relocated to Billie Creek Village in 1979. Unlike most of the covered bridges in Parke County, this bridge is named after the Beeson family who lived nearby (most are named after the the town they are located in or the river they cross.). This bridge also survived two different arson attempts in 1979 before it was relocated.
Also note this bridge does not have the famous words "Cross this bridge at a walk" as most other covered bridges in Parke County. This is most likely due to it being located on private property and not passable by vehicular traffic.
Built: 1906
Built by: Frankfort Construction Company
Total Length: 55 ft.
Rockville, Indiana (Parke County)
A Grey-headed Flying Fox (Pteropus poliocephalus) photographed yesterday at Yarra Bend Park in Kew. It was a drizzly, dull day, not ideal for photography, but I really enjoyed seeing these fascinating creatures, definitely want to return. Thanks Ali for taking me to see them.
The Grey-headed Flying Fox’s conservation status is listed as vulnerable. The population at Yarra Bend varies from about 6,000 to up to 30,000 in summer, this group were relocated to Yarra Bend Park in 2003 from the Melbourne Botanic Gardens where they were doing significant damage and threatening many parts of the gardens.
Had to relocate some mantises that were protecting our cucumber patch so I could remove the old and plant some new. I was worried about doing so thinking it would freak out and move on. It didn't. Just after putting this one down it immediate caught a bug and proceeded to have lunch like business as usual.
Cormorants moving from one end of the pond at Delores Fenwick Nature Center to the other. About 50 birds in this mini-migration. Could have used more DoF. Pearland, Texas.
RKO_5222. What else do you want while on photo safari?
© robert kok | all rights reserved | watermark protected.
More of my work and activities can be seen on:
linktr.ee/robertkok
www.instagram.com/robertkok_photography/
More than 10 million visits on my stream! Wow, thank you all!
Please do not use my photos on websites, blogs or in any other media without my explicit permission.
Thanks a lot for your visit, fave and comments. Its truly appreciated!
A view looking north on N. Main St. from E. Washington St. on the southeast corner of Bloomington's Courthouse Square. To the left is the old McLean County Courthouse, now a museum. This site was home to three previous courthouses built in 1831, 1836 and 1868. The Great Fire of 1900 destroyed the 1868 courthouse, along with 45 other buildings in the core of downtown Bloomington to little more than smoking rubble.
The courthouse shown here was designed by William Reeves and John M. Baile of the Peoria firm Reeves and Baile. The Classical Revival style structure was completed in 1903.
The fifth and current McLean County Courthouse, a modern design located 2 blocks south of this location, was completed in 1977. The courts were the first to move to the new building but until 1991, general county offices were still housed in the old courthouse. The McLean County Historical Society relocated its museum here in 1988, and today all 4 floors of the building are occupied by the McLean County Museum of History for exhibits, collections storage, and offices.
The McLean County Courthouse and Square was added to the National Register of Historic Places in 1973 and encompasses the old McLean County Courthouse and the courthouse-facing sides of Washington St. to the south, Center St. to the west, and Jefferson St. to the north. The historic buildings to the east of the old courthouse on the N. Main St. side of the square were destroyed by fire in the 1985. Today a contemporary office building occupies the site.
This view also shows a large section of the north side of the Courthouse Square on W. Jefferson St., along with the west side of N. Main St. all the way to the tower of the Art-Deco styled Holy Trinity Church at N. Main and W. Chestnut streets. Nearly every building in this view is listed by itself or as part of a historic district on the National Register of Historic Places.
Bloomington is the seat of McLean County. It is adjacent to Normal, and is the more populous of the two principal municipalities of the Bloomington-Normal metropolitan area. Bloomington is 135 miles (217 km) southwest of Chicago, and 162 miles (261 km) northeast of St. Louis. The estimated population of Bloomington in 2019 was 77,330, with a metro population of 191,067.
RKO_5279.
Copyright: Robert Kok. All rights reserved! Watermark protected.
More of my work and activities can be seen on:
www.instagram.com/robertkok_photography/
Please do not use my photos on websites, blogs or in any other media without my explicit permission.
Thanks a lot for your visit, fave and comments. Its truly appreciated!
