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Not only track organizations, but also who works (or has worked) for those organizations and who specific infividuals have relationships with. For more information, see openconcept.ca
Sex addiction can consume you in ways you cannot imagine, it can result in loss of meaningful relationships and rising expenses when you give up on courting altogether and seek pleasures of the flesh for a price.
First Thursday, November 6, 2014.
Photographs By Jennifer Hughes
PNCA presents a variety of exhibitions on campus:
Eva and Franco Mattes: Breaking Banality: The Dysfunction of Remediation
Nov 6, 2014 – Jan 10, 2015
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series “BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
Last Call: 2014 PNCA Staff Exhibition: Swigert Commons
Nov 6, 2014 – Nov 22, 2014
The artists and designers who make up the staff at Pacific Northwest College of Art (PNCA) are among the Portland’s most dedicated practitioners. While as a group they are diverse in their creative endeavors, they are united in their drive for a continual exploration of creative practice. The Staff Exhibition celebrates and showcases the rigor, invention, and excellence of those explorations in an exhibition that highlights the diversity and collective nature of the PNCA staff.
PNCA's Veterans Exhibition: Higgins Gallery
Nov 6, 2014 – Nov 23, 2014
PNCA’s first ever exhibition of its current students, staff, and faculty who served in the United States Military. A diverse group in their chosen mediums and topics, this exhibition showcases a variety works made from PNCA’s Veterans. Held in connection with the November 11th Veterans Day holiday.
Roger Peet: Traps, Flows, Echoes: Gallery 214
Nov 6, 2014 – Nov 28, 2014
Portland artist Roger Peet will open a show of new installation, video and print work in Gallery 214 at PNCA on the 6th November. The show, entitled “Traps, Flows, Echoes” focuses on the idea of the trap, in both the physical and cultural realms. Much of the show will focus on Peet’s relationship to the Democratic Republic of Congo, where he has worked for several seasons to promote community conservation through art. Some of the work addresses Peet’s complex relationship with his father, who faked his death to go AWOL from the British Air Force and to fly helicopters for the CIA’s interventions in Congo in the 1960’s, an event which Peet recreates in a video collaboration with Portland director Jodi Darby. In his travels and work in Congo, Peet experienced first hand the disastrous consequences of the history his father had helped to shape, and this show will contain vivid and evocative print, installation, and sound pieces that evoke the trauma and brutality of that trap of history, as well as the ways that he and the friends that he made in Congo are trying to get out of it. The work also features sound collages and poetry by Portland MC Mic Crenshaw.
Roger Peet is an artist, writer and printmaker in Portland, Oregon. His art focuses on civilized bad ideas, evolution and extinction, predator-prey relationships, and the contemporary crisis of biodiversity and what can and can’t be done about it. He is a member of the Justseeds Artists’ Cooperative (justseeds.org), a group of socially and environmentally engaged North American artists, and collaborates with activists, artists and scientists across the globe in the service of a more generous and a wilder world. His website is TooSphexy.com.
This project was produced with the generous assistance of the Regional Arts and Culture Council.
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Spc. Joshua Rojas hangs out with local Afghan children in the Bagram Bazaar, June 7, Parwan, Afghanistan. U.S. Army soldiers pass through the area to gather any concerns within the area from local vendors and children. (Joint Combat Camera Afghanistan, Photo by Sgt. Corey Idleburg)
Violence or other bullying behaviour wouldn't be tolerated on a first date. Don't tolerate it within a relationship.
Models: George Dicks and Jaz
Violence or other bullying behaviour wouldn't be tolerated on a first date. Don't tolerate it within a relationship.
Models Jaz and George
The community vegetable garden is based within the social housing of Foyer Du Sud and Resto Du Coeur de Saint Gilles. Urban gardens allow people to use their free time to help a good cause and to improve their relationships with the people in their neighbourhood, encourage the exchange of knowledge, and allow people to increase their knowledge of the food that they are eating. Urban gardens allow otherwise unused and abandoned land to become a well-used part of the community. Bloomberg Volunteers helped to clear and prepare the plots for planting as well as planted some fruit trees.