BNSF 6643 heads down the BNSF Hannibal Sub. just north of Elsberry, MO. with 25 CitiRail Gevo's in tow. Running in a 1x2 formation to haul the units at this point of the journey under the symbol D-ALNSTL3 05T. This is 1 of 4 planned moves to relocate the units from Alliance, NE to St. Louis, MO. The units are headed for the Prairie Lines yard for storage in St. Louis, MO., I'm guessing that Citi got tired of paying BNSF for storage.
CitiRail units in this move: 1333, 1410, 1212, 1350, 1429, 1303, 1332, 1434, 1412, 1347, 1318, 1435, 1213, 1208, 1325, 1338, 1210, 1310, 1345, 1415, 1411, 1314, 1419, 1316, & 1201.
Praying Mantis
A species of Mantid that I don't see very often. You can see some yellow colouring. This year we have cleared the garden alongside our driveway where these appeared from time to time. This one was on our Wisteria, looks like it has found a new home.
Marsh Life 11
Spring returns to the Fobbing Marsh. A swan, sensing a presence, relocates 100 metres downstream. No panic, no drama.
Fobbing, Essex, England
This birdhouse has been moved a few times under my watchful eye. I didn’t think it was being used enough. Location, location, location is that the problem. Well I did move it to its current location. I think my “Birdhouse Relocation” program was a success as I see it’s getting more use. Gratitude and Kindness are being paid by the current occupants.
It was built in 1943 by the residents of the Manzanar War Relocation Camp as a monument to honor those who died during incarceration and thus would not be able to return home. Today, the 10-foot tower stands as symbol of peace and resilience. Annual ceremonies of the survivors of the camp and their descendants include placing of wreaths of origami peace doves.
Behind the tower, Mt Williamson, the second highest peak in the Sierra Nevada Mountains rises 14,379 feet.
Daresbury School built in 1903 is typical in size of the small prairie schools in Alberta. The unusual thing about this school is it's large bell tower. It appears to be in the process of relocating. Destination and purpose unknown.
Relocation of a puffin (Fratercula arctica) conference
Umzug einer Konferenz von Papageitauchern (Fratercula arctica)
Like most owls, the barn owl is nocturnal, relying on its acute sense of hearing when hunting in complete darkness. It often becomes active shortly before dusk and can sometimes be seen during the day when relocating from one roosting site to another. In Britain, on various Pacific Islands and perhaps elsewhere, it sometimes hunts by day. This practice may depend on whether the owl is mobbed by other birds if it emerges in daylight. However, in Britain, some birds continue to hunt by day even when mobbed by such birds as magpies, rooks and black-headed gulls, such diurnal activity possibly occurring when the previous night has been wet making hunting difficult. By contrast, in southern Europe and the tropics, the birds seem to be almost exclusively nocturnal, with the few birds that hunt by day being severely mobbed.
Barn owls are not particularly territorial but have a home range inside which they forage. For males in Scotland this has a radius of about 1 km (0.6 mi) from the nest site and an average size of about 300 hectares. Female home ranges largely coincide with that of their mates. Outside the breeding season, males and females usually roost separately, each one having about three favored sites in which to conceal themselves by day, and which are also visited for short periods during the night. Roosting sites include holes in trees, fissures in cliffs, disused buildings, chimneys and haysheds and are often small in comparison to nesting sites. As the breeding season approaches, the birds move back to the vicinity of the chosen nest to roost.
It's embarrassing how many cobwebs and dog hairs the small animals find behind our furniture. Here I bring this stag beetle girl outside. Yesterday we had a cornu aspersum with cobwebs and dog hairs. We've put it outside. Fun fact is, that the giant house spiders don't collect dirt before I find them and scream (I would be good in a bad horror movie). Two days ago, I saw a giant house spider in the bathroom. I screamed, and the brave husband caught the girl (it was a girl) in a glass and threw her outside. I'm sure she comes right back inside to look for a cosy spot for to make a cocoon. She was completely clean!
La idea de construir un temple expiatori (és a dir, a partir de donatius) dedicat a la Sagrada Família va partir del llibreter Josep Maria Bocabella, inspirat pel sacerdot Josep Manyanet —canonitzat el 2004—, fundador de la Congregació de Fills de la Sagrada Família i de la Congregació de Missioneres Filles de la Sagrada Família de Natzaret, encarregades de promoure el culte a la Sagrada Família i de fomentar l'educació cristiana de nens i joves.[6] El 1866, Bocabella va fundar l'Associació de Devots de Sant Josep, entitat dedicada entre altres qüestions a recaptar fons per a la construcció d'un temple. Per a la difusió de la seva tasca, va editar a partir del 1867 una revista, titulada inicialment El Propagador de la devoción a San José, inspirada en la revista francesa Le propagateur de la dévotion à Saint Joseph, publicada a Dijon pel pare Joseph Huguet.[7][b]
El 31 de desembre de 1881, Josep Bocabella va comprar per 172.000 pessetes uns terrenys situats a la zona del Poblet, aleshores una barriada de Sant Martí de Provençals.[8][9][c][10] Delimitats pels carrers de Mallorca, Provença, Marina i Sardenya, corresponien a una de les illes del Pla Cerdà, la qual, però, era més gran que les altres perquè, en principi, estava previst construir-hi un hipòdrom.[8]
El projecte fou encomanat a l'arquitecte Francesc de Paula Villar i Lozano, que va traçar un projecte neogòtic amb una església de tres naus amb creuer i un absis amb deambulatori, rebutjant la idea de Bocabella de fer una rèplica del santuari de Loreto, que se suposa va ser la casa de Josep i Maria a Natzaret.[11] El dia de Sant Josep de 1882, el bisbe Urquinaona posava la primera pedra,[12][13][14] coincidint amb la proclamació al Concili Vaticà I de sant Josep com a patró de l'Església Universal. Els desacords de Villar amb Bocabella van fer que aquest demanés assessorament a l'arquitecte Joan Martorell i Montells i van provocar la dimissió del primer. Aleshores, es va oferir el càrrec a Martorell, però aquest el va rebutjar i va recomanar Gaudí, que havia treballat per a ell com a ajudant, i el 1883, assumí la direcció de les obres.[15]
El desembre de 1884, Gaudí signà el projecte de la capella de Sant Josep a l'absis de la cripta, que fou inaugurat el 19 de març de 1885, en el qual intervingueren els escultors Llorenç Matamala i Piñol i Carles Mani.[16] Se sap que en aquest any hi treballaven un equip de vuit paletes, deu picapedrers, dotze escultors i un nombre indeterminat de fusters i serrallers.[17] El 1891 van començar les obres de la façana del Naixement,[cal citació] i des del 1895, la gestió del projecte va a càrrec de la Junta Constructora del Temple Expiatori de la Sagrada Família, una fundació canònica per a promoure la construcció del temple mitjançant donatius i iniciatives privades.[cal citació]
A partir de l'encàrrec de la casa Milà de l'any 1906, Gaudí pràcticament es concentraria només en l'obra de la Sagrada Família que, de fet, ocuparia tota la seva carrera, ja que feia un quart de segle que en dissenyava i dirigia la construcció i moriria fent-ho; així i tot, el temple només quedava embastat.[18] Va poder veure'n construïda una part del costat de l'Epístola amb la façana del Naixement, de la qual només la torre de sant Bernabé estava acabada totalment i una part del mur exterior de l'absis.[cal citació]
El 12 de juny de 1926, Antoni Gaudí va ser sepultat a la capella de la Mare de Déu del Carme de la cripta.[cal citació] A la seva època, hi van col·laborar molts dels seus deixebles i ajudants, com Francesc Berenguer, Josep Maria Jujol, Josep Francesc Ràfols, Cèsar Martinell, Joan Bergós, Francesc Folguera, Josep Canaleta i Joan Rubió, i a la seva mort, es va fer càrrec de les obres un altre dels seus deixebles, Domènec Sugrañes, que va finalitzar la construcció de les tres torres de la façana del Naixement que quedaven pendents.[cal citació]
El 20 de juliol de 1936, tot just iniciada la Guerra Civil espanyola, grups d'exaltats anarquistes van incendiar el temple i van destruir bona part del taller en el qual Gaudí havia treballat i on hi havia els seus esbossos, maquetes i models. Tot i que es va perdre molt material van quedar restes de les maquetes, que es van restaurar, i la documentació que s'havia publicat en El Propagador, en l'Àlbum i que havia estat recollida pels seus deixebles, com Isidre Puig i Boada.[cal citació]
L'any 1944 es van reprendre les obres per un equip dirigit per Francesc de Paula Quintana i Vidal, Isidre Puig i Boada, Lluís Bonet i Garí, els quals, a la mort del primer l'any 1966, continuaren fins a l'any 1981, en què prengué el relleu Francesc Cardoner i Blanch.[19] El 1985 va ser nomenat director Jordi Bonet i Armengol,[20][21] amb un equip on figuraven Carles Buxadé, Joan Margarit i Jordi Faulí i Oller.[20] El 2012, Jordi Bonet va ser substituït per Jordi Faulí i Oller.[22]
El 18 de març de 2007 se'n va commemorar el 125è aniversari de la col·locació de la primera pedra amb una festa, concerts i ballant una sardana (La Santa Espina) encerclant tot el temple.[23]