This panel shows the habitual family strategy of "good is bad" which has become "love is hate". See whole painting at: flickr.com/photos/21702692@N05/2169850922/
Flirtations with Holga (my first). One relationship that I actually have a good feeling about -- strange, I feel similarly about the family as well. The Lomoverse -- eccentric, wondrous, & so forth! Ah, love... Anyway, these are, again, my first posted Holga results -- you can also find them here. As always, thank you for taking a look. ^_^
I N G R E D I E N T S
1. First Holga 8.2k5, 2. 923 First Holga rolls - HI [multiple exposure mess, scan 0010], 3. 923 First Holga rolls - Boat Parking [multiple exposure mess, scan 009], 4. 923 First Holga rolls outtake - 2 art teachers and a studio [mess, scan 0017], 5. 923 First Holga rolls - Boat Parking [multiple exposure mess, scan 0012], 6. Holga scan0001 8.23 Number Fifteen, 7. Holga scan0001 8.23 - 14 to 7: An Abstract Painting, 8. 923 First Holga rolls - Hydrant multiple exposure mess scan 008, 9. 923 First Holga rolls outtake - We Have the Technology, We Can Rebuild Him [from the mess of scan 0014], 10. 923 First Holga rolls outtake - Abstract Painting 13 [from the mess of scan 0018], 11. First Holga Shots - A view of the burg [from the mess of scan 0015], 12. First Holga Shots outtake II [from the mess of scan 0016], 13. First Holga Shots outtake [from the mess of scan 0013], 14. Closed For Season [Holga accident], 15. Stormy Weather -- from the mess of scan0007 [Holga test II], 16. Grace [Holga Test II]
Under the Swastika
In the history of the Friends of the Kunsthalle too the seizure of power by the Nazis is a deep cut. The Nazi regime developed a practice of arts funding which was marked by the mandatory relationship of art and state.
The enforced conformity of friends meant the loss of independence and the orientation of the association's activities to the objectives of the National Socialist government. Decisive for this change of course, was the board meeting on 10 June 1933. The poet and art historian Wilhelm Niemeyer played the key role as the representative of the Militant League for German Culture (Kampfbund). The Kampfbund was a Nazi-oriented organization which represented a nationalist-racist concept of art. Although Niemeyer since 1927 no longer belonged to the board of the association, he participated against the resistance of Gustav Pauli and the other board members at the meeting to introduce a list of the Executive Board drawn up by the Kampfbund.
As a result of the meeting Pauli on the same day sent a list of candidates for the election of the new board of the Friends to the Kampfbund. This was his last official act for the Friends of the Kunsthalle. The new board then was no longer elected but appointed by the First Mayor Carl Vincent Krogmann and was completely re-assembled, with two exceptions.
New chairman became Hermann Maetzig who also headed the official business at the Kunsthalle from the beginning of October, Pauli in late September 1933 as director of the Kunsthalle was sent into retirement. On the part of the club members, there was no opposition against the replacement of the Board, they confirmed this one after a short debate on their general meeting on 31 October 1933.
The era Maetzig did not last long. Already in April 1934, he had to give up all offices for belonging to the Freemasons. His successor Wilhelm Freiherr Kleinschmit of Lengefeld remained until August 1937 executive director of the Kunsthalle and Chairman of Friends. In the action "degenerate art" to which the set up by Pauli collection of modern art in the summer of 1937 fell victim he did not participate. However, in the tenure of Kleinschmit fell the exclusion of Jewish club members. This marks the blackest chapters in the history of the club.
At the beginning of 1936, the Statute of friends was officially completed by an "Aryan paragraph". But already at the end of the fiscal year 1935, the Jewish members had been forced to leave the club. In September 1935, the new program of events was sent with a message of Kleinschmit. It was said there, the membership card will be issued only to those persons who signed a statement that they were "Aryans".
Alone in September and October 1935, 29 Jewish donors, so financially particularly committed members, had to leave the club. Among them are such famous names as Bleichröder, Budge or Warburg. In addition, there were also about 100 regular members who had been excluded. Against this background is hardly surprising that the number of members of the Friends in 1936 with 1,124 members reached a historic low.
The lecture program of friends during the Nazi period designed primarily Wilhelm Niemeyer, who was secretary of the association since August 1933. As already Pauli, he also succeeded to win a number of known German art historians. Speeches were held by university professors as Hans Jantzen, Hans Kauffmann or the befriended with Niemeyer, Wilhelm Pinder. Although the Kunsthalle was closed at the beginning of World War II to the public, the friends continued to offer lectures. Those ones, however, unlike as in the days of the Weimar Republic, as regards contents offered only little direct references to the collection fund of the Kunsthalle.
Unter dem Hakenkreuz
Auch in der Geschichte der Freunde der Kunsthalle stellt die Machtergreifung der Nationalsozialisten einen tiefen Einschnitt dar. Das NS-Regime entwickelte eine Praxis der Kunstförderung, die durch die zwangsweise Verbindung von Kunst und Staat gekennzeichnet war.