Segons les darreres previsions, la torre de Jesús s'acabaria a finals del 2025, i el 2026 es faria la inauguració oficial, coincidint amb el centenari de la mort de Gaudí.[24]
The Basílica i Temple Expiatori de la Sagrada Família,[a] otherwise known as Sagrada Família, is a church under construction in the Eixample district of Barcelona, Catalonia, Spain. It is the largest unfinished Catholic church in the world. Designed by the Catalan architect Antoni Gaudí (1852–1926), in 2005 his work on Sagrada Família was added to an existing (1984) UNESCO World Heritage Site, "Works of Antoni Gaudí".[5] On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica.[6][7][8]
On 19 March 1882, construction of Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned,[5] Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the church's crypt. At the time of his death in 1926, less than a quarter of the project was complete.[9]
Relying solely on private donations, Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, anarchists from the FAI set fire to the crypt and broke their way into the workshop, partially destroying Gaudí's original plans.[10] In 1939, Francesc de Paula Quintana took over site management, which was able to go on with the material that was saved from Gaudí's workshop and that was reconstructed from published plans and photographs.[11] Construction resumed to intermittent progress in the 1950s. Advancements in technologies such as computer-aided design and computerised numerical control (CNC) have since enabled faster progress and construction passed the midpoint in 2010. In 2014, it was anticipated that the building would be completed by 2026, the centenary of Gaudí's death,[12] but this schedule was threatened by work slowdowns caused by the 2020–2021 depths of the COVID-19 pandemic.[13] In March 2024, an updated forecast reconfirmed a likely completion of the building in 2026, though the announcement stated that work on sculptures, decorative details and a controversial proposed stairway leading to what will eventually be the main entrance is expected to continue until 2034.[14]
Describing Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art",[15] and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages".[16]
Though sometimes[when?] described[by whom?] as a cathedral, the basilica is not the cathedral church of the Archdiocese of Barcelona; that title belongs to the Cathedral of the Holy Cross and Saint Eulalia (Barcelona Cathedral).
History
Origins
Sagrada Família was inspired by a bookseller, José María Bocabella [es], founder of Asociación Espiritual de Devotos de San José (Spiritual Association of Devotees of St. Joseph). After a visit to the Vatican in 1872, Bocabella returned from Italy with the intention of building a church inspired by the basilica at Loreto. The apse crypt of the church, funded by donations, was begun 19 March 1882, on the festival of St. Joseph, to the design of the architect Francisco de Paula del Villar, whose plan was for a Gothic revival church of a standard form. The apse crypt was completed before Villar's resignation on 18 March 1883, when Antoni Gaudí assumed responsibility for its design, which he changed radically.[17] Gaudi began work on the church in 1883 but was not appointed Architect Director until 1884.[citation needed]On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry."[18] When Gaudí died in 1926, the basilica was between 15 and 25 percent complete.[9][19] After Gaudí's death, work continued under the direction of his main disciple Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936. Parts of the unfinished basilica and Gaudí's models and workshop were destroyed during the war. The present design is based on reconstructed versions of the plans that were burned in a fire as well as on modern adaptations.[14] Since 1940, the architects Francesc Quintana, Isidre Puig Boada, Lluís Bonet i Garí and Francesc Cardoner have carried on the work. The illumination was designed by Carles Buïgas. The director until 2012 was the son of Lluís Bonet, Jordi Bonet i Armengol. Armengol began introducing computers into the design and construction process in the 1980s.[citatiThe central nave vaulting was completed in 2000 and the main tasks since then have been the construction of the transept vaults and apse. In 2002, the Sagrada Família Schools building was relocated from the eastern corner of the site to the southern corner, and began housing an exhibition. The school was originally designed by Gaudí in 1909 for the children of the construction workers.[20]