Die Gleichschaltung der Freunde bedeutete den Verlust der Selbstständigkeit und die Ausrichtung der Vereinsaktivitäten auf die Ziele der nationalsozialistischen Regierung. Entscheidend für diesen Kurswechsel wurde die Vorstandssitzung am 10. Juni 1933. Der Dichter und Kunsthistoriker Wilhelm Niemeyer spielte als Repräsentant des Kampfbundes für deutsche Kultur die maßgebliche Rolle. Der Kampfbund war eine NSDAP-nahe Organisation, die einen völkisch-rassistischen Kunstbegriff vertrat. Obwohl Niemeyer seit 1927 nicht mehr dem Vorstand des Vereins angehörte, nahm er gegen den Widerstand Gustav Paulis und der übrigen Vorstandsmitglieder an der Sitzung teil, um eine vom Kampfbund erstellte Vorstandsliste einzubringen.
Als Ergebnis der Sitzung schickte Pauli noch am selben Tag eine Vorschlagliste für die Wahl des neuen Vorstandes der Freunde an den Kampfbund. Dies war seine letzte Amtshandlung für die Freunde der Kunsthalle. Der neue Vorstand wurde dann nicht mehr gewählt, sondern vom Ersten Bürgermeister Carl Vincent Krogmann bestimmt und war bis auf zwei Ausnahmen völlig neu zusammengesetzt.
Neuer Vorsitzender wurde Hermann Maetzig, der ab Anfang Oktober auch die Amtsgeschäfte in der Kunsthalle leitete; Pauli wurde Ende September 1933 als Direktor der Kunsthalle in den Ruhestand versetzt. Von Seiten der Vereinsmitglieder gab es keinerlei Widerstände gegen die Neubesetzung des Vorstandes, sie bestätigten diesen nach kurzer Aussprache auf ihrer Mitgliederversammlung am 31. Oktober 1933.
Die Ära Maetzig währte nicht lange. Bereits im April 1934 musste er wegen seiner Zugehörigkeit zu den Freimaurern alle Ämter aufgeben. Sein Nachfolger Wilhelm Freiherr Kleinschmit von Lengefeld blieb bis August 1937 verantwortlicher Leiter der Kunsthalle und Vorsitzender der Freunde. An der Aktion „entartete Kunst“, der im Sommer 1937 die von Pauli aufgebaute Sammlung der Moderne zum Opfer fiel, war er allerdings nicht beteiligt. In Kleinschmits Amtszeit kam es jedoch zum Ausschluss der jüdischen Vereinsmitglieder. Dies markiert das schwärzeste Kapitel in der Geschichte des Vereins.
Zu Beginn des Jahres 1936 wurde die Satzung der Freunde offiziell um einen „Arierparagraphen“ ergänzt. Doch bereits am Ende des Geschäftsjahres 1935 hatten die jüdischen Mitglieder den Verein verlassen müssen. Im September 1935 wurde das neue Veranstaltungsprogramm mit einer Mitteilung Kleinschmits versandt. Dort hieß es, die Mitgliedskarte werde nur an solche Personen ausgestellt, die eine Erklärung unterschrieben, dass sie „ arischer Abstammung“ seien.
Allein 29 jüdische Stifter, also finanziell besonders engagierte Mitglieder, mussten im September und Oktober 1935 den Verein verlassen. Unter ihnen finden sich so berühmte Namen wie Bleichröder, Budge oder Warburg. Hinzu kamen noch ungefähr 100 ordentliche Mitglieder, die ausgeschlossen wurden. Vor diesem Hintergrund verwundert wenig, dass die Mitgliederzahl der Freunde im Jahr 1936 mit 1.124 Mitgliedern einen historischen Tiefststand erreichte.
Das Vortragsprogramm der Freunde während der NS-Zeit gestaltete in erster Linie Wilhelm Niemeyer, der seit August 1933 Schriftführer des Vereins war. Wie bereits Pauli gelang es auch ihm, eine Reihe bekannter deutscher Kunsthistoriker zu gewinnen. Es sprachen Universitätsprofessoren wie Hans Jantzen, Hans Kauffmann oder der mit Niemeyer befreundete Wilhelm Pinder. Obwohl die Kunsthalle mit Beginn des Zweiten Weltkrieges für das Publikum geschlossen wurde, boten die Freunde weiterhin Vorträge an. Diese wiesen allerdings – anders als zu Zeiten der Weimarer Republik – inhaltlich nur wenig direkte Bezüge zum Sammlungsbestand der Kunsthalle auf
freunde-der-kunsthalle.de/meta/ueber-uns/geschichte/unter...
My boyfriend and I took some photo's for possible Christmas card ideas. These are the one's that didn't get picked but they turned out really cute!
The Principles on the Accountability of the and the Relationship between the Three Branches of Government, an important document in its own right, it is also significant as the product of collaboration between Commonwealth civil societies and the intergovernmental level.
Blogged in The Woodwork: Collapsing the female wave function.
Terry Chay is in a relationship with his camera, and it’s complicated.
(Yes, it took two minutes to figure out how to change my relationship status.)
Sophomore Gabrielle Stuart has been dating her boyfriend Nathan for two and a half years. At the beginning of the semester he moved to North Dakota for work making their relationship long distance. (Photo | Shannon Millard)
♫My love don’t cost a thing♫
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Flickr: sugarhiccuphiccup
1. Attempt to set a Guinness World Record.2. Get lost, on purpose. 3. Answer this New York Times...
snapymag.com/68-totally-free-date-ideas-youll-actually-wa...
Abusive Relationship Stock Photo
When using this photo on a website, please include an image credit for www.mayberryhealthandhome.com.
For Example: [Photo credit: Mayberry Health and Home]
This is a window that just allows you to edit the scope of the relationship. For more information, see openconcept.ca
Students in EECS 481 Software Engineering listen to Professor Wes Weimer as he teaches them about communication skills for programers at the George G. Brown Laboratories on the North Campus of the University of Michigan in Ann Arbor on Tuesday, October 25, 2022.
Weimer referred to the days lecture as “talking about talking,” wherein programers learn to better communicate with customers about what the desired system is and what the customer wants it to be. The lecture was spread out over two days to encompass requirements which articulate the relationship and interface between a desired system and its environment, distinguishing between functional and quality requirements, as well as informal and verifiable requirements. “That’s going to be the challenge for today and Thursday, how to get thoughts out of one person’s head, into another, by talking. It’s harder than it sounds.”
Photo: Brenda Ahearn/University of Michigan, College of Engineering, Communications and Marketing
There are just some things that girls do that guys love. Some are the cute and adorable quirks that you have while others are more about how you act when together. Visit Rendezvousmag.com #thingsgirlsdothatguyslove #datingtips #datingideas #love
...a candid portrait of a mother and child, in the heart of rural Madhya Pradesh, Central India
(© Handheld Films 2014)
Central World Shopping Centre.
Direct marketing and customer relationship management, PAD style...
Bangkok Post
20th October 2008.
The People's Alliance for Democracy (PAD) gathered Monday morning near Central World shopping mall in the heart of Bangkok to distribute leaflets and video discs (VCDs) critical of the bloody police crackdown against demonstrators on October 7.
However, not many supporters of the anti-government group assembled in front of Central World when compared to its gathering in Silom and Sathorn business districts last Friday.
Many demonstrators, including street vendors, were wearing headbands with a Thai flag and making noises with plastic clappers, while the PAD was using about five vehicles with loudspeakers to publicise their anti-government campaign in front of the venue.
At the same time, security guards of Central World near the Royal Thai Police Headquarters were using steel fences to prevent the protesters from demonstrating inside the shopping mall.
However, the protesters led by the PAD did not move near the police headquarters, as the pro-government United Front of Democracy Against Dictatorship (UDD) supporters were planning to gather there as well, and clashes between both sides could break out.
PAD core leader Pibhob Dhongchai earlier reasserted that his group distrusted the government-appointed committee now probing on the causes of the October 7 incidents due to reports that the government tried to intervene and remove some of the 'straightforward' committee members.
Mr. Pibhob said the PAD trusted the findings of the National Human Rights Commission, a respected neutral body, which announced Friday that the government was responsible for having given the order to disperse, while the police were responsible for carrying out the action.
He said the group would rather entrust an independent investigative committee which could be set up by parliament and be comprised of members of the House of Representatives and senators, including the Opposition.
This picture sits in a set -
PAD March from Central World to Wittayu Road, 20th October 2008.
Curated by critically acclaimed author and life-long Savile Row aficionado, Nick Foulkes, the exhibition centres on the special relationship between Savile Row and the United States. It focuses on important commissions from famous Statesmen and Hollywood legends through to customers of today.
Photo by: Greg Kahn/Getty