As of 2006, work concentrated on the crossing and supporting structure for the main steeple of Jesus Christ as well as the southern enclosure of the central nave, which will become the Glory façade. Computer-aided design technology has allowed stone to be shaped off-site by a CNC milling machine, whereas in the 20th century the stone was carved by hand.[21] In 2008, some renowned Catalan architects advocated halting construction[22] to respect Gaudí's original designs, which, although they were not exhaustive and were partially destroyed, have been partially reconstructed in recent years.[23]
Since 2013, AVE high-speed trains have passed near Sagrada Família through a tunnel that runs beneath the centre of Barcelona. The tunnel's construction, which began on 26 March 2010, was controversial. The Ministry of Public Works of Spain (Ministerio de Fomento) claimed the project posed no risk to the church.[24][25] Sagrada Família engineers and architects disagreed, saying there was no guarantee that the tunnel would not affect the stability of the building. The Board of the Sagrada Família (Patronat de la Sagrada Família) and the neighborhood association AVE pel Litoral (AVE by the Coast) led a campaign against this route for the AVE, without success.[citation needed] In October 2010, the tunnel boring machine reached the church underground under the location of the building's principal façade.[24] Service through the tunnel was inaugurated on 8 January 2013.[26] Track in the tunnel makes use of a system by Edilon Sedra in which the rails are embedded in an elastic material to dampen vibrations.[27]
The main nave was covered and an organ installed in mid-2010, allowing the still-unfinished building to be used for liturgies.[28] The church was consecrated by Pope Benedict XVI on 7 November 2010 in front of a congregation of 6,500 people.[29] A further 50,000 people followed the consecration Mass from outside the basilica, where more than 100 bishops and 300 priests were on hand to distribute Holy Communion.[30]In 2012, Barcelona-born Jordi Faulí i Oller took over as architect of the project.[31][32] Mark Burry of New Zealand serves as Executive Architect and Researcher.[33] Sculptures by J. Busquets, Etsuro Sotoo and Josep Maria Subirachs decorate the fantastical façades.
Chief architect Jordi Faulí announced in October 2015 that construction was 70 percent complete and had entered its final phase of raising six immense steeples. The steeples and most of the church's structure were planned to be completed by 2026, the centennial of Gaudí's death;[14] as of a 2017 estimate, decorative elements should be complete by 2030 or 2032.[34][failed verification] Visitor entrance fees of €15 to €20 finance the annual construction budget of €25 million.[35] Completion of the structure will use post-tensioned stone.[36]
Starting on 9 July 2017, an international mass is celebrated at the basilica every Sunday and holy day of obligation, at 9 a.m., and is open to the public (until the church is full). Occasionally, Mass is celebrated at other times, where attendance requires an invitation. When masses are scheduled, instructions to obtain an invitation are posted on the basilica's website. In addition, visitors may pray in the chapel of the Blessed Sacrament and Penitence.[37]
The stone initially used in its construction came from the Montserrat mountain, but it became clear that as quarrying there went deeper, the stone was increasingly fragile and an alternative source had to be found. Since 2018 stone of the type needed to complete the construction has been sourced from the Withnell Quarry in Brinscall, near Chorley, England.[3
After relocating two of its three C424m’s to the rear of the train, the remaining unit leads the westbound Delaware & Hudson Griegsville salt train out of Hornell, New York. The entire train can be seen her, including the two units on the rear of the train. The former Erie Hornell shops can be seen in the distance, sporting a huge “GENERAL ELECTRIC“ sign. On this day, several Apache Railway C420’s were in the house.
Although I got a number of shots that I really liked on a recent visit to Hillside Park, here in town, I will only be posting two shots.
I know that it is best to keep images simple in most cases, and generally a strong image will have a definite subject that is dominant. Many times, including this one, I will want to include many subjects as a collection that help tell the story. Here I wanted to include the relocated pondside boulders, the open water of the pond, the hill and as much of the clouds as possible.
Winter tends to have three types of skies, completely overcast, completely clear, or clouds that are quite unimpressive. It is great to see interesting clouds and cloud formations again.
Because I have included so much, it is hard to control so many subjects and here I am not sure that I have attained a good balance. As always, I composed the best I could with what was presented. The light really was amazing as was that threatening cloud.
Sitting along the Northeast Corridor in Harrison, NJ under a fresh dusting of snow is a handful of AEM-7 AC rebuilds waiting to complete their trip to their new home in Connecticut for storage.
The night before there were nearly twice as many but due to a multiple lite engine restriction on Metro-North's New Haven Line the collection of retired motors had to be cut in half to complete the move.
Unassigned Power @ Hudson Yard, Harrison, NJ
AMTK AEM-7AC 905
AMTK AEM-7AC 941
AMTK AEM-7AC 917
AMTK AEM-7AC 919
AMTK AEM-7AC 920
AMTK AEM-7AC 908
AMTK AEM-7AC 935
A few short weeks ago I was photographing ducks, blackbirds, terns, frogs, Wilson's Snipes, and even an American Bittern in this small marshy area in Grasslands Park. When I visited yesterday, it was completely dry - not an unusual scenario as we segue into late summer, but nevertheless disappointing, and raising some concern in the dim recesses of my mind. This is an arid part of the prairie. Wetlands contain such biological diversity. I don't want to lose them.
Fortunately, by late July all birds have either concluded or are in the final stages of their reproductive cycle. This mama Northern Shoveler stashed at least three ducklings in among the cattails and sedges before boldly - and noisily - swimming over to check me out. I shot from my rolling red Toyota car-blind, with morning light behind me. My files contain thousands of shots from this precise location.
But what's going on with the wetlands? We're having a rainy summer, meaning we have been receiving a few mm to a few cm of rainfall per week. However, recent winters have produced very little snow; I know this because I have to shovel the stuff, and I've gotten off easy, of late. Contrast this with the winter of 2010-11 - the year before I relocated here full time. I was out on the west coast, wrapping up business there. Friends stayed in my house that winter, while renovating their own new digs on the edge of the village. Like me, they came from another part of the country. "Prairie winters here are cold, but there isn't much snow," I had told them.
Naturally, it snowed and snowed that winter; it wouldn't stop snowing. Long-time residents said it was the deepest snow pack in 50 years. The park's resident Pronghorn herd was wiped out. The largest hibernaculum (snake den) in the area collapsed, killing a lot of snakes. Deer were wandering into the village, dying of starvation. And all the nearby wetlands, ditches, sloughs, ponds, and dugouts were topped up for years to come. The following summer, I saw Horned Grebes nesting and raising their young in the park, for the first and only time. Waterfowl and shorebirds were plentiful. So were mosquitoes.
Since then, we have slipped back into a relatively dry cycle. The wetlands are drying up. Will they be renewed? Or is this the new normal? And if the latter, to what extent is it the result of widespread climate change? Obviously no one can answer these questions definitively, and as a photographer I can only observe and report. And speculate.
Photographed in Grasslands National Park, Saskatchewan (Canada). Don't use this image on websites, blogs, or other media without explicit permission ©2020 James R. Page - all rights reserved.
With Canada Day and the concomitant fireworks coming, I decided to experiment with previous fireworks photos. I took a 2023 fireworks photo from one location and merged it with a daylight phone photo from 2026 from another location. Obviously, I darkened the daylight photo.
HSS
©AnvilcloudPhotography
Building the Intercolonial Railway back in the 1860s and 1870s was not for the faint of heart. ICR Chief Engineer Sanford Fleming endured more than a decade of engineering challenges in order to link Halifax with the western markets of Quebec City and Montreal.
A few site were more complicated than others like this one, located a mile and a half west of St.Noël, Fleming, in order to save the cost of building a bridge over Tartigou River, had it's construction crew bore a tunnel thru the rock in order to reroute the river away from the not yet constructed roadbed.
Talk about ingenuity !
The rock debris, issued when ICR crews pierced the roadbed thru the same rock cut, was used to stabilize the embankment along with keeping an acceptable rolling grade.
I made the walk -in heavy rain no less- from St.Noël to the tunnel on a cold autumn day, hoping to catch Campbellton-bound L562 passing the site of one of Fleming's legacy.
CN L56221-21
2294 8845
Milepost 85.6 Mont-Joli subdivision
St.Noël,QC
October 21st 2025
In the mid-15th century, Bauska castle was built by the Germans of the Livonian Order. A small town called Schildburg grew on the narrow peninsula formed by the Mūsa and Mēmele rivers. Around 1580 by the order of Duke Gotthard Kettler this settlement was relocated to the present location of Bauska Old Town, eventually receiving city rights sometime before 1609.